Short Cuts: "Make Work Your Favorite"

Elf (2003). Directed by Jon Favreau; written by David Berenbaum; starring Will Ferrell, Zooey Deschanel, Bob Newhart, Ed Asner, James Caan, Faizon Love, Mary Steenburgen, and Peter Dinklage.

Although I personally find it only chuckle-inducing, I've accepted that Elf has, in the span of only six years, become a Christmas comedy classic for the new millennium. I can't believe how many people talk about this movie each December, but then The Christmas Story never did much for me either, so go figure.

Elf is one of the few Will Ferrell movies in which I don't find him very funny, but some of the reserved supporting cast performances complement his over-the-top geekiness really well. Exhibit A (above) is one of my favorite scenes, with Faizon Love giving one of the best incredulously blank stares in years. I find it a lot funnier than Ferrell's hysterics, but that's just me.

Anyway, I don't mean to be a grinch - enjoy Elf, A Christmas Story, or whatever other holiday movies you might watch around this time of year. I'll be traveling and offline for the next week, but I have a couple of posts in the pipeline that will go up before I get back. Merry Christmas and Happy New Year to you and yours!

300 Words About: New York, I Love You

"Listen, Hayden, let me tell you a little something about being boring on screen"...

Easily one of the most disappointing films of 2009, New York, I Love You makes the largest and most culturally diverse city in the United States appear bland, lily-white, and generally lifeless. It's like Des Moines on a Sunday morning.

To be fair I'm not a New Yorker and have never lived in the city, but in all the times I've ever visited I've never left with an impression as dull and tasteless as I did walking out of this movie. The locations are pedestrian, the stories inconsequential and insipid, the chain-smoking characters severely lacking in charisma, and the acting hit or miss (like, broad-side-of-the-barn miss). Aside from two or three of the 11 short stories, the highlight of New York, I Love You is the music playing over the closing credits.

Underrated MOTM: Boiler Room (2000)

January's Underrated Movie of the Month harkens back to a time when the markets were strong and the crooks were, well, nobody really cared about the crooks because the markets were strong. Remember, 10 years ago, when the Dow was peaking at all-time highs and the internet bubble hadn't yet popped?

Near the end of this fattened-calf period came Boiler Room, Ben Younger's surprisingly still relevant drama that both glamorized and criminalized the free-wheeling lifestyle of a group of sneaky New Jersey stock brokers at the fictional investment firm JT Marlin. Younger (who has unfortunately done little of significance since Boiler Room) was planning a career in politics until he accompanied a friend to a recruiting session (similar to the one lorded over by Ben Affleck in the film) and came up with an idea for his first screenplay.

In an interview for New York Magazine, Younger, then 27, explained: "I walked in and immediately realized, this is my movie. I mean, you see these kids and you know something is going on. I was expecting guys who went to Dartmouth, but they were all barely out of high school, sitting in a room playing Game Boys. I had already run a campaign at this point, but most of these kids were still working at the gas station," says Younger. "Now it's all over the news, but going back five years ago, day trading, the Internet, none of that existed."

Of course today, almost a decade after the film was released, day traders aren't the newsmakers - despite the astonishing rise of "Playing the Stock Market for Dummies"-type manuals. Indeed we've come full circle, and investment firms and executives are once again the big bad bullies of Wall Street, ironic considering that at least in the public eye, Boiler Room seemed to mark the end of greedy stock brokers as we knew them from the Gordon Gekko-in-Wall Street days. Turns out these wannabe Scrooge McDucks lived the extravagant life right up until credit and credibility ran dry over the last 18 months.

And we were all on our way to early retirement with them, borrowing what we couldn't pay back and making risky investments in search of the highest short-term return we could possibly find. Unfortunately for us (and I loosely use the term; I've never had spare change to play around with), Boiler Room primed a generation of hungry brokers just waiting to hook us up with the "easy money". The dialogue from the movie appears to be ingrained in many of the people on the other end of our phone line, or so it would appear based on memorable quotes popping up in a mortgage broker forum I just happened across (from April of 2008, eerily titled "Lehman Brothers going down soon?").

But does a prescient movie make an underrated one? Not necessarily, but for also featuring a tense and believable screenplay and a remarkably talented young cast, Boiler Room rarely gets the respect it deserves. One of the cool things to do, for example, is criticize it as a rip-off of Wall Street or Glengarry Glen Ross. But on closer examination, with dialogue from those two classics deliberately used and obviously referenced (and in the case of Wall Street, actual clips of the movie shown), it would seem to me that Younger clearly knew his audience and acknowledged their influences. And based on the aforementioned fact that his dialogue is now being used by young brokers, I would argue that his material was plenty original.

One of the best scenes comes about halfway through Boiler Room, when Seth (Giovanni Ribisi) has finally gained enough confidence to shrewdly push a sale on a reluctant buyer (Taylor Nichols). It's uncomfortable and nauseating, mostly because we know how easily and often it happens every day. Observe:

Naturalistic conversations like this permeate the movie and are surprisingly well acted by an eclectic cast that includes Vin Diesel, Ben Affleck, Nicky Katt, Scott Caan, Nia Long, Jamie Kennedy, Ron Rifkin, Tom Everett Scott, and of course Ribisi. How his career has tanked so much in the last five years is a complete mystery to me - can you name his last movie? After a decent 2003 (Cold Mountain, Lost in Translation), he had a bizarre 2004 (Flight of the Phoenix, Sky Captain and the World of Tomorrow) and then...nothing - at least nothing worth mentioning. Hopefully, 2009 will mark a major return for this talented actor. He's currently attached to six projects on IMDb, two of which are among the most anticipated movies of this entire year: Michael Mann's Public Enemies and James Cameron's Avatar.

Ribisi never really blows you away with his acting, but the more you see his work the more you start to appreciate the small things, as is the case with this movie (i.e., the soundtrack). Of course there are missteps here and there, with a meandering father/son storyline and an unnecessarily heroic ending, but on balance Boiler Room is a taut and engaging film that deserves to be appreciated more in the context of our current economic climate.