Early August Roundup.

The Szuters-Sugar. If the name "The Szuters" rings a bell for you, it's maybe because you became aware of them in the original incarnation in the mid-90s, where they became quite popular in Japan (a power pop cliche, I know). They later changed their name to Magna-Fi and went to a harder, modern/alt rock sound, played Ozzfest, supported Sevendust on tour and broke up by the end of the decade. Well brothers Mike and CJ Szuter reformed The Szuters, came back with a classic power pop sound and the byproduct Sugar is one of 2020's more pleasant surprises in a year of unpleasant surprises. Opener "Two We Will Always Be" has an early-Beatles sound, the piano-based "Don't Lie to Me" has a bit of Todd Rundgren to it, and "Baby Don't You Be So Blue" channels The Raspberries. Elsewhere "The Things That You Said" has a Jon Brion-in-Jellyfish vibe and closer "The Most Beautiful Girl" should have been chiming out of AM transistor radios in the 70s. This is Power Pop with two capital Ps, and though the general sound may be familiar, the songs themselves are fresh and exciting. Easily a top 10 candidate for the year-end list.

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The Lees of Memory-Moon Shot. Superdrag was one of the great power pop bands of all time, spanning the 90s through the mid-2000s. The creative force behind the band, John Davis, has had various projects solo and otherwise since that time but lately has teamed up with Brandon Fisher as The Lees of Memory over the last several years. While the Lees have had several singles, EPs and even a double album which have all been just fine, Moon Shot is the first Lees release that stands with the best of Superdrag. Hearing the crunchy guitars and melodies of "Lonely Everywhere" along with Davis's voice will bring you back to those days, as will the take-no-prisoners heavy pop of "Crocodile Tears". The spacey rock and indelible chorus of "Free & Easy" is a real triumph as is the loud-but-languid "No Floor No Ceiling". This Moon Shot is definitely more Apollo 11 than Apollo 13.

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Nite Sobs-Do the Sob!. This Austin, Texas 3-piece has a real throwback sound and Do the Sob! is 13 tracks of catchy-as-hell pop which all clock in under 2:46. They bill themselves as "skinny ties and four eyes" (all 3 members are bespectacled) and that's just about enough to describe their sound given their debt to the likes of Buddy Holly and Marshall Crenshaw. Hooks and harmonies galore and all of these songs are excellent, but my two favorites are "I Need to Hear It" and "Vowelerie"; your mileage may vary. So ignore The Pretenders and start your Sobbing.

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Major label Friday.

Actually, "major label" is a bit of misnomer (these releases haven't been featured in your latest Best Buy ad), but these are well-known acts with big-time distribution, so we'll use that particular shorthand here. I've been meaning to weigh in on these three for a while, so better late than never:

Fastball-Little White Lies. Fastball needs no introduction to those who read this blog, so the operative question here is how does it stack up to the rest of their catalog? And the answer is "quite well". In fact, song for song this might be their best ever, even if there isn't a "The Way" or "Fire Escape" on here. Frontmen Tony Scalzo and Miles Zuniga team up for the effervescent "All I Was Looking for Was You, while Scalzo pens a sequel of sorts to "The Way" with "The Malcontent (The Modern World)" wondering if the former is "still saying anything to you" while lamenting the disposable pop that pushed "The Way" and its like off the radio at the turn of the century. Zuniga is the purer popper of the two and his highlight here is hyper-catchy "Mono to Stereo", which is right up there with classics of his like "Fire Escape" and "Airstream". A welcome return from these veteran Texas power poppers.

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Tinted Windows-Tinted Windows. Also getting a lot of publicity lately is power pop supergroup Tinted Windows, consisting of Taylor Hanson (from Hanson), Adam Schlesinger (Fountains of Wayne), James Iha (Smashing Pumpkins) and Bun E. Carlos (Cheap Trick). It doesn't get much better than that on paper, but on disc the whole is a bit less than the sum of its parts. Don't get me wrong - this is a fun, catchy power pop album. But it's fairly generic for the genre, although I can see this being the power pop album for people that aren't that big into power pop, given the names involved. "Kind of a Girl" is pretty catchy, with its "whoa-whoas" in the chorus, the Cheap Trick-esque power ballad "Back With You" and the driving "Without Live" are the highlights here.

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Superdrag-Industry Giants. When John Davis put an apparent end to Superdrag after becoming a born-again Christian in the wake of 2002's brilliant Last Call for Vitriol, it appeared that we'd never heard from them as a band again. But seven years later, Davis reformed the band and it seems as the goal here is to make up for the absence by rocking harder and louder than ever, no small feat for a band that was already one of the harder-rocking power pop bands around. Unfortunately, though, they've sacrificed some melody in the process, making Industry Giants an uneven affair. "Slow to Anger" demonstrates this right off the bat, a three-chord rant that's pretty hookless. The ship is righted a bit with the melancholy "Live and Breathe", recalling the Superdrag of Vitriol, and "I Only Want a Place to Stay" takes an equally satisfying less-is-more approach. But most of the rest of the disc comes up kind of short in the memorable melody department, making it a good candidate to cherry pick downloads from.

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Latest at eMusic.

* The new Superdrag collection of odds and sods, Changin' Tires on the Road to Ruin.

* The latest from Spanish American power poppers Mas Rapido, Pity Party.

* And a couple from the Kelly's Heels catalog, Gone Off Pop and Bent Over Backwards.