Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts

Thursday, August 28, 2014

Super-Team Family: Black Canary and Banshee




It's Thursday and that means I get to lazily graciously repost one of Ross' custom DC/Marvel crossover covers from the Super-Team Family blog.  Last December, Ross celebrated his 600th crossover cover with a four different mash-ups, including Black Canary and Banshee's final scream!


I love all of these team-ups, from the Avengers and Star Trek crew, to Wolverine and Lion-O of the Thundercats, to Deathlok and RoboCop.  But naturally my favorite is the sonic power-couple of the X-Men's Banshee and Dinah Lance.

The Black Canary image above is by Nick Cardy and comes from the cover to The Brave and the Bold issue #91.

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!

Thursday, August 21, 2014

Super-Team Family: Black Canary and Spider-Girl


It's time again for me to steal repost one of Ross' custom DC/Marvel crossover covers from the Super-Team Family blog.  This one is a little more timely, though, as Ross just put this mash-up of Black Canary and Spider-Girl on his site earlier this week.


The Black Canary in this piece was originally penciled by George Perez, while Spider-Girl was drawn by Mark Bagley. 

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!

Wednesday, December 18, 2013

Happy Birthday, Starman!

According to the 1976 Super DC Calendar, December 18th is the birthday for the Golden Age Starman, Ted Knight.

From Starman Annual #2, art by Gene Ha.
Starman teamed up with Black Canary on several occasions outside of their usual adventures with the Justice Society of America.  In case you missed it, I posted their first pairing in The Brave and the Bold #61 yesterday.  Much more interesting, though, and more scandalous is that the two engaged in a short-lived extramarital affair as depicted in the pages of James Robinson's Starman series.  And I assure you, I will get around to reviewing that eventually.

I haven't read many Starman stories from the Golden Age, but I always, always liked the character.  First his costume--what's not to like?  The fin on his cowl reminds me of '50s or '60s science fiction helmets, like that worn by Adam Strange.  But the cape is classic '40s mystery man!  The color pattern--red, green, and yellow--so garish, so in your face, but they're not obnoxious, they just work together really well.  See Robin and Mister Miracle for confirmation.  And then there's the gun holster on his hip!  Or is it a holster for the Cosmic Rod?  It's incredibly visually striking because it's incongruous to the rest of his costume.  It's brown leather, and it looks like something a military officer would have.  The eye is as drawn to that weapon holster as it is to the star emblazoned on his chest.

Then there's the Cosmic Rod (or "Gravity Rod"), which is nothing short of sci-fi perfection.  A magic wand, essentially, with a science-y heft and the ability to move matter and fire energy rays.  Seriously cool!  It also has the added joke benefit of looking like a sex toy, which, to me, is just one more thing to love about it!

Equally as cool as the costume and the gadget is the type of character Ted Knight represents.  He's a scientific-minded genius who constructs the mode of his super-power.  He reminds me of the Marvel heroes that would follow him, such as Reed Richards, Tony Stark, and Hank Pym.  Where many Golden Age heroes acquired their gifts through chance or birth, like Green Lantern, the Flash, and Superman, Starman was self-made, in the same vein as Batman, and later Iron Man and Ant-Man.

I think Starman is too often forgotten or shortchanged.  This version especially, as the '90s Jack Knight who headlined his own book for a decade is so well remembered now.  The thing is, the original Starman had such an iconic look and power set that I'm surprised he didn't takeover as figurehead of the Justice Society.

In the post-Crisis on Infinite Earths world where Superman didn't come into being until the era of the Justice League, I think Starman would have made a great substitute for Superman.  His powers are hardly the same as the Last Son of Krypton, but he has that striking costume, a brilliant mind, and extraordinary abilities of a hero that could have united others around him.

Credit for Starman's creation is attributed to artist Jack Burnley, as well as writer Gardner Fox and a host of editors including Whitney Elsworth.


Happy Birthday, Teddy!

Monday, November 25, 2013

Black Canary by Chris Samnee

Last week, Chris Samnee posted this gorgeous Black Canary sketch to his blog:

As was pointed out by some fans on Twitter, this isn't just a full body sketch, but almost a mid-action shot.  I love the nod toward her "Canary Cry"--more of a call or song in this image--and the birds (bats?) in the sky.  Terrific!

I've become a huge Samnee fan over the last few months, enjoying his work on Marvel's Daredevil and Thor: The Mighty Adventure.  Check out more of his fantastic work at chrissamnee.com!

Thursday, November 21, 2013

Super-Team Family: Black Canary, Green Arrow, Man-Thing

It's Thursday and that means I get to plagiarize pay homage to one of Ross' custom DC/Marvel crossover covers from the Super-Team Family blog.  Below, Ross had depicted Black Canary and her lover, Green Arrow, running through the swamps from the burning touch of the Man-Thing.

Courtesy of Super-Team Family: The Lost Issues blog.
There is so much going on in this cover that I simply adore.  First there is Dinah partnered with her longtime beau/onetime hubby, Oliver Queen.  For the image of Dinah and Ollie, Ross sampled a page drawn by the incomparable Brian Bolland from the historic Justice League of America #200.  Bolland's style is pretty identifiable from his well known covers and interiors on Batman: The Killing Joke.  His work on this image, though, is less obviously Bolland.  In fact, at a glance I assumed this was from Neal Adams and/or Dick Giordano.

The next best part of the cover is the inclusion of Man-Thing.  Boy do I love me some Man-Thing!  I found an old dogeared copy of Giant-Size Man-Thing #4 when I was a kid, I don't think a day went by that I didn't go down to the basement and pull out my Giant-Size Man-Thing and have fun.  As soon as I got home from school I couldn't wait to get my hands on my Giant-Size Man-Thing.  I even scared some little girls by showing them my Giant-Size Man-Thing in the park.  Good times.

Lastly, I get a chuckle out of the tag "Burn in the Bayou".  It reminds me of the Creedence song "Born on the Bayou".

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!

Tuesday, November 12, 2013

BIRDS OF PREY #16 (New 52)

Previously...

Katana moved on to greener pastures after fighting a personal but incomprehensible battle against the Dagger Clan in her homeland.  The others returned to Gotham City where Black Canary decided they needed to recruit a new teammate, because if the series only had three leading characters, the writer would have to spend time revealing things about them, and we can't have that.  (This book sucks.)


Birds of Prey #16: "Lights Out" is written by Duane Swierczynski with pencils by Romano Molenaar, inks by Vicente Cifuentes, and colors by Chris Sotomayor.  Molenaar and Sotomayor provided the cover, which dramatically depicts the Talon Strix fighting Batgirl, which is just about the only match-up that isn't included in this stupid book.

The issue opens with the Birds meeting on a rooftop instead of, like, any more natural place for people to meet.  Batgirl has just brought along her candidate to replace Katana as a member of the team.  To everyone's surprise, she brought a Talon, one of the deadly undead assassins from the Court of Owls that tried to murder every prominent person in Gotham City a couple months earlier.

One of the Talons tried to kill the Birds for as-yet unexplained reasons, so it stands to reason that Dinah and Starling would be appropriately shocked, even mad about this unannounced decision.  After all, this is a comic book, and this is a textbook situation for how you get two good guys fighting before they reconcile their mistaken first impressions and team-up.  That's what you would expect, and the thing is, as cliche as that would be, Dinah and Starling would be perfectly justified in doing that!  Why would Batgirl bring a Talon to a rooftop meeting and not give them any warning of what she's doing?

Of course, Dinah keeps a level head and trusts Batgirl to explain herself.  After all, the Talon makes no aggressive move toward them that would suggest she's there to attack.

Then f***ing Condor shows up out of nowhere and attacks her!



Starling tackles Condor off the edge of the building, while Batgirl tries to calm down the brain-damaged super-assassin who came for a friendly meeting and got attacked by a stranger.  Naturally, the Talon, whose name is Strix (Latin for Owl), feels ambushed and lashes out, punching Black Canary, exactly as you'd expect given how volatile all of these characters are.  I thought Batgirl was supposed to be smart...

Remember a couple issues ago when Condor pushed Starling off a roof and nobody did anything about it.  Well, she remembers, and gets some payback in this scene.


I still say she should have gotten payback on Dinah for not doing anything to help her, but what do I know, I'm just the idiot who paid for this piece of crap story.

Anyway, everyone calms down and just accepts that Strix and Condor are now part of the team.

Hey, Dinah's first two draft selections were homicidal Batman villain and a gangster's bodyguard who looks and talks like a trailer park whore.


Dinah's upset that Batgirl didn't ask permission to recruit a Talon?  Hmm... That sounds like there are serious problems with respect and leadership in this team.  Maybe Dinah should address that.

...

So, three weeks later, the team arrives at a... a place, like a factory or a shantytown... on the "fringes of Gotham City" to take down a Basilisk weapons deal.  We've heard Basilisk mentioned a couple times, but never explained what it is.  I guess because it's named after a mythological serpent that Swierczynski wants us to assume they're a terrorist organization like Hydra.

The team splits up.  Starling and Strix go off together: the mute and the motormouth.  Starling keeps talking, trying to be funny, but not succeeding.  Meanwhile, Dinah and Condor flirt and--


And... Omigod!


Condor is... is... revealing information about himself to the reader...

Holy crap, that's characterization!  Swierczynski did it, he actually did it!  He gave us information about one of the characters he was writing!  True, it's the laziest, dumbest kind of characterization and the writing is pathetically juvenile, but hey!  

Moving on.  The Birds beat the crap out of some nobodies and then they have to bust into a warehouse or something.  Dinah is going to use her Canary Cry when she feels that old familiar sensation washing over her... er, rushing through her... er, she turns from Black Canary to Black Lightning.



I guess she couldn't control her sonic scream, which is odd, because you shouldn't have to make vocal sounds, but whatever.  She screams and it destroys f***ing everything around her, causing a blackout in Gotham and maybe, based on the last page, maybe kills Starling.

The Characters

Black Canary keeps calling Condor an idiot in that way that says she wants to take him to bed and do things to him they only have words for in German.  She's also a horrible leader and a bad judge of character.

Batgirl comes off as naive and dangerously shortsighted, not for trusting Strix, but for not giving the women who would have reason to attack Strix fair warning that she's invited her to join the team.

Strix doesn't talk, so she's like the perfect character for this kind of series.

Condor used to be part of a team, but they broke up, and that made him sad, so he didn't want to be part of a team anymore, because he didn't want to risk breaking up and being sad again, but he met this team of sexy ladies and thought it might be worth eventually being sad if he could bang one or two of them.

Impressions/Questions

The opening fight scene tells me that Swierczynski read a lot of old Marvel Team-Up books (and nothing else), because it feels like the kind of ironic, mistaken intentions fight between heroes that eventually leads to laughs and camaraderie.

The thing is, Condor attacked the Talon thinking he was protecting the other ladies.  A) Strix never made any kind of hostile or aggressive moves that would suggest she came to fight, so Condor is an idiot.  B) If Condor just assumed she was a danger because she's a Talon, how does he know?  He wasn't involved in the Night of the Owls event.  How would he know they're dangerous?  C) Maybe Condor isn't an idiot; maybe he tried to be overly macho and chivalrous thinking the ladies would be so grateful they'd sleep with him.  That's what I'm thinking.

This issue had all the same stupid things I've come to despise about this book, but it also had real attempts at characterization and substantive dialogue.  It figures that Swierczynski is finally making forward progress with this series in his penultimate issue on the book.

Grade: C-

Thursday, October 3, 2013

Super-Team Family: Black Canary and the Beast


It's Thursday and that means I get to lazily graciously repost one of Ross' custom DC/Marvel crossover covers from the Super-Team Family blog.  Almost a year ago to the day, Ross depicted Black Canary struggling to free herself from captivity at the hands of my favorite mutant, Hank McCoy, better known as Beast.

Courtesy of Super-Team Family: The Lost Issue blog.
The Black Canary image originated as a black and white John Byrne sketch, but I don't know who colored it--Ross?

While researching (re: Google Images) where the image came from, I made the following discovery:

Why, hello there, every woman designed between 1983 and 1990!

Read the description on that page from Modern Masters 7: John Byrne.  Yes, Byrne pitched a Black Canary series post-Crisis on Infinite Earths!  I never knew that, and now that I do, I'm not sure how I feel about it.

A Black Canary series helmed by John Byrne would have elevated her status immeasurably, especially at the time when Byrne's star was maybe burning brightest thanks to his rebooting of Superman.  I don't think anything could have boosted her popularity more than that.

On the other hand, I hate that costume design.  Hate it.  I'm also very hot-and-cold, hit-or-miss when it comes to John Byrne.  I loved his stuff on Uncanny X-Men, but his Fantastic Four is highly overrated. I liked his work on Superman, but the Man of Steel miniseries that launched right after Crisis was pretty underwhelming.  And was Byrne going to write and draw the issue?  Because I'm a lot more cold/miss on his scripting than his pencils.

And really, I hate that costume design!  But there's no denying he can draw an exciting classic Black Canary.

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!

Thursday, September 26, 2013

Super-Team Family: Black Canary and Elektra

Another Thursday is upon us, and another opportunity to showcase one of my best friend Ross' custom DC/Marvel crossover covers from the Super-Team Family blog.  Below, Ross has depicted Black Canary teaming up with the sexy ninja assassin, Elektra, better known as "Electric Nachos" to anyone who saw the Daredevil movie.

Courtesy of Super-Team Family: The Lost Issues blog.
I'm not sure where exactly the Elektra part of the image comes from, but Dinah and the shadowy brutes closing in on them come from the cover to Wonder Woman (vol. 3) #34, drawn by Aaron Lopresti. This issue was the first of a two-part Wonder Woman adventure guest-starring Black Canary.  I had completely forgotten about this story, but I now remember really enjoying the interplay between the Amazon Princess and the Blonde Bombshell.  I might have to dig those issues out and review them sometime soon.

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!

Saturday, September 14, 2013

Fan-Casting DC's FIRESTORM: Part 3

Click here to review part 2.

Last time, I posted my choices for the characters who combine to make the hero Firestorm.  Casting the protagonist comes down to one question: black or white.

No undertones were harmed in this picture.

I've cast Reid Ewing as Ronnie Raymond for the classic Firestorm, or Donald Glover as Jason Rusch for the newer Firestorm.  Whichever direction we go, the hero for the first movie will be treated like the stud athlete Ronnie.

What other superhero has the awesome power
of Hula Hoops?
The Origin Movie

The first movie is called Firestorm: The Nuclear Man, and it would follow a pretty standard superhero origin structure as near-perfected by Marvel Studios with their movies.  Obviously, it would also borrow heavily from Firestorm's first comic appearances (pictured: right), which deftly introduced all the principal characters who would appear in this first movie.

Firestorm's origin was conceived as an homage to Spider-Man, so much of the character and thematic beats of the movie would mirror Spider-Man's.  But in order to give the movie a little distance from the Wall-Crawler's origin, which has been told twice in the last decade, I would make a few minor adjustments.

First, I would age the protagonist (Ronnie or Jason: I'll call him Ronnie) a couple years.  Instead of captaining his high school football team, Ronnie is a college football star at Hudson University.  That way, we have a more natural explanation for how Ronnie meets Professor Stein (David Strathairn) and gets caught in a nuclear blast.  We want to avoid repeating the Peter Parker destiny of getting irradiated during the worst supervised school field trip ever.

So in the beginning of the story, Ronnie is a cocky football star, maybe a Heisman Trophy candidate.  He's big man on campus, and he's got a terrific girlfriend.

Doreen Day (Dianna Agron)


Dianna Agron has the look, the age, and she can act the part.  I didn't think long about this one; I didn't have to.  Doreen isn't a big or complicated part, but she can be a source of conflict for Ronnie.  Unlike her depiction in the comics, which was kind of a nag, Doreen in this movie is supportive to a point.  Maybe she's Ronnie's physics tutor, too, so he can stay eligible for the team.

Did I say physics tutor?  Oh, that's right, because Ronnie is enrolled in the course taught by Professor Martin Stein, who is teaching for a year while he works with the university to create a fancy sci-fi fusion/fission reactor thingamajig.

At some point early on, Ronnie gets in trouble and faces disciplinary action by the university.  Ronnie gets lured into a fight with Cliff Carmichael, a young genius and pompous teacher's pet.

Cliff Carmichael (Charlie McDermott)


Again, this casting decision was based on age and appearance more than anything.  I haven't seen any of Charlie McDermott's movies because I don't see a lot of movies anymore, especially those with younger casts.  But hey, I'm sure he could do it, and the point of Carmichael at all is to lay seeds for his future as a villain far down the line.

Anyway, we see that Cliff Carmichael clearly instigates the fight, calling Ronnie a dumb jock and such, maybe even antagonizing Doreen.  Ronnie is simply defending himself and his girlfriend, but with the media scrutiny on him, any trouble is big trouble.  Ronnie's stern father, Edward Raymond, meets with the University to resolve the issue without getting his son kicked out of school or off the football team.

Edward Raymond (Tony Goldwyn)


Really, where's Tony Goldwyn been for a decade?  This guy was all over the place in the '80s and '90s, and he always played kind of a douche.  I guess he ran out of those roles because he's been directing TV for a while now.  I think he could easily play an unforgiving father who is thoroughly unimpressed by his son's superstar status, but goes to bat for him with the university to protect his own image more than anything.

Though his Heisman Trophy contention takes a hit, Ronnie's college career is saved with the condition that he performs some kind of work study or community service activity, and that puts him in Professor Stein's lab.  (It would make sense that Carmichael was working/interning for Stein; maybe Ronnie has to replace Carmichael.)

Now Ronnie has a working relationship with Stein and we witness a bond being formed despite their contradictory natures.  Or… they could hate each other.  More conflict makes for better story, so either way works.  Through Ronnie or Stein, we meet the professor's lab assistant, the unscrupulous Danton Black.

Multiplex/Danton Black (Simon Woods)


I really enjoyed Simon Woods' time on HBO's Rome.  He played a conniving, sleazy little bastard very well, and I think he could inject that same kind of energy into the film's villain, Danton Black.

Fast-forwarding a bit, eventually we discover Danton Black's treachery.  He's been stealing the secrets of Professor Stein's reactor to sell them.  Stein discovers this one fateful night and the two men fight in the lab and the reactor is damaged.  It goes critical.  Ronnie happens to be there, maybe working, or maybe coming back to apologize to Stein for doing something stupid.  There could be other people around, people who need to be evacuated, but Ronnie does the one selfless thing and rushes back to get Stein (or Black) out of the blast zone.

Of course, he fails, or this would be a very different kind of movie.

The fusion effect bonds Ronnie and Professor Stein, merging their bodies into one nuclear powered being, driven by Ronnie with Stein riding shotgun.  The powers of Firestorm include the ability to transmute matter to different states and forms.  Getting diamonds out of coal is as simple as recalling the chemical compositions of the desired element.  An iron cage can become jello with the snap of his fingers.  This power is limited, however, to inorganic matter.  He cannot point to a bank robber, for instance, and instantly change the man into solid stone.  Nor can he turn his fists into titanium when punching a bad guy.

His other powers include flight, a somewhat enhanced degree of strength and invulnerability, and the power to unleash bolts of fiery energy.  Plus: fire hair!

The merging of of Ronnie and Professor Stein is not permanent.  With great mental effort, they separate so as to return to their individual lives.  But when some kind of danger arises, Ronnie or Stein can reignite the Firestorm matrix by will, telepathically siphoning the other into their combined form.  (The rules for this back-and-forth transformation will have to be clearly defined for the audience.  Questions about their proximity to each other and who controls what are bound to arise.  Some changes from the original source material will probably have to be changed here.)

The second act of the movie is the Learning Curve.  We watch Ronnie and Stein learn to grapple with this thing they inadvertently created.  Playing with their powers.  Getting creative.  Lots of opportunity for humor, and naturally some kind of montage set to popular music.  Along the way, we'll raise and answer questions about our characters.  How does Ronnie feel about being part of Firestorm?  Would he enjoy the power?  Would he want to be a high-flying superhero that protects people?  Or would he feel shackled by the responsibility?  Would he chafe under Professor Stein's constant judgement?  How would this affect his romance with Doreen and how would it affect his status on the football team?

How does Martin Stein feel about this?  Guilty?  Proud?  Terrified?  Would he feel compelled to use this power for the benefit of all mankind when it actually involves risk to his own life?  Can he trust Ronnie to follow his advice and do what's right?  Or is this power too dangerous to ever be used by even a learned man such as himself, let alone an irresponsible college kid?

Meanwhile, as our hero(es) take their appropriate steps forward and back, we witness the rise of Firestorm's first true villain.  Danton Black was also caught in the nuclear blast.  While Ronnie and the professor were fused together, Danton was stricken by the machine's fission effect.  His body was split into a bazillion identical atoms, with his consciousness spread out among them all.  He pulls himself back together, rebuilding his physical structure, but as he does so, he discovers that he now has the ability to replicate himself and control each cloned body.  He was already backstabbing intellectual property thief, but the effect of splitting his mind over so many different bodies is enough to drive him crazy.  Thus, he becomes the villain known as Multiplex.


Naturally, in the third act of the film Ronnie and Professor Stein must set aside any problems they have with either each other or the weight of being Firestorm so they can save the day.  Multiplex becomes a serious threat.  Maybe he's trying to reproduce the nuclear accident from Stein's notes, either to undo the effect or to replicate it on everyone in the city.  Whatever his mad scheme actually is, it puts Doreen Day in danger, if not the entire Hudson University campus.

Firestorm can't just blast Multiplex because his powers don't work on people, so he needs to get creative.  Maybe Professor Stein's voice is blocked, or he's somehow incapacitated, necessitating that Ronnie remember something he learned in school and applying it in a real life situation.


Whatever.  It doesn't really matter how it goes down, but Firestorm thwarts the evil scheme of Multiplex.  Danton Black is killed or captured or maybe duplicated into so many different clone bodies that he loses mass and becomes small, or his consciousness diminishes and each duplicate is nothing but a mindless, drooling vegetable.  (I also have this image in my mind of Ronnie or Firestorm coaxing his entire football team to rumble with a horde of Multiplex duplicates.  Seems silly, but I still kind of want to see something like that.  Go figure.)

By the end of the movie, all is relatively well.  Ronnie and Stein understand each other, respect each other, and appreciate each other.  Ronnie loses his Heisman, and maybe he loses his girl.  But he knows what is really important to him.  He'll keep playing football and keep going to school, but when the time arises, he will gladly become Firestorm, and step up to protect humankind from whatever evil threatens to destroy it.

Is this an original story?  No, but that's the point.  It doesn't have to be.  Beyond pilfering specific plot points and scenes from the first two issues of the Firestorm comic, it's a paint by numbers plot line for superhero origins.  It doesn't have to be revolutionary, it just has to be.  And it can be.  This movie can work, because it already has.

Warner Bros. and DC: go make Firestorm: The Nuclear Man a movie like I just did!


In the next installment, I'll breakdown the sequel and provide the cast for Firestorm's rogues gallery.

Fan-Casting DC's FIRESTORM: Part 1

Outlining the next two movies in my Justice League trilogy is taking some time, but it's oh so much fun.  While toiling over this project, I allowed the character-to-actor matching process to carry me away, and now, well, I have more than 150 heroes, villains, or supporting players in the DC Universe cast.

I likely won't start posting my write-up and cast for Justice League: The Brave and the Bold for another couple weeks.  In the meantime, I thought I'd share a few of casting decisions for characters who will not be gracing the main Justice League trilogy, but who could possibly appear in later sequels or their own features.

To kick things off, I present my much simpler vision for a Firestorm movie franchise.

More Howie Long. More Howie Long.

Or wait, maybe I meant this guy:

More fire hair.  More fire hair.

I dedicate this series to the Irredeemable Shag at Firestorm Fan.

Before going further, I want to address my absolute lack of faith that Warner Bros. would ever make a Firestorm movie on their own.  If the studio has a list somewhere of fifty potential films based on DC Comics properties, I'm sure Firestorm doesn't make the cut.  Of course, the first 35 titles on the list are Batman, so it's really a matter of Firestorm not making the other fifteen.  And that's unfortunate, because to me, Firestorm is the easiest hero in DC's stable to bring to the theater.

Warner Bros. and DC have struggled to make movies starring Superman and Green Lantern that appeal to fans, critics, and general audiences, and they're too scared to even try it with Wonder Woman.  To a certain extent, I don't blame them.  DC heroes aren't like Marvel heroes.  DC characters would be superior people even if they didn't have powers.  Marvel characters use their powers for good despite their human flaws.

Marvel is the company of antiheroes, and I don't mean the type who shoot guns, wear trench coats, and kill their enemies.  No, I mean antihero in the classic sense: someone who acts heroically despite physical or character flaws that would make them seem less than ideal.  In other words: damn near all of Marvel's heroes.  Spider-Man is an antihero because Peter Parker is a nerdy science geek who gets picked on in school.  Iron Man is an antihero because Tony Stark is an arrogant, womanizing, alcoholic.  And these two less-than-ideal but all-too-relatable heroes have become the archetypes that Marvel Studios has built its cinematic universe around.

DC heroes, on the other hand, are far less relatable.  If Clark Kent didn't have superpowers, he would still be a crusading journalist for truth and justice.  If Hal Jordan didn't have a power ring, he would still be a death-defying test pilot.  If Barry Allen weren't the fastest man alive, he would still solve crimes for the Central City Police.  If Batman never donned the cape and cowl, he would still be the world's greatest detective, as well as one of the richest men in the world, one of the smartest men in the world, one of the best fighters in the world.

If your skull housed a nuclear furnace, you'd
wear some funky sleeves, too.
But that doesn't hold true for Firestorm, because Gerry Conway and Al Milgrom created him in the Marvel model.  In fact, the character was based on Spider-Man--with a twist.  Instead of the nerdy kid, who gets teased relentlessly by the dumb jock, getting powers in a scientific accident, Firestorm's protagonist is the dumb jock, and the nerd his constant tormenter.

It's a perfect formula for a movie, because it combines the basic plot structure of Spider-Man, with the character arc of Iron Man.  Ronnie Raymond is a cocky, egotistical star athlete at the beginning, but when given superpowers, he must learn humility and responsibility for the good of everyone.

In Part 2 of this series, I'll get into my plans and backup plans for the main character, explain my casting decisions, and provide a very loose outline for the first movie.  If you've been following my Justice League fan-cast, don't expect twenty posts to tell the story.  This is a very modest story outline.  Like, a paragraph probably.  And then in Part 3, I'll do the same for a sequel movie… and beyond.

Come back soon, and be prepared to fan the flame!

Thursday, September 12, 2013

Super-Team Family: Black Canary and Mockingbird

Marvel's Agents of S.H.I.E.L.D. is coming to the small screen this month.  As I understand it, the core cast of agents, besides Clark Gregg's Agent Phil Coulson, are all brand new characters created for the pilot.  That was disappointing to learn, given that S.H.I.E.L.D. has so many terrific existent characters.  Mostly, I thought a Joss Whedon-helmed spy series for television would be the perfect launching point for one of Marvel's female superheroes who has yet to grace movie theaters.

I thought maybe the Jessica Drew Spider-Woman could lead the show, or possibly a pre-Ms. Marvel Carol Danvers.  But the best option, I thought, was Mockingbird.

Which segues adequately enough with today's post: another one of Ross' DC/Marvel custom crossover covers from the Super-Team Family blog.  Below Ross has depicted Black Canary and Mockingbird teaming up to save their bow-wielding beaus!


Courtesy of Super-Team Family: The Lost Issues blog.

Ross points out the similarities in character design, motif, and taste in men, so much so that Dinah and Bobbi could be alternate universe versions of the same character.  This cover, like all of Ross' work, is outstanding.  It helps when he uses a Black Canary model drawn by the dude, Steve Rude.

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!

Tuesday, July 2, 2013

BIRDS OF PREY #3 (New 52)



David Finch provides the above cover for Birds of Prey #3, "You Might Think".  At first, I thought it was an artist variant of the cover to issue #1, because it depicts the same four women in front of what might be the same amorphous-looking tree and a similar kind of reddish-pink background.  Except for the inclusion of Poison Ivy, the same could be said about the cover to issue #2, as well.  What the hell, DC?  It's almost as if the cover is trying to capture the total lack of background, characterization, or substance of the stories within.

The third issue sees the series' third colorist.  This time June Chung provides colors for Jesus Saiz's art and Duane Swierczynski's script.  The story pics up where we left off, with Starling and Katana learning that Black Canary invited notorious eco-terrorist and Batman rogue Poison Ivy to join their superhero group.


Dinah's explanation confuses me.  First: I thought she was already putting her team together before she got involved in this current mystery with the faux-invisible bandits who killed Charlie Keen via text.  When did she decide to recruit Ivy?  Second: What is Ivy's "different and much needed skill set"?  I can think of a number of talents Ivy has that the other three don't, but other than the immunity to toxins, I'm not sure which one might be "much needed".  It could come up later in the issue, but it would be nice if it was clarified here so it doesn't pull me out of the story.

Anyway, Starling and Katana drawn their weapons on Ivy, forcing her to defend herself in the team's first intra-squad fracas.

Immunity from swords? Is that the valuable skill set they needed?
Ivy disarms her opponents, but Starling threatens to blow Ivy up with some plastic explosives she just happened to drop between the other's feet.  Ivy lets her go, laughing, saying she likes Starling's style.  So, was this a test?  Because that doesn't seem like it would end the tension between them.

Moving on… Ivy uses her powers to seduce/interrogate/brainwash one of the bad guys…  And by now I hate calling them "bad guys" but there is no other term I can think of because we don't know who they are.  We don't know if they're hired killers or mercenaries or someone's private security or special forces trying to capture the fugitive Black Canary.


After revealing the location of a safehouse, the bad guy recites a nursery rhyme.  Hearing it, Dinah gets a bad headache like she felt right before Charlie exploded.



The next day…or that morning, I guess, Dinah, Starling and Katana check out the safehouse.  There, Starling sees two names on a piece of paper and speculates that they're the next targets.



This scene is baffling to me.  There is no in-story reason for Starling to see two names and assume they're the same type of "walking bombs".  They shouldn't have any idea what they're even looking for, since the actual questions of this mystery have yet to be asked by the characters or the writer.  I would say this is the dumbest, laziest writing ever but Swierczynski beats me to the punch by pointing out that Starling should not reasonably jump to the conclusions she does.  It reads like he acknowledges the problem that this part of the script doesn't make sense but asks us to just go with it.  I'm not sure if his hands were tied by editorial interference, or if he really was just that lazy-but-honest-about-it.

Later, all four women board a train looking for their two targets.  Dinah and Starling move separately into position to drug the men so they can't blow up when given a verbal command like Charlie and the bad guy did.  Poison Ivy goes to incapacitate the engineer while Katana searches the train for bad guys, who, again, are supposed to be invisible.

And there Katana finds one…while the invisible suit has camouflaged him to look like an old woman!


So we're clear: the villains in this story have advanced suits giving them chameleonic powers to turn invisible or change their outer appearances to look like other people.  This is serious, heavy technology with crazy implications and story potential.  A small personal army with the capacity to be anywhere and look like anyone.  Marvel did a whole event based on that!  But in Swierczynski's scripts the bad guys have never gotten the jump on anyone!

Poison Ivy is ambushed in the train's engine room, but not because the baddies are invisible; they just sneak up behind her while she's gloating.  Dinah is about to move in on one of the targets when she is engaged telepathically by a mystery voice that convinces her she has the genetic code in her to be a suicide bomber.

Dinah runs off, ordering her partners to abort the mission.  The issue ends on a cliffhanger with the mystery voice about to recite a nursery rhyme.


The Characters

Last issue introduced us to the New 52 Katana.  This one is Poison Ivy's coming out party.  We see her use her powers to control a man, and her other powers to telekinetically manipulate plant life.  Starling calls her a killer, and while Pam denies it, the newspaper headlines support Starling's assessment of Ivy.

Last issue, I said that Katana's redesign was one of the few I enjoy looking at.  Poison Ivy's is not.  I am pleased beyond words that her skin is back to being a regular flesh tone instead of green.  What I don't care for is the black that covers the part of her body not covered by leaves.  Poison Ivy does not need to be almost naked all the time--although, being honest, Alex Ross' almost naked Ivy is my favorite version--but she does need to be sexy!  She needs to look irresistible, and exotic, and taboo.  This look doesn't capture those ideas.  Her eyes, her weird face tattoos, and the vines that appear to grow out of her chest are not seductive at all.  They make her look alien.


Impressions/Questions

Dinah says that Ivy is vital to the team, but why?  Did the Birds just need somebody who can extract information from men?  There have to be some candidates in the talent pool who aren't recent escapees from Arkham Asylum.  In her explanation to Starling and Katana, Dinah says this:


Disagree with her methods?  She kills people!  And not having a clean soul--is that how she justifies partnering with a wanted criminal?  I mean, I guess Dinah is a wanted criminal in this continuity, so maybe it doesn't bother her at all!  And that just leads to more questions about who this Black Canary is and why is she doing any of this?

We're three issues into the series and I don't know why this team exists.  Swierczynski dropped us into the middle of a story with a mystery investigation with what seems like personal consequences for Dinah and her friends, but we can't understand those consequences because we don't know what the stakes are.  This Birds of Prey has never had a status quo.  There is no "normal day in the life of" issue or element.  Dinah was building her team before this mystery started, but why?  Were they supposed to be a street level superhero version of the Justice League?  Are they private investigators?  Bounty hunters?  Globe-hopping super-spies?  How were they going to operate and/or fight crime?  Going on patrol?  Taking an ad out in the paper?  Who are the bad guys?  What do they want?  Why were they targeting Black Canary?  What is she looking for?  Why does anyone do anything?

On a personal note, this is where I originally dropped this series.  I only went back and collected all the issues after I started this Black Canary fan blog, when I knew I was going to end up reviewing the issues eventually.  This was the point in the series when I lost faith that the writer/editors had any sense of direction or understanding of the characters.  But I'll keep coming back every week to review the next issue.

Birds of Prey #3: "You Might Think" has some interesting moments, including more of Saiz's terrific art, but the compounding questions and plot holes make it impossible to recommend this book.

Grade: D+

Sunday, June 9, 2013

Super-Team Family: Black Canary and She-Hulk


The last time I posted one of Ross' DC/Marvel custom crossover covers from the Super-Team Family blog, I timed it with the theatrical release of Marvel Studios' Iron Man 3.  This time, I don't have a pop-culture event to use as a convenient segue; all I have is an appreciation for these awesome covers and a fan blog to share them on!

Below is the custom cover of Black Canary facing off against one of my favorite Marvel characters, the Savage She-Hulk!

Courtesy of Super-Team Family: The Lost Issues blog.

Ross' work is, as always, terrific.  This rendering of Black Canary, however, isn't the most flattering.  She looks a little long in the tooth, and the bleached-out big hair coupled with an awful mascara job says truck stop hooker in a way that--ironically--her black leather and fishnets never have before.

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!

Sunday, May 5, 2013

Super-Team Family: Black Canary and Black Bolt

With this past weekend's release of Iron Man 3 in theaters, I felt like dipping Black Canary's foot into the Marvel pond.  And what better way to do that than to spotlight one of the glorious DC/Marvel crossover covers created by Ross over at his Super-Team Family blog?

Below is the custom cover of Black Canary teaming up with the Inhumans king, Black Bolt…for a concert!  Terrific!

Courtesy of Super-Team Family: The Lost Issues blog.
The Dinah featured above was drawn by the wonderful Alex Toth, who contributed to the Black Canary back-up strip in Adventure Comics #418-419.

Check out Super-Team Family: The Lost Issues for many, many more DC/Marvel crossover covers!