Showing posts with label Creature Feature. Show all posts
Showing posts with label Creature Feature. Show all posts

Friday, November 22, 2019

47 METERS DOWN: UNCAGED



UK, USA/2019
Directed By: Johannes Roberts
Written By: Ernest Riera, Johannes Roberts
Starring: Sophie Nelisse, Corinne Foxx, Brianne Tju
Color/90 Minutes/PG-13
Region A
Release Date: November 12, 2019
Blu-ray/DVD

The Film 
2017 saw the release of Johannes Roberts' tension filled shark thriller 47 Meters Down which was featured a simple idea of two sisters being stuck on the Ocean floor, locked in a shark cage as their oxygen depletes. The film was flawed but it had a decent premise and some good production quality. I don't remember anyone clamoring for a sequel but that didn't stop one from being made and this time there's no cage. 

47 METERS DOWN: UNCAGED introduces an entirely new story and set of characters featuring four teen girls who sneak into an underwater archaeology site of a newly discovered sunken Mayan city. This diving adventure starts well enough until an accident knocks over some massive statues and some blind deepwater sharks enter the fray making the desperate search for another way out before their oxygen levels deplete all the more dangerous. 

The Mayan city setting was absolutely stunning and I wish we somehow could have had more of it before all the dust gets kicked up and this becomes another shark attack film. The deepwater sharks and fish have an eerie translucent glow about them but their CGI rendering is spotty at times and there's some genuinely stupid moments like when a fish literally screams at one of the girls for a jump scare. This moment where any sort of serious filmmaking jumps the shark (punny punny) and took me out of it to the point where I struggled to settle back in for a while. I did appreciate that there's a good amount of shark violence and not just stalking around and near misses, specifically in the ending scene that cruelly throws the survivors into the jaws of these killer sharks almost relentlessly. 

I found 47 METERS DOWN: UNCAGED to lack the tension and acting quality of the original but did give us some eye catching set pieces and shark action but it relies on repetitious situations, and largely poor looking sharks. It's inoffensive but nothing more. 

The Audio & Video
Lionsgate delivers 47 METERS DOWN: UNCAGED on Blu-ray with a beautiful looking 2.40:1 anamorphic widescreen transfer that features stunning clarity with vivid colors and high levels of detail. Black levels are deep and inky and the picture quality is as gorgeous as the locations featured within. The English audio is presented in a 5.1 DTS-HD Master Audio mix with optional English SDH and Spanish subtitles. The audio is crisp and clear with no crackling, popping or other imperfections. The mix is nicely done and mixed well across all channels with proper balance in dialogue and soundtrack. 

The Extras
-"Diving Deeper: Uncaging 47 Meters Down" - a making-of featurette
-Audio commentary with writer/director Johannes Roberts, producer James Harris and writer Ernest Riera

The Bottom Line
This isn't reinventing the shark movie wheel by any means. Its familiar territory that could possibly make for an okay use of time on a rainy Sunday afternoon but otherwise you can do better. 

47 METERS DOWN: UNCAGED is available HERE

Friday, August 24, 2018

DEEP RISING 20th Anniversary Blu-ray Review (Kino Studio Classics)


USA/1998
Directed By: Stephen Sommers
Written By: Stephen Sommers
Starring: Treat Williams, Famke Janssen, Anthony Head
Color/106 Minutes/R
Region A
Release Date: August 21, 2018

The Film
A group of hijackers target the most luxurious cruise ship ever built on its maiden voyage but find that all of the passengers have vanished. They're not alone however and they quickly find a terrifying creature from the ocean depths is on board and is more deadly than anything they could have imagined.

DEEP RISING was another movie in a line of mid to late 90s creature feature revivals that featured everything from killer snakes and insects to mythic gods and sharks. The setting could be anywhere from land to sea and even sky but the monster movie returned during that time thanks in part to CGI becoming an increasingly common special effects tactic that saved time and money over practical effects. There were pros and cons to using computer effects that still stand to this day but the return of these types of monster movies that are reminiscent of the monster movies that were staples of drive-ins during the 1950s was welcomed as far as I'm concerned. Stephen Sommers has been responsible for some huge productions that were massive box office smashes like the Brendan Fraser Mummy movies and the more recent under the radar cult hit Odd Thomas that starred the late Anton Yelchin. DEEP RISING had a decent box office return despite being largely panned by critics as a cheap Alien knockoff. And it might be an Alien knockoff but it had effects that were top notch for its time and was quite a sharp looking film. More importantly it was a lot of fun.

Sure, if you want to dig in to DEEP RISING on an analytical level you can pick it apart. You can note that Treat Williams is far more of a supporting player than a dashing, charismatic leading man. You can look at the group of hijackers and play "Bad Guy Bingo" with their stereotypes and you can pick apart the lapse in logic in how the giant sea creature manages to be everywhere on the boat at any given time. You can do all that but then you'd be showing yourself to be the uptight party pooper that you really are. DEEP RISING asks you to do one thing; enjoy. Enjoy the shootouts that tear entire rooms on the cruise ship to shreds at the slightest hint of a sound. Enjoy Famke Janssen looking smoking hot. Enjoy that this movie puts the pedal to the metal and never lets up or slows down. Enjoy the tentacle monster and enjoy how it turns its victims into a gloppy mess of blood and guts.

Oh that feeding room scene!

There was one question I had before watching DEEP RISING for this review - Would it hold up? It has been two full decades since its release and I wondered if it would hold up to modern eyes and scrutiny. Despite effects that are aging poorly and some questionable casting choices I found DEEP RISING to be a proper example of the 90s creature feature revival for better and for worse. Thankfully DEEP RISING knows what it is and succeeds at staying true to its identity. It's loud and proud and quite a bit of monster madness fun.

The Audio & Video
Kino Lorber has released DEEP RISING under its Studio Classics banner with a new 4K scan and restoration that blows any previous home video release of the film out of the water. Colors are strong and dark levels are deep. Detail is good, but finer details could be a bit more realized. The gore remains a strong visual point for the film which should delight viewers as it is properly gooey and gross. Skin tones look healthy as well. The DTS-HD Master Audio 5.1 mix sounds properly powerful  with all sorts of screaming, gun blasts and various other knocks, crashes and booms to give your system a workout. The dialogue comes through crisp and clear despite the boisterous sound effects showing off how well the mix job on this Blu-ray is.

The Extras
-Audio Commentary by director Stephen Sommers and editor Bob Ducsay
-Interviews with stars Wes Studi, Kevin O'Connor, and Anthony Heald
-Interview with second unit director Dean Cundey
-Interview with visual effects artist John Berton of ILM
-Interview visual effects artist Van Ling
-Interview with special effects make up artist Brad Proctor
-Interview with special effects make up artist Doug Marrow
-Interview with director of photography Howard Atherton
-ILM behind-the-scenes
-Image gallery

The Bottom Line
Nineties creature features have been unfairly maligned over the years because of their dated effects work but some of them hold up as entertaining and exciting horror thrillers and DEEP RISING is certainly one of them and Kino has given us what I consider to be a definitive edition to celebrate the film's 20th anniversary.

DEEP RISING is available HERE