THE BEAUTIFUL THING THAT AWAITS US ALL: STORIES by Laird Barron

Equal parts frustrating and riveting, Laird Barron's weird and creepy short fiction is like no other. Barron has a fervent cult following and I have been interested in jumping into one of his collections for a while now and decided to make this book my first. From page one, Barron’s prose grabbed me and held me close. But instead of whispering sweet nothings, the book growled at me with stories of hopeless protagonists, nameless horrors, ancient gods, cults, and black magic.

On one hand, Barron consistently takes forever with the set-up of each story. setting the stage and mood with trademark over-flourish that constantly tempted me to quit. On the other hand, each story left me thinking about it long after, and I wonder if the slow opening pace provided a hypnotic lull and creeping build that was necessary for that eerie feeling that stuck with me after every story. 

Each story left me an impression on me, but the standouts were the sad and chilling "The Redfield Girls," "The Men From Porlock," the gangster-meets-cosmic horror story in "Hand of God," and the batshit stream of consciousness in "Vastation." 

Although I can't deny the stories being a bit of a chore to get through, I also can't deny Barron's writing power and I'm looking forward to exploring more. 

I was accustomed to liars, bold-faced or wide-eyed, silver-tongued or pleading, often with the barrel of my gun directed at them as they babbled their last prayers to an indifferent god, squirted their last tears into the indifferent earth. A man will utter any falsehood, commit any debasement, sell his own children down the river, to avoid that final sweet goodnight.

GRADE: B-

Equal parts frustrating and riveting, Laird Barron's weird and creepy short fiction is like no other. Barron has a fervent cult following and I have been interested in jumping into one of his collections for a while now and decided to make this book my first. From page one, Barron’s prose grabbed me and held me close. But instead of whispering sweet nothings, the book growled at me with stories of hopeless protagonists, nameless horrors, ancient gods, cults, and black magic.

On one hand, Barron consistently takes forever with the set-up of each story. setting the stage and mood with trademark over-flourish that constantly tempted me to quit. On the other hand, each story left me thinking about it long after, and I wonder if the slow opening pace provided a hypnotic lull and creeping build that was necessary for that eerie feeling that stuck with me after every story. 

Each story left me an impression on me, but the standouts were the sad and chilling <b>"The Redfield Girls," "The Men From Porlock,"</b> the gangster-meets-cosmic horror story in <b>"Hand of God,"</b> and the batshit stream of consciousness in <b>"Vastation."</b> 

Although I can't deny the stories being a bit of a chore to get through, I also can't deny Barron's writing power and I'm looking forward to exploring more. <blockquote><b><I>I was accustomed to liars, bold-faced or wide-eyed, silver-tongued or pleading, often with the barrel of my gun directed at them as they babbled their last prayers to an indifferent god, squirted their last tears into the indifferent earth. A man will utter any falsehood, commit any debasement, sell his own children down the river, to avoid that final sweet goodnight.</I></b></blockquote>

SMALL MERCIES by Dennis Lehane

Set on the eve of the desegregation of Boston's public schools in the 1970's, a woman from Southie, an ex-addict cop, and the Irish mob collide after a young white girl goes missing and a black man is found dead at a train station, setting fire to an already lit match of racial unrest in the city. 

"We're not built for princesses down here."

It feels like it's been a while since I've read a novel by Lehane, one of my favorites. And everything here is all that you expect from a master crime writer. The man has such a strong command of his art form at this point. Not only is this a great time capsule documenting this tense time in Boston (and American) history, but it's also a fantastic portrait of these two lead characters. 

Mary Pat Fennessy is finally confronted with how stuck she and her community have been in their ways, how malignant her environment can be, and how she has to reckon with how this toxicity could have tragically spilled into her daughter. And in contrast, Detective Bobby Coyness has grown up in the same way but somehow managed to keep on the right path, even though it's an everyday struggle to keep his morality and his sobriety. 

He considers the possibility that maybe the opposite of hate is not love. It's hope. Because hate takes years to build, but hope can come sliding around the corner when you're not even looking.

Although this didn't have the raw power like some of his best novels have, this is still a great book, with its focus on the struggle to not allow hatred to be passed down from generation to generation.

GRADE: B+

ALL THE SINNERS BLEED by S. A. Cosby

True madness is like an aura around someone. It glows blue like the flame from a gas fire. That madness can spread. Become like a religion for the lost.

With this new novel, Cosby is 4 for 4. He continues to kick down the doors with guns blazing as he releases banger after banger in the crime fiction genre. 

Being an investigative cop drama, I was a bit worried that it would feel a bit stale as the detective mystery has gotten a little worn out to me. But I should have know better. This feels very fresh as it follows Titus Crown, the first black sheriff of the small Virginia county of Charon, as he not only tries to get a lid on the racial unrest in his town but also hunts a terrifying serial killer on a rampage.

Cosby does everything right here, starting with the portrayal and build-up of the serial killer. The killer and their actions here are seriously bone-chilling and serves to maintain a potent layer of tension throughout the whole book. I was also impressed by how well-developed the community was, and loved how present Titus's deputies were, showing how this investigation is not a one-man show and how much he can't do his job without them. There's a romantic figure from Titus's past that pops up halfway through the book and I was really worried that this would turn into a silly love triangle, but I loved the mature way it was handled, without resorting to soap opera antics. One of the author's strengths is a tendency to never oversell, never hit the reader over the head, but efficiently present just the right amount of emotional development and social commentary to keep the reader truly engaged. He's like a storytelling gymnast, finding the right balance. 

GRADE: A-

CITY OF DREAMS by Don Winslow

*Book 2 of the City Trilogy*

...because the wounded find the wounded, washed up on the same sad shore.

Picking up immediately after Danny Ryan hightailed it outta Providence after losing his wife and the war with the Italian mob, this second novel in Winslow’s final trilogy finds Danny on the run, and struggling to carve out a safe space for his friends and young son. 

The novel takes on a very different atmosphere than the first, trading New England for the the sunny West Coast, bouncing around San Diego, Las Vegas, and the city of dreams itself, Los Angeles. I love that the book takes a bigger look at and expands on what were minor characters from the first novel as Danny makes this journey with the ragtag crew that he ran from Providence with. It was cool seeing more of Bernie Hughes, Jimmy Mac, Ned Egan, and especially the constantly entertaining Altar Boys: Sean and Kevin. The love story is potent but watching these New England hoods try to navigate the Hollywood world is pure gold!

GRADE: B+

FIND HIM by Jake Hinkson

While not the hard-hitting gut-punch noirs that I’ve come to enjoy from the author (like The Posthumous Man, No Tomorrow, or his recent Dry County) this new Hinkson novel is still a solid thriller in the vein of The Big Ugly, and it also might be his most accessible book with arguably his most likable characters. 

The strength here is in how enjoyable it is to follow our protagonist Lily Stevens, a devout and pregnant "one-ness" Pentecostal teenager who bravely steps outside of her sheltered life to go full amateur dick and  track down her missing baby daddy. Even if you can’t relate to her background and religion, it’s hard not to get swept up by her determination and zeal. Allan is also another great character, a kind man with a  fondness for Reba McEntire, and a sense of morality that he can’t shake, no matter how much it might get him in trouble. These two together make for satisfying companions in this read and it's another great entry into Jake Hinkson’s bibliography! 

GRADE: B+

EVERYBODY KNOWS by Jordan Harper

Give them horror or give them heartstrings. Nothing else sticks.

Jordan Harper is one of the best crime writers today and in his latest novel, he’s tackling the underbelly of the City of Angels. 

Jordan Harper’s Los Angeles is a place of secrets, black bag PR, sponcons, money and celebrity in excess; a world filled with “noise to hide the whispers” and corruption so widespread that it’s a wonder anything ever gets done. You can feel the love/hate relationship with the city here, with a condemnation of the town so scathing that it could only come from when you love a place. 

His two main characters, Mae Pruett and Chris Tamburro, are two people haunted by what they have done for the PR beast and desperate to somehow make things right and regain whatever decency they have left. 

It’s a powerful novel, which is not a surprise given how great Harper’s writing here. It reads like something James Ellroy would write if he stepped into 2022. Harper’s writing even evolves into something akin to the Ellroy, with muscular and punchy prose that hits hard and fast. Harper does an amazing job with character here, navigating the emotion maturely and riding that line of sentimentality perfectly. 

It’s still early in Harper’s career so it’s exciting to imagine what he has in store next. 

“It’s like I’m in this backward purgatory. Like maybe if I commit enough sins, I’ll be able to get free.”

GRADE: A-

CITY ON FIRE by Don Winslow

*Book 1 of the City Trilogy*

At this point, it’s safe to predict that any novel by Don Winslow will be one I enjoy! 

This is the start of a new epic crime trilogy by the author and I’m here for it. Inspired by Homer’s classic: The Iliad, Winslow spins a tale of a 1980’s gang war between Irish and Italian families in Providence, Rhode Island and the damage it causes. The book focuses on Danny Ryan, surrogate son of the Murphy family, who’s sense of honor and loyalty keeps him fighting for the Murphy’s even if it’s not in his best interest. The book never hides its influence, featuring a modern Helen of Troy, whose body would launch a thousand beat-downs, a Paris that’s just as useless as one would expect, a Hector that must fight the war his brother started, and even an interesting twist on Achilles. 

As usual with books by Winslow, it’s immensely readable, accessible, and engaging, with compelling writing and clear, relatable characters. But it does fall short of being amazing as it feels like it’s missing something. It feels more like an earlier draft than some of his better novels and is nowhere near as powerful, affecting, or as timely as The Power of the Dog or The Force. If a lesser author’s name was on the book, it would be a very good standout, but it comes off as Winslow-lite, as I’ve now come to expect him to always bring his A+ game. But, it is in no way a bad book. I just hold him to a higher standard now. But I still really enjoyed it and it’s worth a read, especially as the start of a new trilogy. 

GRADE: B+

MAN WITH NO NAME by Laird Barron

During this entire novella, Barron had me entranced by his writing. His prose is equal parts efficient and deliriously lyrical in this strange crime story about an enforcer for the Heron clan of the Yakuza and his colleagues as they kidnap an ex-celebrity wrestler during a gang war. From the start, I got a sense that this story was not going to be your run-of-the-mill crime thriller, as the author infuses the tale with a sense of existential dread that just gets worse and worse as it goes on. And once the climax hits, it becomes something way more creepy than I ever expected. 

The first thing I attempted to read by Laird Barron was the story collection, Swift to Chase, which I was disappointed by but which I now understand was more advanced, grad school-level Barron, especially with the fact that Barron’s books reference each other. Well I’m still in Barron high school so this short book was my next choice, and although I still might not understand all of its mysteries, I enjoyed it much more. And there’s even a bonus story that was just as impressive, “Blood and Stardust,” which played like a really twisted Frankenstein. I’m excited to read more Laird Barron soon.

GRADE: B+

PIECES OF HER by Karin Slaughter

A good novel is hidden somewhere in here. I know it. Karin Slaughter’s book starts off with a promising and provocative opening sequence as our main character Andrea witnesses her speech therapist mom take down a mall shooter. 

But once the book attempts to move past this opening, and I started to be increasingly irritated by one of the least compelling protagonists I’ve ever read, it started to go downhill fast. Not only does Andrea have the personality of a sea slug but Slaughter falls into the habit of trying to telegraph drama by detailing her inner monologue of worrying and whining and it goes on and on. It’s tiresome to read. 

And I knew I was in for a bad time when someone asks Andy a question about something and her reply is:

“I don’t know… About anything actually.”

And then it got even worse when a new parallel flashback storyline is introduced and the main character there is just as irritating in the same way. Then, when I got to the 65% mark and I realized that nothing much had happened, it was the final straw. The book is painfully boring and actually tedious to read. 

GRADE: D

MAN DOWN by Roger Smith

Roger Smith is known for his brutal, grim, violent crime novels and Man Down might be one of his most nihilistic and that’s saying a lot. This suspenseful thriller uses a home invasion story as its basis, but it expands in surprising ways until you get a stronger sense of what sins of the past have influenced the attacks on John Turner, his wife Tanya, and his daughter Lucy, South Africans who emigrated to the U.S. and found some success. 

The first thing that struck me was how “off” Smith’s writing felt compared to his other work. It came off to me as a bit wordy, with constant run-on sentences that felt a little lofty and pretentious, very different from my experience with other novels by Smith. I was also a little turned off by the non-linear structure, which normally I don’t have a problem with, but it felt like it distracted from the story and there was no rhyme or reason when certain storylines and timelines were paired. 

But ultimately, the story did click for me halfway through. Smith really brought it home by the end and I was actually pretty satisfied. There are hardly any redeeming characters (even John our protagonist was pretty reprehensible), but I was riveted for the last half of the book once it all started coming together. 

He felt a moment of powerful vertigo, a curious lurching, like an elevator coming suddenly uncoupled from his winding drum, and, despite clenching his fist, jaw, and asshole, the feeling persisted, as if something so deep within his being that he had become aware of it only by its absence had broken its tether and was now lost to him forever.

GRADE: B-

SLOW DOWN by Lee Matthew Goldberg

This novel is sold as a tense noir in the same vein as a classic James M. Cain novel with a successful filmmaker recounting his cutthroat rise to fame by stealing his mentor’s film and wife. It had some potential but ultimately, there’s not enough there to really live up to its hype and promise. 

The characters aren’t nearly as compelling as they should be and once the lumbering plot gets going about halfway through, it proves to be barely existent beyond a maddeningly basic noir skeleton that can be summarized in a couple of sentences. The entitled asshole protagonist got on my nerves and the femme fatale was completely without nuance. And the ending…goodness, what a timid cop-out that doesn’t at all stand up to the stories that it professes to be influenced by. 

GRADE: D

THE ODDS by Jeff Strand

I wonder what Jeff Strand thinks of Squid Game? 

This book by Strand, released a year before the popular Netflix show, is a cautionary tale following a gambling addict who is presented with a game with odds so good that it would be silly to turn it down. But then as the rounds to the game go on, the stakes become a lot higher! I‘m starting to think that Strand is incapable of writing a bad story. At the very least they’re all very entertaining and this one is no different. As a matter of fact, this one might be one of his most entertaining as our hero digs himself deeper into the game until we ask ourselves if it’s even possible to win. On paper, it works as a great thriller but it’s really all Jeff Strand in all his audacity. All the background and characters behind the game are so ridiculous but done with such conviction that only Strand is capable of. I finished the book wanting to know more and wishing that it was a hundred pages longer. 

GRADE: A-

OUTLAWED INK: Stories by Jason Starr

It should be no surprise that the short stories in Jason Starr’s new collection are a lot like his novels. They’re all contemporary crime noir focused on losers and degenerates of all kinds, ranging from degenerate gamblers, stock market assholes, sleazy old misogynists, and heartless serial daters. 

The first half of stories are pretty good: short, efficient, and filled with Starr’s tragic sense of humor. But it’s strange how the last half of stories sort of fell off the cliff. All of these stories felt incomplete and lazily written, with less than compelling resolutions. But my favorites were: “The Graveyard of Jimmy Fontaine,” about gambler with the most terrible luck, and “Last Pick,” about a bullied kid finally getting the revenge he deserves. 

GRADE: B-

RAZORBLADE TEARS by S.A. Cosby

One of the best novels I've read this year. Coming off of his impactful sophomore novel, Blacktop Wasteland, S.A. Cosby outdoes himself with this soulful crime tale of two fathers who must overcome their prejudice, regrets, and self-pity and take action to avenge the brutal murder of their married gay sons.

There is something so pitch-perfect about the execution here, it's really a sight to behold. Every scene is integral and well-done, and each character is built with elegance, with every flaw and strength on display in equal measure. The book is also touching and funny, with brutal action, but not without moments of reflection. There's really not much else to say. I feel like this silly, inadequate review doesn't do the book justice it all, and it should speak for itself. I haven't read a book this well-balanced and this well-orchestrated in a while. 

There was no turning back. There was no path that lead anywhere except down a long road, as dark as your first night in hell, and paved all along the way with bad intentions.

GRADE: A 

MY DARKEST PRAYER by S.A. Cosby

For a while, I've been staying away from most "detective" novels because I began to find them repetitive and not fulfilling anymore. I longed for something more than just solving a mystery over and over. But every now and then, a standard mystery comes along and impresses me! I read Blacktop Wasteland by S.A. Cosby recently and I really enjoyed it and sought out his previous debut novel. I enjoyed this one just as much and I can confidently say that he truly is a rising star to watch. 

This book is armed with a cool, collected protagonist, who's pretty badass but not ridiculously so, tortured but not in a forced, clichéd way. Nate Waymaker works as an undertaker in his small Virginia town, but has been hired by the local church ladies to look into the mysterious death of a clergyman with a shaky past. The strange thing is that Cosby falls into many tropes here, with a structure lifted right out of Devil In a Blue Dress and with a hero who seems to be able to get every woman in the world drop their panties for him. But at the same time there was something that felt genuine about the novel, as if I was reading these clichés for the first time. The characters jump off the page, the dialogue is rich and grounded, and I enjoyed witnessing this author crafting a good story while finding his voice.

GRADE: B-

THE DAMAGE DONE by Hilary Davidson

I was really impressed by Hilary Davidson's work after reading her suspenseful and surprising novel, Blood Always Tells, and her short story collection, The Black Widow Club. She's got a real knack for crafting twisty thrillers and her work is objectively entertaining. But this debut novel, the one that put her on the map, was a bit of a disappointment. And not because of her lack of talent. Some of it is because of my recent aversion to the repetitiveness inherent in standard mystery/detective novels. But much of it is also because it just got so damned boring. The stakes seem very low through most of this book, as we follow travel writer and expatriate Lily Moore as she returns to New York City to find out who murdered her sister. 

I normally gravitate toward elevated tension and high stakes, so reading about Lily wandering around asking people questions about her sister didn't really do it for me. For most of the book there's not much danger or even much intrigue, and I kept questioning why I was even reading it, unlike the other work that I've read from her, which was much more engaging. But this award-winning work was a relative hit so it might just be my taste at the moment. Davidson is still one of the better thriller writers around right now, so I'll chalk this one up to taste and possible freshman quality.

GRADE: C-

WAKE UP DEAD by Roger Smith

This author is known for being uncompromising when it comes to violence and brutality, but this book is Smith at his most savage. As usual, his Cape Town is a Grand Guignol stage of crime and violence, and this time, he focuses on a relatively simple but tragic carjacking, and the large cast of characters that all connect around this crime, including an American model, a failed cop, rival gangbangers, a violent psychopath that only wants to reunite with his prison wife, and a young boy who only wants to celebrate his birthday. 

This book isn’t for the faint of heart or people who are turned off by graphic violence. It really rides the line of being gratuitous but it rings much more sincere than that because of how aware Smith is of his characters and their desires. The cast really sings here, as Smith efficiently illustrates who they are and what makes them tick. This book would simply just be an example of violence porn if it wasn’t for how well-drawn and complex of a hero Billy Africa was, or how great of a villain the monstrous Piper was. That’s one of Roger Smith’s strengths as a writer, the way he can somehow take despicable characters and make them irresistible to read about. 

GRADE: B

SAVAGES by Don Winslow

It’s interesting reading this early Winslow work having already read his later books, especially the Cartel ones. The tone and writing are so vastly different that it’s striking. If I read his books chronologically, I might have appreciated this more as a new exciting voice and admired his growth and maturity from book to book.  Winslow’s Cartel novels have many obvious similarities in content with this one, but the Cartel series is much more intricately plotted, deeply researched, and thoughtfully executed. 

Savages is less mature and more manic in its pacing. It crackles with an energy and attitude that really fits the material and definitely stands out in the pack of thriller fiction. But I couldn’t get past the large style-over-substance ratio where the writing technique is pretty distracting and it was frustrating how little I cared about the hollow characters or about any of the events and plot turns. The book has style to burn, but ultimately left me a bit cold and distracted. 

GRADE: C

FUGITIVE RED by Jason Starr

Noir is sometimes defined by the terrible decisions that the loser "heroes" make. In the latest book by crime author Jason Starr, this protagonist stands out, making some of the dumber decisions I've read in a while. But that's not a terrible thing as it was fun reading about this dumbass flounder with every decision he tries to make, digging himself deeper and deeper into the shit after he tries to spice up his love life by cheating on his wife on a dating app and then subsequently getting caught up in a murder plot. 

It's an entertaining, if modest, thriller that takes interesting turns and moves at a great pace. But it doesn't really go far with its drama, chickening out at the end and missing exciting opportunities to take advantage of its cool twists in favor of a disappointingly tidy ending. It was all a little too safe and I wish it was a bit more courageous in its choices. 

GRADE: B-

SAYING UNCLE by Greg Gifune

"The truth. Everybody wants the truth. Problem is nobody ever knows what to do with it once they get it."

I don’t mean to presume to know anything about author Greg Gifune personally, but out of the work that I’ve read from him, this full-length novel feels the most personal. Maybe it’s not autobiographical per se, but the writing heat has a tragic familiarity that really struck me. Maybe that’s simply just a testament to how talented the guy truly is. 

Telling parallel stories of a man returning to his childhood home after the death of an estranged uncle as well as the summer that changed his family forever in a wave of violence and tragedy, the book slowly reveals not only its secrets but also the heart on its sleeve, culminating in a resolution so mournful you can almost feel the tears on the page. 

I am her child, her baby, and she is my mother, and yet, in this odd territory between reality and dreams, we're the same. The blind mice reaching desperately through darkness for some sense of the divine and all the promises such a destination surely holds.

GRADE: B+