Showing posts with label prophet. Show all posts
Showing posts with label prophet. Show all posts

Friday, April 30, 2010

PROPHET/CABLE #2 - March 1997

Credits: Rob Liefeld (plot), Robert Napton (script), Mark Pajarillo & Paul Scott (pencilers), Norm Rapmund & Jonathan Sibal (inker), Kurt Hathaway (letters), Laura Penton & Extreme Colors (colors)

Summary: Prophet and Kirby convince Cable that Crypt is actually Domino’s kidnapper. Using Prophet’s technology, the trio follows Crypt’s trail to the end of time. While investigating Kang’s hideout, they come across the Cosmic Cube. Cable refuses to touch it, which forces Kang and Crypt to attack. With Domino’s life in jeopardy, Cable agrees to hand the Cube over to Kang. Kang is immediately consumed by the Cosmic Cube and trapped inside. Crypt escapes, and the heroes return to the DOCC station with Domino. Prophet sends Cable and Domino home, knowing that they’ll meet again.

Continuity Notes: Cable says that he’s responsible for placing the Cosmic Cube at the end of time. This is, perhaps, a reference to an X-Force story Rob Liefeld never got around to. Cable’s also, apparently, the only person who can touch the Cube without being harmed. He claims that he allowed Kang to hold it because he knew the energy would consume him.

Creative Differences: Blaquesmith has a copyright notice in the indicia, but he never appears in the comic.

Review: You know, if Badrock/Wolverine didn’t suck, this didn’t have to suck either. The only advantage over the first issue this one has is the art, which seems to be handled mostly by Mark Pajarillo. He’s a nondescript Image-style artist, but he’s at least working on the level of an Ian Churchill. I have no idea who Paul Scott is, but if he’s responsible for the Liefeld-esque pages in this issue, he’s the most loyal Liefeld clone I’ve ever seen. I honestly wonder if Liefeld drew a handful of these pages uncredited, since they’re virtually identical to his style (and by “style,” I also mean his crude anatomy and nonexistent backgrounds).

The plot is just as nonsensical this time, as the Cosmic Cube shows up as a convenient plot device. Why exactly Cable can touch the Cube when no one else can is never explained, and there’s also the question of why Cable waited so long to hand it over to Kang. If he knew the Cube would just consume Kang, why did he see the Cube, turn back, get into a fight scene, and then finally give Kang what he wanted? If Kang knew that only Cable could hold the Cube (which is why Domino was kidnapped in the first place, to lure him to Kang’s base), why did he just grab it when Cable handed it to him? Did he think Cable gives off some magic energy that enables others to touch the Cube? I realize I’m criticizing the plot holes in a mid-90s crossover with a forgotten Liefeld character, but this one is weak even by the standards set by the other Extreme crossovers.

Thursday, April 29, 2010

PROPHET/CABLE #1 - January 1997


Credits: Rob Liefeld (plot), Robert Napton (script), Mark Pajarillo & Rob Liefeld (pencilers), Norm Rapmund & Jonathan Sibal (inker), Kurt Hathaway (letters), Laura Penton, Andy Troy, & Extreme Colors (colors)

Summary: Crypt travels to the Marvel Universe, hoping to find a means to defeat his enemy Prophet. He arrives at the X-Men’s mansion and fights Cable and Domino. After winning the battle, Crypt unmasks and taunts Cable with his face as he teleports away with Domino. A computer scan points Cable towards Prophet, who lives on the Direct Orbiting Commander Center. Cable teleports to Prophet’s base and begins a fight. Prophet’s companion Kirby ends the fight by putting a gun to the back of Cable’s head. Meanwhile, Crypt presents Domino to Kang the Conqueror.

Continuity Notes: In a text piece, Liefeld reveals that Prophet was originally intended to be an X-Force character. Prophet would’ve been a police officer from the future sent by Kang, a warlord in this era, to bring back Cable.

Production Note: Although these characters are associated with Image, this was actually published by Liefeld’s Maximum Press company. Judging by the cover dates, this was released around six months after the Marvel/Extreme crossovers began in Summer 1996. By this point, Liefeld was out of Image.

Review: Wrapping up the Extreme crossovers with the X-universe (unless there are even more I never knew about), we have the Prophet/Cable miniseries. Jim Valentino and Rob Liefeld had a falling out shortly after “Heroes Reborn” began, so he’s not going to be writing this. Jeph Loeb and Eric Stephenson might’ve been good candidates, but they’re sharing the editor credit. No, this is a Rob Liefeld joint, so to the surprise of no one, the plot consists of two extended fight scenes glued together with a flimsy setup. The story can’t even seem to decide if the Marvel and Extreme universes are separate realities, as Crypt has to travel across dimensions to reach Cable while Prophet just seems to be hovering over Marvel’s Earth a few pages later. Maybe the idea is that Cable teleported across realities, but it’s not clearly explained, and it would be a large leap in his teleportation abilities (Cable’s not even supposed to be able to teleport at this point in continuity, but I’ll cut the story some slack and just assume it’s not trying to adhere to any strict Cable continuity).

Now, who are Prophet and Crypt? Beats me. Crypt is apparently some sort of time thief, and Prophet is a warrior from various time periods. I guess they’re supposed to look like one another, or maybe they’re the same person from different points in the timeline. Or, perhaps Crypt is shapechanger and he’s framing Prophet. Who knows. Oddly enough, the script gives a detailed explanation of Cable and Domino for new readers, but just assumes everyone knows who the Extreme characters are. Shouldn’t this be the other way around? I do remember the Prophet series getting some hype when Chuck Dixon and Stephen Platt were briefly on the title. I certainly don’t recall this hairstyle in any of the promotional art, though:

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