SIMO
''LET LOVE SHOW THE WAY''
JANUARY 29 2016
67:14
********************
1 Stranger Blues 05:07
2 Two Timin' Woman 03:00
3 Can't Say Her Name 03:13
4 I Lied 03:32
5 Please 02:40
6 Long May You Sail 04:41
7 I'll Always Be Around 04:38
8 Becky's Last Occupation 04:19
9 I'd Rather Die In Vain 09:52
10 Today I'm Here 02:41
11 Let Love Show The Way (Bonus Track) 05:59
12 Ain't Doin' Nothin' (Bonus Track) 13:55
13 Please Be With Me (Bonus Track) 03:29
********************
JD Simo - guitar, vocals
Elad Shapiro - bass guitar
Adam Abrashoff - drums
********************
ABOUT THE ALBUM
www.bluesmagazine.nl
As if creeping from the Southern swamps and mist-soaked cotton fields, SIMO’s “Stranger Blues” is the perfect table setter for the Nashville power trio’s vibrant new LP, Let Love Show the Way. The song is a blueprint for reinvigorating the fusion of jazz improvisation, downhome blues and classic R&B, as well as these genres’ psychedelic Brit Invasion and countrified Southern-rock manifestations. The rest of the record follows suit, a souped-up vehicle transporting the band on a deeply satisfying, off-the-cuff musical journey.
Cut entirely live in full, unbroken takes—vocals and solos included—the sound is primal, sweltering and immediate. “We live and die by the take,” says singer-guitarist JD Simo. “We don’t edit, and if there are overdubs, they’re minimal. I want it to be unaffected and pure. For me, the music that always resonates most is when a performance is captured. That’s what I love, and that’s what we go for.”
The first album ever recorded at Macon, Ga.’s Big House—the communal home of the Allman Brothers Band during their late ‘60s/early ‘70s heyday—Let Love Show the Way finds SIMO not just reveling in the hallowed space’s unique mojo and history, but taking it to a fresh and inspired place. As a musical unit, Simo, his longtime drummer Adam Abrashoff and bassist Elad Shapiro have an undeniable chemistry, taken to even greater heights with JD playing Duane Allman’s 1957 gold-top Les Paul for every track on the record. This is the same six-string heard on the first two Allman Brothers LPs, the same storied guitar that delivered the unforgettable riff on Derek & the Dominoes’ “Layla.” JD is now part of an elite group of artists—including Derek Trucks, Warren Haynes and Wilco’s Nels Cline—who share the rare honor of having wielded this talismanic instrument.
“There’s definitely a magical element to the recording,” Simo says of Let Love Show the Way. “The vibe of the Big House, using Duane’s guitar, plus all the touring we’d done leading up to it, all the refinement of the material on the road—it was a perfect storm.”
Let Love Show the Way was not planned—results this potent are difficult to script. In fact, when SIMO headed down to Macon, the band had an entirely different set of songs already approved for release by its label, Mascot Label Group—this last-minute trip to the Big House was merely intended to yield a pair of bonus tracks for a deluxe edition. But with engineer Nick Worley at the boards of a stripped-down mobile recording unit, the band caught fire, burning through more than a dozen tracks in less than 48 hours. Once they heard the raw and electrifying intensity of the mixes, they didn’t think twice about abandoning the original plan and rolling with what suddenly felt so right.
“As the producer of the project, I couldn’t live with myself if we didn’t use these songs,” Simo says. “I just felt it was better than anything the band had ever captured—so we decided to scrap the original record and build this new one around everything we recorded at the Big House.”
This choice to record at this historic location is a nod to JD’s lifelong reverence and respect for the musical pioneers who have come before him. When he was just three years old, seeing The Blues Brothers and Elvis Presley’s ’68 comeback special changed his life. “I was transfixed,” he says. “With The Blues Brothers, you’ve got John Lee Hooker with Muddy Waters’ band, Aretha Franklin, Ray Charles, James Brown, Chaka Khan right after she made one of my favorite records of all time with Rufus, Rags to Riches. Not to mention some of the greatest rhythm & blues musicians to ever walk the planet—Matt ‘Guitar’ Murphy from Chess, that incredible original horn section from Saturday Night Live, Willie Hall from Stax, who played with Isaac Hayes. I mean, it’s a comedy and it’s funny, but as far as exposure to some really heavy music—I wanted to be Steve Cropper, I wanted to be John Lee Hooker. And it was the same with the Elvis special—he’s in the black leather suit, still good looking and charming and singing his ass off. Seeing The Blues Brothers and that Elvis comeback special made me want to play music.”
By the time he was five, JD was begging his parents for a guitar. They obliged, and by age 10—much like his peers Derek Trucks and Joe Bonamassa—he was regularly playing bars backed by older musicians. By 15, he’d dropped out of school, put his own band together and was touring full time. “For six years,” he says, “I just lived in a van and played all over the country and never really had a home.”
When he was 21, JD moved to Nashville, where—after making a living as a session guitarist and moonlighting in bar bands for half a decade—he made an important decision. Though he’d learned much from his experiences as a sideman, the time had come for him to pursue his own muse. He met likeminded musician Abrashoff and original SIMO bassist Frank Swart, and they set off on a journey together, hitting the road hard and honing their craft. Eventually, Swart left the band, making way for Shapiro to join on bass. “When we played with him it was so immediate,” JD says. “It was like, ‘Where the hell have you been?’”
While Simo is comfortable with his role as a bandleader, he’s never wanted to be a solo artist. “A band is something very unique and special,” he says. “You’re only as good as the people you surround yourself with. Adam is one of my best friends. He and I have been through the whole scope of the journey so far together. And now, with Elad—who has taken the band to a new level—we truly are a team. We’re brothers.”
It’s a sentiment that’s reflected in the band’s egalitarian/improvisational approach to songwriting, even in the way SIMO sets up for shows—in a straight line across the stage, with no member given more weight than any other. “I can’t emphasize enough how much I love these guys and what they bring to our sound,” JD says.” Adam is an absolutely immaculate improviser. He’s completely free and technically the best musician in the band. I’ve done hundreds of shows with him, and I still don’t know what he’s gonna do or where he’s gonna take things—it’s inspiring. And Elad, he completes my musical thoughts. He is full of passion and enthusiasm and authenticity. He has absolutely no filter, both socially—which is hilarious—and musically, which is always incredible. In many ways, he’s the heart and soul of the band.”
Together, they’re an adventurous rock & roll trinity, a thriving creative partnership completed by JD’s combustible guitar playing and soulful vocals, and Let Love Show the Way is a game-changing album from a band in the midst of an evolutionary breakthrough. “I’m a stranger here,” JD belts on the record’s opening salvo, all mysterious swagger and smoky, downhome grit. But for a band with such with such memorable songs, uncommon rapport and awe-inspiring musicality, SIMO can take solace in knowing the line won’t hold true much longer.
********************
BIOGRAPHY/AMG
Mark Deming
Delivering powerful blues rock with a psychedelic sheen and a strong thread of improvisational imagination, Simo is a power trio from Nashville, Tennessee led by guitarist J.D. Simo. J.D. grew up in Chicago, Illinois, and developed a taste for the blues as a kid, listening to a Chess Records collection his sister often played. J.D. started playing guitar when he was five, and once talked his mom into taking him to see the abandoned Chess Records building on South Michigan Avenue. By the time he was 18, J.D.'s family was living in Arizona, and he was headlining clubs and playing festivals with his backing combo Dirty Pool; they issued an EP, Burnin' Live, which sold an impressive 5,000 copies as an independent release. After walking away from high school, J.D. and his band hit the road and released a studio album, One Night Stand, in 2002. After two more albums, 2004's The Other Side of Me and 2005's J.D. Simo Live, the guitarist parted ways with Dirty Pool and relocated to Nashville in 2006. J.D. made a name for himself in Music City after he joined a popular local group, the Don Kelley Band, and soon he was dividing his time between live gigs and session work, gaining a reputation as one of the city's best guitarists. In 2010, J.D. decided to break out on his own, and he formed a new band with two seasoned musicians, bassist Frank Swart and drummer Adam Abrashoff. The new combo was dubbed Simo, and their self-titled debut album arrived in 2011. Simo hit the road hard in support, and well-respected reissue label Sundazed Records made the rare choice of releasing a new recording by putting out a Simo single, "Shake It" b/w "AoH," later the same year. In 2015, the trio released a live EP, Love, Vol. One, recorded during a show at Nashville's Mercy Lounge; that same year, Swart left Simo and Elad Shapiro became the group's new drummer. By this time, word had spread about the band's incendiary live show, and the group was playing festivals like Bonnaroo and Mountain Jam as well as sharing bills with Gregg Allman, Joe Bonamassa, Blackberry Smoke, Deep Purple, and many others. In 2015, Simo scored a deal with Provogue Records, and they released their first album for the label, Let Love Show the Way, in 2016.
********************
WEBSITE
********************
TO THE TOP
********************
''LET LOVE SHOW THE WAY''
JANUARY 29 2016
67:14
********************
1 Stranger Blues 05:07
2 Two Timin' Woman 03:00
3 Can't Say Her Name 03:13
4 I Lied 03:32
5 Please 02:40
6 Long May You Sail 04:41
7 I'll Always Be Around 04:38
8 Becky's Last Occupation 04:19
9 I'd Rather Die In Vain 09:52
10 Today I'm Here 02:41
11 Let Love Show The Way (Bonus Track) 05:59
12 Ain't Doin' Nothin' (Bonus Track) 13:55
13 Please Be With Me (Bonus Track) 03:29
********************
JD Simo - guitar, vocals
Elad Shapiro - bass guitar
Adam Abrashoff - drums
********************
ABOUT THE ALBUM
www.bluesmagazine.nl
As if creeping from the Southern swamps and mist-soaked cotton fields, SIMO’s “Stranger Blues” is the perfect table setter for the Nashville power trio’s vibrant new LP, Let Love Show the Way. The song is a blueprint for reinvigorating the fusion of jazz improvisation, downhome blues and classic R&B, as well as these genres’ psychedelic Brit Invasion and countrified Southern-rock manifestations. The rest of the record follows suit, a souped-up vehicle transporting the band on a deeply satisfying, off-the-cuff musical journey.
Cut entirely live in full, unbroken takes—vocals and solos included—the sound is primal, sweltering and immediate. “We live and die by the take,” says singer-guitarist JD Simo. “We don’t edit, and if there are overdubs, they’re minimal. I want it to be unaffected and pure. For me, the music that always resonates most is when a performance is captured. That’s what I love, and that’s what we go for.”
The first album ever recorded at Macon, Ga.’s Big House—the communal home of the Allman Brothers Band during their late ‘60s/early ‘70s heyday—Let Love Show the Way finds SIMO not just reveling in the hallowed space’s unique mojo and history, but taking it to a fresh and inspired place. As a musical unit, Simo, his longtime drummer Adam Abrashoff and bassist Elad Shapiro have an undeniable chemistry, taken to even greater heights with JD playing Duane Allman’s 1957 gold-top Les Paul for every track on the record. This is the same six-string heard on the first two Allman Brothers LPs, the same storied guitar that delivered the unforgettable riff on Derek & the Dominoes’ “Layla.” JD is now part of an elite group of artists—including Derek Trucks, Warren Haynes and Wilco’s Nels Cline—who share the rare honor of having wielded this talismanic instrument.
“There’s definitely a magical element to the recording,” Simo says of Let Love Show the Way. “The vibe of the Big House, using Duane’s guitar, plus all the touring we’d done leading up to it, all the refinement of the material on the road—it was a perfect storm.”
Let Love Show the Way was not planned—results this potent are difficult to script. In fact, when SIMO headed down to Macon, the band had an entirely different set of songs already approved for release by its label, Mascot Label Group—this last-minute trip to the Big House was merely intended to yield a pair of bonus tracks for a deluxe edition. But with engineer Nick Worley at the boards of a stripped-down mobile recording unit, the band caught fire, burning through more than a dozen tracks in less than 48 hours. Once they heard the raw and electrifying intensity of the mixes, they didn’t think twice about abandoning the original plan and rolling with what suddenly felt so right.
“As the producer of the project, I couldn’t live with myself if we didn’t use these songs,” Simo says. “I just felt it was better than anything the band had ever captured—so we decided to scrap the original record and build this new one around everything we recorded at the Big House.”
This choice to record at this historic location is a nod to JD’s lifelong reverence and respect for the musical pioneers who have come before him. When he was just three years old, seeing The Blues Brothers and Elvis Presley’s ’68 comeback special changed his life. “I was transfixed,” he says. “With The Blues Brothers, you’ve got John Lee Hooker with Muddy Waters’ band, Aretha Franklin, Ray Charles, James Brown, Chaka Khan right after she made one of my favorite records of all time with Rufus, Rags to Riches. Not to mention some of the greatest rhythm & blues musicians to ever walk the planet—Matt ‘Guitar’ Murphy from Chess, that incredible original horn section from Saturday Night Live, Willie Hall from Stax, who played with Isaac Hayes. I mean, it’s a comedy and it’s funny, but as far as exposure to some really heavy music—I wanted to be Steve Cropper, I wanted to be John Lee Hooker. And it was the same with the Elvis special—he’s in the black leather suit, still good looking and charming and singing his ass off. Seeing The Blues Brothers and that Elvis comeback special made me want to play music.”
By the time he was five, JD was begging his parents for a guitar. They obliged, and by age 10—much like his peers Derek Trucks and Joe Bonamassa—he was regularly playing bars backed by older musicians. By 15, he’d dropped out of school, put his own band together and was touring full time. “For six years,” he says, “I just lived in a van and played all over the country and never really had a home.”
When he was 21, JD moved to Nashville, where—after making a living as a session guitarist and moonlighting in bar bands for half a decade—he made an important decision. Though he’d learned much from his experiences as a sideman, the time had come for him to pursue his own muse. He met likeminded musician Abrashoff and original SIMO bassist Frank Swart, and they set off on a journey together, hitting the road hard and honing their craft. Eventually, Swart left the band, making way for Shapiro to join on bass. “When we played with him it was so immediate,” JD says. “It was like, ‘Where the hell have you been?’”
While Simo is comfortable with his role as a bandleader, he’s never wanted to be a solo artist. “A band is something very unique and special,” he says. “You’re only as good as the people you surround yourself with. Adam is one of my best friends. He and I have been through the whole scope of the journey so far together. And now, with Elad—who has taken the band to a new level—we truly are a team. We’re brothers.”
It’s a sentiment that’s reflected in the band’s egalitarian/improvisational approach to songwriting, even in the way SIMO sets up for shows—in a straight line across the stage, with no member given more weight than any other. “I can’t emphasize enough how much I love these guys and what they bring to our sound,” JD says.” Adam is an absolutely immaculate improviser. He’s completely free and technically the best musician in the band. I’ve done hundreds of shows with him, and I still don’t know what he’s gonna do or where he’s gonna take things—it’s inspiring. And Elad, he completes my musical thoughts. He is full of passion and enthusiasm and authenticity. He has absolutely no filter, both socially—which is hilarious—and musically, which is always incredible. In many ways, he’s the heart and soul of the band.”
Together, they’re an adventurous rock & roll trinity, a thriving creative partnership completed by JD’s combustible guitar playing and soulful vocals, and Let Love Show the Way is a game-changing album from a band in the midst of an evolutionary breakthrough. “I’m a stranger here,” JD belts on the record’s opening salvo, all mysterious swagger and smoky, downhome grit. But for a band with such with such memorable songs, uncommon rapport and awe-inspiring musicality, SIMO can take solace in knowing the line won’t hold true much longer.
********************
BIOGRAPHY/AMG
Mark Deming
Delivering powerful blues rock with a psychedelic sheen and a strong thread of improvisational imagination, Simo is a power trio from Nashville, Tennessee led by guitarist J.D. Simo. J.D. grew up in Chicago, Illinois, and developed a taste for the blues as a kid, listening to a Chess Records collection his sister often played. J.D. started playing guitar when he was five, and once talked his mom into taking him to see the abandoned Chess Records building on South Michigan Avenue. By the time he was 18, J.D.'s family was living in Arizona, and he was headlining clubs and playing festivals with his backing combo Dirty Pool; they issued an EP, Burnin' Live, which sold an impressive 5,000 copies as an independent release. After walking away from high school, J.D. and his band hit the road and released a studio album, One Night Stand, in 2002. After two more albums, 2004's The Other Side of Me and 2005's J.D. Simo Live, the guitarist parted ways with Dirty Pool and relocated to Nashville in 2006. J.D. made a name for himself in Music City after he joined a popular local group, the Don Kelley Band, and soon he was dividing his time between live gigs and session work, gaining a reputation as one of the city's best guitarists. In 2010, J.D. decided to break out on his own, and he formed a new band with two seasoned musicians, bassist Frank Swart and drummer Adam Abrashoff. The new combo was dubbed Simo, and their self-titled debut album arrived in 2011. Simo hit the road hard in support, and well-respected reissue label Sundazed Records made the rare choice of releasing a new recording by putting out a Simo single, "Shake It" b/w "AoH," later the same year. In 2015, the trio released a live EP, Love, Vol. One, recorded during a show at Nashville's Mercy Lounge; that same year, Swart left Simo and Elad Shapiro became the group's new drummer. By this time, word had spread about the band's incendiary live show, and the group was playing festivals like Bonnaroo and Mountain Jam as well as sharing bills with Gregg Allman, Joe Bonamassa, Blackberry Smoke, Deep Purple, and many others. In 2015, Simo scored a deal with Provogue Records, and they released their first album for the label, Let Love Show the Way, in 2016.
********************
WEBSITE
********************
TO THE TOP
********************