How the Navy Introduced Me to Designer Lee Ann Thornton

While researching my last post, looking for images of Navy chairs, I discovered this kitchen nook designed by Greenwich Connecticut-based designer Lee Ann Thornton.

I also discovered that I love her aesthetic and affinity for mixing patterns, textures and styles. Check out the disparate pairings in this small corner alone: distressed table surrounded by mid-century chairs and a vintage-inspired bench dressed with a tailored, contrast piping cushion topped by crisp pillows in contemporary patterns and colors. Add one gorgeous pendant light, a modern botanical and the warm textures of a woven blind and wood flooring and yes, please, I'll move in right now.


And—what luck!—look at the kitchen that comes with the nook. The perfect mix of vintage and contemporary (pressed ceiling + modern stools), cool and warm (fresh green walls + deep brown floors), clean lines and textural details (crisp white cabinets and expanses of marble + woven blinds and baskets). And is that a mud room I spy through the door? If there is also a walk-in pantry somewhere nearby (there has to be, right?), then this is most definitely my idea of kitchen heaven.

More of the same heavenly mix in this seating area. Can you find all of the elements I've already mentioned in this single shot? They're all there.

In fact, it seems that every one of Lee Ann Thornton's designs incorporates the same elements even when the look is decidedly different. Here, a living room in soft blues, neutrals and bits of the sea and chinoiserie.

Another living space in periwinkle and white with hits of chocolate, a tropical touch of seagrass and bamboo, and an unexpected zebra or three.

And here, the boldest, brightest pattern-mixing-est room of them all: a casual family space in summery, sea-worthy blues and whites.

To see a bit more (honestly, I've stolen—um, borrowed—more of her images than I probably should have), visit Thornton Designs here. There is also a lovely interview with the designer here. I am so impressed with and inspired by the designs of Lee Ann Thornton... and so happy that the Navy sent me her way.

The New Navy

In 1944, the Electric Machinery and Equipment Company (Emeco) and the Aluminum Company of America (Alcoa) collaborated with US Navy engineers to design a seaworthy chair for military use.

The resulting 1006 chair—pronounced "ten oh six"— became a staple on Navy destroyers and submarines. Its seamless construction of corrosion-resistant, lightweight aluminum made it uniquely durable, easily portable and virtually maintenance-free.

The originals were produced in Emeco’s Hanover, PA workshops and they are still made there today—offspring of the perfect marriage between American ingenuity and craftsmanship.

The sturdy little chairs soon found themselves on land as well as at sea. First, they moved onto military bases and then into civilian offices.Over the years, as Navy chairs were retired from military use, they began to appear in surplus and resale stores and flea markets across the country.
Perhaps they were, at first, an inexpensive alternative to chairs found in traditional furniture stores, or a way to get a deliberately funky look, but their timeless charm won out. 1006 and similar Navy-inspired chairs can now be seen in even the most stylish, upscale homes.

Their clean lines and casual style allow them to fit into country, modern, eclectic and contemporary spaces. They are most often seen in kitchens and dining areas where their durability and ease of maintenance make them an excellent choice for busy families.

Occasionally, you will spot a 1006—or a few dozen—out in public. The chairs above were photographed in Louisville, KY at a fancy flagship KFC. Below, you see a testament to their ability to span styles and cultures: American-designed and manufactured Navy chairs in a Vietnamese restaurant in London.

If you can't find the real thing, like this vintage 1006 I found on The City Sage blog,

affordable alternatives are out there. Target sells their Cafe Aluminum Side Chairs in pairs for $246.99.

At Stack Chair Depot, the Oceanic Side Chair is only $95.00. Counter- and bar-height stools are also available at $115 and $125 respectively. While the styling of these two versions are similar to the original, I wouldn't expect their construction to be of the same quality. Proceed with "buyer beware" caution.

A faithful reproduction of the original, the Emeco Navy Chair with wood seats in two finishes can be found at allmodern.com.

For hard-core design aficionados who want only the best and most authentic, Design Within Reach offers the Emeco Classic reinvented by Phillipe Starck (top of this post). The 1006 Navy Side Chair is the real deal, made to the same exacting standards as the originals.

Featured in the current DWR catalog is the newest member of the Navy Chair family which made its debut only a few weeks ago.

The 111 Navy Chair is made from recycled plastic coke bottles—111 of them—and is available in six fun colors. A collaboration between Emeco and Coca-Cola, this little chair, if sales progress as DWR believes they will, is expected to keep three million plastic Coke bottles out of landfills each year.

What brought on my sudden interest in Navy chairs? Well, I've always been aware of them, but when I received the new DWR catalog, I was really taken with what a great idea the 111 chair is. To the point that I walked around my house trying to picture one somewhere (the jury's still out on that decision). And then, on Saturday, I saw South Pacific on stage at The Ahmanson. Navy guys and gals dancing and singing up a tropical storm - if this current tour comes to a theater near you, go! - and whenever the set changed to The Island Commander's Office, there they were: aluminum Navy chairs at each desk. Ok, so I'm aware that this tiny detail may have totally escaped most people and really has nothing at all to do with the greatness that is this show, but it appears that I simply had Navy chairs on the brain. Or maybe it was one of those moments when, instead of watching the characters in a play or a movie, I'm busy studying the wallpaper behind them. Don't judge me, I can't help myself.

Click on the image above and you'll be treated to musical highlights, interesting commentary, a blink-and-you'll-miss-it shot of a Navy chair on stage plus, for all you Gleeks out there, glimpses of a sometimes shirtless Matthew Morrison/Mr. Schuester who starred as Lieutenant Cable in the 2008 Lincoln Center production of the show. You're welcome!

One Show House, Two Kitchens : Part 2

Here's where my last post left us... inside the renovated kitchen of The Pasadena Showcase House for the Arts. I found two new photos to show you. Above is the view looking over the island toward the sink area as if the photographer's back is to the refrigerator. Here you also get a closer look at the copper-colored Metalcrete countertop on the island and the original cabinets, against the walls, some refinished in a dark brown stain, others painted white.


This view, above, takes in the sink area too, as if the photographer has pivoted to the left, and shows the opposite end of the kitchen. See the light coming in from between the cabinets on the right wall? Let's go out that door...


...cross the terrace and turn around. There's the door we just came through. The window to the left of the door and the first one around the corner to the right are the kitchen's only two windows. Don't they look tiny against that imposing brick facade? Now, let's walk forward and to the right a bit, turn around and look back again.

You can see the iron cage of the house's main entry portico in the upper left corner of the photo above. Directly behind us is the area now occupied by the new outdoor kitchen. Before receiving its show house makeover, it looked like this...

...and it appears as if there wasn't really any way to get to it because of the retaining wall and short iron fencing you see in the photo above. That fencing was removed or modified to allow for a set of steps and a handrail leading down onto a new deck. You can just see the handrail at the bottom of the photo below. You also get your first glimpse of the estate's second kitchen.

The outdoor kitchen is tucked into a corner of the house. The brick makes a great backdrop and undoubtedly played a key role in the designer's decision-making process. The cedar-look deck, made of recycled plastic and wood products, has been cut out to accommodate the existing liquidambar tree. In one view here, you'll see the soil area was eventually covered in tumbled aqua glass. The tree provides excellent shade for this area—when the 3-story house itself isn't doing that job.


Some photos show a wrought iron table and chairs set near the kitchen area, another shows a high-top bar type table. Both were present at the time of my visit, pushed into opposite corners to allow for lookiloo traffic.

Inside the kitchen work area, a Wolf grill is positioned beneath a stainless range hood. Guests who wish to interact with the cook can relax at the bar topped with architectural glass made using renewable resources. The designer chose all materials for this kitchen just as carefully claiming everything she used is either recycled, sustainable or recyclable. The cabinetry and countertops are, of course, built to withstand the elements all year round.

In the photo above, you'll notice that the pergola is fitted with canvas shades that extend and retract manually as the cook needs them to further shade the prep area. A good idea that also adds softness and an opportunity for additional color.

I've included the photo above to show you how much space and storage there is between the bar cabinet and grill area. Plenty of room for a cook and a bartender so the steaks won't burn when the grillmaster stops to refresh a guest's drink! The last photo, below, gives an idea of the overall size of the area. It is spacious enough for two or three tables yet feels intimate because of the walls of the house and the enclosing perimeter wall .

Along the wall to the right, you see a small vegetable garden. Behind that is a water feature made using a tall panel of textured glass. It adds visual interest as well as the soothing sound of trickling water. Beyond the fountain, which is set into a circular garden bed of its own, is another small garden that was packed full of edibles such as mint and rosemary and the gorgeous blooms of tall foxgloves in full flower. Behind that garden is a staircase that is considered the home's side entrance and is said to give additional access to the interior kitchen.

Unlike my mixed emotions over the indoor kitchen, I really loved this one. It was so pretty to look at with all that warm red brick and freshly-painted white wood. And I'm sure it would be as comfortable to work in as it would be to hang out in on a weekend afternoon. The size and ideas were not so grand that they couldn't be incorporated into almost any home, my own included. Excuse me while I go have a conversation with my husband...

For more information about the designer and builder of this and other outdoor kitchens, click here.

One Show House, Two Kitchens : Part 1

Two small photos of the kitchen, in the official Showcase program, were the only ones I was allowed to take away from my tour of the estate and grounds. No photography permitted. As two simply weren't adequate to tell the story, I wasn't even going to try. Until I snooped around online and found lots of "unofficial" photos of the Cravens Estate including plenty of the kitchen. You'll remember that the Cravens Estate is the home used for this year's Pasadena Showcase House for the Arts in Pasadena, CA.

And let me remind you too that the house itself is an imposing 50-room mansion built in 1930 to resemble the baroque Chateau de Vaux-le-Vicomte, the 17th century French chateau that was also an inspiration for the palace at Versailles. Since 1962, the estate has been headquarters for a local chapter of the American Red Cross—that's why you see a cross pattern laid into the brick drive in front of the house. The home's original owners, John and Mildred Cravens, never had children so they lived in this nearly 20,000 square foot home all alone. With their 32 servants. (Do you realize that at a total of 34, that still isn't enough people to fill the house at one person per room?)

I would imagine a good number of those servants worked here, in the expansive kitchen. Cooking away for the Cravens, fellow staff members and guests. The Cravens were very active in local charities and business and used their lovely home to host many meetings and special events. This room would have been central to their success. The photo above shows the kitchen as the Showcase House designers found it. Everything I've read seems to indicate that what you see in these before photos is original to the house.
The clean-lined, glass-front cabinets wore their original crystal knobs and a coat of lifeless white paint that had seen better days. The same can be said for the slim wood counter tops and simple white tile backsplash. Both seem almost painfully plain compared to the grandeur found in other parts of the home, but in the 1920's and 30's, kitchens were for work, used by staff, not the homeowners, and certainly not on display for guests as our kitchens are today.
Clearly, the Red Cross staff and volunteers who have worked in the house for the past 48 years have been using the kitchen as a strictly utilitarian area much like the original estate staff would have. Not one thing in the space is purely decorative. The only splashes of color are found in the bulletins taped to the walls and fridge and on that lovely blue bag of paper plates. In the photo above, you can see the original cut-out drawers that were preserved in the makeover. The designer calls her approach to the kitchen renovation "not just a face-lift, but an actual restoration".
The Pasadena-based company responsible for this space spent three months on the job, working hard to preserve as much of the original kitchen cabinetry, floor tile and other materials as possible—including the silver safe, above. In the finished kitchen, the "safe" became a small supplemental pantry. According to what I've read, there are two other, original pantries somewhere nearby that weren't part of the show house makeover.

Here's another look at the full kitchen "before". The doorway you see at the back under the clock leads to an interior hall that in turn leads to a family/media room to the right and the main dining room to the left. To the immediate left of the photographer's position is a door leading to an outdoor terrace. Another indication that this is an old-fashioned working kitchen are the few and rather small windows. You can see one over the sink on the left wall in this view. The "after" of that window is the top pic on this post. Behind the photographer is a pair of similar small windows, and the door to the terrace holds its original leaded glass. That's it for natural light. Very different from the way a kitchen would be designed today. Now, here's the "after", from the same angle:
Quite a dramatic difference, wouldn't you say? Let's start our tour at the bottom and work our way up. The original tile floor in a classic brick basketweave pattern is spectacular. The most perfectly variegated shades of turquoise. On the Showcase website, it is said that the designer was thrilled to find such a bright surprise hidden under layers of grime and built-up cleaning products. From this vibrant shade was born the room's copper, teal, white, turquoise and brown color scheme. Most of the lower cabinets were stripped and stained a warm dark brown to match the restored wood counter tops. All of the glass-front upper cabinets were restored. Most are painted white. One set, near the door to the hall is finished to match the lowers beneath it, creating the look of a tall hutch.
Other counters and the new island are topped with copper-colored Metalcrete, fabricated to look like hammered copper, and pale, stain-resistant Nucrete, a concrete-based material made from 50% recycled products. In fact, all of the products used in this kitchen restoration are considered in some way "green". Anything new in the kitchen is made from sustainable and eco-friendly materials. And, of course, recycling the existing flooring and cabinetry is as green as green gets. In the photo above, you can see all the shades of the color scheme. I especially like the brick-colored upholstery on the fat counter stools that tuck under the island. They contrast beautifully with the turquoise floor and relate to the home's brick facade that can be glimpsed through the window over the sink. Notice too that the window valances are that same brick color.

All of the new appliances are energy-efficient. The refrigerator and dishwasher are disguised behind dark cabinetry or in the island, respectively. You can see the tall fridge enclosure in the two photos above. It serves to visually divide the long room into work area and storage/display area. The range wall was made a focal point with the addition of a top to bottom tile backsplash and extra-large copper hood. Copper pots and canisters continue that part of the color scheme and serve to obscure some of the expanse of wall tile. Standing in the room, looking at this view, I was torn trying to decide whether the green retro tile pattern was a good fit with the turquoise floor tile. My first impression was "wow, that's a lot of pattern!", but the longer I look at these pics, the less it bothers me. The wall tile lends a dose of light and softness, even a bit of "sparkle", with its starburst pattern, to the hard surfaces in this end of the room. And the more-green-than-blue color, rather than competing with the turquoise floor actually complements it. What do you think? It's a strong look that's definitely not for everyone.

Here's a fuzzy photo, above, that looks like a sneaky cell-phone pic. Thanks to this angle, we get a different view of the opposite end of the room. There on the far wall is the other of the two windows in the room. On the right wall, where you see the break between the two sets of white upper cabinets, is the door that leads outside. You can also see that there is a second sink on the island. And, in this photo you can see three of the four pairs of schoolhouse lights that hang from the ceiling and the decorative painted diamonds that join them. Standing in the space, that seemed like too many pendants and too much visual clutter overhead. Without the painted diamonds, the pendants may have been less intrusive. On a ceiling so large though, something has to break it up. With no room for beams and in the absence of texture, a paint treatment seems like a good idea, but I would have preferred something less "distracting" than what was done here. Try this with the photo below: hold your hand near your monitor in the "thumbs down" position. Now place your thumb so that it covers the painted diamonds but still allows you to see the pendants. Doesn't that look better?

Here's another look from the dining end so I can talk about the seating. Where the center area of the room was formerly filled by three sets of tables and chairs, there is now only one. All of the room's colors come together in the striped fabric on the chairs and in the charming tablescape. The small seating area is cozy and warm and makes this very large kitchen feel more homey and welcoming. With the trend in contemporary kitchens being to open them up to the activity of the household, it's nice that the designers found a way to bring visitors and other activities into this essentially closed-off room. The glass-front cabinets bring light in the form of reflection and through interior illumination. Their colorful contents—vintage pottery in greens and terra cottas—add more interest at eye level, bridging the bright floor and art on the ceiling.

So that's the first kitchen. What do you think? Good? Bad? Your style? Not? Next post, I'll show you the second kitchen. The photo above gives you a look at what we'll see on the way...

Photos found at artsbeatla.com, cindydole.com, dailynews.com, insidesocal.com and pasadenastarnews.com