sábado, 30 de septiembre de 2006
miércoles, 27 de septiembre de 2006
sábado, 23 de septiembre de 2006
Kate Moss decreta la muerte de los skinny jeans
UPDATED: That's right, throw away your skinny jeans. Kate Moss says so. [ICYDK]
Etiquetas:
Kate,
Moda,
Mundo loco
miércoles, 20 de septiembre de 2006
Marc Jacobs after party
De izquierda a derecha, de arriba hacia abajo: Jared Leto y Terry Richardson; Dylan McDermott; Victoria Beckham; Vincent Gallo con Kim Gordon, de Sonic Youth; las hijas del cine, Zoe Cassavetes y Sofia Coppola; Lil'Kim; Sofia Coppola con Thomas Mars; Winona Ryder y Marc Jacobs; Jefferson Hack, creador de Dazed and Confused y Another Magazine y padre de la criatura de Kate Moss; ; Helena Christensen, Dita Von Teese sin Marilyn Manson y Anthony Langdon sin Liv Tyler.
Etiquetas:
Celebrities,
Diseñadores,
Estilos de Vida,
Festejos,
Moda
Yo me pregunto...
Etiquetas:
Celebrities,
Diseñadores,
Eventos,
Moda
sábado, 16 de septiembre de 2006
viernes, 15 de septiembre de 2006
"Nunca salgas sin ella"
Fuente: JustJared.com
Etiquetas:
Diseñadores,
Estilos de Vida,
Moda,
Salud
miércoles, 13 de septiembre de 2006
Estas dos bién que pueden ser amigas
Fuente: elmundo.es
Etiquetas:
Actores,
Cantantes,
Estilos de Vida,
Revistas
domingo, 10 de septiembre de 2006
Mientras aguardamos la primera temporada de Big Love, en octubre por HBO, podemos comenzar con...
Jeffrey Deitch: I've noticed that many of your best roles involve characters in impossible situations. In Big Love, you play a woman who is a shopaholic but is the product of a frugal, conservative upbringing.
Chloë Sevigny: I think that's part of what makes Big Love so appealing to people. The other wives and I have conservative values, and yet we are living alternative lifestyles.
JD: That sort of conflict is one of the fundamental structures involved in modern art. Now, when I'm reading stories about artists, one of the things I'm most fascinated with is their biographies. Your upbringing in Darien probably wasn't conventional.
CS: My father was very unconventional. He was quite an intellectual and really into art and music. I remember listening to Parallel Lines by Blondie when I was four or five years old, and the Flying Lizards and Elvis Costello, too. He's passed away now, but he was a painter. His parents really repressed that. That's why I think he was very supportive of my brother and me. I was lucky to have an older brother who was into skateboarding and punk rock. He's had a big influence on my life. There was this big hardcore scene in Connecticut. He was really into that. All his friends and girlfriends had blue hair. They were different than the field hockey girls.
JD: When was this?
CS: I was in junior high. My parents didn't have a lot of friends in town. We never had as much money as everybody else, so we were never members of any of the clubs or anything like that. I didn't have many girlfriends, either. In elementary school the girls were really nasty. They would say, "Your mom shops at Stop & Shop because you're poor," or "Your dad drives a Volkswagen, you're poor." I remember from day one not buying that and not being part of the clique.
JD: So the story of your hanging out in Washington Square and being discovered, that's all true?
CS: That is true. That's where I met Harmony [Korine] and Harold Hunter. Harold was the first person to ever come up to me. I was very thin, hadn't really developed yet and wore these geeky outfits. Harold brought a lot of people together because he was the least pretentious person you'd ever meet in your life. Harmony really struck me. He was so driven and so confident. He would tell stories about how he was going to be a moviemaker. I remember him showing me Ken Park. He got this horrible grade in school. They basically failed him for writing that screenplay. But I knew that he was driven and I was very attracted to that.
Ver entrevista completa
Chloë Sevigny: I think that's part of what makes Big Love so appealing to people. The other wives and I have conservative values, and yet we are living alternative lifestyles.
JD: That sort of conflict is one of the fundamental structures involved in modern art. Now, when I'm reading stories about artists, one of the things I'm most fascinated with is their biographies. Your upbringing in Darien probably wasn't conventional.
CS: My father was very unconventional. He was quite an intellectual and really into art and music. I remember listening to Parallel Lines by Blondie when I was four or five years old, and the Flying Lizards and Elvis Costello, too. He's passed away now, but he was a painter. His parents really repressed that. That's why I think he was very supportive of my brother and me. I was lucky to have an older brother who was into skateboarding and punk rock. He's had a big influence on my life. There was this big hardcore scene in Connecticut. He was really into that. All his friends and girlfriends had blue hair. They were different than the field hockey girls.
JD: When was this?
CS: I was in junior high. My parents didn't have a lot of friends in town. We never had as much money as everybody else, so we were never members of any of the clubs or anything like that. I didn't have many girlfriends, either. In elementary school the girls were really nasty. They would say, "Your mom shops at Stop & Shop because you're poor," or "Your dad drives a Volkswagen, you're poor." I remember from day one not buying that and not being part of the clique.
JD: So the story of your hanging out in Washington Square and being discovered, that's all true?
CS: That is true. That's where I met Harmony [Korine] and Harold Hunter. Harold was the first person to ever come up to me. I was very thin, hadn't really developed yet and wore these geeky outfits. Harold brought a lot of people together because he was the least pretentious person you'd ever meet in your life. Harmony really struck me. He was so driven and so confident. He would tell stories about how he was going to be a moviemaker. I remember him showing me Ken Park. He got this horrible grade in school. They basically failed him for writing that screenplay. But I knew that he was driven and I was very attracted to that.
Etiquetas:
Actrices,
Espejito espejito,
Hollywood,
TV
¿Quién es el de la remera?
De quién es esa carita que lleva el último modelo que cerró la pasarela de la colección Fred Perrymenswear, diseñada por John Crocco y denominada simplemente "Homenaje".
La remera lleva impresa una fotografía del mismísimo diseñador Fred Perry. Mientras que muchas personas de la audiencia pensaban que era el rocker de Aerosmith, Steven Tyler, aún más creyeron que era el propio John Crocco. "Era Perry", aseguró Crocco. "No puedo evitar el hecho de que luzco como él. Esa foto fue escaneada de los archivos. Yo, Perry, y Steven--no somos una mala compañía para elegir".
Etiquetas:
Diseñadores,
Moda,
Rockstars
martes, 5 de septiembre de 2006
No todas son rosas en el mundo Kosiuko
El gobierno de la Ciudad está detrás de la firma de indumentaria Kosiuko que recibió varias denuncias por trabajo esclavo en los talleres de los proveedores de la compañía.
Tras varios allanamientos en direcciones de 13 locales, los inspectores porteños constataron serias irregularidades al tiempo que descubrieron que en 9 de las direcciones registradas como proveedores de la firma, no funcionaban ningún taller.
En este sentido Gustavo Vera, presidente de la cooperativa La Alameda, señaló que las infracciones registradas referían a que en las direcciones donde supuestamente debían existir talleres de Kosiuko “no había casas de indumentaria, sino casa de venta de artefactos, talleres en negro con condiciones indignas de trabajo”.
En tanto, José Orellana de la Unión de Trabajadores Costureros explicó que por la confección de una campera "se paga al empleado $1,50", mientras que en el mercado el valor de cada unidad va de $150 a $200.
Agregó que por las prendas "los talleristas llegan a pagar $0,60 cuando la prenda terminada el fabricante la cobra entre 15 y 20 pesos".
Por su parte, Enrique Rodríguez, ministro de Producción porteño, explicó: "Pudimos penetrar a la firma principal que se beneficiaba con la venta de las prendas y así hacer todo un trabajo que acredita" las irregularidades que existían en la firma.
El funcionario agregó que se aplicará el "poder de Policía para aplicar las sanciones que correspondan" al tiempo que señaló que caben "sanciones penales, por violaciones a las normas laborales y fiscales, y hasta incluso cualquiera de los delitos que hacen reponsable por estas tipificaciones".
Fuente: Infobae
Más información: Llegaron a las grandes marcas los controles por el trabajo esclavo
Ver: El último grito de la moda
lunes, 4 de septiembre de 2006
domingo, 3 de septiembre de 2006
Elige tu propio cumpleaños
It's my birthday
No one here day
Very strange day
I think of you day
Go outside day
Sit in park day
Watch the sky day
What a pathetic day
I don't like this day
It makes me feel too small
I don't like these days
They make me feel so small
Unhappy Birthday- Morrisey
I've come to wish you an unhappy birthday
I've come to wish you an unhappy birthday
Because you're evil
And you lie
And if you should die
I may feel slightly sad
(But I won't cry!)
Loved and lost
and some may say:
"When usually it's Nothing
Surely you're happy
It should be this way?"
I say. "No, I'm gonna kill my dog
May the lines sag, may the lines sag heavy
And deep tonight"
I've come to wish you an unhappy birthday
I've come to wish you an unhappy birthday
Because you're evil
And you lie
And if you should die
I may feel slightly sad
(But I won't cry!)
Loved and lost
and some may say:
"When usually it's Nothing
Surely you're happy
It should be this way?"
I say. "No"
And then I shot myself
So drink, drink, drink
And be ill tonight
From the one you left behind
From the one you left behind
From the one you left behind
From the one you left behind
Behind, behind..
Oh unhappy birthday!
Birthday- The Beatles
You say it's your birthday
It's my birthday too--yeah
They say it's your birthday
We're gonna have a good time
I'm glad it's your birthday
Happy birthday to you.
Yes we're going to a party party
Yes we're going to a party party
Yes we're going to a party party.
I would like you to dance--Birthday
Take a cha-cha-cha-chance-Birthday
I would like you to dance--Birthday
Dance
You say it's your birthday
Well it's my birthday too--yeah
You say it's your birthday
We're gonna have a good time
I'm glad it's your birthday
Happy birthday to you.
Happy Birthday, The Birthday Massacre
I think my friend said, "I hear footsteps."
I wore my black and white dress to the
birthday massacre, birthday massacre, birthday
I wore my black and white dress
I think my friend said, "Stick it in the back of her head."
I think my friend said, "Two of them are sisters."
"I'm a murder tramp, birthday boy", I think I said
"I'm gonna bash them in, bash them in", I think he said
Then we wished them all a happy birthday
We kissed them all goodnight. Now he chases me to my room,
chases me to my room, chases me
In my black and red dress
I think my friend said, "Don't forget the video."
I think my friend said, " Don't forget to smile."
"You're a murder tramp, murder tramp", I think he said
"You're a murder boy, birthday boy", I think I said
Etiquetas:
Música,
Variedades
viernes, 1 de septiembre de 2006
Bizarro II
Also Check
Etiquetas:
Actrices,
Cantantes,
Variedades
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