Showing posts with label Silver Swan. Show all posts
Showing posts with label Silver Swan. Show all posts

Monday, August 1, 2022

Wonder Woman Giant 2020

Episode #22


Look for us on iTunes, Anchor or the Internet Archive, where you can also directly download an art-tagged MP3.


Not quite two years later, Frank returns with special guest Jeffrey Brown (They/Them), who has also been waiting a couple years to hear this audio. A lengthy, roaming conversation on all things Amazing Amazon, including omnibuses, animation, and action figures.

We don't have a Magic Sphere, so if you want to communicate with us about the podcast...

Monday, January 16, 2017

Podcast: DC's Wonder Woman 75th Anniversary Special (2016)

Episode #9


Look for us on iTunes, ShoutEngine or the Internet Archive, where you can also directly download an art-tagged MP3.



Along his way to covering DC Comics' special issue released to commemorate the Amazing Amazon's three-quarters of a century in action, Diabolu Frank lost his way and stumbled into so many outtakes from the 75 Birthdays-- The Secret Origins of Wonder Woman episode recording sessions that it became a second special its own self.

R.S.V.P. Attendees
We don't have a Magic Sphere, so if you want to communicate with us about the podcast...

Tuesday, February 18, 2014

2014 "Fan-Casting DC's WONDER WOMAN" by Ryan Daly



Ryan "Count Drunkula" Daly of the Black Canary blog Flowers & Fishnets has played casting director for a Warner Brothers Amazing Amazon film! Being a typical nitpicky Wonder Woman fan, I will now pick nits. After all, I've been doing my own glacially paced fancasting on this blog that is above reproach highly dubious.

Admittedly, three years on, my pick of Jessica Biel as Diana Prince would probably be swapped out for the more popular selection Olivia Wilde, who is stunningly similar box office poison who would surely take the same popcult deflation as poor Gal Gadot's bosom. I'm not ready to join Daly on the Bridget Regan wagon, another oft-mentioned option, because I find her as boring as many fans dismissively disregard Diana. Likewise, I've been struggling to deal with the Xenafication of Diana since the '90s, so mentioning Lucy Lawless in any related context sets me off. I'm relieved she aged out of the main role, but I don't welcome her as Hippolyta, either. I haven't picked a viable option of my own, so we'll stick with honorary standby Lynda Carter for now.

Anna Popplewell grew up well, but still strikes me as too much of a toothy, befreckled, girl next door type for the statuesque Donna Troy. While probably a bit too old now, I went with Minka Kelly. I've never heard of Skyler Samuels, and she'd be too hot for the old school tomboy Cassie Sandsmark of Young Justice but seems perfectly suited for the Geoff Johns maturation of the young heroine of the aughts onward.

I'm going to make you visit Daly's heroes page for his choice of Steve Trevor, who he wanted to represent masculinity before the Amazons. I pegged Justin Timberlake (an In Time reunion?), so I was obviously going for a different thing. Fifteen years ago when nobody knew who Melissa McCarthy was, she would have been a perfect Golden Age Etta Candy. Daly chose someone more appropriate for today, but not too much less visible.



On to Villainy Incorporated! Lena Headey would inarguably suit Dr. Barbara Minerva, and would ham it up as the Cheetah. I felt strongly enough about Rhona Mitra to accidentally write her up twice (and have to later consolidate the entries.) She's a might bit Deborah Domaine though, an advantage for Headey. Meanwhile, I can see where Daly was going with Ares, but when a role amounts to voice acting, don't offer a Greek God with a Texan drawl. Conversely, Giganta is about visuals over vocals, so choosing a shapely actress above all isn't a problem.

I'm as big a Twin Peaks fan as the next nerd, but Michael J. Anderson is so far off the mark that it makes me take exception. Besides being a decade long AARP card carrier, Anderson's career has been defined by an essential humanity Dr. Psycho lacks. Peter Dinklage is a great actor who I want to see get some of that sweet comic book movie money, but there's a paucity of options available. Do we really want to waste The Dink on Oberon?

I can't comment on Daly's Circe, Doctor Poison or Silver Swan, since I'm unfamiliar with their work, though it's amusing that two of them are associated with Hannibal Lecter. He's more true to the Golden Age than I was, with my second hand suggestion of Pauley Perrette for Dr. Poison. Good on Ryan for stumping me!

Count Drunkula Casting Department

Saturday, October 8, 2011

DC Retroactive: Wonder Woman - The '80s #1 (DC, 2011)



A young girl was nearly run down in the street by a luxury sedan barreling through a red light at her. The car was caught and flung about by Wonder Woman, who learned the man responsible was some fat cat who felt above the law. Diana inflicted grievous bodily harm on the man and his driver, which even under the circumstances came across as excessive. Good thing Wonder Woman could just fly off before any police looked at her cross-eyed.

Major Diana Prince (she got promoted) returned to work at the Pentagon, and nagged Etta Candy about not sticking to her diet. No sooner had she arrived than a news report about the earlier incident sent her right out the door again. You see, that Wonder Woman was not Diana Prince. The Amazing Amazon was soon in her invisible robot plane, searching for her impersonator.

Inside a water tower, the "little ersatz Amazon" returned to the concealed lab of Dr. Psycho. A few weeks earlier, a plot by Ares to kill Wonder Woman through his newly created proxy Silver Swan had overlapped with Dr. Psycho's exploitation of Steve Trevor to create a perfect body for himself. Both plots ended in defeat. Silver Swan was left the powerless ugly duckling Helen Alexandros, but Dr. Psycho recognized that she still had usefulness. Using his Electroplasmotron, Psycho temporarily turned Helen into Wonder Woman, and promised to make the change permanent for a price.



Colonel Steve Trevor paid a visit to Major Prince's office, but finding her absent, asked Lieutenant Candy's advice: "How do I make Wonder Woman fall in love with me?" Etta had no answers, and with his efforts frustrated, Trevor blew off steam joyriding in a fighter jet.

Dr. Cyril Psycho's certified I.Q. of 237 had allowed him to devise a device to observe the invisible plane clearly. With the Electroplasmotron fired up, the false Amazon could pursue the true one. Further, if Alexandros were to kill the real Princess Diana, Helen could permanently absorb her essence. That's not to mention Alexandros' retaining some of her powers of flight from Ares, making her "Wonder Woman two-point-o!" Well, except Helen still bore the old eagle breastplate, while Diana had moved on to the "'Winged-W' sigil." The predictable fight ensued, with the unwanted telepathic encouragement of the doting Dr. Psycho in the former Silver Swan's head.



Diana had the advantage of experience, but Helen had more raw power. The deal-breaker was the invisible plane, spinning out of control, on a collision course with Steve Trevor's jet. Helen insisted on being the one to save him, recalling her infatuation with Captain Wonder. However, Helen was reminded that Steve was "only the pale prototype Psycho used to create him," and tossed the Colonel aside.

Diana had used Helen's reliance on brute force and lack of forethought against her, recalling the robot plane and catching Steve Trevor in midair. Since Psycho had experimented on him, Steve couldn't get Wonder Woman out of his mind, but assumed she could never love a man that she had to rescue all of the time. While Steve sulked, Helen smashed into Dr. Psycho's lab, sneering over her unwillingness to follow through on their deal. Rather than becoming the trophy wife of Psycho as agreed, Helen admitted that she was only ever in it for Captain Wonder, and in his absence, she was out. Dr. Psycho pleaded with her, but was backhanded for his simpering. Helen believed that she could still kill Wonder Woman, take her place, and search out a truly worthy mate. She shouldn't have showed her hand to Psycho prematurely then, because he caused the Electroplasmotron to self-destruct. The explosion killed Dr. Psycho, and the sudden loss of its power sent Helen Alexandros falling to her own death. Unable to hear her screams as the robot plane flew on, Steve Trevor noted, "Who could ever be a threat-- to the one and only Wonder Woman?"



"Double, Double..." was by Roy Thomas, Rich Buckler, Tim Smith 3, Carlos Rodriguez, Joe Rubinstein, Jack Purcell, and Norman Lee. That's six artists for twenty-six pages of story. It starts out pretty well with Buckler and Rubinstein offering an unusually ripped but otherwise classic Bronze Age Wonder Woman. Thomas' script is cute, drawing on plot threads left over from his run, although he clearly should have reread his own scripts. He seemed to forget how his creations worked, and amidst all the flashbacks might have explained how the villains were reunited. Unfortunately, the good artists ditch on page fourteen with seriously cruddy replacements in the second half. If fact, the art is so terrible, I suspect Thomas had to rewrite those pages, because the story quality seems to deteriorate around the same point into a dunderheaded slugfest. The grim coda is jarring, in part because Rubenstein returns to own those last two pages. A nasty little retroactive cap on Thomas' run.

DC Retroactive

Sunday, October 2, 2011

Wonder Woman #290 (April, 1982)



Silver Swan tore through a brick wall to get into Dr. Psycho's lab in Virginia, intent on murdering Colonel Steve Trevor and Wonder Woman. Setting her beau on an operating table (and setting aside a flashback for late arrivals,) Wonder Woman explained, "We don't have anything to fight about, Swan-- not unless you want to give me good reason by trying to carry out your threat. But I'm warning you, lady... if you do, I'm more than ready to take you on!" Swan asserted that Diana and her boyfriend were living on borrowed time, "and I've just called in the debt!"

If she had to fight a madwoman, Wonder Woman was set on doing it outside, so as not to harm Steve. The pair engaged in midair wrestling, but Silver Swan easily shook the Princess off, and there were no strong air currents for her to glide upon. Wonder Woman instead relied upon her robot plane for salvation, grabbing a wing before turning back to lasso Swan. The Silver Swan was compelled to obey the Lasso of Truth, halting the fight.

Meanwhile, Dr. Psycho was infatuated with the Silver Swan on sight, like most men. "I've hated women my whole life, just as they've hated my hideous countenance. But I feel the strangest... compulsion... to aid her..." Although he was unable to affect permanent change without his equipment, Psycho's ectoplasmic powers still worked through the medium of Steve Trevor's unconscious mind, so that Captain Wonder was reborn. "I'll deliver the Silver Swan from Wonder Woman's power, and then the woman will be mine. For what woman could resist me in this form... one of such beauty and power...?" Possibly because every single design flaw in Wonder Woman's costume was magnified a hundredfold by the ambiguously gay Captain Wonder?



The Psycho Wonder sucker punched Wonder Woman right off her plane, freed Silver Swan, then caught the Amazing Amazon in her own lasso. Swan thought the Captain was magnificent. "My whole life, men have disappointed me... I was... the ugly duckling-- too hideous for them to even consider loving me! ...I hate men for what they've done to my life..." Despite their jaundiced appraisals of the opposite sex, it was "love" at first sight for Silver Swan and Captain Wonder, Psycho finding Swan lovelier than even his departed wife Marva.

Wonder Woman, Swan and Psycho had all had lengthy flashbacks, so Steve Trevor demanded his turn. He dreamed of his mission, begun on Trevor's parallel Earth of origin, from which he flew a jet through a vibrational barrier to Earth-1. Existentially, Trevor was aware that he was not of this Earth, but he was held fast upon meeting his angel, the Amazon Princess...

Mars was sorely displeased that Silver Swan had yet to complete her mission, and compounded his demands. Besides killing Princess Diana, "I wish you to destroy it all-- their President and this puny monument to their pretensions of power!" By this he meant that he wanted the robot plane to make a kamikaze run on the White House, where President Ronald Reagan and First Lady Nancy were walking the grounds with Secret Service agents. None were appropriately responsive to the thunderous invisible missile aimed for them, as the game Captain Wonder carried on with Silver Swan.



Steve Trevor began to wake from his dream, destabilizing Captain Wonder. Wonder Woman sensed his vulnerability, and yanked Captain Wonder off the wing of her plane by the lasso used to drag her along. The Captain fell through the branches of a wooded area, protecting Dr. Psycho long enough to survive before his ectoplasmic construct dissipated. Wonder Woman saw this from above, and with stronger winds near the White House, was able to glide back toward her jet. However, Silver Swan caught her from behind, savagely tearing at the back of Wonder Woman's head with her fingernails. However, this afforded the Amazing Amazon a grip on the psychotic siren, an advantage she pressed until she batted Silver Swan to the ground. Dr. Psycho was as horrified by the "bone-shuddering" thump of Swan's body as she had been at the apparent demise of her newfound "love."

Agent Tomkins ordered President Reagan to "hit the dirt," but Wonder Woman's telepathic rapport with her robot plane allowed her to halt it before damage could be done. "Well. So that's this Wonder Woman I've heard so much about... I can't say as I much care for her method of dropping by to say hello, though..."



Mars was upset. "With all thy power, still you grovel in the dirt in the humiliation of defeat!" Helen Alexandros protested that the fight wasn't finished, but Mars found her unworthy of being the Silver Swan, and stripped away her powers. Helen hoped to find consolation in the arms of Captain Wonder, but instead discovered Dr. Psycho. Their eyes locked across a clearing, "but you see this time not the spark of love... and as one, you shudder-- before hurrying apart... in search of that which never truly existed-- a beauty that's forever gone." Wonder Woman didn't have time to capture either of them, hurrying back to Steve Trevor, whose "lovely angel" had finally enabled him to resolve the cosmic tug-of-war that had threatened his life.

"Panic Over Pennsylvania Avenue!" was by Roy Thomas, Paul Kupperberg, Gene Colan, and Romeo Tanghal. I had no idea that there was a change in scripting duties until I checked the credit box for this review. Despite the excess of flashbacks, this was a good issue that brought home the reason for mingling the Silver Swan and Dr. Psycho stories. Hell, for all I know, that contrast and the villains' aesthetic hypocrisy may well have inspired Silver Swan's very creation!

The Bronze Age

Thursday, September 22, 2011

Wonder Woman #289 (March, 1982)



While flying over the Bermuda Triangle, Wonder Woman spotted a Russian fishing boat being attacked by a "gigantic, many-armed Kraken." She lassoed a tentacle while riding the wing of her jet, hoping to compel the beast to her will. The Kraken proved too brainless to be controlled, but still managed to catch Diana with another tentacle. The Amazing Amazon ripped herself free, then dove into the ocean to take the fight to the monster. It began to flee, but she wasn't done teaching the Kraken a lesson, tying one of its tentacles into a knot. As for the Russians, "If you want to thank me, comrade, you can ask your government to cut down its trawling activities a little-- so that you and the Japanese leave a little sea food for the rest of the planet. Hola... and fare well!" Diana of course spoke their native tongue.

The invisible robot plane continued on to Paradise Island, obscured at the heart of the triangle. Hippolyta and Paula were giving their kangas some exercise, or in the queen's case, Diana's neglected Jumpa. The Princess feared her beloved Steve Trevor might be dying, and a surprised Hippolyta demanded that she bring him to the island at once for treatment under Paula's purple healing ray. This permission was exactly why Diana had made the trip.

Back in Washington, D.C., Wonder Woman dove off the wing of her robot plane and soared through her bedroom window. As Captain Diana Prince, our heroine learned from Etta Candy that new roommate Helen Alexandros was a great cook before the three headed to the hospital to check on Steve. Prince was shocked to learn Colonel Trevor had been signed over to a private doctor by the top brass. A nurse explained that he was "A real weirdie, Captain... 'Doctor Psycho'! Funny-lookin' little guy, too!" Etta and Helen shared a cab home, the former wanting to catch An American Werewolf in London, the latter bowing out of the cab early. Diana Prince had a plane to catch...



In the hills of Virginia sat a veritable castle owned by Doctor Psycho, his surname created when "a semi-literate immigration officer shortened my grandfather's Greek name..." This was apparently the first Earth-One version of the villain, who thirty years earlier was the butt of schoolboy mockery and schoolgirl sneers. Even onto his brilliant medical school career, he was still looked upon as a freak. Lovely Marva had screamed slightly on first encountering him, but eventually embraced Psycho as a friend. The Doctor wanted more, and through his mesmeric research, managed to hypnotize her into loving him...

"That's when I discovered I had the unique power to use Marva as a medium-- one through whom I could bring living substance out of the spirit world!" Psycho could create tangible ectoplasmic illusions using matter from the spirit world. Dr. Psycho became handsome to all-- so long as Marva was in his presence. "Perhaps I did come to hate Marva a bit, because I was so dependent on her, even for my self-esteem. I weeped when she died, though... so I couldn't have caused her death, now, could I? It was she who stepped in front of that car... I was nowhere around. Even the jury that acquitted me saw how grief-stricken I was over her demise." Dr. Psycho mesmerized other women, either with his hypnotism or his checking account, but it was never the same. That was, until he located another medium: Colonel Steve Trevor! Working with his hunchbacked assistant Melvin, Psycho planned to use Trevor in a test run of his Electroplasmotron device.



Batting aside heavily armed guards, Wonder Woman burst onto the scene. Having heard everything with her Amazon-trained hearing, Princess Diana was fighting mad. However, with Psycho's machine in operation, the Doctor transformed himself into an idealized version of Steve Trevor garbed in a (somewhat) masculine version of Wonder Woman's costume. "Captain Wonder" had all the power Trevor thought Wonder Woman had, which meant his construct was actually stronger than the real thing. Worse, Wonder Wonder woman kept pulling her punches against this vision of the man she loved. Regardless, the Amazing Amazon was the better fighter and strategist, hurling Captain Wonder into the Electroplasmotron. Besides disabling the device, it also woke Steve Trevor up, evaporating Psycho's illusion. Just as Dr. Psycho was under control and Steve Trevor free, Silver Swan burst onto the scene, intent on murder!

"His Name is Psycho!" was by Roy Thomas, Gene Colan, and Romeo Tanghal. Aside from the new, peculiar origin of Dr. Psycho, there really wasn't much going on in this issue. As much as I enjoyed all the balls tossed up in the air last issue, veering off into the Psycho story felt like a distraction from the Silver Swan one, and obviously the kraken was thrown in as filler. That trip to Paradise Island was just plain dumb, which explained Hippolyta's incredulous reaction, and reflects poorly on Wonder Woman. The plot has overwhelmed her time management skills and good sense!

The Bronze Age

Wednesday, August 31, 2011

Wonder Woman #288 (February, 1982)



I thought I owned DC Comics Presents #41, which featured the 16 preview premiere of "The Sensational New Wonder Woman" creative team of Roy Thomas, Gene Colan, and Romeo Tanghal. If I do, it's gone missing, so it's a good thing their recap explained that Captain Diana Prince and Colonel Steve Trevor had been attacked by enemy agents. Trevor was injured, but managed to pass a briefcase of secret documents for Prince to escape with. Wonder Woman dealt with the spies, only to be surprised by representatives of the new (unauthorized) "Wonder Woman Foundation." In order to gain financial backing to spread their message of equality, they asked the actual Wonder Woman for a show of support in the form of a newly designed (and undoubtedly copyrighted) breast piece. As Trevor was carted away in an ambulance, Diana flew to Paradise Island to consult her mother on the matter. Once there, she found the Amazons in chains, and had to outrace Mercury to recover Queen Hippolyta's magic belt of immortal strength. To free the Amazons, the Amazing Amazon bested the main schemer, Hercules, in a match of strength. Finally, Hippolyta advised Diana to abandon her classic eagle breast piece for the new double-W halter, to see if it would do some good in the world.

16 pages, and only 14 for the story. That would be at least one story arc today, and the recap alone would take up an issue.



Back in the States, Wonder Woman learned Steve's injuries were more serious than previously thought, and paid an in-costume visit to Metro General Hospital. This meant she had to brush past insensitive autograph hounds, Dr. Prescott that Trevor was slowly perishing from an unknown cause. Angling for the 1982 Least Credible Doctor Award, Prescott claimed "It's almost as if he-- I don't even know how to put this in medical terminology-- as if his body and his soul are struggling to get out of this world-- into another one!" Sister, I'd look cross-eyed at Zatanna over that line, so you might need to defend your license in the near future. Better yet, Prescott thought Trevor was dying an hour ago, but now "I just don't know." Diana cried and told Steve that she loved him with a kiss, and he woke up briefly for his angel. That's sweet, but nothing says I love you like a Purple Healing Ray, which never came up. Maybe Diana forgot about that along with her knowledge of having loved a previous Steve Trevor who died but had now fallen for this parallel Earth version that she had only known a few month. Yeah, the Crisis happened exactly because of stuff like that.



Cheerfully racing through the streets of the District of Columbia at super-speed, Wonder Woman ran smack dab into some bank robbers. Playing bullets and bracelets slowed her down enough for one thief to escape in a helicopter, until a woman dressed in white with artificial underarm wings flew after the chopper. The seeming heroine tossed a hood out of the helicopter, to be rescued by the grounded Wonder Woman. The vehicle lost stability, and the Amazon Princess noted, "Whoever she is-- she's apparently willing to let the pilot die! With my Magic Lasso, I can guide the 'copter down," into some sort of large water fountain. "Now to find out who that bird-lady is, 'cause she sure isn't Sacajawea... or the Black Canary!" The Silver Swan landed to thank Wonder Woman for her assistance and beguile every man on the scene with her beauty. "I must leave now... but remember my name, won't you?"

Wonder Woman continued on to the alleyway where she had hidden the briefcase full of classified government documents in a trash can, "Zeus knows" how many hours ago. The rubbish remained, and held an indention from the briefcase, but that was it. Wonder Woman mentally called for her Robot Plane to fly to the Pentagon and report her blunder.

Landing her invisible vessel nearby, Wonder Woman became Captain Prince with a spin of her lasso, and asked Etta Candy if their superior was in. "For you, roomie, he's always in." Even under the circumstances, General Darnell was gentle, welcoming, and totally skeevy, offering to protect Prince from inquires into her foul-up while caressing her hair. "I don't want any special favors, sir. May I go now... General Darnell?" Etta was eavesdropping the whole time, and drove her roommate home in her big orange sedan. "Whatever Darnell wants, Di, you sure got it! I haven't heard so much heavy breathing since my last obscene phone call." Prince didn't find it flattering, "since I made it clear I'm not interested in his attentions... or his 'protection.'"



Arriving at their apartment, Etta had forgotten to mention that she was soliciting a third roommate, since their $300 a month rent had just gone up by 50%. Diana was of course worried about her secret identity being compromised, but couldn't let on to Etta that she had vast Amazonian wealth. Their first prospect had already spoken to Etta on the phone, and came by to properly introduce herself. Helen Alexandros, a shy girl with a poor complexion, brought with her the gift of a lost briefcase. Helen had heard Diana and the General's names mentioned after witnessing the aftermath of Steve's attack, and connected her to the found briefcase. It was in fact the reason that she had contacted Etta, with the roommate proposition then offered by Etta. "I... I hope I'm not being pushy, coming over like this. But rooms are so scarce in the Washington-Arlington area...!" Helen specifically sought out Prince because "Men frighten me a little... They always have. I suppose it comes from being so plain all my life... not to mention this skin problem." Diana agreed to accept Helen as another roomie, and planned to make a "middle-aged general very happy" in the morning.

I must say though that based on this one story, Diana Prince is the worst secret agent ever. She left top secret documents in a trash can, had an impromptu meeting with her booster club, blew off Steve in the hospital to run to Paradise Island for a random battle, returned to visit Steve, had a team-up with Silver Swan, was actually surprised when the documents went missing, and then, upon retrieving them, decided to take a shower straight away while they sat unguarded in her living room. How did we ever beat the Russians?



Lieutenant Candy showed Helen to her room, and told her that she used to have zits, too. "My skin cleared up; there's just a lot more of it now." After the door closed, Alexandros laughed with "a malignant triumph... and a lingering, half-stifled bitterness." Helen grew up constantly berated by her mother for taking after her "dirty" father. Her one chance at being beautiful was through ballet, leading her to join a troupe that toured to an Ancient Greek theatre in Athens. The company was in need of a new prima ballerina, and while Helen had the talent, "In real life, the ugly duckling never really gets to play the swan. We'll give Karina a try, eh?" Furious at the injustice, Helen cried out to the heavens while alone in the amphitheater. "Why did you make me so plain-- in a world that values beauty over everything? I-- who was named for Helen of Troy, most desirable woman of all time! Oh, how I hate men-- men, and this cruel and horrible world they've made!! Do you hear me, you gods! I HATE MEN!!"

Helen's own immortal ancestor did hear her, but did not return the hated in kind. "I am he whom the Ancient Greeks did call Ares-- the Romans, Mars, God of War!" Zeus had come to mate with beauteous Leda in the form of a swan, and Helen of Sparta was born of that union. Helen's abandoning of her Greek husband for Prince Paris and Troy ignited the Trojan War, and caused much death and destruction. Helen had heard these stories all her life, and Mars sensed the depths of hatred within her that he hoped would drive her to cause even greater misery for human males. Mars bestowed upon her beauty that could turn strong men into "stammering fools," enhanced strength, the power of flight, and a devastating voice. For now, Helen Alexandros could only become the Silver Swan for an hour at a time, but she would be graced that form forever upon the death of Mars' arch-foe, Wonder Woman.



The Invisible Robot Plane flew the Amazing Amazon toward the Pentagon, and was trailed by the Silver Swan. As Wonder Woman leaped out to deliver the recovered briefcase, it was stolen from her by the Swan. Princess Diana slapped the briefcase from Silver Swan's clutches, though she retained the busted handle. Wonder Woman tossed the case to General Darnell and his men, who had been awaiting her outside. Silver Swan didn't care about the briefcase, preferring the life of the "star-spangled fool!" The flying Swan seemingly had the advantage over the earthbound Amazon, but amazing acrobatics leveled the field. "I'm tangling with that killer parakeet-- right now!" Wonder Woman launched herself high into the air at the Silver Swan, only to be blasted by "the soul-piercing cry of the Swan," which buffeted her about "like a straw caught in a whirlwind." The soldiers below were pained by the sound, yet also delirious for more. When the Silver Swan unexpectedly broke off the attack, she was acclaimed upon landing by the soldiers for her patriotism and aid in retrieving the briefcase.

Meanwhile, Dr. Prescott looked over the documentation of another physician who would be taking over the care of Steve Trevor. "...One must be doubly trustworthy, doesn't one-- when one has a name like-- Doctor Psycho!"



I'd never read Silver Swan's debut, but happened to buy the original comic a few months back. Swan was much more interesting in this first incarnation, even if the ugly duckling aspect of the character is as believable as the hawt geek girl from '80s movies, with her big blue eyes, lush lips, and "blemishes" that more resemble freckles. Silver Swan as I've known her since 1988 has been a bore. This story not only gives her the ol' ominous foreshadowing, but follows it with a well thought out origin that provides the character with strong motivation and a hook perfect for a Wonder Woman adversary. It also reminded me how much more effective a foe Swan could be when the Amazing Amazon is grounded. Since Wonder Woman can't just fly herself, you get a great display of physicality as she relies on acrobatics and her lasso as she's forced to adapt. It's fun hearing her trash talk, as well.

I'm not typically a fan of Romeo Tanghal's heavy handed inks, but I think Gene Colan's usual moody style needed the conventional polish to perk it up on an assignment like this. Tanghal necessarily tarts up the super-heroine, but is wise enough to get out of Colan's way where it counts. Thomas' plot is nice and dense, recapping a sixteen page preview comic in two pages, advancing subplots left over from the previous creative team, and still working out his own material.

Reading this story also made me realize what a huge mistake ditching the Diana Prince identity and divorcing her from the military were. I'm sorry, but "peaceful ambassador from an island nation" isn't the best story engine. Wonder Woman was far more iconic and motivated while managing a dual identity as an agent of military intelligence working out of the Pentagon than hanging out with a widow and her daughter in Boston. I don't fault Perez for shaking up a tired status quo, but I do fault all the writers that followed him for not restoring some of the elements once Perez's angle grew stale. Steve Trevor's spy games and General Darnell's sexual harassment really draw a reader into the soap opera. I really enjoyed how much information was packed into 26 pages, and that's before the cliffhanger that reintroduced one of Wonder Woman's best villains after a fifteen year absence. Good show!

The Bronze Age

Sunday, August 7, 2011

Wonder Woman Annual #1 (2007)

So yeah, Wonder Woman killed a guy, but he needed killing, the World Court backed her up, and it was about time Princess Diana moved on and got back to the good fight. In fact, when you’re in Circe’s temple surrounded by an army of your enemies, whose powers have been enhanced through sorcery, it’s probably a little past due.

I have to applaud artist Terry Dodson for page four, where he overcame a logistical problem with Giganta by having time progress as a series or “stories” down the villainess’ body. For instance, Queen Clea and Gundra the Valkyrie were still trying to follow through with Circe’s plan to talk Diana into joining the collective against Man’s World. Diana took them both out, as well as The Mask, all while encircling Giganta and dodging the caption boxes with one-sentence biographies of each villain.



Kung, Cheetah, the Duke of Deception, Angle Man, Silver Swan, Doctor Cyber, Doctor Poison, Minister Blizzard, Doctor Psycho: an orgasm of Who’s Who information as each took their turn with Wonder Woman. A lesser artist would have folded as the writer tried to reintroduce decades of forgotten super-villains in the span of seven pages. Just when things started to get ridiculous, there was a two page spread of heroes led by Wonder Girl Donna Troy, come to save the day. Included were Green Arrow, Stargirl, Green Lantern Hal Jordan, Robin (Tim Drake,) Wonder Girl Cassie Sandsmark, Supergirl, Starfire, Red Tornado, Black Canary, Power Girl, Zatanna, Nemesis, the Golden Age Flash & Wally West, Liberty Belle, Dr. Mid-Nite, Green Lantern (Alan Scott,) Wildcat, Hawkman, Superman and Batman. Someone (Robin?) made the connection between the vegetation discovered at the scene of Donna’s kidnapping and the moly used to defend against Circe’s magic.

There was lots of fighting, and lots of yapping amidst the melee. Donna confessed that she never felt comfortable as Wonder Woman, hence her regressed costume. Cassie made it clear that old suit or no, the “Wonder Girl” name was taken. Batman somehow wrangled Cheetah. Heat Vision took out Minister Blizzard’s gun. Angle Man < Robin’s Batarang. Meanwhile, Hercules was trying to kill Circe, but Wonder Woman made it clear “If anyone does any killing today… it’ll be me!” Hercules didn’t believe that it was in her nature, so she kicked him in the head. “If only that weren’t true. When I killed Medusa, no one batted an eye. That was my job-- slaying mythological monsters-- putting malevolent gods in their place-- and you’re both.” Um, then it is true that you are a lethal agent, but we’ll forgive the grammar. Hercules then tried to woo Diana, followed by threatening to take her by force, “the same way I took your mother.” Diana bit his lip, head-butted him, and held a sword to his throat. Circe didn’t have faith in Diana to do the deed, so she renewed her attack, although what stopped her for the past four pages eludes me. “For now I’ll bind him with chains stronger than those that bound Prometheus,” for reasons that also elude me. Even though Circe had just finished killing oodles of people as Wonder Woman, while simultaneously getting a lot more done in that role than Diana, the Princess let her go off with Hercules. In the least perceptive line regarding Wonder Woman since she claimed to not really like women back in the ‘70s, “…I’m not even a real person. I’m a golem. A clay statue brought to life. I have no idea who or what I am. All I know is, I’m alone.” Circe punctured Diana’s emo bubble, pointing out all of her buddies fighting for her outside, and offered her a bit of humanity as a present.

Nemesis was given all the credit for the arrests at the Department of Metahuman Affairs. Agent Prince was assigned to catalog all the weapons collected from the scene, and was shocked when she cut herself on Gundra’s sword. Of course, Diana could always bleed, but the writer was so fixated on his Wonder Woman Encyclopedia that he seemed to neglect reading any actual comics. Anyway, Wonder Woman could now really become Diana Prince, a normal human, who still looked exactly like Wonder Woman in glasses. DC supporting casts have 20/120 vision, I guess.

Donna and Cassie had a girl power session with Wonder Woman, pretending that their relationship was like that of Batman, Nightwing and Robin. Okay, so how come Wonder Woman only pays attention to either girl when they finally get developed in best-selling team books so that their guest appearances can help buoy her own sales? Batman offered a final pep talk with a smile (*shudder*) after already giving Wonder Woman her new human identity, a job as a secret agent, an “invisible” plane, and limited use of his teen sidekick. That had to be worth at least a handjob. Can’t this bitch do anything for herself?

Speaking of bitching, I gave an overview of my complaints long ago in a trade paperback review, with a fair amount of axes ground in the previous two issue synopses. To keep this brief, Allan Heinberg, Terry & Rachel Dodson’s answer to the titular question “Who is Wonder Woman?” was “an ingrate.” Beyond the straw man arguments around which the slight plot pivots, it boils down to Diana being incredibly powerful and broadly loved and still pitying herself. Three-quarters of a century in, you don’t decide to take your shot at being Alan Moore by redefining Wonder Woman through the Pinocchio/ “I want to be a real girl” trope. Not only is it hoary as hell, but it is quite simply not what anyone wants from Wonder Woman (especially if they suffered through seven seasons and four motion pictures of Data on Star Trek: The Next Generation.)

Writers, for Gaea’s sake, stop playing the clay card. Diana was a sculpture of a child brought to life by the gods so that she could be born completely outside the influence of man. It’s no different than the bible casting Adam out of earth. Wonder Woman grew up, sprouted tits, and bleeds ever twenty-eight days. What part of “woman” was unclear? It’s in her friggin’ name. What isn’t? “Golem,” a product of Jewish folklore regarding a misshapen manmade creature instilled with a terrifying caricature of life through magic (not unlike a zombie) whose name translates from Hebrew as “dumb/helpless.” You want to humanize Wonder Woman? Address the fact that she was raised as the only child on an island full of rape victims who is so traumatized that she remains a virgin well into adulthood and casts untouchable figures like Superman and Batman in her sexual fantasies. There’s your Alan Moore moment, you cowardly, unimaginative dorks. Alternately, write an inspirational super-heroine without resorting to literal feet of clay and storytelling devices from 1960s Stan Lee scripts that were only considered sophisticated in comparison to Mort Weisinger-edited Superman comics written at a second grade reading level.

Brave New World

Thursday, October 21, 2010

The Top 5 Silver Swan Covers



Introduced in the early '80s during Roy Thomas & Gene Colan's run on the latest "new" Wonder Woman, Helen Alexandros was an ugly duckling with divinity in her heritage that was granted powers by Ares to wage war on the Amazing Amazon. After a couple of early success, Silver Swan was defeated by Princess Diana, and her granted powers withdrawn.

George Pérez revived the character Post-Crisis as Valerie Beaudry, a deformed girl turned beautiful and deadly powerful by Henry Cobb Armbruster's industrial resources. Beaudry was eventually convinced by Wonder Woman and friends that Armbruster was using her for his own twisted ends, and retired her super-villainous identity.

Vanessa Kapatelis was one of a long list of Wonder Woman supporting characters tossed aside to make room for an incoming creative team's soon to be similarly forgotten replacement cast. She was brought back as the most current Silver Swan through a group effort of WW foes, and she has the greatest emotional impact of all the Swans due to her prior relationship with Diana.

More of Today's Cover Countdowns!