Repsycheled Combobulations
Bullseye: The Arms Race, by Lou Camerato
Plain Sailing Weather, by Gwen Waight Circus Pony, by Susan Kurtz
By Tom Wachunas
“The
object of art is not to reproduce reality, but to produce a reality of the same
intensity.” - Alberto Giacometti
“Can
works be made which are not 'of art'?” - Marcel Duchamp
“Found
objects, chance creations, ready-mades (mass-produced items promoted into art
objects…) abolish the separation between art and life. The commonplace is
miraculous if rightly seen.” – Charles
Simic
“"Look
at everything as though you are seeing it for the first time, with eyes of a
child, fresh with wonder." -Joseph
Cornell
EXHIBIT: REPURPOSED, at
Malone Art Gallery, 2600 Cleveland Ave. NW. on the Malone University campus, 2nd
floor of Johnson Center/ featured artists: Lou Camerato, Jonah Jacobs, Susan
Kurtz, Gwen Waight
From Malone Gallery exhibit curator, Kat
Francis Keomany: “REPURPOSED showcases a blend of two-dimensional and
three-dimensional artworks, delving into the creative possibilities that arise
from discarded items. This exhibition revitalizes forgotten objects and
overlooked materials, transforming them into something extraordinary.”
Word nerd here, chronically waylated in saying
THANK YOU, both to local artist Kat Francis Keomany for her important work as
curator of Malone University Gallery, and to the remarkable artists she consistently
brings to our attention. The exhibits there have been, and continue to be, a
dynamic enrichment of Canton’s art gallery milieu. And that would certainly
include the recently ended exhibit, REPURPOSED. It was a thoughtful and
tantalizing show of what I’ll very loosely call portmanteaux. (Just so
you know, portmanteau (pȯrt-ˈman-(ˌ)tō) - a word or part of a word made by combining the
spellings and meanings of two or more other words or word parts (such as smog
from smoke and fog); a collection of variable aspects packed together (as in a
suitcase), combining more than one element, use, or quality; or, an unlikely
composite.)
So simple, so complex, how art can both tease and
perplex. Sometimes with mere knick-knacks, trinkets, toys or bric-a-bracs. Thoughtful
and tantalizing, this particular exhibit was a genuine seriosity of curiosities
– symbolicons, if you will - all of which
thoroughly revitalized my own appreciation of so-called found object assemblage
art (a practice, btw, I often engage in my own work).
Here was a zany miscellany of physical ingredients
and nostalgic mementos. Where the commonplace acquired new breathing space.
Where personal reflections invited deeper inspections. Art is where the oft-understated
can get well-reinflated. Where memories and material things, maybe once lost or
tossed, can be found and rebound, juxtaposed to justsuppose. Resurrections and reconnections.
What the heck, hunt and peck. Guard the discarded. The artists in this show
opened their suitcases to more than simply tarry in the ordinary. Their transmutations
of everyday fluff made for some truly fascinating stuff.
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