11016 - THE GUESS WHO - LET'S GO (1967-1968) (2005)

THE GUESS WHO
''LET'S GO''
2005
61:13
********************
1 - No Time 4:33 (Bachman, Cummings)
2 - Touch Me 1:58 (The Doors)
3 - White Room 4:32 (Pete Brown, Jack Bruce)
4 - Time Of The Season 2:51 (Rod Argent)
5 - These Eyes 3:21 (Bachman, Cummings)
6 - Ramblin' Gamblin' Man 2:08 (Bob Seger)
7 - Blackbird 2:21 (Lennon, McCartney)
8 - When You Touch Me 3:32 (Bachman, Cummings)
9 - Along Comes Mary 2:53 (Tondoyn Almer)
10 - The Key 5:47 (Bachman, Cummings)
11 - Minstrel Boy 3:07 (Bachman, Cummings)
12 - You Keep Me Hangin' On 5:23 (Holland, Dozier, Holland)
13 - Hey Jude 5:00 (Lennon, McCartney)
14 -1 Need Your Company 2:55 (Bachman)
15 - Mr. Nothin' 2:19 (Bachman, Cummings)
16 - Very Far From Near 2:58 (Cummings)
17 - Heygoode Hardy 3:22 (Cummings)
18 - Somewhere Up High 2:04 (Bachman)
********************
Randy Bachman – Guitar, Sitar, Background Vocals
Burton Cummings – Vocals, Organ, Harmonica, Piano, Guitar, Keyboards, Flute
Jim Kale – Bass, Background Vocals
Garry Peterson – Drums, Percussion, Tabla, Background Vocals
********************
REVIEW/AMG
Long before the Winnipegian group the Guess Who conquered the world with hits like "American Woman" and "These Eyes," they were the house band for a kids' dance show called LET'S GO, which aired after school on Canadian TV. In this role, they had to learn new cover songs every week, and this live collection--a stunning piece of pop music history--contains 18 of them, including "Hey Jude," "Along Comes Mary," and "Time of the Season," featuring Burton Cummings's smooth teenage voice and Randy Bachman's sparkling guitar work.
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
********************

11015 - THE GUESS WHO? - THIS TIME LONG AGO: THE LOST SESSIONS 1967-1968, DISC TWO (2001) (REPOST)

THE GUESS WHO?
''THIS TIME LONG AGO: THE LOST SESSIONS 1967-1968, DISC TWO''
JULY 12 2001
95:38
********************
DISC ONE (44:48)
1. His Girl (Johnny Cowell) 2:57
2. It's My Pride (Randy Bachman) 2:49
3. If You Don't Want Me (Burton Cummings) 3:05
4. Croyez-Moi (Randy Bachman) 3:03
5. His Girl (Johnny Cowell) 3:03
6. This Time Long Ago (Jimmy Stewart, Jerry Langley) 2:26
7. Flying On The Ground Is Wrong (Neil Young) 2:39
8. There's No Getting Away From You (Randy Bachman) 2:54
9. Miss Felicity Grey (J. Stewart, J. Langley) 2:19
10.Summertime Blues (Eddie Cochran, Jerry Capehart) 3:47
11.Love Is All Around (Reg Presley) 2:49
12.Sitar Saga (Randy Bachman) 4:44
13.Pretty Blue Eyes (Teddy Randazzo, Robert Wilding) 2:36
14.Pretty Blue Eyes (Alternate Take) (T. Randazzo, R. Wilding) 2:36
15.We're Coming To Dinner (R.Bachman, B. Cummings) 2:55
********************
DISC TWO (50:44)
1. Light My Fire (Acoustic Version) (Densmore, Krieger, Manzarek, Morrison) 3:22
2. Light My Fire (Densmore, Krieger, Manzarek, Morrison) 2:55
3. Shadows Cross The Shadows (Burton Cummings) 4:15
4. These Eyes (R. Bachman, B. Cummings) 3:42
5. Wednesday In Your Garden (Randy Bachman) 3:24
6. When Friends Fall Out (R. Bachman, B. Cummings) 2:58
7. Maple Fudge (R. Bachman, B. Cummings) 1:54
8. I Found Her In A Star (Burton Cummings) 2:09
9. 6 a.m. Or Nearer (Randy Bachman) 3:58
10.I'm In The Mood For Love (Dorothy Fields, Jim McHugh) 4:08
11.White Room (Pete Brown, Jack Bruce) 4:31
12.Of A Dropping Pin (R. Bachman, B. Cummings) 2:22
13.Friends Of Mine (Randy Bachman, Burton Cummings) 11:00
********************
Randy Bachman - Guitar, Vocals
Burton Cummings - Piano, Vocals
Jim Kale - Bass
Garry Peterson - Drums
********************
REVIEW/AMG
Richie Unterberger
In the CD era, the catalog of the pre-Wheatfield Soul Guess Who has been very hard to come by. Together with Sundazed's Shakin' All Over! (which focuses on their hardest-rocking mid-'60s cuts), this two-CD Canadian collection of rare and unreleased 1967-1968 recordings fills in the gap well. A few of these songs did appear on non-LP Canadian and/or U.K. singles, like the devastating garage punkers "It's My Pride" and "If You Don't Want Me" (which are also on the Sundazed comp); the sappy 1967 ballad "His Girl," heard here in two versions, which was actually a minor British hit; "Flying on the Ground Is Wrong," one of the first (if not the first) covers of a Neil Young song; and unbelievably awful versions of Steve Lawrence's "Pretty Blue Eyes," recorded by the band in an attempt to get their label to release them from their contract. ("Croyez-Moi," an awkward French version of their 1966 single "Believe Me," appears for the first time here.) Most of this set, however, is devoted to unreleased material, recorded in 1967 and 1968 in the studios for CBC TV shows. Some of those performances are marginalia, like the almost note-faithful cover versions of "Light My Fire," "White Room," and "Love Is All Around," and the psychedelic instrumental "Sitar Saga." Much of disc two, however, is devoted to late-'60s originals that find the band starting to arrive at their own hard pop/rock identity, including early versions of four songs apiece from Wheatfield Soul and Canned Wheat. The standouts are early versions of "These Eyes" and the Doors-ish psychedelic suite "Friends of Mine," which includes contributions from members of the Winnipeg Symphony and some free jazz sax near the end. A CBC version of the single "When Friends Fall Out" (later to appear on American Woman), which alternates between grinding riffs in the verse and contemplative balladry on the bridge, saw Burton Cummings start to fully form his tense, belting vocal style. There's a sense of a band fishing for a style throughout much of this anthology, not always successfully, but it documents an important transitional phase in the group's evolution.
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
********************

11014 - THE GUESS WHO? - THIS TIME LONG AGO: THE LOST SESSIONS 1967-1968, DISC ONE (2001) (REPOST)

THE GUESS WHO?
''THIS TIME LONG AGO: THE LOST SESSIONS 1967-1968, DISC ONE''
JULY 12 2001
95:38
********************
DISC ONE (44:48)
1. His Girl (Johnny Cowell) 2:57
2. It's My Pride (Randy Bachman) 2:49
3. If You Don't Want Me (Burton Cummings) 3:05
4. Croyez-Moi (Randy Bachman) 3:03
5. His Girl (Johnny Cowell) 3:03
6. This Time Long Ago (Jimmy Stewart, Jerry Langley) 2:26
7. Flying On The Ground Is Wrong (Neil Young) 2:39
8. There's No Getting Away From You (Randy Bachman) 2:54
9. Miss Felicity Grey (J. Stewart, J. Langley) 2:19
10.Summertime Blues (Eddie Cochran, Jerry Capehart) 3:47
11.Love Is All Around (Reg Presley) 2:49
12.Sitar Saga (Randy Bachman) 4:44
13.Pretty Blue Eyes (Teddy Randazzo, Robert Wilding) 2:36
14.Pretty Blue Eyes (Alternate Take) (T. Randazzo, R. Wilding) 2:36
15.We're Coming To Dinner (R.Bachman, B. Cummings) 2:55
********************
DISC TWO (50:44)
1. Light My Fire (Acoustic Version) (Densmore, Krieger, Manzarek, Morrison) 3:22
2. Light My Fire (Densmore, Krieger, Manzarek, Morrison) 2:55
3. Shadows Cross The Shadows (Burton Cummings) 4:15
4. These Eyes (R. Bachman, B. Cummings) 3:42
5. Wednesday In Your Garden (Randy Bachman) 3:24
6. When Friends Fall Out (R. Bachman, B. Cummings) 2:58
7. Maple Fudge (R. Bachman, B. Cummings) 1:54
8. I Found Her In A Star (Burton Cummings) 2:09
9. 6 a.m. Or Nearer (Randy Bachman) 3:58
10.I'm In The Mood For Love (Dorothy Fields, Jim McHugh) 4:08
11.White Room (Pete Brown, Jack Bruce) 4:31
12.Of A Dropping Pin (R. Bachman, B. Cummings) 2:22
13.Friends Of Mine (Randy Bachman, Burton Cummings) 11:00
********************
Randy Bachman - Guitar, Vocals
Burton Cummings - Piano, Vocals
Jim Kale - Bass
Garry Peterson - Drums
********************
REVIEW/AMG
Richie Unterberger
In the CD era, the catalog of the pre-Wheatfield Soul Guess Who has been very hard to come by. Together with Sundazed's Shakin' All Over! (which focuses on their hardest-rocking mid-'60s cuts), this two-CD Canadian collection of rare and unreleased 1967-1968 recordings fills in the gap well. A few of these songs did appear on non-LP Canadian and/or U.K. singles, like the devastating garage punkers "It's My Pride" and "If You Don't Want Me" (which are also on the Sundazed comp); the sappy 1967 ballad "His Girl," heard here in two versions, which was actually a minor British hit; "Flying on the Ground Is Wrong," one of the first (if not the first) covers of a Neil Young song; and unbelievably awful versions of Steve Lawrence's "Pretty Blue Eyes," recorded by the band in an attempt to get their label to release them from their contract. ("Croyez-Moi," an awkward French version of their 1966 single "Believe Me," appears for the first time here.) Most of this set, however, is devoted to unreleased material, recorded in 1967 and 1968 in the studios for CBC TV shows. Some of those performances are marginalia, like the almost note-faithful cover versions of "Light My Fire," "White Room," and "Love Is All Around," and the psychedelic instrumental "Sitar Saga." Much of disc two, however, is devoted to late-'60s originals that find the band starting to arrive at their own hard pop/rock identity, including early versions of four songs apiece from Wheatfield Soul and Canned Wheat. The standouts are early versions of "These Eyes" and the Doors-ish psychedelic suite "Friends of Mine," which includes contributions from members of the Winnipeg Symphony and some free jazz sax near the end. A CBC version of the single "When Friends Fall Out" (later to appear on American Woman), which alternates between grinding riffs in the verse and contemplative balladry on the bridge, saw Burton Cummings start to fully form his tense, belting vocal style. There's a sense of a band fishing for a style throughout much of this anthology, not always successfully, but it documents an important transitional phase in the group's evolution.
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
********************

11013 - THE GUESS WHO - RUNNING BACK THRU CANADA, DISC TWO (2001)

THE GUESS WHO
''RUNNING BACK THRU CANADA, DISC TWO''
MAY 1 2001
115:49
********************
DISC ONE (62:27)
1 Runnin' Back To Saskatoon 07:07
2 Guns Guns Guns 05:05
3 These Eyes 04:12
4 Rain Dance 03:12
5 Glamour Boy 06:28
6 Lookin' Out For # 1 05:19
7 Sour Suite 04:19
8 No Sugar Tonight / New Mother Nature 05:34
9 Talisman 06:14
10 Let It Ride 04:17
11 Undun 05:03
12 Follow Your Daughter Home 05:31
**********
DISC TWO (53:22)
1 American Woman 13:30
2 Albert Flasher 03:09
3 Hand Me Down World 04:11
4 Orly 03:24
5 Takin Care Of Business 06:15
6 Laughing 03:24
7 Clap For The Wolfman 05:14
8 Bus Rider 03:05
9 No Time 05:34
10 Share The Land 05:32
********************
Bass Guitar, Vocals – Bill Wallace
Drums, Percussion, Vocals – Gary Peterson
Guitar, Vocals – Don McDougall, Randy Bachman
Vocals, Piano, Harmonica, Flute, Guitar – Burton Cummings
********************
REVIEW/AMG
Brian O'Neill
Unlike many of the band's contemporaries who trudge out on the road decades removed from hit-making relevance with stand-in scabs replacing former members, Running Back Thru Canada is a fairly authentic version of the Guess Who. Joining classic members Burton Cummings, Randy Bachman, and Garry Peterson is guitarist Donnie McDougall and bassist Bill Wallace, both of whom can chart their involvement in the group way back to 1972, when they replaced Greg Leskiw and Jim Kale, respectively. This lineup is far from an insult to the band's integrity and their fans' intelligence, a refreshing change from dubious cash-ins such as The Spirit Lives On: Greatest Hits Live (with only Peterson and a currently-erstwhile Jim Kale as noteworthy performers) and a dozen or so best-of compilations. Running Back Thru Canada commemorates, as the title suggests, the Guess Who's reunion run through the Great White North (and a few U.S. dates) in the summer of Y2K. The liner notes affirm what the listeners ears will suspect: that the live tracks are culled from several shows and not a single performance, giving it a professional feel to separate from a bootleg, but also a slightly (but not unpleasantly so) disjointed feel in the track transitions. This double-disc isn't Live at the Paramount and doesn't profess to be. But it does a nice job of displaying a good chunk of Guess Who hits, a few surprises, such as the blues run-through of "Albert Flasher" and, most notably, an string of acoustic tracks at the end of the first disc dubbed "The Coffee House" according to the liner notes. Some fans might feel put-off by the likes of "No Sugar Tonight" and "Let It Ride" done in this manner, but the crowd response shows they are probably in the minority. It's still not a substitute for the classic Guess Who experience, but it does nothing to tarnish the reputation of one of Canada's greatest rock & roll acts, which is not nearly as damning praise as it sounds since it's no mean feat.
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
********************

11012 - THE GUESS WHO - RUNNING BACK THRU CANADA, DISC ONE (2001)

THE GUESS WHO
''RUNNING BACK THRU CANADA, DISC ONE''
MAY 1 2001
115:49
********************
DISC ONE (62:27)
1 Runnin' Back To Saskatoon 07:07
2 Guns Guns Guns 05:05
3 These Eyes 04:12
4 Rain Dance 03:12
5 Glamour Boy 06:28
6 Lookin' Out For # 1 05:19
7 Sour Suite 04:19
8 No Sugar Tonight / New Mother Nature 05:34
9 Talisman 06:14
10 Let It Ride 04:17
11 Undun 05:03
12 Follow Your Daughter Home 05:31
**********
DISC TWO (53:22)
1 American Woman 13:30
2 Albert Flasher 03:09
3 Hand Me Down World 04:11
4 Orly 03:24
5 Takin Care Of Business 06:15
6 Laughing 03:24
7 Clap For The Wolfman 05:14
8 Bus Rider 03:05
9 No Time 05:34
10 Share The Land 05:32
********************
Bass Guitar, Vocals – Bill Wallace
Drums, Percussion, Vocals – Gary Peterson
Guitar, Vocals – Don McDougall, Randy Bachman
Vocals, Piano, Harmonica, Flute, Guitar – Burton Cummings
********************
REVIEW/AMG
Brian O'Neill
Unlike many of the band's contemporaries who trudge out on the road decades removed from hit-making relevance with stand-in scabs replacing former members, Running Back Thru Canada is a fairly authentic version of the Guess Who. Joining classic members Burton Cummings, Randy Bachman, and Garry Peterson is guitarist Donnie McDougall and bassist Bill Wallace, both of whom can chart their involvement in the group way back to 1972, when they replaced Greg Leskiw and Jim Kale, respectively. This lineup is far from an insult to the band's integrity and their fans' intelligence, a refreshing change from dubious cash-ins such as The Spirit Lives On: Greatest Hits Live (with only Peterson and a currently-erstwhile Jim Kale as noteworthy performers) and a dozen or so best-of compilations. Running Back Thru Canada commemorates, as the title suggests, the Guess Who's reunion run through the Great White North (and a few U.S. dates) in the summer of Y2K. The liner notes affirm what the listeners ears will suspect: that the live tracks are culled from several shows and not a single performance, giving it a professional feel to separate from a bootleg, but also a slightly (but not unpleasantly so) disjointed feel in the track transitions. This double-disc isn't Live at the Paramount and doesn't profess to be. But it does a nice job of displaying a good chunk of Guess Who hits, a few surprises, such as the blues run-through of "Albert Flasher" and, most notably, an string of acoustic tracks at the end of the first disc dubbed "The Coffee House" according to the liner notes. Some fans might feel put-off by the likes of "No Sugar Tonight" and "Let It Ride" done in this manner, but the crowd response shows they are probably in the minority. It's still not a substitute for the classic Guess Who experience, but it does nothing to tarnish the reputation of one of Canada's greatest rock & roll acts, which is not nearly as damning praise as it sounds since it's no mean feat.
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
********************

11011 - THE GUESS WHO - LONELY ONE (1995)

THE GUESS WHO
''LONELY ONE''
1995
40:52
********************
1 Lonely One 04:31 (Bob Economou, Terry Hatty)
2 Love's All That Matters Tonight 04:12 (Dean McTaggart, Gerry Mosby, Gerald O'Brien)
3 Sweet Liberty 04:00 (Gerry Mosby, Alfie Zappacosta)
4 Haunted Heart 03:31 (Bernie Greenspoon, Dean McTaggart, Arthur Schwartz, Paul Zubot)
5 Anything For Love 04:13 (Bobby LaKind, Charlie Midnight, Eddie Schwartz, Zeke Zimgiebel)
6 Still Feels Like Love 03:55 (Bob Halligan, Gerald O'Brien, Graham Shaw)
7 The Razor's Edge 03:35 (Mike Hanford, Dale Russell)
8 I Feel Your Pain 04:12 (Terry Hatty)
9 Amy 04:44 (Bob Economou, Terry Hatty)
10 Rock N'Roll Classic 03:56 (Garry Peterson Dale Russell, Leonard Shaw)
********************
Bass, Vocals – Jim Kale
Drums, Vocals – Garry Peterson
Guitar, – Kevin Breit
Guitar, Vocals – Dale Russell
Keyboards, Sax, Vocals – Leonard Shaw
Keyboards, Vocals – John Sheard
Lead Vocals, Guitar – Terry Hatty
Percussion – Rick Lazar
********************
REVIEW/AMG
Joe Viglione
When original Guess Who bassist Jim Kale released 1979's All This for a Song along with Don McDougal, who joined the group in 1972, it didn't have the charm or inspiration of Randy Bachman's Brave Belt albums, the precursors to Bachman-Turner Overdrive. Brave Belt also boasted Chad Allan as a member, original focal point for the Guess Who prior to Burton Cummings joining the party. The 1995 version of the group does include the original rhythm section of bassist Jim Kale and drummer Garry Peterson, but all they do is play and provide a name -- Peterson's other contribution is merely a co-write of one of the ten titles, "Rock & Roll Classic," and that is derivative as all get out with a quick reference to "American Woman" and nicks of famous classic rock riffs. It's actually as close to the Guess Who's sound as the band can get. For those looking for a the neo-bubblegum pop of the Guess Who, get ready to be greeted by big-hair '80s arena rock ten years after the fact. This could be Johnny Edwards from King Kobra and the 1991 Foreigner Unusual Heat days on the Razor's Edge, while "Still Feels Like Love" could be Edwards fronting the Commodores on a sequel to their post-Lionel Richie hit, "Nightshift." Please note all the post-heyday versions of bands that this aggregation resembles. Though All This for a Song prostituted the band's good name and was a total stiff, it at least was a weak version of the Guess Who's sound (though a lame attempt and not as successful as other cash-in projects like those Wand and Pickwick releases, Sown & Grown in Canada and Wild One. As cheesy as those products were, they still had merit: Sown & Grown re-released the group's first big smash, "Shakin' All Over," and Wild One uncovered some very cool early Burton Cummings material). Lonely One's problem is that it is actually a very good '80s rock album in the '90s -- one that comes off like Lou Gramm fronting .38 Special. Such a drastic change in formula is not worthy of inclusion in the Guess Who's catalog. An excellent song like "Haunted Heart" would have had a fighting chance if the band had their own identity; it's the hit REO Speedwagon desperately needed to sustain their career. "I Feel Your Pain" gets even more mellow with the Philly sound ballad-formula refitted. Rather than calling this the Guess Who, a moniker like the Jim Kale/Garry Peterson Project would have been a welcome and refreshing offshoot; their names would have lent the project more credibility than riding the coattails of Bachman and Cummings, the men who were the most identifiable components of the respected Canadian band. Bachman-Turner Overdrive certainly pulled it off with a change in name to herald the change in sound -- and the sound here is big, those icy keyboards, angelic guitars, and eunuch vocals containing an air of arrogance so prevalent in '80s arena rock. It's the antithesis of the sound pop purists adored when "These Eyes," "Undun," "No Time," "Share the Land," and "American Woman" made the band's name. Had this ensemble remade "American Woman" à la Chicago's very interesting '80s re-creation of "25 or 6 to 4," one might squint and give the band a pass. But here a slick piece of plastic was manufactured and a venerable trademark slapped on the cover. For fans of Loverboy, Foreigner, and Eddie Money, here is your clone-band dream come true. For those who love the Guess Who, you now know what Jim Kale and Garry Peterson were up to in the mid-'90s. The album was also released under the name Liberty, and had they changed the name of the band to that rather than the disc, it might've enjoyed a bit more success.
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
********************

11010 - THE GUESS WHO - ALL THIS FOR A SONG (1979)

THE GUESS WHO
''ALL THIS FOR A SONG''
1979
35:15
********************
1 Taxman 03:39 (McDougall, D. Maclean)
2 That's The Moment 03:46 (McDougall)
3 Sound The Horns Of Gabriel 03:49 (McDougall)
4 On Our Way 04:05 (McDougall)
5 Plastic Paradise 01:26 (McDougall)
6 It's Getting Pretty Bad 04:07 (McDougall, Kale, Masters)
7 Sharin' Love 03:05 (McDougall)
8 Cabbage Town 04:37 (McDougall)
9 All This For A Song 06:36 (McDougall, Kale, Masters)
********************
Dave Inglis/Guitar
Jim Kale/Bass Guitar, Vocals
Vance Masters/Drums, Vocals, Percussion
Don McDougall/Guitar, Lead Vocals, Rhythm Guitar
Allan MdDougall/Backing Vocals On 7
David J. Parasz/All Horns On 7
********************
REVIEW/AMG
Joe Viglione
Doug Yule had no right to put the Velvet Underground name on the U.K. album Squeeze; half of Creedence Clearwater Revival and a fifth of the Cars is not Creedence or the Cars. Veteran bassist Jim Kale certainly has paid his dues. But 1971's Brave Belt with Chad Allen and Randy Bachman had more of a right to use the name than Kale and Don McDougal, McDougal having joined the band in 1972 when Kale left! That being said, how does this album rate on its own? Well, Burton Cummings and Randy Bachman wrote the hits, and sustained a career beyond the Guess Who. Live, this band was a competent cover act (with even more changing faces), but tunes like "C'Mon Little Mama," "Raising Hell on the Prairies," "It's Getting Pretty Bad," even a melody like "That's the Moment," they simply miss the mark. This is a great example of how important the creative force of a star, an egomaniac with great ideas and tons of attitude, is to the construction of important art. This is as much the Guess Who as a bottle of cola is a box of Cheerios. And when you go to the supermarket to buy Cheerios you expect to get what you want. If you splashed All This for a Song, new album by one of the guitarists for the Guess Who and their original bass player, you would get high marks for accuracy. Kurt Winter, one of Randy Bachman's replacements, co-wrote three tunes with McDougal, Kale, and drummer Vance Masters, one being the title track "All This for a Song," but it is more like "All the kings horses, didn't the Kingsmen go through this?" In June of 1983, Garry Peterson, Jim Kale, Burton Cummings, and Randy Bachman recorded, with producer Jack Richardson, an album called Reunion which was sold on TV. There are touching liner notes by Bachman, who performs on tunes made famous by his replacements. Now that is legitimate Guess Who music. This is a tough listen, important only because it documents a couple of members of a band in flux.
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
********************

11009 - THE GUESS WHO - GUESS WHO'S BACK (1978)

THE GUESS WHO
''GUESS WHO'S BACK''
1978
33:39
********************
1 C'mon Little Mama 04:01
2 Vancouver 03:12
3 Never Trust A Chorus Girl 04:33
4 Raisin' Hell On The Prairies 04:33
5 Sweet Young Thing 03:46
6 Keep On Shining 03:35
7 Moon Wave Maker 03:34
8 Laid It On Me Anyway 06:22
Tracks 1, 2, 4, 5, 8 By The Guess Who
Track 3 By McDougall & Winter
Tracks 6, 7 By McDougall
********************
Dave Inglis/Guitar
Jim Kale/Bass Guitar, Vocals
Vance Masters/Drums, Vocals
Don McDougall/Guitar, Lead Vocals
Kurt Winter/Guitar, Vocals
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
********************

11008 - THE GUESS WHO - THE WAY THEY WERE: UNRELEASED RECORDINGS BY THE ORIGINAL GROUP (1976)

THE GUESS WHO
''THE WAY THEY WERE: UNRELEASED RECORDINGS BY THE ORIGINAL GROUP''
1976
31:11
********************
1 Silver Bird 02:41 (Bachman, Cummings)
2 Spacies Hawk 03:28 (Bachman, Cummings)
3 Runnin Down The Street 04:16 (Kale, Peterson)
4 Miss Frizzy 05:16 (Bachman, Cummings)
5 Palmyra 05:50 (Bachman, Cummings)
6 The Answer 03:54 (Bachman, Cummings)
7 Take The Long Way Home 05:42 (Bachman)
********************
Randy Bachman/Guitar, Vocals
Burton Cummings/Keyboards, Vocals
Jim Kale/Bass, Vocals
Garry Peterson/Drums, Vocals
********************
REVIEW/AMG
Joe Viglione
Seven titles recorded at RCA Studios in Chicago during the spring of 1970, produced by Jack Richardson, were abandoned when Randy Bachman and the Guess Who with Burton Cummings went their separate ways. What resulted was a solo instrumental album by Bachman entitled Axe and the Share the Land album by the group. This title, The Way They Were, is now being dismantled by BMG and disseminated as bonus tracks on the Buddah re-releases of Guess Who catalog product. Canned Wheat has the songs "Silver Bird" and "Species Hawk," although in a bizarre twist, the original pressings of the re-release lists "Miss Frizzy" instead of "Species Hawk." The rare disc is worth keeping, for obvious reasons, but Buddah in 2001 will replace it for those who want the official release with the proper track listing. The Share the Land album contains "Palmyra" and "The Answer" as its bonus tracks. It's a shame. This is a decent album and deserves its place in Guess Who history. Although there is no "hit" here on the level of the Guess Whos' "Share the Land" or BTO's "You Ain't Seen Nothing Yet" or Burton Cummings' first solo hit "Stand Tall," the addition of these tunes to albums other than Share the Land is a bit misleading. You can hear the Beatles and Humble Pie in the song "Palmyra," which, had it been released at the time it was recorded, could have launched the Guess Who" on FM radio. This set of recordings is definitely hip. Whatever tension between Bachman and the band, he, after all, was the original creative spark before Cummings joined. "Running Down the Street," "Silver Bird," and "Species Hawk" are all highly listenable. The three-paragraph-long liner notes by Jack Richardson make it clear that he loved the music made by these four particular musicians, Cummings, Bachman, Jim Kale and Garry Peterson. Their five hits together -- "These Eyes," "Laughing," "Undun," "American Woman," and "No Time" -- all had a special something that was lost on future Guess Who and BTO hits. Just listen to "The Answer" to hear the tasty backing vocals, Bachman's restrained and beautiful guitarwork, and Burton Cummings having to stay within a framework which made him more appealing. There's no doubt the Guess Who became a fantastic live band performing the hits and new material on Live at the Paramount, which is truly an extraordinary disc now that additional tracks have been released, but "Take the Long Way Home," the final track on this album, could have been a Guess Who staple. In retrospect, The Way They Were should have been released on its own with live tracks from the period filling it out, or better still, put Bachman's Axe and The Way They Were on the same disc. After all, they were both recorded in March of 1970 at the same Chicago studio. As a Guess Who album, The Way They Were is superior to Wild One, All This for a Song, and other long players which bear the band's name.
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
********************

11007 - THE GUESS WHO - POWER IN THE MUSIC (1975)

THE GUESS WHO
''POWER IN THE MUSIC''
JULY 1975
42:25
********************
1 Down And Woman 03:35
2 Woman 03:23
3 When The Band Was Singin' 03:32
4 Dreams 04:57
5 Rich World-Poor World 06:13
6 Rosanne 04:17
7 Coors For Sunday 04:23
8 Shopping Bag Lady 05:28
9 Power In The Music 06:33
All Tracks By Burton Cummings & Domenic Troiano
********************
Burton Cummings – Lead vocals, keyboards
Garry Peterson – Drums, backing vocals
Domenic Troiano – Guitars, backing vocals
Bill Wallace – Bass Guitar, backing vocals
********************
REVIEW/AMG
Joe Viglione
When Burton Cummings was looking to change the sound of the Guess Who, he partnered up with Domenic Troiano for 1974's Flavours and this 1975 conclusion to this phase of the group, Power in the Music. Self-indulgence pervades the proceedings, with Cummings rewriting history. "When the Band Was Singing (Shakin' All Over)" is a perfect example of a song that could have but doesn't. Gone are the magic guitar lines of "Share the Land" and the intensity of "These Eyes." Jack Richardson's production along with engineer Brian Christian's pristine sound set the table, but Cummings and Troiano give the world appetizers instead of a main course. Richardson and drummer Garry Peterson are the only holdovers here with Cummings; latter-day bassist Bill Wallace is not allowed to contribute to the songwriting, though he provided input on six of the ten titles found on 1973's Artificial Paradise, the same number as frontman Cummings on that disc. "Dreams" is brilliant, though, an anomaly, the classic Cummings/Guess Who voice coming back for a great reprise. It's just too bad he couldn't deliver ten of these per album, put his heart and soul into it, and keep in mind the thing that made the Guess Who so radio-friendly. "Rich World -- Poor World" descends into the new dimension of what should have been called "The Burton Cummings/Domenic Troiano Project." Little jazz flavors make this about as much the Guess Who as Jim Kale and Garry Peterson's 1995 album Lonely One. Recorded in March of 1975 at Toronto's Sound Stage, the music on "Rich World -- Poor World" starts surfacing as something that could be salvaged into a new Guess Who hit, but Cummings goes into a Frank Zappa satire. Their last hit, "Dancin' Fool" from 1974's Flavours, had more in common with Zappa than "American Woman," and therein lies the problem. It's something that did not go unnoticed by Zappa; he released his own "Dancin' Fool" on 1979's Sheik Yerbouti album. The frustrating thing here, though, is that Domenic Troiano, the guest guitarist from Randy Bachman's 1970 Axe LP, on this second musical partnership with Bachman's ex-comrade, is way too experimental to be considered true Guess Who. The highs of "Shopping Bag Lady," including guitars straight from Joe Cocker's "With a Little Help From My Friends," get lost in the translation, while the brilliance of "Coors for Sunday" feels out of place on an album by four dudes calling themselves the Guess Who. "Coors for Sunday" sounds like Burton Cummings was listening to Lou Reed's Sally Can't Dance and Coney Island Baby albums. Heck, they were also on RCA and the rhythm section to Reed's Rock 'n' Roll Animal band were part of a Troiano ensemble, so the styles are not as disparate as one would think. The title track veers off into high experimentation, while songs like "Down and out Woman," "Roseanne," and "Women" are all so very sexist. The focus of "Undun," "Hand Me Down World," and even minor FM hits like "Glamour Boy," "Broken," and "Guns, Guns, Guns" are traded in for music that, while interesting, is way off course. The highly influential band who Aerosmith and Zappa may have found to be a guilty pleasure doesn't conclude with a thud here, just confusion and an asterisk: "to be continued."
********************
BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
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BIO/WIKIPEDIA
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TO THE TOP
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11006 - THE GUESS WHO - FLAVOURS (1974)

THE GUESS WHO
''FLAVOURS''
OCTOBER 1974
40:44
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1 Dancin’ Fool 03:33
2 Hoe Down Time 03:51
3 Nobody Knows His Name 03:19
4 Diggin' Yourself 03:41
5 Seems Like I Can't Live With You, But I Can't Live Without You 05:27
6 Dirty 05:29
7 Eye 03:56
8 Loves Me Like A Brother 03:26
9 Long Gone 07:57
All Tracks By Burton Cummings & Domenic Troiano
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Burton Cummings – lead vocals, piano, keyboards
Garry Peterson – drums, percussion, vocals
Domenic Troiano – guitars, mandolin, vocals
Bill Wallace – bass guitar, vocals
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REVIEW/AMG
Joe Viglione
Flavours was the first of the final two official Guess Who albums from the 1970s, and yet another change in direction, despite the band getting chart action with the previous Road Food disc. After more than a two-and-a-half-year absence on the Top 40, and four albums all containing some material that should have become very popular, Burton Cummings shook up the proceedings at this critical juncture where pop success had returned to the storied band. Journeyman guitarist Domenic Troiano, who actually played on Randy Bachman's first album away from the band he co-founded, 1970's Axe, listed there as a Don Troiano, is the sole guitarist here, following Don McDougal, Kurt Winter, and Greg Leskiw in attempt to fill Bachman's shoes. Yes, Cummings having a true collaborator gave the nine songs here and nine tunes on Power in the Music that concise presentation found on the Canned Wheat and American Woman albums, but once again there's a distinct lack of angst, Troiano complementing rather than battling with the lead singer. "Dancin' Fool" went Top 30 at the end of 1974, but there was the enormous attention garnered by "Star Baby" and "Clap for the Wolfman," evidence that the band was showing signs of AM radio life again. Any competent song would have been able to ride that wave. "Dancin' Fool," though decent, is hardly the most memorable of the band's 14 hits, and not as familiar as "Heartbroken Bopper," "Sour Suite," or "Glamour Boy," records that failed to dent the Top 40 but still somehow got heard. The material here is better than on this album's follow-up, Power in the Music, "Loves Me Like a Brother" a nice moment, while "Diggin' Yourself," "Hoe Down Time," and "Nobody Knows His Name" are all very listenable. "Long Gone" tries its hand at emulating the Mothers of Invention, Cummings still experimenting with styles when a touch of Troiano's days with the James Gang should have done the trick. RCA sure allowed the band exquisite packaging, printed lyrics, an impressive inner sleeve, but as AMG writer Jim Newsom noted "...very little fire, a going-through-the-motions feel, all combined to condemn this album to instant obscurity." While impressive as a collaboration between two talented rock & roll artists who had the luxury of having the Guess Who's longtime producer, engineer, and rhythm section, this could actually be considered the first Burton Cummings solo album. One dynamite number like "Star Baby" could have changed the dynamics considerably.
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BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
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BIO/WIKIPEDIA
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TO THE TOP
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11005 - THE GUESS WHO - ROAD FOOD (1974)

THE GUESS WHO
''ROAD FOOD''
APRIL 1974
35:59
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1 Star Baby 02:40 (Cummings)
2 Attila's Blues 04:52 (The Guess Who)
3 Straighten Out 02:22 (Cummings, Wallace)
4 Don't You Want Me 02:19 (Cummings)
5 One Way Road To Hell 05:25 (Cummings, Wallace)
6 Clap For The Wolfman 04:15 (Cummings, Wallace, Winter)
7 Pleasin' For Reason 03:18 (McDougall, Cummings)
8 Road Food 03:38 (Wallace, Cummings)
9 Ballad Of The Last Five Years 07:06 (Cummings)
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Burton Cummings – vocals, keyboards
Kurt Winter – guitars
Don McDougall – guitars, vocals
Bill Wallace – bass, vocals
Garry Peterson – percussion
Horns On 8:
Jack Zaza - tenor
Gary Morgan - Baritone
Eugene Amaro - Tenor
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REVIEW/AMG
Jim Newsom
Road Food found the Guess Who taking a jazzy turn in a different direction from the guitar-soaked sound the group had mined to popularity for several years. Burton Cummings' piano was moved more to the front of the mix for this recording. "Star Baby" was the first single released from the album, and though it's catchy and sounds like a hit, it wasn't. However, the novelty tune "Clap for the Wolfman," featuring Wolfman Jack himself, did hit the Top Ten, providing the band with its last visit there. The rest of the album is uneven, with some snazzy, jazzy tunes and a couple of overblown ballads.
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BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
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BIO/WIKIPEDIA
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TO THE TOP
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11004 - THE GUESS WHO - #10 (1973)

THE GUESS WHO
''#10''
JUNE 1973
36:19
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1 Take It Off My Shoulders 04:01 (McDougall, Cummings)
2 Musicione 03:57 (The Guess Who)
3 Miss Frizzy 04:26 (Randy Bachman, Burton Cummings)
4 Glamour Boy 05:20 (Burton Cummings)
5 Self Pity 04:17 (Burton Cummings)
6 Lie Down 04:41 (Burton Cummings)
7 Cardboard Empire 03:24 (Bill Wallace, Kurt Winter)
8 Just Let Me Sing 06:09 (Burton Cummings)
********************
Burton Cummings – Lead vocals, piano
Kurt Winter – Guitars
Don McDougall – Guitars, backing vocals
Bill Wallace – bass, backing Vocals
Garry Peterson – percussion
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REVIEW/AMG
Joe Viglione
This album should have been called "10 Approximately," as it is hard to get a real handle on the comings and goings of the Guess Who and which albums they include in that "ten" number at any place in time since their vague inception. Is The Best of the Guess Who or Shakin' All Over with Chad Allan part of the intended legacy? This band was so in flux that the addition of Bill Wallace here signaled yet another major change; founding member Jim Kale would re-join drummer Garry Peterson in 1979 with their All This for a Song album after Burton Cummings, Peterson, longtime engineer Brian Christian, and producer Jack Richardson played the string out up to 1975's Power in the Music and Flavours albums. The music here is excellent, though, with Burton Cummings showing the yin to the yang of Bachman-Turner Overdrive's first release this same year, 1973. Randy Bachman took the hard edge with him, and Cummings is allowed to go into an Elton John piano ballad area. "Lie Down" hints that Tumbleweed Connection may have been playing on Cummings' turntable, and often. The boogie-woogie of "Musicione," the only song written by the five members of this ensemble, is about as far as the piano-centered group stretches. But this is Cummings in total control, and the album is consistently good despite his tendency toward self-indulgence. Jack Richardson's guiding hand does not get enough credit for keeping this crew on the straight and narrow. "Glamour Boy" is a brilliant poke at the glam of T. Rex, Mott the Hoople, and RCA's own labelmates for the Guess Who, Lou Reed and David Bowie. It is the only song on this album to be included on The Best of the Guess Who, Vol. 2. Though Cummings dominates this outing, writing and co-writing the majority of the tunes, the Bachman replacements have adjusted to the post-Bachman era, one example being "Cardboard Empire" by bassist Bill Wallace and guitarist Kurt Winter, which shows real style. On that particular tune, a Jefferson Airplane-like hook and Cummings' voice are joined by stunning guitar solos. Something totally out of place, though, is the inclusion of a remake of "Miss Frizzy," a rare Bachman/Cummings co-write from the abandoned follow-up to the American Woman album, eventually released on the 1976 compilation The Way They Were. It's shorter and features a more dominant piano than the 1970 original. This "Miss Frizzy" is nice, though the original band version has more charm and shows why Euclid's axiom is, once again, so appropriate: "The whole is equal to the sum of all the parts and is greater than any of the parts." Play this next to Bachman-Turner Overdrive II to see how the personalities truly went their separate ways. #10 is one of Cummings' most personal albums, a far cry from the previous outing, Artificial Paradise, which had him contributing to only four of the ten tracks. The singer gave Don McDougal, Winter, and Wallace the chance to spread their wings on that recording, their work between 1970's Share the Land and 1974's Road Food at a very mellow point here on #10. "Take It off My Shoulders," like "Lie Down," is straight from Elton John's Tumbleweed Connection phase. This band's home was Top 40 radio, and though Live at the Paramount got FM airplay, programmers unjustifiably considered them too unhip for the underground. This is where Burton Cummings really needed to slam home more great 45 RPMs.
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BIOGRAPHY/AMG
Steve Huey
While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. The band grew out of vocalist/guitarist Chad Allan (born Allan Kobel) and guitarist Randy Bachman's Winnipeg-based group Chad Allan and the Expressions, originally known as first the Silvertones and then the Reflections. The remainder of the lineup featured bassist Jim Kale, pianist Bob Ashley, and drummer Garry Peterson. The Expressions recorded a cover of Johnny Kidd and the Pirates' "Shakin' All Over" in 1965, which became a surprise hit in Canada and reached the U.S. Top 40. When the Expressions recorded an entire album of the same name, its record company, Quality, listed their name as "Guess Who?" on the jacket, hoping to fool record buyers into thinking that the British Invasion-influenced music was actually by a more famous group in disguise. Ashley had been replaced by keyboardist/vocalist Burton Cummings, who became lead vocalist when Allan departed in 1966. the Guess Who embarked on an unsuccessful tour of England and returned home to record commercials and appear on the television program Let's Go, hosted by Chad Allan. However, further American success eluded the Guess Who until the 1969 Top Ten hit "These Eyes"; the recording session for the accompanying album, Wheatfield Soul, was paid for by producer Jack Richardson, who mortgaged his house to do so. Canned Wheat Packed by the Guess Who produced three Top 40 singles later that year. In 1970, the Guess Who released the cuttingly sarcastic riff-rocker "American Woman," which, given its anti-American putdowns, ironically became their only U.S. chart-topper. The album of the same name became their first U.S. Top Ten and first gold album, and the group performed for President and Mrs. Nixon and Prince Charles at the White House. (Pat Nixon requested that "American Woman" be dropped from the set list.)

Trouble was brewing on the horizon, though. Guitarist Bachman, having recently converted to Mormonism, took issue with the band's typical rock & roll lifestyle, leading to clashes with Cummings. Finding the atmosphere unbearable, Bachman left the group in July 1970 and formed Brave Belt with Chad Allan, which later evolved into Bachman-Turner Overdrive. His place in the Guess Who was taken by Kurt Winter and Greg Leskiw, and the title track from their next album, "Share the Land," climbed into the Top Ten later that year, and several more singles charted afterwards. The group returned to the Top Ten one last time in 1974 with the novelty single "Clap for the Wolfman," featuring dialogue by deejay Wolfman Jack. Burdened by shifting personnel and loss of direction, Cummings broke up the band in 1975 and tried a solo career. The lineup from the Guess Who's glory years reunited in 1983, and a version of the group with constantly shifting musicians (occasionally original members) continues to tour.
********************
BIO/WIKIPEDIA
********************
TO THE TOP
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