This blog is dedicated to the wooden churches and other forms of traditional folk architecture found throughout Central & Eastern Europe, particularly the Carpathian Mountains region in Ukraine, Slovakia, Poland, Romania and the Czech Republic. My eventual goal is to visit and photograph all of these churches, and I will post the photos and a description of each of them here.
Showing posts with label Ukraine. Show all posts
Showing posts with label Ukraine. Show all posts
Sunday, July 28, 2019
Roztoka, Ukraine
The small village of Roztoka lies in the foothills of the Carpathians in a remote and rustic corner of Ukraine's Zakarpattya region. Located several kilometres off the main road between Volovets and Mizhhirya, the village stretches along a valley with the Church of the Blessed Virgin Mary a short climb up the embankment from the roadside. The church sits on a very steep incline with the doorway facing uphill with the bell tower directly in front and a small cemetery along the side.
Originally constructed in the 1600's, the church has changed its appearance several times in its history. The original structure had a Boyko design with three steeples above the roof of the nave with the tallest placed in the centre. In 1759 the church was rebuilt in a Baroque style with the single square-sided tower above the entrance seen today. At some point the original porch entrance with its wooden columns were replaced with a modern enclosed verandah with glass windows.
The interior of the church is mostly empty, since the villagers sold the iconostasis and some of the icons in 2001 and the rest of the interior fittings were moved to another more modern church in the village. As a result the wooden church is not used for regular religious services and is seldom opened. The structure of the church was in danger of collapsing in the early 2000's but efforts to stabilize the roof were successful following restoration work conducted in 2005.
The current wooden bell tower dates from the eighteenth century, though an older structure likely stood on the same spot. Its square floor plan with two levels and an octagonal roof above is typical for the region and many of the surrounding villages have church bell towers with a similar appearance.
Getting to Roztoka is challenging by public transport, though minibuses run several times per day between Volovets and Mizhhirya and stop at the turnoff point for the village. From the bus stop it's a walk of about three kilometres along the road up the valley to reach the church, which is hidden in a clump of trees on the left-hand side. Finding the person who keeps the keys for the church proved challenging during my visit, I was unable to see the interior despite asking several villagers.
Saturday, December 15, 2018
Huklyvyi, Ukraine
Huklyvyi is a small village located a few kilometres from the town of Volovets in a remote corner of Ukraine's Zakarpattia region. The Church of the Holy Spirit stands near the top of the village with a small stream running in front of it and forested hills behind. A crumbling wooden fence and a small grove of trees surround it and the accompanying bell tower. This is one of Zakarpattia's oldest and finest wooden churches, with beautifully proportioned contours.
Built in the middle of the 18th century, the church represents an early phase in the development of the Boyko architectural style, before the broad adoption of the three-cupola domed design plan. The beautiful iconostasis inside dates from 1784.
During the Communist period the church was preserved as a "Museum of Atheism," which helped to protect its iconostasis and interior fittings. In 1970 the church underwent extensive restorations, but by the 1990s the church had fallen into disrepair and some of the roof shingles had rotted to the point where rain could penetrate inside the structure. Community funds were raised to fix the roof and in 2001 work began on a new shingle roof.
The eight-metre bell tower is tall and narrow, with a ladder providing access to an upper platform below the bells. A second bell tower once stood on the opposite side of the church, but it was torn down in the 1940s. Several old stone cross markers surround the church, most are marked with dates from the early 1800s.
Getting to Huklyvyi by bus or marshrutka requires some advance planning with the timetables, but isn't too difficult. Buses from Uzhhorod and Mukacheve run to the nearby town of Volovec several times per day, and local marshrutkas head south quite regularly covering the 5 kilometres to the Huklyvyi bus stop. From there walk up the hill through the village about one kilometre to reach the church. The keys are theoretically kept by the family who live next door to the church, though I was unable to find anyone who could open it during my visit.
Wednesday, October 21, 2015
Nehrovets, Ukraine
Nehrovets is a small village in the Zakarpattya region of western Ukraine, close to the larger village of Kolochava and 40 kilometres north of the small city of Khust. The church stands on a low hill above the central part of the village, with tall trees making it hard to see from the road. Views of the peaks and ridges of the Carpathian mountains to the north make an impressive backdrop for the church and separate wooden bell tower.
The church is dedicated to Saint Michael the Archangel and was built during the eighteenth century. It is constructed primarily of spruce wood. The floor plan of the church features three rooms and there are three distinct roof lines above, making it an example of the Boyko architectural style. The height of the tower and the steeple above it dominate the structure, yet the overall design retains well-balanced proportions. An inscription indicates that in 1918 the church was moved to the present location and received a new roof and tower at that time.
The church interior contains a modern iconostasis and icons, though several historical icons from the 18th century have also been preserved. A large two-storey bell tower stands at the top of the steps leading up from the road. The bell tower has a shape which is typical for the 'Verkhovina' highlands of this region, though it is in a much better state of preservation than most others. A modern wooden church stands beside the historical one and serves as the main place of worship for the local villagers.
Nehrovets is difficult to reach by public transport, the best option is to walk the two kilometres along the road from the neighbouring village of Kolochava which has limited bus and marshrutka connections to Khust. In the morning marshrutkas also go from Nehrovets to the nearby town of Mizhhirya. The road through the village is paved but it is not in good condition. The keeper of the church keys lives across the road from the church, though I was unable to locate them during my visit.
Monday, October 12, 2015
Kostryna, Ukraine
Kostryna is a small village in the north-western part of Zakarpattya region in Ukraine, close to the borders with Slovakia and Poland. The church stands at the top of a hill above the village in a clearing among the trees. New wooden steps added in 2013 lead the way up the hill from the road. The church is a fascinating example of a hybrid architectural style encompassing both Boyko and Lemko elements in its design. This is apparent in the large, dominant central tower above the nave, a feature of Boyko design, combined with the three towers descending in height from the bell tower above the entrance area, a feature of Lemko style.
The Church of the Intercession was built in 1761 and the original structure is a fine example of Boyko design. However, the addition of a taller bell tower above the entrance area in place of the original tower converted the style of the church from Boyko to Lemko, showing the dominant influence of Lemko style in this region in the early nineteenth century. This modification likely occurred around the year 1800. The largest bell in the tower was taken and melted down as part of the war effort in the Hungarian revolution of 1848, and was later replaced with a new bell in 1899.
According to some accounts the church originally stood in a nearby village and the people of Kostryna purchased it and moved it to its present location in 1703. The church has been lucky to survive until the present day; in the 1860s the villagers planned to replace the wooden church with a new stone church on the same site, but a lack of funds prevented this from happening. Enough money for a new stone church was finally collected by 1914, but the outbreak of World War One stopped construction, and following the war devaluation of the currency they had collected prevented construction of a stone church yet again.
Kostryna can be reached from Uzhgorod by elektrichka (regional train) or by marshrutka (minibus). There are several buses and trains per day travelling in each direction, so making a day trip to Kostryna from Uzhgorod by public transport is possible. The minibuses are usually very full and often uncomfortable, so the train is a more pleasant way to travel there. The beautiful mountain scenery in the region is more easily seen from the windows of the train as well.
Friday, May 16, 2014
Yasinya, Ukraine
This originally Greek Catholic wooden church sits on a small hill above the village of Yasinya and the Chorna Tysa river among the Carpathian mountains of Ukraine. The church is considered to be one of the finest examples of the Hutsul architectural style and few modern alterations have been made to the building, two factors which contributed to its selection as a UNESCO world heritage site in 2013. According to a Hutsul legend the church was built on the site where a flock of sheep miraculously survived through the winter unharmed after being left behind by a shepherd in a snowstorm.
The Church of the Ascension was built in 1824 on the site of an older church, though some accounts suggest the current church is from the late 18th century. It is frequently referred to by locals as the 'Strukivska' church. As a perfect example of the Hutsul style it features a floor plan in the shape of a cross, a large central dome above the nave with an onion dome at the top and four much smaller onion domes at the four corners of the building. A minor addition was added to the structure of the church in 1994 when a wooden entrance room was added onto the side in the same style as the rest of the church.
Unfortunately the interior of the church is not in its original state, and the icons and iconostasis are crudely crafted versions of the originals. The overall effect is warm and welcoming, but without a feeling of true authenticity. There are many brightly coloured icons and paintings on the upper walls and dome of the roof, which intentionally draw your eyes upwards to heaven. Since 1995 the church has been used jointly for Orthodox and Greek Catholic services.
The broad bell tower was built in 1813, supposedly a decade before the current church, and is equally impressive as the church in terms of its architectural significance. The structure has an octagonal upper floor where the bells are kept and a lower floor shaped like a square. If you are lucky enough to find the key keeper in the house below the church you will be able to climb to the bell platform in the tower for views of the church and the village. In return for opening the church and bell tower for visitors they expect that you will make a small donation to the church and perhaps buy one of the postcards they have available.
Yasinya is one of the easiest Hutsul villages to visit by public transport since it is directly on the main road running east to west across the Carpathian mountains in this region and many buses and marshrutkas use this route to travel between cities like Uzhgorod and Mukachevo on the western side of the mountains and Kolomiya, Ivano-Frankivsk and Chernivtsi on the eastern side. The bus and marshrutka station is in the centre of the village on the main road, and to reach the church from there you will need to walk about 1.5 kilometres south through the village and then across the river to the west on a rickety old bridge with wooden slats. From there the church is visible on the hill just to the south, though finding the way there can be confusing through the maze of narrow streets between the houses and fenced pastures.
Monday, April 21, 2014
Uzhgorod, Ukraine
This Greek Catholic wooden church stands in the Outdoor Museum of Folk Architecture in Uzhgorod, Ukraine. The church was originally constructed in 1777 in the village of Shelestovo near the city of Mukachevo, and was dedicated to Saint Michael. In 1927 the church was moved to Mukachevo, where it was later neglected during the early Soviet period. The church was transferred to the Uzhgorod museum in the 1970's to form the centrepiece of the museum's collection of Transcarpathian folk buildings.
The church is an outstanding example of the Lemko style of architecture, with its three onion domes arranged with the highest above the narthex (entrance area) a middle dome above the nave and the lowest dome above the sanctuary. There are only a few remaining examples of the Lemko architectural style in Ukraine, since the style is more commonly seen further west in the Carpathians in what today are Slovakia and Poland. Three Lemko churches were moved to what today is the Czech Republic while Transcarpathia was part of Czechoslovakia between the World Wars. Two other Lemko churches which are still in Ukraine have been transferred to the Outdoor Museums in the capital Kiev and in Lviv. A further example of the style is in the town of Svalyava, where the large church of St. Nicholas can be seen.
The tall and slender 22 metre Baroque tower is one of the finest features of the church, and it is topped with a decorative cross above the onion dome. This feature is repeated with crosses featuring intricate metalwork designs found above all three of the onion domes. The square pagoda-style series of roof layers above the nave are wonderfully proportioned in conjunction with the smaller tent roof over the sanctuary. The walls of the church are made of oak beams which are fastened together with dovetail joints in each of the corners.
The carved wooden posts which form a balcony around the entrance door and along the sides of the narthex and the nave are typical of the central Transcarpathian style where northern Lemko and Boyko elements mixed with design features seen further south in areas influenced by Romanian builders. Most of the original icons and the iconostasis wall from the original Shelestovo church have been lost, and the icons displayed in the church today as part of the Outdoor Museum were brought from the church in the village of Kolochava in the Carpathian highlands. These icons date from the 18th century.
The Outdoor Museum of Folk Architecture is a short walk from the centre of Uzhgorod, with the main entrance lying just beyond Uzhgorod castle. Uzhgorod is located at a crossroads of different countries and Poland, Slovakia, Hungary and Romania all lie within easy reach. Buses cross the border to Košice in Slovakia several times daily. Minibuses travel south to Chop near the Hungarian border where international trains depart for Budapest. Buses and minibuses run at least every hour to the neighbouring city of Mukachevo and there are direct trains heading north to Lviv.
Wednesday, January 29, 2014
Uzhok, Ukraine
This small church, found in a remote corner of the Carpathian highlands of Ukraine, was declared a UNESCO world heritage site in 2013 together with fifteen other tserkvas in Ukraine and Poland. The village of Uzhok lies in the Uzhok pass, the highest pass in this part of the Carpathians and one of the most scenic locations in Transcarpathian Ukraine. The church is one of the most famous in the region and often features in tourism and other promotional materials as a symbol of Transcarpathian Ukraine.
The church was built in the Boyko style in 1745 and dedicated to Saint Michael. Supposedly the church was originally placed higher up the slope of the hill, but it was moved down nearer to the road because it was difficult for elderly villagers to walk up the incline. The architectural proportions of this church make it one of the most perfect examples of the Boyko style of architecture. The large triple-layered roof above the nave stands above the smaller single-layered roof of the narthex and the double-layered sanctuary roof. The shape of the tower above the narthex is similar to that of churches in the Lemko style found a little further to the west in the Carpathians.
The brightly coloured interior has had several modern additions to its fittings and decorations, but still has a pleasing appearance overall. The 18th-century iconostasis has luckily been only slightly altered from its original appearance. The elegant windows with white framing are not an original feature and were added during a later renovation. The church exterior is covered in a dark coating of oil stain to protect the wood, and this has led to the church being referred to locally as 'the little black ship'.
Standing next to the church is a wooden bell tower, though its roof and upper walls are now covered in metal rather than wooden shingles. During World War One the government of Austro-Hungary (the state to which Uzhok belonged at that time) had the bells from the bell tower removed and melted down for military use. On the slope above the church is the village cemetery, with many older graves overgrown by grasses and trees.
The village of Uzhok is most easily reached by train, since there are several regional trains daily from Uzhhorod which run directly there. A few trains daily also continue onwards to Lviv to the north. There are a couple of buses and marshrutkas which run to the village daily from Uzhhorod, but the timing of the trains is more convenient to make a comfortable day trip. Just before arriving at the platform for Uzhok the train crosses a spectacular rail bridge across the valley, offering excellent views in all directions.
Friday, December 3, 2010
Kryvka, Ukraine (Now in Lviv Skansen)
This wonderful wooden church, dedicated to Saint Nicholas, is originally from the small village of Kryvka, found near the border with Poland. In 1930 it was moved to the Lviv Museum of Folk Architecture to become the first structure in the museum's collection.
Today it is the museum's star attraction, preserved as a superb example of the Boyko style of Rusyn wooden church design. Boyko churches are identifiable by a building plan with three steeples where the tallest steeple is the central one; the interior contains three rooms, with the middle one being the largest.
The Kryvka church was originally constructed in 1763, and suffered major damage in World War I when a shell crashed through the roof. I spoke with the priest responsible for the church and he told me that a lack of funding for restoration of western Ukraine's wooden churches threatens the long-term sustainability of many of these unique and remarkable structures. The Lviv skansen is found at the edge of the city, and is easily reached by tram from the centre.
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