Showing posts with label ABC Network. Show all posts
Showing posts with label ABC Network. Show all posts

Wednesday, 8 October 2014

Hollywood Babble On & On #1184: Uncle Bucked?




In case you've been living in a cave, the original Uncle Buck from 1989 was the start of a multi-picture deal between Universal Pictures and writer/director John Hughes. 

It's about a family that's newly moved to Chicago and the parent's have to go to take care of the mother's father, who has had a heart attack. The only person they know in Chicago who can look after their kids is the father's brother Buck, a shady bundle of vices who makes his living rigging the odds at horse races, played by the late comedy legend John Candy.

The little movie was a big hit in theatres and later on home video and television, and it inspired Universal to sell it as a TV series.

I'm not talking about the current TV series, I'm talking about the Uncle Buck TV series from 1990.


Don't remember it?

There's a reason for that.

It bombed.

Horribly.

First the TV Buck had no visible input from John Hughes, or John Candy who skill and charm made the original film work.

Second, they changed the premise to add something the original film didn't have: DEATH. To give Buck an excuse to be around the kids they killed off the parents, putting a nasty pall over the whole proceedings.

Third, the scripts were old fashioned hackneyed antics lacking in the original's charm and skill.

The show's opening ratings were big, mostly because of curiosity on the part of the original's fans, but collapsed almost entirely by the second episode, and the show barely lasted one season.

So far, it looks like this new Uncle Buck show is going to be a repeat of the old Uncle Buck show, which makes me ask: Why?

Multiple reasons:

1. FAMILIARITY SEEMS SAFE: Remember, originality scares network executives. If they can get a familiar and popular title and put it on they'll do it, even though the success/fail ratio is probably worse than for original material, since they have to deal with the baggage of the source material.

2. ONCE IN A WHILE IT WORKS: NBC has a cult-hit with Hannibal, and the networks are looking at that and are saying: "Me too!" The problem is that they don't see what got Hannibal its dedicated fans. Aside from the names of characters and some basic premises, it's a massive departure from the "Hannibal Lecter" movies. Style, characterizations, and plots go in new and unpredictable directions, which is an achievement for what's essentially a prequel show. I don't see them trying something as radical as that on a mainstream network family sitcom.

3. THE ORIGINAL MOVIE'S PRINCIPALS ARE DEAD: Both writer/director John Hughes and star John Candy are dead. That means they can't use social media to sink the deal in the way Cameron Crowe and John Cusack did for a TV series version of their 1989 romantic comedy Say Anything.

And the networks wonder why they're getting their asses kicked by cable and Netflix.

Friday, 11 July 2014

Hollywood Babble On & On #1160: 2 TV Tidbits!

The Emmy Nominations are out, let's take a look:


Outstanding Lead Actor in a Drama Series
Bryan Cranston, “Breaking Bad”
Kevin Spacey, “House of Cards”
Jon Hamm, “Mad Men”
Jeff Daniels, “The Newsroom”
Woody Harrelson, “True Detective”
Matthew McConaughey, “True Detective”

If McConaughey wins he will be halfway to getting the EGOT, the Emmy, Grammy, Oscar and Tony. Which means that he is going to go through with his plan write, direct, produce and star in a Broadway musical called All Right All Right All Right!



Outstanding Lead Actress in a Drama Series
Michelle Dockery, “Downton Abbey”
Julianna Margulies, “The Good Wife”
Claire Danes, “Homeland”
Robin Wright, “House of Cards”
Lizzy Caplan, “Masters of Sex”
Kerry Washington, “Scandal”

For the second time in a row the Emmys have snubbed Canadian actress Tatiana Maslany, star of Orphan Black, who just about everyone agrees tops all the other nominees by not only giving one good lead performance per episode, but anywhere between three to a dozen distinctive performances per episode.



Outstanding Lead Actor in a Miniseries or a Movie
Chiwetel Ejiofor, “Dancing on the Edge”
Martin Freeman, “Fargo”
Billy Bob Thornton, “Fargo”
Idris Elba, “Luther”
Mark Ruffalo, “The Normal Heart”
Benedict Cumberbatch, “Sherlock: His Last Vow”

If nerd-girls voted for Emmys, it would be Cumberbatch's hands down. But since they don't, it's a toss up, at least to me.



Outstanding Lead Actress in a Miniseries or a Movie
Jessica Lange, “American Horror Story: Coven”
Sarah Paulson, “American Horror Story: Coven”
Helena Bonham Carter, “Burton and Taylor”
Minnie Driver, “Return to Zero”
Kristen Wiig, “The Spoils of Babylon”
Cicely Tyson, “The Trip to Bountiful”



Outstanding Lead Actor in a Comedy Series
Jim Parsons, “The Big Bang Theory”
Ricky Gervais, “Derek”
Matt LeBlanc, “Episodes”
Don Cheadle, “House of Lies”
Louis C.K., “Louie”
William H. Macy, “Shameless”



Outstanding Lead Actress in a Comedy Series
Lena Dunham, “Girls”
Melissa McCarthy, “Mike & Molly”
Edie Falco, “Nurse Jackie”
Taylor Schilling, “Orange Is the New Black”
Amy Poehler, “Parks and Recreation”
Julia Louis-Dreyfus, “Veep” 



Outstanding Reality-Competition Program
“The Amazing Race”
“Dancing With the Stars”
“Project Runway”
“So You Think You Can Dance”
“Top Chef”
“The Voice”



Outstanding Miniseries
“American Horror Story: Coven”
“Bonnie & Clyde”
“Fargo”
“Luther”
“Treme”
“The White Queen”



Outstanding Television Movie
“Killing Kennedy”
“Muhammad Ali's Greatest Fight”
“The Normal Heart”
“Sherlock: His Last Vow”
“The Trip to Bountiful”




Outstanding Variety Series
“The Colbert Report”
“The Daily Show With Jon Stewart”
“Jimmy Kimmel Live”
“Real Time With Bill Maher”
“Saturday Night Live”
“The Tonight Show Starring Jimmy Fallon”



Outstanding Comedy Series
“The Big Bang Theory”
“Louie”
“Modern Family”
“Orange Is the New Black”
“Silicon Valley”
“Veep”

HBO's Girls was snubbed this year due to a rumour that the rules had changed barring Emmy voters from nominating shows they only pretend to watch in order to seem cool to their colleagues, who also only pretend to watch.



Outstanding Drama Series
“Breaking Bad”
“Downton Abbey”
“Game of Thrones”
“House Of Cards”
“Mad Men”
“True Detective”




Outstanding Supporting Actor in a Drama Series
Aaron Paul, “Breaking Bad”
Jim Carter, “Downton Abbey”
Peter Dinklage, “Game of Thrones”
Josh Charles, “The Good Wife”
Mandy Patinkin, “Homeland”
Jon Voight, “Ray Donovan”



Outstanding Supporting Actress in a Drama Series
Anna Gunn, “Breaking Bad”
Maggie Smith, “Downton Abbey”
Joanne Froggatt, “Downton Abbey”
Lena Headey, “Game of Thrones”
Christine Baranski, “The Good Wife”
Christina Hendricks, “Mad Men”



Outstanding Guest Actor in a Drama Series
Paul Giamatti, “Downton Abbey”
Dylan Baker, “The Good Wife”
Reg E. Cathey, “House of Cards”
Robert Morse, “Mad Men”
Beau Bridges, “Masters of Sex”
Joe Morton, “Scandal”




Outstanding Guest Actress in a Drama Series
Margo Martindale, “The Americans”
Diana Rigg, “Game of Thrones”
Kate Mara, “House of Cards”
Allison Janney, “Masters of Sex”
Jane Fonda, “The Newsroom”
Kate Burton, “Scandal”



Outstanding Supporting Actor in a Comedy Series
Andre Braugher, “Brooklyn Nine-Nine”
Adam Driver, “Girls”
Jesse Tyler Ferguson, “Modern Family”
Ty Burrell, “Modern Family”
Fred Armisen, “Portlandia”
Tony Hale, “Veep”



Outstanding Supporting Actress in a Comedy Series
Mayim Bialik, “The Big Bang Theory”
Julie Bowen, “Modern Family”
Allison Janney, “Mom”
Kate Mulgrew, “Orange Is the New Black”
Kate McKinnon, “SNL”
Anna Chlumsky, “Veep”




Outstanding Guest Actor in a Comedy Series
Bob Newhart, “The Big Bang Theory”
Nathan Lane, “Modern Family”
Steve Buscemi, “Portlandia”
Jimmy Fallon, “SNL”
Louis C.K., “SNL”
Gary Cole, “Veep”



Outstanding Guest Actress in a Comedy Series
Natasha Lyonne, “Orange Is the New Black”
Uzo Aduba, “Orange Is the New Black”
Laverne Cox, “Orange Is the New Black”
Tina Fey, “SNL”
Melissa McCarthy, “SNL”
Joan Cusack, “Shameless”



Outstanding Supporting Actor in a Miniseries or a Movie
Colin Hanks, “Fargo”
Jim Parsons, “The Normal Heart”
Joe Mantello, “The Normal Heart”
Alfred Molina, “The Normal Heart”
Matt Bomer, “The Normal Heart”
Martin Freeman, “Sherlock: His Last Vow”




Outstanding Supporting Actress in a Miniseries or a Movie
Frances Conroy, “American Horror Story: Coven”
Kathy Bates, “American Horror Story: Coven”
Angela Bassett, “American Horror Story: Coven”
Allison Tolman, “Fargo”
Ellen Burstyn as Olivia, “Flowers in the Attic”
Julia Roberts, “The Normal Heart”



Outstanding Variety Special
“AFI Life Achievement Award: A Tribute to Mel Brooks”
“The Beatles: The Night That Changed America”
“Best of Late Night With Jimmy Fallon Primetime Special”
“Billy Crystal: 700 Sundays”
“The Kennedy Center Honors”
“Sarah Silverman: We Are Miracles”



Outstanding Host for a Reality or Reality-Competition Program
Betty White, “Betty White‘s Off Their Rockers”
Tom Bergeron, “Dancing With the Stars”
Jane Lynch, “Hollywood Game Night”
Heidi Klum and Tim Gunn, “Project Runway”
Cat Deeley, “So You Think You Can Dance”
Anthony Bourdain, “The Taste”




Outstanding Structured Reality Program
“Antiques Roadshow”
“Diners, Drive-Ins and Dives”
“MythBusters”
“Shark Tank”
“Undercover Boss”
“Who Do You Think You Are?”




Outstanding Unstructured Reality Program
“Alaska: The Last Frontier”
“Deadliest Catch”
“Flipping Out”
“Million Dollar Listing New York”
“Wahlburgers”
“Wild Things With Dominic Monaghan”

IN OTHER TV NEWS:

Rosie O'Donnell is returning to The View for its 18th season after they consciously uncoupled from Sherrie Shepherd and medical scientist Jenny McCarthy.

I've seen shows jump the shark, I've seen shows crash and burn, but this marks the first time in my living memory that a show has publicly posted a suicide note.

You may recall that Rosie joined the show for 1 year that was, for all intents and purposes a total car wreck. Rosie repeatedly declared her hatred for large swathes of the population of the USA, and declared that the US government was behind the 9/11 terrorist attacks because her deep understanding of metallurgy taught her that "Fire doesn't melt steel."

She then followed it up with a variety show that was cancelled halfway through the pilot episode out of sheer embarrassment. 

Then she had a talk show on the basic cable Oprah Winfrey Network, that also tanked costing them millions.

Now The View has never been seen as a particularly intellectual program, in fact, if you want your opinion of women completely destroyed, watch The View for about a week. However, I never thought the management would make a decision that makes as much sense as this picture:
So why are they doing it?

Either they're doing some elaborate scam to get the show cancelled and themselves out of their contracts, or it's a case of isolation.

I fear that the brain trust behind the show think that she is some sort of ratings gold and had a conversation like this:
NETWORK PRES: We need a new co-host for the view! 
NETWORK VEEP: We could rehire Rosie O'Donnell.
NETWORK PRES: Do you think viewers will like her?
NETWORK VEEP: I was at a party at Susan Sarandon's place last week and she had everyone hanging on her every word. That included other actors, like Ricky Gervais, Lena Dunham, and Russell Brand, the publisher for the New York Times, and a professor of gender studies in activist journalism from Columbia University. 
NETWORK PRES: Well if that doesn't represent all of America I don't know who does. Spare no expense!
Either way, I think it's going to have the same effect.

At least whatever replaces The View can't possibly be worse.

Can it?

Friday, 16 May 2014

Hollywood Babble On & On #1148: Fall TV Preview: ABC!


2014-15 ABC Schedule
(New programs in UPPER CASE & BOLD)


MONDAY

8 PM – Dancing With The Stars

10 PM – Castle



TUESDAY

8 PM – SELFIE - Karen Gillan plays a vacuous web-famous single gal who decides to pursue real life.

While I'm a big fan of Karen Gillan in particular, and long legged redheads in general, I just can't get myself into this premise. I think she needs a better vehicle.

8:30 PM – MANHATTAN LOVE STORY - Oh boy, New Yorkers, romance, I'll be seeing what else is on.

9 PM – Marvel’s Agents of S.H.I.E.L.D. - I just realized that this is the only ABC series I currently watch with any consistency. Had a weak beginning, but definitely improved, and hopefully they keep to the lessons learned for season 2.

10 PM – FOREVER - Ioan Gruffud (pronounced "Throatwobbler Mangrove") plays a crime solving medical examiner with a secret, he's at least a couple of centuries old and cannot die.

Liked it when it was called New Amsterdam, but I'm uncertain on how it's going to be done this time around.



WEDNESDAY

8 PM – The Middle

8:30 PM – The Goldbergs

9 PM – Modern Family

9:30 PM – BLACK-ISH - A sitcom about a successful upper class black man seeking some sort of black identity. I'm expecting lots of stereotype humour. Not a fan of stereotype humour.

10 PM – Nashville



THURSDAY

8 PM – Grey’s Anatomy

9 PM – Scandal

10 PM – HOW TO GET AWAY WITH MURDER - A sexy suspense thriller about sexy students in a sexy law class run by a sexy teacher getting involved in sexy situations with other sexy people in sexy places.

Sorry, it's just that the blurb describing the show made so much about the "sexy" my parody isn't that far off. I think they're trying too hard with their pitch and it's a bit of a turn off.



FRIDAY

8 PM – Last Man Standing

8:30 PM – CRISTELA - An old fashioned ethnic sitcom about a Mexican American girl beginning a career as a lawyer and her whacky traditional family.

Didn't I see this in the 1970s?

9 PM – Shark Tank

10 PM – 20/20



SATURDAY

8 PM – Saturday Night Football



SUNDAY

7 PM – America’s Funniest Home Videos

8 PM – Once Upon A Time

9 PM – Resurrection

10 PM – Revenge


MID SEASON SHOWS:

SECRETS AND LIES - One of those "mystery box" series based around a central crime that has to be solved. I hope they're selling it as a miniseries, because the moment they're tempted to do a Season 2 you can forget getting it solved ever.

AMERICAN CRIME - Another central-mystery show, but with an added taste of racial tension in the plot-line. Might be too grim to catch on.


THE WHISPERS - Aliens are invading, using Earth's children as their weapon. I guess they hope to annoy Earth into submission.

MARVEL’S AGENT CARTER - Agent Peggy Carter, played by Hayley Atwell, faces post-war ennui, the loss of her true love Captain America, while doing missions in the early days of SSR/SHIELD.

I will be interesting to see if Marvel manages to build successful TV franchises around non-superhero characters.

Tuesday, 30 April 2013

Hollywood Babble On & On #1014: TV Tidbits

ABC BANKS ON IMPERSONATION

The ABC network is ordering an American version of a European reality TV format where F-List celebrities work on their impressions of musical legends with the help of elaborate make-up and costumes.

I don't know about you, but I can't wait to see Gary Busey do Sammy Davis Jr. 

SPEAKING OF REALITY TV

Momentum Entertainment Group, a production company, which was started by a marketing company, has restructured their company and is getting out of the reality TV business in favour of scripted shows

Now normally a marketing company would go feet first into reality TV because it's cheap, it's easy, and wide open for less than subtle product placement. This dumping of reality TV by the people who would normally rush to it arms flailing in anticipation says a lot.

SPEAKING OF OTHER REALITY TV

Redneck is all the rage in what I call "slice of life" reality TV. Shows like Duck Dynasty, American Hoggers, Swamp People, and others are kicking butt in the ratings on cable. Some are theorizing that elitism plays a part in the popularity of these shows, saying that they are watched by two types of people, those who come from that world, and those who like to mock the people from that world.

Now I won't deny that the whole schadenfreude element plays a part in the viewership of some shows, like Buckwild, and Honey Boo-Boo, but if you look deep, those shows, despite the media attention, are probably not the most watched, even among the redneck shows.

The most watched shows are the ones I cited at the beginning of this piece, and I've watched some of them irregularly, and Swamp People pretty regularly. I am neither of the "redneck world" nor do I care to mock them. I watch because of these reasons, and I think a lot of people share them:

  1. I'm fascinated by people that thrive in an environment where I would either end up as gator-scat or run away screaming like the soft suburban girly-man that I am within an hour of my arrival.
  2. The people on the show are not stupid. They possess skills and knowledge that I do not have, and would have a hard time learning. They are survivors and I'll be fleeing to redneck country when the zombies start marching down main street.
  3. There's a great sincerity with these so-called rednecks. Their family lives seem truly real as opposed to the carefully scripted and edited melodramas found on MTV and the E! Network. When something funny happens, it's a real funny event, not something staged because the focus groups told the network's marketing people that humour sells shoes.
  4. Rednecks seem to be the only people in America that are allowed to have fun these days.
That's what I think, let me know what you think in the comments.

There is no reason for this picture other than it makes me laugh.

Monday, 19 November 2012

Hollywood Babble On & On #968: Building A Mystery?

ABC has cancelled the drama series The Last Resort by not giving it a "back 9" order after its initial 13 episodes.

It's a shame, because the show had good people working on it both in front of and behind the camera, but I had a nagging feeling that it wasn't going to last right from the moment I first heard about it.

The business pundits are saying the show didn't catch on because of its time slot, because of its very masculine style and ABC's very feminine demographics, but I think the show's demise can be placed squarely on the shoulders of the concept of the mystery.

Specifically the fact that the series' premise was built around a mystery.

If you haven't seen the show it's about the captain and crew of a nuclear submarine who get mysterious orders from a questionable source to fire their nuclear missiles. When the captain calls headquarters for confirmation, they get fired upon by their own ships while someone else nukes their proposed target.

The crew then sail to a remote pacific island and take it over, making it into the world's smallest nuclear power while they, and others, try to clear their names and find out what the hell is going on.

That's where I think the problem arose.

Lots of shows are built around mysteries. Police procedural shows deal with a fresh mystery every week, and other shows, some even successful, have mysteries that extend through the whole run of the show.

So why did Last Resort fail while the others survive?

Because Last Resort had no reason to exist if the central mystery was solved.

If they exposed the conspiracy that made them into fugitives, they'd probably go home, and that would be that.  There was no way to solve the mystery without completely deflating the premise's reason to exist.

Recently there was a short lived series called Missing, where Ashley Judd played a retired spy who scours Europe looking for her missing son.

While many thought Judd's return to show-biz playing a kick-ass secret agent running around exotic locations was a guaranteed hit.

Audiences thought differently, and the show fizzled out after one season.

If you're presenting the audience a show based around a central mystery there must a way for that show to operate without that central mystery being involved in every episode.  Because if there isn't, then the vast amorphous mass-mind known as the television audience gets a buzz on their bullshit meter.

It means that their questions will not be answered, ever, so why bother getting emotionally and intellectually invested in the show. ABC's show Lost tried to beat that by piling on mysteries like toppings on a stoner's pizza order, but even then had to deal with flagging ratings and a audience that was greatly disappointed by the fact that the writers behind the show were going to a lot of trouble to distract them from the fact that they had no answers to give them.

So here's the deal, if your show idea has a mystery at the heart of its premise, then you must structure it in a way that tells the audience that not only will the central mystery be solved, but that the show can operate after it's solved chasing new mysteries.

Then you might be able to survive.

Wednesday, 17 October 2012

Hollywood Babble On & On #961: Life As A Sitcom

Sitcoms are really big on TV right now, and the networks are looking for "real life" for inspiration. Too bad they're looking within Hollywood for that inspiration.

One project at ABC is based on the teen years of super-model and TV host Tyra Banks, while NBC is developing a sitcom based upon celebrity dresser Rachel Zoe.

I think this calls for a look at the PROS AND CONS!!


PROS:

1. Tyra Banks is famous and her reality show America's Top Model has run for a long time on the CW network.

2. Rachel Zoe is sort of famous for dressing famous women who are infamously skinny. Plus she had a reality that ran on the Bravo channel for 4 seasons, which means that gay men know who she is too.

CONS:

1. Sitcoms "based" on or inspired by the lives of real people tend to only work if that real person is a comedian. That's because a comedian is someone who is willing to look both normal and ridiculous.
 
Normal in the way that their lives as presented as being decidedly non-glamorous, and ridiculous in the way that their "character" is frequently and regularly put square in the middle of embarrassing, outrageous, and silly situations that are usually fueled by some sort of character flaw.

I don't really seeing them go that way with these shows. The subjects must be made to look good and glamorous and right all the time, which does not make a good sitcom. Sitcoms are based on bad decisions.

2. For the most part the audience doesn't give a flying fiddler's fudge about shows set in, around, or about Hollywood or celebrities. Shows like that tend to do better on cable where smaller audiences are more acceptable. 

One rare instance where such a "Hollywood" show works with both critics and audiences is Larry David's Curb Your Enthusiasm. That's because Hollywood's role in the series isn't as some sort of model lifestyle, but a place full of rich yet extremely neurotic and touchy people. The fact that everyone takes everything so seriously, especially when the topic of all the ire is trivial and nonsensical. 

I don't see the shows going in that direction, because unlike Larry David, the people setting themselves up as the foundation for the shows are not comedians. Larry David's character, despite his success, is still basically an outsider, unable to fit in with the "beautiful people" around him.

The two shows being set up by ABC and NBC are about those "beautiful people," and I don't think you can milk much comedy from that.

My money is that these shows will either fizzle out in development, or have extremely short runs.