Showing posts with label Toru Takemitsu. Show all posts
Showing posts with label Toru Takemitsu. Show all posts

Toru Takemitsu


"Tōru Takemitsu (October 8, 1930 – February 20, 1996) was a Japanese composer and writer on aesthetics and music theory. Though largely self-taught, Takemitsu is recognised for his skill in the subtle manipulation of instrumental and orchestral timbre, drawing from a wide range of influences, including jazz, popular music, avant-garde procedures and traditional Japanese music, in a harmonic idiom largely derived from the music of Claude Debussy and Olivier Messiaen.In 1958, the international attention he drew with his Requiem for strings (1957) resulted in several commissions from across the world, and settled his reputation as the leading Japanese composer of the 20th century. He was the recipient of numerous awards, commissions and honours; he composed over one hundred film scores and about one hundred and thirty concert works for ensembles of various sizes and combinations.He also found time to write a detective novel, and appeared frequently on Japanese television as a celebrity chef." (wikipedia)

Corona - Tokyo Realization (Jim O'rourke) / V2
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Complete Works for Solo Guitar (Andrea Dieci) / V0
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Riverrun; Water-Ways; Rain Coming; Rain Spell; Tree Line / 320k
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Coral Island / V0
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Orchestral Works (Nexus, Pacific Symphony Orchestra, Carl St. Clair) / 320k
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Chamber Music / V0
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Works for Flute and Guitar / 192k
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The Complete Solo Piano Music / V2
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Toru Takemitsu (Played by Jim O'Rourke) - Tokyo Realization


(2006) Toru Takemitsu (Played by Jim O'Rourke) - Tokyo Realization (a.k.a 'Translate Takemitsu') / V2
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Japanese-only release of two performances of Toru Takemitsu's 1962 composition "Corona", performed by Jim O'Rourke. "Toru Takemitsu (1931-1996) was a self-taught Japanese composer who combined elements of Eastern and Western music and philosophy to create a unique sound world. Some of his early influences were the sonorities of Debussy, and Messiaen's use of nature imagery and modal scales. There is a certain influence of Webern in Takemitsu's use of silence, and Cage in his compositional philosophy, but his overall style is uniquely his own. Takemitsu believed in music as a means of ordering or contextualizing everyday sound in order to make it meaningful or comprehensible. His philosophy of "sound as life" lay behind his incorporation of natural sounds, as well as his desire to juxtapose and reconcile opposing elements such as Orient and Occident, sound and silence, and tradition and innovation. From the beginning, Takemitsu wrote highly experimental music involving improvisation, graphic notation, unusual combinations of instruments and recorded sounds. The result is music of great beauty and originality. It is usually slowly paced and quiet, but also capable of great intensity. The variety, quantity and consistency of Takemitsu's output are remarkable considering that he never worked within any kind of conventional framework or genre. In addition to the several hundred independent works of music, he scored over ninety films and published twenty books."-Steven Coburn, All Music

1. Corona for Pianist(s) Written by Toru Takemitsu: Tokyo Realizaton 1 (26:19)
2. Corona for Pianist(s) Written by Toru Takemitsu: Tokyo Realizaton 2 (25:05)