We're Evil

Well shit, with the posting of über-comp Welcome To Venice last week is it any surprise that this elusive slab of wax would find its way onto the 'Genocide? One of my favorite thrash records of the mid-80's which unbelievably has yet to find its way onto an official CD release, Widespread Bloodshed is easily Mike Muir's finest post circa-1983 Suicidal Tendencies release. The original band spawned from Venice, CA in the early 80's and managed to appear on the I've Got Brain Damage skate comp cassette before crossing paths with Muir on the aforementioned Welcome To Venice LP. Original lead singer Kevin Guercio quickly departed under the new stewardship of Muir and Bloodshed was recorded in 1987. 

I actually wrote a review of the record for my gay-as-fuck high school newspaper all those years ago. While it reads like it was written by a fucking retard it still holds its weight today:

   "During the year recording Suicidal Tendencies' sophomore effort Join The Army, vocalist Mike Muir spent time writing songs, singing and producing records for various Venice, California hardcore/speed metal bands.  Among these bands was No Mercy. No Mercy released their debut album, Widespread Bloodshed/Love Runs Red at some point during the mid-80's and it emerges as one of the best metal/hardcore albums ever to be pressed onto vinyl. 
   "Evil (So Fuckin' Evil)" starts off this album of pure chaotic intensity. A telephone ring breaks the cold silence. "Hello?" asks a startled young woman. The phone clicks dead. Another ring. "Hello? Hello?" the woman nervously inquires, feeling the skin on the back of her neck begin to crawl. A sharp blast of feedback is the only reply. Silence. The phone rings once again. "Who are you?" the terrified woman cries. "WE'RE FUCKIN' EVIL yeahhhhhh!" Widespread Bloodshed/Love Runs Red  has begun.
   The songs on this album deal with subjects of a dark, mysterious, evil nature. Nightmares, murder, Judgement Day and cemeteries are only some of the troubling song topics lyrically explored by Muir. The opening to "I'm Your Nightmare" recalls the eerie thumping bass track from Dawn Of The Dead (originally recorded by the Italian gothic metal band Goblin). The 7-minute epic "Waking The Dead" is one of the best metal songs ever be recorded. Guitarist Mike Clark fulfills the double duties of rhythm and lead guitar to perfection. Drummer Sal Troy (whose opening solo to "Waking The Dead" kicks ass) and bassist Ric Clayton also emerge as talented musicians.
   No Mercy is a group whose future I look forward to. Their unique rolling, pounding beat is betrayed slightly by the amateurish production values, though it emerges relatively unscathed. All in all, Widespread Bloodshed/Love Runs Red is one of the best fuckin' albums ever recorded. What else is there to say but to buy this album before you die."

Man, I was a cool teenager. Not much has changed in 25 years. Enjoy.

Welcome To The Nightmare

Look Up.....

1985 was a transitional year for SoCal thrashcore. Suicidal Tendencies had really taken over the scene after their eponymous 1983 debut and had started their own label (Suicidal Records, 'natch) to which they attracted a bunch of local acts, many associated with ST lead singer Mike Muir. The label's first release was the appropriately named Welcome To Venice compilation LP featuring local acts Suicidal, No Mercy, Excel, Beowülf and Los Cycos. In the same way N.W.A. would champion Compton a few years later - Venice, CA was the ST stomping ground and would stay the headquarters for the LA thrash movement until it was eaten alive by grunge in the early 90's. The comp is notable simply that it contains probably the weakest early material by all of the bands on it (save for Suicidal who I think shot their wad with the first album and never recovered) - as well as the fact that nearly every band sounds exactly the same. Now this could be because Muir was the singer for two of them or the fact that they were trading band members like fucking dominoes or it could just be coincidence. Suicidal's solo entry "Look Up..... (The Boys Are Back)" showcases the near-final transition of a once amazing hardcore band into the pretty tame thrash outfit they would become on '87's flaccid Join The Army. Beowülf do their Motörhead thing satisfactorily, No Mercy belt out a couple tracks with original singer Kevin Guercio (Muir would take the vocal reigns for the band's 1987 full-length debut) - their song "War Machine" would eventually be retooled into "Crazy But Proud" on the Widespread LP. Los Cycos were basically the original ST lineup with a new rhythm guitarist and No Mercy's drummer. Their song "It's Not Easy" probably sounds familiar because ST re-recorded it for their Feel Like Shit... joke of a record years later. It is such a sad song when regarding the talent behind it - really shows what Amery Smith brought to ST's old sound... But I digress, wrapping up the album are a solid three tracks by 'Genocide fave Excel. Not their best stuff by far but still great - I dig the instrumental "Enforcer" the most. In short, Welcome To Venice is a perfect snapshot of a long gone era; 30 minutes of an amazingly specific crossover thrash sound that went as fast as it came.

The Boys Are Back