Showing posts with label Superman. Show all posts
Showing posts with label Superman. Show all posts

Saturday, April 25, 2015

Episode 9: Going to the Dogs

Reviewing backup strips from Action Comics #440 and #441 featuring Green Arrow, Black Canary, and a mysterious "super dog".  Also, listener feedback from Episode 8.

Flowers & Fishnets is available for download on iTunes by clicking here, or you can check out the show's RSS feed by clicking here.

You can read along with this story and see all covers and pages by checking out my reviews of Action Comics #440 by clicking here and #441 by clicking here.

Sample pages from Action Comics #440-441.




Music this episode:
"Hang Down Your Head"
Tom Waits
Island Records, 1985.


CLICK HERE TO PLAY EPISODE IN ANOTHER WINDOW.

Sunday, March 29, 2015

Episode 5: The Dream Master

Reviewing two comics featuring Black Canary and the dastardly dream fiend, Doctor Destiny: DC COMICS PRESENTS #30 and JUSTICE LEAGUE OF AMERICA ANNUAL #1.

Flowers & Fishnets is available for download on iTunes by clicking here, or you can check out the show's RSS feed right here.

Click here to read my original review of DC Comics Presents #30, and follow along with some sweet image scans of this awesome story!

Sample pages from Justice League of America Annual #1--click to enlarge.




Music this episode:
"Sweet Dreams (Of You)"
Patsy Cline
Decca Records, 1963.

"These Dreams"
Heart
Capitol Records, 1985.

CLICK HERE TO PLAY EPISODE IN ANOTHER WINDOW.

Tuesday, September 23, 2014

Action Plus: ACTION COMICS #441

In the early 1970s, Green Arrow joined the "Action Plus" feature of Action Comics.  Black Canary made numerous guest appearances in her boyfriend's strip, sometimes in her costumed identity, and sometimes as civilian florist, Dinah Lance.


Action Comics #441 is cover dated November 1974 and hit the shelves on August 29, according to Mike's Amazing World of DC Comics.  The lead Superman story is written by Cary Bates with art by Curt Swan and a cover by Nick Cardy.

The Green Arrow strip called "The Mystery of the Wandering Dog" is written by Elliot S. Maggin with art by Mike Grell.  Like the first chapter in this story that I posted yesterday, I'm such a big fan of this story I'm just going to post the pages below and offer my commentary afterward.







Were you able to solve the mystery before Ollie and Dinah?  The mystery dog was Krypto all along!

I shared my love of dogs and Mike Grell's art in yesterday's post.  Both are just as applicable to this part of the story.  As far as that story goes, it's a little on the thin side considering that two out of the six pages are devoted to recapping what happened in the previous chapter.  It's a little silly that Green Arrow has to free Professor Steelgraves from police custody in order to find out where all his mad-sciency equipment was being stored.  The police ought to be able to get that information themselves.

Regardless, there are two highlights in this story for me.  First, Dinah actually suits up as Black Canary for the first time in a while in these backup strips.  What's more, she looks damn good drawn by Grell until she's made to look old and ugly when Steelgraves uses the aging ray on her and Ollie.  The other standout part of the story is that Krypto saves the day.  I know how destructive dogs can be, so I got a kick out of him ripping the lock off of Dinah's flower shop door, and then smashing into Steelgraves' crazy contraption.

It was cool to see Clark Kent make a cameo in the final panel.  I haven't read the story where Krypto's amnesia is explained or resolved, but I know it all works out.

Come back next Monday for another tale of Green Arrow and Black Canary in Action Comics...

Friday, September 12, 2014

Justice League #37 Variant by Darwyn Cooke

In December, a whole lot o' DC comics will ship with covers illustrated by Darwyn Cooke.  By then, Birds of Prey will be long dead and I have no idea if Black Canary is slated to end up in another book because I haven't paid attention to the solicits since, um, April...?

However, Cooke included Black Canary in the background of his cover for Justice League #37.

That's her way back behind Superman and Batman.
I wondered if there was any reason for this specific assemblage of of heroes.  Cooke expertly depicts a nostalgic sense of whimsy in his covers, so it makes sense that he uses the seven original members of the Justice League of America--Superman, Batman, Wonder Woman, Aquaman, The Flash, Green Lantern, and J'Onn J'Onzz.  But he also includes Cyborg, a founding member of the New 52 Justice League.  But what about Green Arrow and Black Canary?  I can't imagine this is the lineup of the team in issue #37 since J'Onn and Ollie are in Justice League United and for some reason I think Hal Jordan is still off the team playing space cop.

I would be happy if Black Canary joined the main Justice League team.  I think she deserve a shot at it, but it might take a creative team shift to get me interested in reading the comic again.  I like most of what Geoff Johns does, but I don't think he ever had a firm grasp on the League like he did with Green Lantern, the Flash or Justice Society.

Wednesday, July 16, 2014

Splash Pages from DC Comics Presents #50

Click to enlarge.
After guest starring with Superman in DC Comics Presents #30, Black Canary appeared in the epic two-page splash poster featuring all of the heroes (and The Joker... and Red Tornado) who teamed-up with the Man of Steel throughout the series to that point.  The spread is by Alex Saviuk and Frank Giacoia.

Pictured above: Superman (of course), Adam Strange, Aquaman, The Atom, Batgirl, Black Canary, Black Lightning, Brainiac 5, Captain Comet, Captain Marvel, Captain Marvel Jr., Cosmic Boy, Dawnstar, Deadman, Doctor Fate, Doctor Mist, Element Lad, Elongated Man, Firestorm, The Flash, Gold, Vicki Grant, Green Arrow, Green Fury, Green Lantern Hal Jordan, Green Lantern John Stewart, Happy the Marvel Bunny, Hawkgirl, Hawkman, He-Man, Iron, Jack O'Lantern, The Joker, Clark Kent, Chris King, Lead, Lightning Lad, Little Mermaid, Manbat, Martian Manhunter, Mary Marvel, Mercury, Metamorpho, Mister Miracle, Olympian, The Phantom Stranger, Plastic Man, Platinum, Red Tornado, Rising Sun, Robin, Saturn Girl, Seraph, Sgt. Rock, Shadow Lass, The Spectre, Starman, Sun Boy, Superboy, Supergirl, Swamp Thing, Tin, The Unknown Soldier, Wildfire, Wonder Woman, and Zatanna.

Wednesday, July 2, 2014

Team-Up: DC COMICS PRESENTS #30 (Feb 1981)

Black Canary partnered with the Dark Knight Detective a number of times in issues of The Brave and the Bold, but alas, she didn't team up with the Man of Tomorrow nearly as often.  In fact, excepting a few cameos here and there, Black Canary only "co-starred" in one issue of Superman's sister title to Brave and Bold.


DC Comics Presents #30: "A Dream of Demons" starring Superman and Black Canary is written by Gerry Conway with art by Curt Swan and Vince Colletta.  The cover by Rich Buckler and Steve Mitchell depicts the Last Son of Krypton and the Mistress of Judo assaulted by the nightmarish creatures of Doctor Destiny.  The issue also features a backup story, "Whatever Happened to the Golden Age Atom?"  DCCP #30 is cover dated February 1981, but shipped in November the previous year.

We open with profiles of the issue's stars, Superman and Black Canary.  Then we find "The Mistress of the Sonic Scream" parachuting down to the frozen wastes of the North Pole.


Dinah Drake Lance lands on the snow covered plane and gathers her chute.  In the distance, she sees the great and formidable entrance to the Fortress of Solitude.  She hopes its occupant received the message she sent from the Justice League Satellite otherwise she might well freeze to death.

Marching across the arctic plane, Dinah doesn't hear a polar bear stalking her until it attacks.  She narrowly avoids being slashed by the animal's powerful claws.  She thinks one of the bear's paws in wounded and that's why it's "angry" and attacking a human.  Whatever its reasons, Dinah's of no mind to let the beast kill her.


Superman dries the polar bear with his heat vision.  Then he then leaves the animal to tend its wounded paw and pride while he carries Dinah to the Fortress of Solitude.

There, Dinah stands in awe of the size and splendor of Superman's home away from Metropolis (and Smallville).  This is her first time at the Fortress and she gives Superman a bit of a ribbing about extravagance.  Superman asks her about Green Arrow, who quit the Justice League a few months earlier; Dinah says Oliver Queen made the right decision for him and he's been much happier lately.  But she didn't come way out here to talk about her boyfriend, Superman acknowledges, and asks her what caused her the distress he heard in her message from the Satellite.

Before she tells him, Gerry Conway gives us a lovely character moment where she asks if she can call him Kal.  He says, "I'd rather it be Clark."  I love the formality with which she treats him; they've been teammates for years and shared some harrowing adventures, but he's still freaking Superman!  She knows his name, but she's never addressed him that way, just like she knows where he lives but she's never been there.

Eventually, Dinah tells Clark about the dreams that have been haunting her lately.

How awesome is this panel?  They're costumed superheroes sitting in a
mountain fortress in North Pole, but Swan makes them look like
casual friends having coffee.

Dinah recounts the story of her exodus from Earth-2 after her husband, Larry Lance, died in battle with the evil Aquarius in Justice League of America #74.  Unnecessarily for Superman but perhaps informative for readers, she explains how, in the aftermath of Larry's death, she felt like Earth-2 had nothing for her and so joined Superman and the members of the Justice League back on Earth-1.

She tells Clark that she doesn't think she ever got over Larry's death.  She had nightmares for a long time after his passing, but eventually those nightmares subsided.  Until recently...


Superman is skeptical of ghosts, but so is Dinah.  She thinks her husband is trying to reach out to her from some place other than the hereafter.  She brought this theory to the Justice League and received no support, so she pleads her case with Superman.  She reminds him that other dimensions and zones exist and posits that maybe when Larry Lance was struck down by Aquarius' energy, his life essence might have been sent to a place she calls the Dream Dimension.

She asks him to use not his super-strength or super-speed, but his super-mind and the far-out science of Kryptonian technology to find Larry in another dimension.  With the compassion of a friend, Clark agrees to help her.

Meanwhile, far from the Fortress of Solitude, Doctor Destiny sleeps in his cell at Arkham Asylum.  Through days and nights of sleep and meditation, Destiny has made contact with the Dream Dimension.  Now he seeks to control the dream forces he finds there.

Back in Superman's lair, the Man of Tomorrow has created a machine that can, in fact, identify a new dimension.  Black Canary's subconscious is able to pick up messages from this other dimension, perhaps because of the same effect that created her Canary Cry.  Then Superman uses his super-speed to build a portal big enough for the two to travel into the Dream Dimension.


Superman and Black Canary travel to the other dimension where "fantasy has form and substance."  In the Dream Dimension, physics is a little wonky.  They witness floating planes, multiple suns, and a giant bird that attacks Superman.  Luckily, his super-strength and super-breath are enough to send the bird flying away.  Superman and Black Canary realize that the bird was a creature of myth; in fact, all of the inhabitants of this dimension appear to be creatures of myth or fairytale.

They proceed to an idyllic-looking castle where Dinah hopes to find answers about her husband.  Superman hopes they find answers quickly and reveals through thought bubbles that the portal he created will only stay open for ten minutes and then they'll be trapped.

The castle appears deserted when they arrive, but Dinah feels the power of the place.  The power... and a presence.  Suddenly--astonishingly--the spectral form of Larry Lance appears to Black Canary and Superman and warns them of danger.


As Larry's ghost vanishes, Black Canary hears the mocking taunts of Doctor Destiny who leers at her and Superman from the castle's battlements.  Superman realizes that the Dream Dimension is all part of Doctor Destiny's creation and the villain explains how, after losing the power to dream organically, he developed a new power with the help of radiation from his old devices.  Now Destiny is able to travel into and manipulate dreams effortlessly.

And more important than that is his revelation that the Dream Dimension he taps into is a realm of magic.  That's a problem for the heroes because Superman is vulnerable to magic.  Vulnerable, yes, but he's still freaking Superman!  He fights free of the trees' grip and then frees Dinah.  He tells her to use her Canary Cry reasoning that if the sonic scream made her sensitive to this dimension, than maybe the reverse will be true.


As Doctor Destiny howls in impotent rage as his world crumbles around him, Superman grabs Black Canary and takes off.  The portal begins to close and they must race toward the exit lest they become trapped in Destiny's nightmare realm.

They escape the Dream Dimension just in time.  Doctor Destiny isn't so lucky.  The heroes visit Arkham Asylum where they find Destiny lying in a coma, unable to escape his own dreams.  As they leave, Superman and Black Canary confer about the "ghost" they saw.


Okay.  I looooove this story, and the more I think about it--between her first "Secret Origin" and her adventures in Justice League of America--the more I think Gerry Conway might have been the best writer to work on Black Canary.  Okay, that might be overstating: Gail Simone did amazing things with Dinah in Birds of Prey, so let me amend my statement to read Gerry Conway wrote the best pre-Crisis Black Canary.  Yeah, that sounds right.

What makes this story so good?  First of all, Dinah throws caution to the wind and parachutes to the middle of the damn Arctic in the desperate hope that Superman can help her where the rest of the League laughed her out of the meeting.  Um, then she judo flips a polar bear!

I also love the restrained way Conway plays with Superman in this story.  Forgetting Black Canary's scream for a moment, she's primarily known as a fighter.  She's a martial arts master, but she's pretty much human, definitely street-level by most estimations.  Next to Superman, Dinah is comparatively helpless.  (Okay, next to Superman, 90% of people are comparatively helpless.)  So you'd think that in a team-up with the Man of Steel, Conway would accent Superman's super-physical powers, his strength, speed, flight, etc.  But while we do see those attributes in small amounts, what Dinah needs from Superman is his super-smarts.  She asks him to build her an inter-dimensional portal.  Superman for this story is the Super-Scientist, and it's a long forgotten and much missed element of his character that we never see anymore.

There's also the terrific use of the villain Doctor Destiny.  Conway and Swan's reinvention of one of the League's first enemies is nice, if a little underutilized.  Even with the all white costume, I love the look of Destiny.  I can't help but here the voice of Skeletor when I read Destiny's dialogue, though blessedly, I mean the Skeletor from the movie not the cartoon.

Ultimately, the story hinges on the emotional beat that is Dinah seeing her dead husband again and realizing she can finally properly grieve and move on.  Her experience in the Dream Dimension did not crush Dinah's hope but reinforced it.  She believes stronger than ever before that Larry's spirit is out there somewhere watching over her.

Conway and Swan give us a handful of great Black Canary moments, both action and emotional, in this story.  And they give us a visually distinct villain and a wacky new dimension.  And freaking Superman!

Monday, June 16, 2014

Team-Up: ACTION COMICS WEEKLY #635 (Jan 1989)

Black Canary's solo strip in Action Comics Weekly wrapped up in issue #634, but she did return the following week for a crossover story pitting several of the series' regular characters in one adventure. Instead of branding this post with the "Back in Action" title like the rest of her ACW appearances, I've gone with the Team-Up header.  Her appearance this time has nothing to do with the previous stories by Sharon Wright and Randy Duburke; this story is much closer to an issue of The Brave and the Bold or DC Comics Presents.


Action Comics Weekly #635: "The Crash of 88" is written by Mark Verheiden with pencil art and cover by Eduardo Barreto, inks by John Nyberg, letters by Carrie Spiegle, and colors by Tom Ziuko.  Robert Greenberger edited the main story.  The issue also contained two more strips that continued the ongoing sagas of Superman and Green Lantern, but I won't review those.  Note that the book is cover dated January, 1989, but the issue hit the stands in November of 1988, so the title still makes sense.

"The Crash of 88" is narrated by Weng Chan, the Hong Kong-born member of the Blackhawks better known affectionately and rakishly as "Chop-Chop".  Howard Chaykin saved the character some dignity when he rebooted the series and renamed Chan, making him more of a serious presence on the team and less a caricature.

By this point in his life and career, Chan is CEO of Blackhawk Express, spending more time in board meetings than in the cockpit of his cargo ships.  But the same corporate board tasked Chan with personally piloting a shipment of MacGuffin-style equipment to South America.  Along for the flight is the wheelchair bound scientist Clay Kendall, who formerly graced the pages of a Green Lantern as an employee of Ferris Aircraft before an accident left him disabled.  Chan and Kendall are joined by Susan Sullivan, the eye-candy of the group who serves no real purpose in this story.

Chan isn't happy about flying through a storm, shipping something he doesn't really understand, with people he doesn't really trust, but he likes even less the anti-aircraft fire the Blackhawk plane takes when they fly over the country of Sumango.


After the plane goes down in the jungle and Chan examines the damage, Kendall confirms that they have crashed in Sumango, and that's bad news.  Sumango, apparently, is ruled by a cruel military dictator named Colonel Diaz, whose human rights violations have earned him the condemnation of both the United Nations and the Soviet Union.  Right after Chan and Kendall voice that expository knowledge to Susan (and the readers), the trio come under fire by Col. Diaz's forces.

Chan and the others are captured, beaten, and their cargo is confiscated.  Then we segue to Green Lantern Hal Jordan, attacking his friends...


Hal wakes up from the nightmare of abusing his power.  The next day, Hal meets Black Canary's dark-haired civilian alter-ego, Dinah Lance, for lunch.  Hal admits he's surprised Dinah would agree to meet wit him considering her boyfriend and Hal's ex-friend, Oliver Queen, wants nothing to do with him.  Dinah knows that Hal is going through a rough time, but she's more compassionate and forgiving than Ollie.

Dinah tells Hal that he should talk to someone to get some perspective--someone from outside their world of capes and costumes.  The only one Hal can think of at the time is Clay Kendall, whom he knew from Ferris Aircraft.

Back in Sumango, Kendall is stuck in a tiny jail cell with Chan and Susan.  Col. Diaz's men come and retrieve Kendall for some purpose.  When Chan tries to stop them, Diaz takes Chan and walks him out of the small jail to a large high-tech building at the edge of the village.  Diaz tells Chan that soon he will be all-powerful, and it's all thanks to the mysterious shipment loaded in the Blackhawk plane that his men captured.

Back in Coast City, Dinah drives Hal to Clay Kendall's house, but when they arrive, Kendall's wife tells them he disappeared during a mission to South America.


Shortly thereafter, Dinah has changed into her Black Canary costume and she accompanies Green Lantern to the Blackhawk hangar.  They track Kendall and Chan's flight from the United States to its final destination at Reyes Bay, but there a reputable-looking man at the airfield tells them the plane never arrived, which means it probably went down in the dreaded Sumango.  The heroes fly off to Sumango, and before long discover the downed Blackhawk plane and Clay Kendall's wheelchair.

Suddenly, the air is filled with screams and the roar of a ginormous red, seemingly energy-based monster that can literally lifted mountains.  Green Lantern takes to the sky to attack the monster, while Black Canary runs toward the village.  She says this threat is out of her league, showing that Dinah, unlike maybe Hal, knows her own limits.  Still, even though she might not have the physical means to contend with the giant energy monster, she is every bit the hero.  Closing in on the monster, she spies a poor family huddled under their hut.  Black Canary races to the peasants to protect them, but the monster raises its massive foot to step on them.


As Green Lantern fights the monster, Black Canary leads the peasants to safety, but Col. Diaz's soldiers capture her.  The energy monster grabs Green Lantern, but he manages to fight out of its grip.  Then the monster vanishes momentarily, only to dematerialize all around Hal.  The energy is too much for him to fight on his own, so the green power ring flies off his finger to summon the one man Green Lantern knows can help.

Diaz's men bring Black Canary, Clay Kendall, and an unconscious Green Lantern back to the jail.  Kendall tells Chan that they interrogated him to learn the secrets of the cargo, which was actually a very high-tech energy collector.  This is what Diaz uses to power the giant monster, and Black Canary reasons that if they don't find a way of stopping him, Diaz and his pet will destroy everything in the region.

Half a world away in Metropolis, Daily Planet reporter Clark Kent is listening to a meeting of what sounds like the city zoning board.


Clark Kent removes his civilian disguise and takes to the air as Superman and follows the green power ring back to Sumango.  Superman doesn't need super-vision to see the devastation Diaz's monster has left on the countryside.

When Superman sees the energy monster, he gives it the benefit of the doubt and tries to talk to it first.  Of course, the monster hits Superman, sending him flying through the jungle.  That's enough for diplomacy, Superman decides, and responds with his fists.  But the energy monster can absorb even the Man of Steel's most powerful blows.

Meanwhile, Black Canary and Chan decide they've had enough of Sumango's jail scene and bust out.


Black Canary and Chan sneak around the village, while Kendall and Susan remain in the jail cell with weapons and the still-unconcious Green Lantern.  After taking out some of Diaz's men, Canary and Chan are spotted.  They dodge machine gun fire by diving into the power facility.  There, they discover the energy collector machine that Chan and Kendall were transporting.  Diaz has hooked himself up inside the machine and is feeding the energy monster outside.


As Superman presses his attack, the energy monster disappears again.  This time it rematerializes in the power station, destroying the building around it and endangering Black Canary and Chan.

Back at the jai, Kendall and Susan are about to be overrun by Diaz's forces, when the green power ring slips on Hal's finger and wakes him up.


Superman and Green Lantern attack Diaz's pet together, raging at him for hurting Black Canary.  Diaz, though, is too powerful for even the combined might of Superman and Green Lantern.  The energy begins to overwhelm them.  In the nick of time, Chan recovers and does the practical thing of unplugging Diaz from the energy collector.  Devoid of his power, Diaz attacks Chan, and receives a kick to the face for his effort.

In the epilogue to the story, Green Lantern returns Clay Kendall to his wife, while Weng Chan goes back to the corporate headquarters of Blackhawk Express to rip the board a collective new @$$hole.

This story was fun and Verheiden's script really takes advantage of the 29 story pages to make the story feel big and expansive.  I'm not sure why he chose to make Chop-Chop Weng Chan the narrator of this story instead of, say, any of the other Blackhawks, or even the Blackhawk.  It seems like this should be a return to action or a catharsis about his place in the corporation, but I'm not sure either was really captured well.  And if so, I'm not sure either was exciting enough to anchor this story with more heavyweight characters in the wings.

Superman isn't given a whole lot of development; he's used mostly as a strongman brawler, but it's okay for this story.  Green Lantern's inner demons are shelved for a brief detective story with a personal stake and plenty of action.  As purely a tagalong, Black Canary makes the most of her appearance with some nice action beats.

Artist Eduardo Barreto draws a muscular and fierce looking Superman and Green Lantern, and his Black Canary is shapely and beautiful in a way that leaps off the page even when she doesn't have much to do in the scene.

Wednesday, June 4, 2014

Black Canary & Zatanna: Bloodspell Part 3

Click here to review Part 1.  Click here to review Part 2.


Earlier in Black Canary and Zatanna: Bloodspell, Black Canary foiled a Vegas casino heist by a thief named Tina Spettro, but not before Tina tricked Black Canary into a bloodspell that binds her fate to the now-dead Tina's ghost.  Needing a magician's touch to get her out of this magic predicament, Dinah recruited her old friend and Justice League teammate, Zatanna Zatara.

Five years ago on the planet Apokolips, the sadistic Granny Goodness and her Female Furies had captured Zatanna, Black Canary, Wonder Woman, and Plastic Man.  The heroes were bound in Granny's gladiatorial arena and subjected to one of her elaborate deathtraps that Mr. Miracle cut his teeth escaping from.

Granny mocks Zatanna's notoriety as the Mistress of Magic's mouth is covered (by part of Plas, no less) preventing her from uttering any of her spells.  But at the last second before the trap is sprung, the captive heroes swap places with Granny and her Furies.


This little three-page vignette has no story connection to the rest of the tale.  Writer Paul Dini just drops it in as a means of showing Zatanna's resourcefulness and quick-thinking.  And it gives artist Joe Quinones a chance to draw our lovely heroines in older costumes, as well as a few more heroes and villains from DC's vault.

Back to the main story, Black Canary and Zatanna are riding to Las Vegas in Zatanna's enchanted trailer, which is being towed by an enchanted car that drives on its own.  Inside the trailer, Dinah takes a nice, refreshing bubble bath while trying not to arouse the displeasure of Zatanna's pet tiger, Sasha.

Zatanna's plan calls for them to travel to Vegas undercover so as to not warn Tina Spettro's ghost that Z is helping Dinah save the other victims of the bloodspell.  But the "undercover" part of Zatanna's scheme involves Black Canary posing as her magician's assistant.  And that involves Dinah wearing an outfit even skimpier and more revealing than most female superheroes wear.  Zatanna casts a magic costume-and-make-over spell and...


The ladies arrive at Xanadu in Las Vegas and meet with the hotel's owner, Dale Hollister, the same man that Tina Spettro planned to rob before she died.

Zatanna fills Hollister in on the situation with Tina's ghost, and in gratitude for Black Canary's earlier service, he offers to book Zatanna and "her assistant" in one of his showrooms to help them set the trap for Tina Spettro.

But as Hollister and Zatanna shake on the agreement, her tiger freaks out and lunges at both of them, slashing at them with his massive paws and drawing blood from each of their forearms.  Z reprimands the animal, which immediately seems confused and unaware of is prior attack.  Zatanna casts a healing spell on herself and Hollister.

That night, Zatanna performs her magic act for a packed house of spectators.  Her tricks include making Sasha the tiger vanish and reappear in a shrunken state.  Dinah watches the show from the wings; while backstage, she's passed a note from Dottie, the second-to-last surviving member of Tina's gang, asking for a meeting at her place that night.

If Dinah and Z were expecting a desperate woman when they meet Dottie, they're a little shocked to find a woman who has, for all intents and purposes, given up.  Dottie explains how crummy her life has been in the past year and, well, she doesn't exactly welcome death from a vengeful ghost, but she doesn't feel her life is all that worth living.  Dottie even goes so far as to ask Zatanna to change her into something else like an animal so she could just move on with a completely different life.

Zatanna refuses to cast that type of magic spell and explains that that sort of transformation spell is nearly irreversible because within hours the human brain begins to cede its faculties to animal instinct.  After a few days, Z explains, what remains of the human mind and soul would be totally supplanted by the animal and Dottie would be, essentially, dead and gone.

Instead, Zatanna plans to cast a protection spell around Dottie, but as she speaks the words, she inexplicably casts a different spell that transforms Dottie into glass.  Dinah reacts to Zatanna's sudden betrayal, an in the moment succumbs to her anger and becomes possessed by Tina's ghost.  Tina/Dinah then tries to shatter the glass Dottie, but Zatanna recovers and casts a protection spell that kicks Tina's ghost out of Dinah.

Tina's ghost curses at the ladies and announces her intention to kill Joy, the last name on her hit list before destroying Black Canary completely.


I guess putting the glass Dottie in Superman's impenetrable Fortress of Solitude is as good a place for safe keeping as any.  I didn't know it was ghost-proof but sure, whatever.

Zatanna reasons that Tina can now possess both her and Black Canary, but only one at a time, which means they still have a chance of stopping her.  They rush back to the Xanadu showroom, where Dale Hollister has been possessed by Tina's ghost.  She's using Hollister to murder joy with one of Zatanna's stage traps because since Joy switched out for Black Canary during the heist last year, she never actually took part in the bloodspell.

At that moment, however, Black Canary and Zatanna arrive to save the damsel in distress.  Tina was thrilled to possess the body of her billionaire ex-boyfriend, but she gets a much better rush when she takes over Zatanna again.


Tina/Zatanna turns on the machine set to kill Joy, then casts a spell turning Dale Hollister into a toad. Before she can squash him under heel, though, Black Canary jumps her, gagging her so she can't say any spells.  Tina/Zatanna fights her off, but then Dinah releases Sasha the tiger on her mistress.

When the tiger leaps at Tina/Zatanna, the ghost bolts from the magician and takes over Black Canary.  Tina then jumps back and forth between the women, using each one to attack the other, but not being able to say in one form for too long because the tiger can sense which woman is possessed and attacks that woman.


Tina/Canary uses her sonic scream to blow Zatanna off the stage and into the orchestral pit below.  When she follows her down, she finds Zatanna curled up, nearly catatonic.  Tina's ghost then leaps into the prone form of Zatanna... only to discover too late that she's been duped; that wasn't Zatanna's body.

The real Zatanna pops up and casts a containment spell trapping Tina's spirit in the body that was magically charmed to look like Zatanna, but was, in fact, a dove from her performance.  Tina Spettro's spirit is now trapped in the body of a bird.  Before the ladies can rest on their laurels, though, they realize that Joy is still in danger of being butchered by a giant drill.


Zatanna casts another spell reverting Dale Hollister back to his human form.  Luckily, he wasn't trapped in the form of an animal long enough to lose his mind and soul--unlike Tina Spettro.  As the sun comes up over the Nevada desert, Tina is totally supplanted by the bird.  Her spirit, at last, is dead.  They release her to the wind, nothing but a dove now.


Before the ladies can head to a margarita bar, Black Canary gets a call from Green Arrow telling her that Metropolis is under attack from alien robots.  The Justice League needs their help, and the ladies head out to the next adventure.

That's where the story ends, but there's nearly 40 pages of added content in both the hardcover and digital version of the graphic novel.  This includes character sketches and sample pages in various stages of the art process by Joe Quinones, and a copy of Paul Dini's full 94-page script for the book.  It's awesome material that I recommend fans check out.

So.  What did I think of Black Canary's first original graphic novel?

I loved it.  As I said earlier in my review, Paul Dini knows the characters so well that everything they do feels in-character.  Like their characters in the DCAU, these are iconic and timeless versions of Black Canary and Zatanna.  That's what a Dini story feels like, whether it's a cartoon or a book painted by Alex Ross, the characters feel timeless, infused with all the greatest attributes of the Silver and Bronze Age.  But his script moves with a modern, easily readable pace and tone.

My only complaint with Dini's story, though, is that the villain isn't all that memorable.  When I heard about this graphic novel about a year ago, I was hoping it would contribute a real heavy-hitter to Black Canary's paltry rogues gallery.  Tina Spettro is decent, but she'll never be used again after this story.  Her costume was simple, a drab grey jumpsuit--not exactly a visual feast, and for most of the story, she exists solely as a spirit inhabiting other characters.  She'll forevermore be counted as one of Black Canary's enemies, but she won't add a whole lot to that list.

As for the art, Quinones mostly knocks it out of the park ("mostly").  He caught my eye back in Wednesday's Comics a couple years ago, and I was really excited to see what he would bring to this story.  Given Dini's storytelling sensibilities, it seemed obvious that Quinones would bring a lighter, almost animated style like Bruce Timm or Darwyn Cooke to the art.  It fits the story, and Quinones brings an incredible amount of expressiveness to each of the characters.  There's never a question of what the women and men are thinking and feeling in every single panel.

And yet... part of me wanted something a little more from the art.  Black Canary and Zatanna are beautiful women known for wearing fishnets.  They are sexual and sexualized characters, and I kind of expected more cheesecake from the story.  I'm not saying I would have preferred Ed Benes on this book, but I thought there would be more "Good Girl Art"-style imagery.  The only time Dinah's sexuality is really played up in this story is when Zatanna makes her over to look like a buxom assistant that deliberately doesn't look like Black Canary.


Instead of sexiness, Quinones emphasizes the toughness of Black Canary.  Nothing wrong with that; it makes her a more credible hero and probably a more compelling and likable protagonist.  But sometimes, just a few times, she looks a little too square-jawed and so spunky that she's not really all that attractive.  It's not often, but it is noticeable in a handful of panels.  Black Canary should be powerful and beautiful, but Quinones--unlike most people in comics over the years--sacrifices the latter for the former a couple times in this book.

One other interesting note I found while reading the book.  A lot of Justice League members pop up in small roles throughout the story.  Superman.  Wonder Woman.  Green Arrow.  Green Lantern.  Martian Manhunter.  Elongated Man.  Plastic Man.

Know who isn't on that list?  Batman.  Other than a toy in the background of one panel, Batman does not appear in this story, and that's pretty surprising given Paul Dini's history with the character.

I have given up on DC's mainstream comics from the New 52, and the Injustice: Gods Among Us tie-in comic became equally depressing, despite how well Black Canary was treated in the book.  The fact is, DC isn't offering a lot that appeals to me right now, but the books that do interest me are out-of-continuity stories like the digital first Batman '66, Adventures of Superman, the upcoming Sensation Comics starring Wonder Woman, and this original graphic novel.  DC needs to publish more books like Bloodspell.

Thursday, April 10, 2014

The Origin of Black Canary: 1983 Part 2 - JUSTICE LEAGUE OF AMERICA #220

I've waited months to review Justice League of America #220, a story that radically reimagines not only Black Canary's history but her whole identity and status as a member of both the Justice League of Earth 1 and the Justice Society of Earth 2.  At last, the time is right to cover this story, because according to the 1976 Super DC Calendar, today, April 10th, is Black Canary's birthday.


Justice League of America #220: "The Doppelgänger Gambit" is written by Roy Thomas with pencil art by Chuck Patton and inks by Romeo Tanghal and Pablo Marcos.  George Perez delivers a cover with not one but two Black Canaries--one corpse-like in a casket beside the late Larry Lance, and the other looking on in horror with members of the Justice Society of America, Red Tornado and Sargon the Sorcerer, all while the Earth 1 Johnny Thunder and the Thunderbolt loom menacingly.  The cover boasts that this issue includes the "true origin of the Black Canary".

Gerry Conway already wrote an amazing origin story for Black Canary with only one noticeable problem that I can see: it dated her.  Conway's story specifically locked Dinah into an era that was becoming evermore recognizable as the past.  The Justice League members were supposed to be young and in their prime, but the math would make Black Canary out to be something like sixty-two years old.

DC needed a retcon to explain this age discrepancy so that Black Canary could have functioned in both eras, on both teams, without qualifying for an AARP card.  And in the late 1980s they would write that retcon and it would work wonders.  But before they got there, Roy Thomas would craft a Black Canary origin story (supposedly inspired by a Marv Wolfman idea) that would make even Hawkman's history look straightforward.

Last time, for reasons unknown and inexplicable to characters who know him, Johnny Thunder's genie-like Thunderbolt attacked the Justice League of America during its annual meeting with the Justice Society.  Barry Allen, Hal Jordan, Firestorm, Elongated Man, and Zatanna were struck down by the mad Thunderbolt and now lie comatose in the JLA Satellite.  Only Black Canary and Red Tornado, both of whom originated from Earth 2, as well as Justice Society members Jay Garrick, Power Girl, Huntress, Hourman, and Starman came through the battle relatively unscathed.

Almost immediately after the attack, pairs of super villains from both worlds launched attacks against ancient temples of worship.  While Starman took Black Canary to the Thunderbolt Dimension to investigate the Johnny Thunder connection, the JSA members went planet side to take on the villains.


Power Girl shows her eagerness to tackle the villains, while Red Tornado advises caution and a strategy session to plan their counterstrike.  (Red Tornado is the worst.)  The unexpected arrival of Sargon the Sorcerer prompts half of the JSA to lash out at the mage.  Sargon mildly flirts with Huntress while magically besting her, Power Girl and Red Tornado, who, seriously, is the worst.

Sargon tells the Flash and Hourman that he was working with the Spectre when the Thunderbolt struck him down in his Earth 1 human host, Jim Corrigan.  The Flash welcomes Sargon's help and sends him out with Power Girl, who sounds less than thrilled.


In the Thunderbolt Dimension, Black Canary and Starman were captured, not by the Johnny Thunder they suspected--the Johnny Black Canary befriended in her very first published adventures--but the Johnny Thunder of Earth 1.  This Johnny Thunder is crazy and vengeful and he's taken control of the Thunderolt.

But far more shocking than their enemy's identity is what he shows them: a glass casket with the bodies of Black Canary's late husband, Larry Lance, and another body that looks exactly like her.  Johnny also holds captive the original and noble Johnny Thunder of Earth 2.

At Evil Johnny's command, Thunderbolt tells the story of how he and Good Johnny fought crime in the '40s on Earth 2, how Black Canary joined them in their crusade for justice, and how Thunderbolt was injured during one of their adventures, explaining why Johnny Thunder's monthly adventures went away in favor of Dinah's solo stories.


Good Johnny took off, devastated that the woman he fell in love with favored Larry Lance over him.  In subsequent years, he stayed out of her life while she grew closer to both Larry and the Justice Society.  Until, of course, the day the Justice Society of America quit fighting crime by refusing to divulge their real identities before Congress.


The Wizard... "the greatest super criminal in the history of the planet"?!!  That's a helluva stretch, but I will concede after this story he might be Black Canary's greatest villain.  Maybe.


A desperate Dinah and Larry Lance bring their infant baby to Johnny Thunder, who summons Thunderbolt.  The genie offers to take the baby to the Thunderbolt Dimension where her destructive sonic powers won't harm anyone.  The caveat being, of course, that once there the child can never leave.  If Dinah and Larry send their child with Thunderbolt, she'll be safe, but they'll never see her again.

Approximately ten years after this story is published, the X-Men's Cyclops and Jean Grey would face a similar dilemma when their infant was infected with a virus and needed to be sent into the future to save his life, resulting in their child becoming the militaristic leader of X-Force, Cable.  And that scenario makes only a little bit more sense than what Roy Thomas will offer up later in this issue.

Dinah and Larry agonize over the decision--I would think--but finally surrender their baby to the protection of Thunderbolt.  He brings the baby to the Thunderbolt Dimension and keeps her in suspended animation, but then he goes a little off-script and wipes the memory from Dinah, Larry, and Johnny Thunder.  He convinces them that the baby died... because it will be easier for them to deal with...  Yep.

Black Canary, much like any attentive reader, is full of questions.  But Evil Johnny interrupts the story to draw attention to the ensuing battles on Earth 1 between the heroic and villainous pairings.

In Mexico, Chronos and the Fiddler have seized an ancient pyramid.  Jay Garrick and Hourman rush to intervene but they're thwarted by a time-holograph created by Chronos, and then the Fiddler plays a little ditty causing the heroes to keep dancing until they die.

Meanwhile, Dr. Alchemy and the Icicle have taken over one of the Great Pyramids of Egypt when Huntress and Red Tornado come liberate the place.  Reddy drops Huntress off on the sloping face of the pyramid, but Icicle freezes the side, causing Huntress to slide down.  But being the daughter of Batman and Catwoman affords Huntress a healthy amount of agility and preparedness.  She manages to throw a batarang that knocks out Icicle even as she's sliding down.


At the same time, Red Tornado is battling Dr. Alchemy, who maneuvers the android into position so that Huntress slides off the pyramid and crashes right into him.  The result is that Huntress and Red Tornado are both knocked out, spoiling all of the good will Huntress gained by swatting Icicle.  God, Red Tornado sucks.

And at Stonehenge, we find the last duo, Power Girl and Sargon squaring off against the wicked mages, Felix Faust and the Wizard.  The bad guys use their magic to fool Power Girl and Sargon into striking each other, knocking each other unconscious.  Then, naturally, Wizard and Faust bicker amongst each other, because that's what villains do.

Back in the Thunderbolt Dimension, Evil Johnny taunts his hostages and brags of the devious goings-on that he's fostered down on Earth 1.  Unbeknownst to Evil Johnny, some of the electric sprites of the dimension have come to started rescuing Good Johnny from his bonds.  Just when Evil Johnny is ordering the genie to murder Black Canary and Starman, Good Johnny breaks free and shouts out the magic words that put Thunderbolt back in control.


Freed of Evil Johnny's influence, Thunderbolt races to the JLA Satellite to revive the Leaguers he hurt last issue.  And before long, the heroes of Earth 1 snap back into action.


Elongated Man and Barry Allen help Jay and Hourman take out Chronos and the Fiddler.  Firestorm and Hal Jordan help Huntress and Red Tornado take out Dr. Alchemy and the Icicle.   And Zatanna helps Power Girl and Sargon take out Felix Faust and the Wizard.

In the Thunderbolt Dimension, Evil Johnny is captured though still trying to regain control over the genie.  Black Canary is overwhelmed by the image of what looks like herself and her dead husband.  Is it a daughter she never knew or something even stranger, she wonders.

Oh, it's stranger.  And it's the kind of story that only Bob Haney Superman and the Spectre could tell.


So... Superman thought it best that Black Canary swap bodies and memories with her own daughter who lived a decades in suspended animation.  Dinah Drake effectively dies with her husband, while her consciousness takes over the dormant body of her daughter.


Aside from Red Tornado totally being the worst, what can we gather from this issue?

This ending is so, sooooo $@#%ed up!  I guess at this point Black Canary is considered to be the daughter of the original Black Canary, but she's full of her mother's memories and experiences.  What happens to her now will shape her life as though she's a different person, but couldn't that be said of any character.

The whole motive for this retcon was to de-age Black Canary.  And Roy Thomas did so by putting the character in the identical body of a child she never remembered having.  But the tale ends with her crying and being carried off--happily--in Superman's arms, so I guess it's a wash.  After all, that's how issue #74 ended when her husband died right in front of her.  Maybe that's one of Superman's untapped powers; he can make Black Canary get over any traumatic event.

The action scenes with the Justice Society versus the dastardly duos is mostly underwhelming.  The way the heroes fail to stop their adversaries is forced and lame, but the timely arrival of the Justice League heroes is pretty exciting.

Black Canary has never had much of a Rogues' Gallery; her list of personal foes makes Aquaman's look like the Society of Evil.  This story, however, puts two common foes of the JSA and JLA firmly in Dinah's stack of super villains.  Johnny Thunder of Earth 1 never achieved much on the page or off, but his schemes and his connection to her personal history make him an interesting enemy for later stories.  Likewise, Black Canary now has a personal, maybe the most personal beef with the Wizard.  He cursed her own freaking child and condemned it to suspended animation for life until she took over the body.

Well, Happy Birthday, Black Canary!  You get a new body and a new history, one that will last about five years before cooler heads think of a better idea for post-Crisis on Infinite Earths.