Showing posts with label Hourman. Show all posts
Showing posts with label Hourman. Show all posts

Thursday, April 10, 2014

The Origin of Black Canary: 1983 Part 2 - JUSTICE LEAGUE OF AMERICA #220

I've waited months to review Justice League of America #220, a story that radically reimagines not only Black Canary's history but her whole identity and status as a member of both the Justice League of Earth 1 and the Justice Society of Earth 2.  At last, the time is right to cover this story, because according to the 1976 Super DC Calendar, today, April 10th, is Black Canary's birthday.


Justice League of America #220: "The Doppelgänger Gambit" is written by Roy Thomas with pencil art by Chuck Patton and inks by Romeo Tanghal and Pablo Marcos.  George Perez delivers a cover with not one but two Black Canaries--one corpse-like in a casket beside the late Larry Lance, and the other looking on in horror with members of the Justice Society of America, Red Tornado and Sargon the Sorcerer, all while the Earth 1 Johnny Thunder and the Thunderbolt loom menacingly.  The cover boasts that this issue includes the "true origin of the Black Canary".

Gerry Conway already wrote an amazing origin story for Black Canary with only one noticeable problem that I can see: it dated her.  Conway's story specifically locked Dinah into an era that was becoming evermore recognizable as the past.  The Justice League members were supposed to be young and in their prime, but the math would make Black Canary out to be something like sixty-two years old.

DC needed a retcon to explain this age discrepancy so that Black Canary could have functioned in both eras, on both teams, without qualifying for an AARP card.  And in the late 1980s they would write that retcon and it would work wonders.  But before they got there, Roy Thomas would craft a Black Canary origin story (supposedly inspired by a Marv Wolfman idea) that would make even Hawkman's history look straightforward.

Last time, for reasons unknown and inexplicable to characters who know him, Johnny Thunder's genie-like Thunderbolt attacked the Justice League of America during its annual meeting with the Justice Society.  Barry Allen, Hal Jordan, Firestorm, Elongated Man, and Zatanna were struck down by the mad Thunderbolt and now lie comatose in the JLA Satellite.  Only Black Canary and Red Tornado, both of whom originated from Earth 2, as well as Justice Society members Jay Garrick, Power Girl, Huntress, Hourman, and Starman came through the battle relatively unscathed.

Almost immediately after the attack, pairs of super villains from both worlds launched attacks against ancient temples of worship.  While Starman took Black Canary to the Thunderbolt Dimension to investigate the Johnny Thunder connection, the JSA members went planet side to take on the villains.


Power Girl shows her eagerness to tackle the villains, while Red Tornado advises caution and a strategy session to plan their counterstrike.  (Red Tornado is the worst.)  The unexpected arrival of Sargon the Sorcerer prompts half of the JSA to lash out at the mage.  Sargon mildly flirts with Huntress while magically besting her, Power Girl and Red Tornado, who, seriously, is the worst.

Sargon tells the Flash and Hourman that he was working with the Spectre when the Thunderbolt struck him down in his Earth 1 human host, Jim Corrigan.  The Flash welcomes Sargon's help and sends him out with Power Girl, who sounds less than thrilled.


In the Thunderbolt Dimension, Black Canary and Starman were captured, not by the Johnny Thunder they suspected--the Johnny Black Canary befriended in her very first published adventures--but the Johnny Thunder of Earth 1.  This Johnny Thunder is crazy and vengeful and he's taken control of the Thunderolt.

But far more shocking than their enemy's identity is what he shows them: a glass casket with the bodies of Black Canary's late husband, Larry Lance, and another body that looks exactly like her.  Johnny also holds captive the original and noble Johnny Thunder of Earth 2.

At Evil Johnny's command, Thunderbolt tells the story of how he and Good Johnny fought crime in the '40s on Earth 2, how Black Canary joined them in their crusade for justice, and how Thunderbolt was injured during one of their adventures, explaining why Johnny Thunder's monthly adventures went away in favor of Dinah's solo stories.


Good Johnny took off, devastated that the woman he fell in love with favored Larry Lance over him.  In subsequent years, he stayed out of her life while she grew closer to both Larry and the Justice Society.  Until, of course, the day the Justice Society of America quit fighting crime by refusing to divulge their real identities before Congress.


The Wizard... "the greatest super criminal in the history of the planet"?!!  That's a helluva stretch, but I will concede after this story he might be Black Canary's greatest villain.  Maybe.


A desperate Dinah and Larry Lance bring their infant baby to Johnny Thunder, who summons Thunderbolt.  The genie offers to take the baby to the Thunderbolt Dimension where her destructive sonic powers won't harm anyone.  The caveat being, of course, that once there the child can never leave.  If Dinah and Larry send their child with Thunderbolt, she'll be safe, but they'll never see her again.

Approximately ten years after this story is published, the X-Men's Cyclops and Jean Grey would face a similar dilemma when their infant was infected with a virus and needed to be sent into the future to save his life, resulting in their child becoming the militaristic leader of X-Force, Cable.  And that scenario makes only a little bit more sense than what Roy Thomas will offer up later in this issue.

Dinah and Larry agonize over the decision--I would think--but finally surrender their baby to the protection of Thunderbolt.  He brings the baby to the Thunderbolt Dimension and keeps her in suspended animation, but then he goes a little off-script and wipes the memory from Dinah, Larry, and Johnny Thunder.  He convinces them that the baby died... because it will be easier for them to deal with...  Yep.

Black Canary, much like any attentive reader, is full of questions.  But Evil Johnny interrupts the story to draw attention to the ensuing battles on Earth 1 between the heroic and villainous pairings.

In Mexico, Chronos and the Fiddler have seized an ancient pyramid.  Jay Garrick and Hourman rush to intervene but they're thwarted by a time-holograph created by Chronos, and then the Fiddler plays a little ditty causing the heroes to keep dancing until they die.

Meanwhile, Dr. Alchemy and the Icicle have taken over one of the Great Pyramids of Egypt when Huntress and Red Tornado come liberate the place.  Reddy drops Huntress off on the sloping face of the pyramid, but Icicle freezes the side, causing Huntress to slide down.  But being the daughter of Batman and Catwoman affords Huntress a healthy amount of agility and preparedness.  She manages to throw a batarang that knocks out Icicle even as she's sliding down.


At the same time, Red Tornado is battling Dr. Alchemy, who maneuvers the android into position so that Huntress slides off the pyramid and crashes right into him.  The result is that Huntress and Red Tornado are both knocked out, spoiling all of the good will Huntress gained by swatting Icicle.  God, Red Tornado sucks.

And at Stonehenge, we find the last duo, Power Girl and Sargon squaring off against the wicked mages, Felix Faust and the Wizard.  The bad guys use their magic to fool Power Girl and Sargon into striking each other, knocking each other unconscious.  Then, naturally, Wizard and Faust bicker amongst each other, because that's what villains do.

Back in the Thunderbolt Dimension, Evil Johnny taunts his hostages and brags of the devious goings-on that he's fostered down on Earth 1.  Unbeknownst to Evil Johnny, some of the electric sprites of the dimension have come to started rescuing Good Johnny from his bonds.  Just when Evil Johnny is ordering the genie to murder Black Canary and Starman, Good Johnny breaks free and shouts out the magic words that put Thunderbolt back in control.


Freed of Evil Johnny's influence, Thunderbolt races to the JLA Satellite to revive the Leaguers he hurt last issue.  And before long, the heroes of Earth 1 snap back into action.


Elongated Man and Barry Allen help Jay and Hourman take out Chronos and the Fiddler.  Firestorm and Hal Jordan help Huntress and Red Tornado take out Dr. Alchemy and the Icicle.   And Zatanna helps Power Girl and Sargon take out Felix Faust and the Wizard.

In the Thunderbolt Dimension, Evil Johnny is captured though still trying to regain control over the genie.  Black Canary is overwhelmed by the image of what looks like herself and her dead husband.  Is it a daughter she never knew or something even stranger, she wonders.

Oh, it's stranger.  And it's the kind of story that only Bob Haney Superman and the Spectre could tell.


So... Superman thought it best that Black Canary swap bodies and memories with her own daughter who lived a decades in suspended animation.  Dinah Drake effectively dies with her husband, while her consciousness takes over the dormant body of her daughter.


Aside from Red Tornado totally being the worst, what can we gather from this issue?

This ending is so, sooooo $@#%ed up!  I guess at this point Black Canary is considered to be the daughter of the original Black Canary, but she's full of her mother's memories and experiences.  What happens to her now will shape her life as though she's a different person, but couldn't that be said of any character.

The whole motive for this retcon was to de-age Black Canary.  And Roy Thomas did so by putting the character in the identical body of a child she never remembered having.  But the tale ends with her crying and being carried off--happily--in Superman's arms, so I guess it's a wash.  After all, that's how issue #74 ended when her husband died right in front of her.  Maybe that's one of Superman's untapped powers; he can make Black Canary get over any traumatic event.

The action scenes with the Justice Society versus the dastardly duos is mostly underwhelming.  The way the heroes fail to stop their adversaries is forced and lame, but the timely arrival of the Justice League heroes is pretty exciting.

Black Canary has never had much of a Rogues' Gallery; her list of personal foes makes Aquaman's look like the Society of Evil.  This story, however, puts two common foes of the JSA and JLA firmly in Dinah's stack of super villains.  Johnny Thunder of Earth 1 never achieved much on the page or off, but his schemes and his connection to her personal history make him an interesting enemy for later stories.  Likewise, Black Canary now has a personal, maybe the most personal beef with the Wizard.  He cursed her own freaking child and condemned it to suspended animation for life until she took over the body.

Well, Happy Birthday, Black Canary!  You get a new body and a new history, one that will last about five years before cooler heads think of a better idea for post-Crisis on Infinite Earths.

Thursday, April 3, 2014

The Origin of Black Canary: 1983 Part 1 - JUSTICE LEAGUE OF AMERICA #219

Because I can't help myself when it comes to these little segues, today, April 3rd, is the birthday of the original Flash, Jay Garrick, at least according to the Super DC Calendar from 1976.  That's why I've saved my reviews of Justice League of America #219-220 until now.  The story spanning these issues doesn't just radically revise Black Canary's origin, but also prominently features Jay Garrick and the Justice Society of America.


Justice League of America #219: "Crisis in the Thunderbolt Dimension" is cowritten by series regular Gerry Conway along with Roy Thomas, who'd been writing All-Star Squadron at the time and pretty much owned anything related to the Golden Age heroes.  Pencils and inks on the issue are provided by Chuck Patton and Romeo Tanghal respectively.  The cover, depicting a familiar-looking genie called Thunderbolt attacking the Justice League while their Earth 2 counterparts look on in horror, is drawn by none other than George Perez.  The story came out in October of 1983.

The story begins with a group of heavily armed terrorists taking hostages in a public park in Central City.  While the terrorist leader announces their demands to the police, however, an unseen force begins taking down his cronies and henchmen.  See, in all their scheming, this group didn't count on two scarlet speedsters to interfere with their plans.

Both Barry Allen and Jay Garrick, each known as The Flash, the Fastest Man Alive in their worlds, race into action in a title page that pays homage to the original Flash of Two Worlds story.


Jay and Barry take turns redirecting the terrorist's machine-gun spray so that it spells JSA and JLA on the wall.  The Central City spectators and police are a bit slow to recognize Jay, who they mostly know as a fictional superhero appearing in Flash Comics.  'Cause, y'know, that made sense at the time.

After saving the day, the Flashes run to the Justice League Satellite transporter.  Jay lends voice to a concern that I've had for years about the proper naming for Earths 1 and 2.


As they speed up the side of the building and prepare to teleport to the League's orbital headquarters, the two reflect on their annual meetings and how enjoyable it is for them.  However, as they're about to leave, the weather abruptly turns stormy.  And a crackling spike of pink lighting arcs down from the sky toward the speedsters.

Jay recognizes the energy source too late.  The lightning grazes him but turns its full force on Barry.  Even the Flash of Earth 1 can't outrun the bolt that seems to strike him dead.


The Thunderbolt gives no reply.  Jay tries to attack, but it effortlessly knocks him back with a low-level blast.  He looks up just in time to see the Thunderbolt fade away.  Jay crawls over to examine Barry and finds the other Flash barely clinging to life.

Desperate, Jay knows he must get Barry up to the satellite, currently orbiting the Earth at a distance of 22,300 miles above the surface.  There the combined members of the Justice League and Justice Society of America mingle like friends at a company picnic.


I love Black Canary's half-conversation with Huntress and Power Girl.  There's so much innuendo delivered in her line before Power Girl clears up the matter.  And speaking of Power Girl, Firestorm is pining over her like a classic teenager with a crush.  And why wouldn't he?  It's Power Girl!

Green Lantern and Starman talk about boring cosmic stuff, while Elongated Man pulls Firestorm aside so that he, Zatanna, and Hourman can give the kid some dating advice.  Unfortunately, just before Firestorm asks Power Girl to visit the Trophy Room (wink wink), the frivolity is spoiled by the pink lightning bolt crashing into the room.

Black Canary and Starman recognize the energy signature of the lightning bolt, but Firestorm doesn't much care.  Unwilling to be ****-blocked by a light show, the Nuclear Man rushes to confront the lightning.  It promptly shocks him, knocking the life out of him.  Then the lightning takes the familiar form of Johnny Thunder's genie, the Thunderbolt.

Hourman pops a pill and charges the Thunderbolt with his newfound super-strength, but is easily batted away.  Green Lantern attacks with his Power Ring and Starman with his Cosmic Rod (wink wink, wait, that's not a euphemism!)  Thunderbolt absorbs the energy and redirects it, striking Green Lantern with all the power.  The Thunderbolt next turns its attention on Red Tornado, knocking the android across the room, demolishing some of the satellite's dimensional transporter in the process.  It strikes at Power Girl, Elongated Man, and Zatanna before the Mistress of Magic can cast a spell against it.


As the heroes still standing check on their wounded and ask questions, the transporter tube opens to reveal Jay Garrick carrying the unconscious Barry Allen.  The Flash, Green Lantern, Zatanna, Firestorm, and Elongated Man are all taken to the medi-lab, where they remain in critical condition.  It doesn't take long for the survivors to realize what they all have in common: Black Canary, Power Girl, Huntress, Hourman, Starman, and Jay Garrick were all born on Earth 2, and Red Tornado was first assembled there.  The next question, of course, is why does that matter?

For newer readers who might have thought Black Canary was always a native Leaguer, she recounts her story of coming to Earth 1.  It started when Starman crashed through the roof her home with Larry Lance, her husband on Earth 2.


Dinah goes on to remember how on her first day with the Justice League she let slip a tremendous blast of sonic energy.  Batman had explained that her proximity to Aquarius' energy when Larry died and mutated her, granting her a new metahuman power, her Canary Cry.  Dinah admits that Batman's explanation never quite made sense to her (or to Gerry Conway and Roy Thomas, I'd bet).

While she's daydreaming about the past, Power Girl and Red Tornado use the satellite's surveillance equipment to confirm that Superman and Wonder Woman have also been rendered unconscious by the Thunderbolt, and Aquaman, Green Arrow, Hawkman and Hawkgirl may also have been taken out like the other League members.

Huntress speculates that the problem might not emanate from a rogue Thunderbolt but from Johnny Thunder himself.  Black Canary refuses to believe her old friend could have betrayed them like this.  At that point, Power Girl reveals that pairs of super villains from both Earths are attacking ancient temples on the planet below.  From Earth 1, Chronos, Dr. Alchemy, and Felix Faust are each partnered with The Fiddler, Icicle, and the Wizard from Earth 2.

The heroes speculate that these combined villains are behind the Thunderbolt's attack on the League.  They quickly jump into action.


I'm going to say it right here, a big part of me has and always will prefer Black Canary and Starman as a couple over Black Canary and Green Arrow.  That these two had a brief but passionate affair was the best retcon James Robinson ever contributed to the DC Universe.  I just love the way these two interact, and you can see the love Ted has for her in the last panel.

Black Canary agrees to Starman's plan to track the Thunderbolt and get answers directly from the source of their problem.  He uses his Cosmic Rod (tee-hee) to transport them through space and into the alternate dimension of the genie: the Thunderbolt Dimension!

While struggling to get their bearings in the topsy-turvy alternate world, they spy someone watching them from a lofty throne.  Before they can react, the Thunderbolt attacks Starman.  Black Canary lets loose a sonic cry, but it has no effect on the genie this time.  Dinah is immobilized and the two are brought before their captor: the Johnny Thunder of Earth 1!


What's with the glass coffin holding Larry Lance and a double of Black Canary?!!  I guess you'll have to wait until next Thursday for my review of issue #220.

This is a great issue, and as one of the annual crossovers with the Golden Age heroes of Earth 2, it's a real treat to see characters like Jay Garrick, Hourman, and Starman get such a worthy place in the story.  True it's at the expense of the titular members of the Justice League, but even they get moments to shine, however briefly.  Everyone gets to use his or her power, mostly to little effect, but it still looks cool.

But naturally my favorite part of the story is the emphasis on Black Canary's pre-League roots.  She originally debuted in the Johnny Thunder strip in Flash Comics, so it's thrilling to see that history play out as her friends are stalked by Johnny Thunder's wayward djinn.  Everyone questions the culpability of Johnny Thunder, but Dinah refuses to believe her old friend could have gone bad like this.  It is more dramatic and powerful then at the end when she learns that a Johnny Thunder is behind her woes, just not the Johnny everyone suspected.

Conway and Thomas' script is impeccable in this issue, filled with nice character beats, like the dialogue between the Flashes and the cops in the first scene; and Firestorm's angst over Power Girl; and Starman coming to Black Canary alone, giving her a chance to resolve this personal conflict for herself.  All perfect moments.  Patton and Tanghal's art, too, is beautiful.  The tension and terror on the characters' face have never seemed so dramatic.  Brilliant stuff here.

In the end, though, this issue is mostly a set-up for the greatness--and wonkiness--that will come with issue #220.  That issue is full of a ton of action and a whole new origin story for Black Canary.  Come back in a week to check out my review!