Showing posts with label WILLIE DEE. Show all posts
Showing posts with label WILLIE DEE. Show all posts

Sunday, May 22, 2016

Bald Headed Beats



I've had this one sitting on my hard drive for a while and simply haven't had time to upload it... unfortunately it's not quite as complete as some of the other "sample compilations" I've done in the past and I was hoping time would help fill some of the gaps in the break beat list. Oh well. Willie Dee's epic debut, 1989's Controversy is a work of absolute DIY raunchy genius and oozes a strange aura of cut-and-paste charm to help overcome the sheer amateurishness of it all (and the fact I'm writing about it over 25 years after its release proves it). Peering once more into DJ Ready Red's late-90's record collection there are a few new nuggets for those who downloaded the Geto Boys and Mr. Scarface Is Back comps - including a rather rare track from forgotten British funk obscurity Olympic Runners. I couldn't find or figure samples from a few of Controversy's tracks (primarily "Kinky") but did the best I could. Notable omissions include the strange-but-cool organ overdub on "Put The F'in Gun Away" and the back beat ("wooo!" included) from "Trip Across From Mexico". I know these are somewhere hidden in some 8-minute Meters or James Brown jam but simply cannot find them!

Still, here is the CD track-by-track breakdown:

1. Do It Like It G.O.
        • "Apache" by Incredible Bongo Band
        • "Superfly" by Curtis Mayfield
2. Fuck The KKK
        • "Smiling Faces Sometimes" by The Undisputed Truth
        • "Impeach The President" by The Honey Drippers
        • "Bring The Noise" by Public Enemy
        • "Funky Drummer" by James Brown
3. Kick That Shit
        • "The Boss" by James Brown
        • "If You've Got It, You'll Get It" by The Headhunters
4. Willie Dee
        • "Willie Dee" by Martha Reeves & The Sweet Things
        • "The Champ" by The Mohawks
        • "'The Twilight Zone' Opening Theme" by Marius Constant
5. Put The F'in Gun Away
        • "Synthetic Substitution" by Melvin Bliss
6. Trip Across From Mexico
        • "Movin'" by Brass Construction
7. 5th Ward
        • "Think (About It)" by Lyn Collins
        • "Kool Is Back" by Funk, Inc.
        • "N.T." by Kool And The Gang
        • "Funky Drummer" by James Brown
8. Bald Headed Hoes
        • "Kool Is Back" by Funk, Inc.
        • "'Dragnet' Opening Theme" by Walter Schumann
9. Welfare Bitches
        • "Don't Let Up" by Olympic Runners
10. Kinky
11. I Need Some Pussy
        • "Yes We Can Can" by The Pointer Sisters
12. Fuck Me Now
        • "Different Strokes" by Syl Johnson
        • "Think (About It)" by Lyn Collins
        • "The Big Beat" by Billy Squier

Additionally, I was really hoping to find the full sample of whatever comedian (?) does the kinda gross "greasy split" monologue at the bookends of "I Need Some Pussy". Some old grumpy Redd Foxx-esque motherfucker sitting at some dank nightclub to scattered drunk applause. Amazing that there is still some shit out there today that the Internet can't figure out for you!!! Any advice or submissions will be promptly added to the catalog - until then thanks and enjoy.


Saturday, July 11, 2015

Who The Fuck Is Fred?



Nothing like a one-trick pony, right? No sooner did I finish my Geto Boys sample post then I got some info on the background material for Akshen/Scarface's incredible 1991 solo debut Mr. Scarface Is Back. Nursing a sore throat and with a little time on my hands, I culled the sample tracks for this record and here ya go, another amazing 2+ hour collection of 70's funk and soul. Not as much James Brown this time (and there are a few hold overs from the Geto Boys comp as well, sorry) but finally hearing "Synthetic Substitution" by Melvin Bliss and "Thinking" by the Meters is enough to deserve a listen. Half of these tracks are a who's who of legendary sample beats - wonderful to hear the full songs behind the scenes.

Here is the LP track breakdown:

A1. Mr. Scarface
        • "Gimme What You Got" by Le Pamplemousse
        • "Different Strokes" by Syl Johnson
        • "Sexy Coffee Pot" by Tony Alvon & The Belairs
A2. The Pimp
        • "Sportin' Life" by James Brown
        • "Impeach The President" by The Honey Drippers
A3. Born Killer
        • "Theme From 'Buck & The Preacher'" by The Nite-Liters
        • "Amen, Brother" by The Winstons
        • "The Assembly Line" by Commodores
        • "Funky Drummer" by James Brown
A4. Murder By Reason Of Insanity
        • "Synthetic Substitution" by Melvin Bliss
        • "UFO" by ESG
        • "Untitled Instrumental" by James Brown
A5. Your Ass Got Took
        • "Sing A Simple Song" by Please
        • "Down On The Avenue" by Fat Larry's Band 
        • "The Traffic Cop (Dance)" by Bloodstone
        • "Four Cornered Room" by War
A6. Diary Of A Madman
        • "The Payback" by James Brown
        • "Atomic Dog" by George Clinton
B1. Body Snatchers
        • "Soul Power Pt. 1" by James Brown
B2. Money And The Power
        • "Love Serenade (Part II)" by Barry White
        • "UFO" by ESG
B3. P D Roll 'Em
        • "I've Been Watching You" by Southside Movement 
        • "Blind Alley" by The Emotions
B4. Good Girl Gone Bad
        • "Do Like I Do" by Smokey Robinson
        • "Good Old Music" by The Parliaments
B5. A Minute To Pray And A Second To Die
        • "Inner City Blues (Make Me Wanna Holler)" by Marvin Gaye
        • "What's Going On" by Marvin Gaye
        • "Kissing My Love" by Bill Withers
B6. I'm Dead
        • "Thinking" by The Meters
        • "Down On The Avenue" by Fat Larry's Band
        • "Mango Meat" by Mandrill

On a final note, I never really liked the cover I did for The Geto Boys sample comp so I updated that one and used what I had before for this one. Makes a lot more sense - and I sourced the photo from the original Mr. Scarface negative before they "browned" out DJ Ready Red. Enjoy.

Part I                                                                     Part II

Monday, June 29, 2015

Back the Geto Boys!




Holy fuck, just stumbled upon this while finishing up research for my last post. The Geto Boys are fucking back and need you to help fund their reunion album Habeas Corpus. While I wish Ready Red would be part of the gang I will take it. Check out their Kickstarter site - 15 days left as I write this...


Sunday, June 28, 2015

F#@* 'Em



With the 25th anniversary of the Geto Boys' eponymous Def American debut looming, I decided to take a cue from a fellow blogger and add another entry into the "Songs Someone Taught Us" series. The year was 1990 and Def American released quite possibly the finest rap record in history. The Geto Boys. Sure, "Ghetto" Boy purists consider it more of a remix album then a legit new LP (although other than possibly "Size Ain't Shit" all of the Grip It! On That Other Level tracks were revamped and re-edited into vastly superior versions) - it still stands as the group's best work and a standard for pretty much any other hip-hop album to aspire. I was surprised to learn how much material was sampled to create The Geto Boys, while mostly funk tracks featuring James Brown as vocalist (or in some other major role) there are some real surprises once you deconstruct the songs. Billy Squier? "My Girl"? After listening to the album over and over while culling the below tracks I now can't hear a sample without thinking of its origin. So while this is not quite a collection of originals that a band covered (à la my previous Metallica and GG Allin posts) it's a window into what D.J. Ready Red's record collection must have looked like and got that Houston studio bumping way back in 1989.

Here's the song-by-song breakdown:

A1. Fuck 'Em
        • "Breakthrough” by Isaac Hayes
        • "Rocket In The Pocket (Live)" by Cerrone
        • "Kool Is Back" by Funk, Inc.
A2. Size Ain't Shit
        • "Blow Your Head" by Fred Wesley And The J.B.'s
        • "Mt. Airy Groove" by Pieces Of A Dream
A3. Mind Of A Lunatic
        • "Givin' Up Food For Funk" by The J.B.
        • "Funky Drummer" by James Brown
        • "Batman: Stacked Cards" by Joey Lapidos
A4. Gangster Of Love
        • "The Joker" by Steve Miller Band
        • "I Walk On Gilded Splinters" by Johnny Jenkins
A5. Trigga Happy Nigga
        • "Memphis Soul Stew" by King Curtis
        • "Love The Life You Live" by Kool And The Gang
A6. Life In The Fast Lane
        • "The Big Bang Theory" by Parliament
        • "Girl In The Hot Pants" by The Soul Brothers Inc.
        • "The Big Beat" by Billy Squier
A7. Assassins
        • "Apache" by Michael Viner's Incredible Bongo Band
B1. Do It Like A G.O.
        • "Superfly" by Curtis Mayfield
        • "Apache" by Michael Viner's Incredible Bongo Band
        • "Scorpio" by Dennis Coffey And The Detroit Guitar Band
        • "Get Up, Get Into It, Get Involved" by James Brown
B2. Read These Nikes
        • "It Takes Two" by Rob Base & D.J. E-Z Rock
        • "You Can Have Watergate Just Gimme Some Bucks And I'll Be Straight" by Fred Wesley And The J.B.'s
        • "Funky Drummer" by James Brown
        • "Funky President (People It's Bad)" by James Brown
        • "My Girl" by The Temptations
        • "Batman: Stacked Cards" by Joey Lapidos
B3. Talkin' Loud Ain't Saying Nothin'
        • "Talkin' Loud & Sayin' Nothing" by James Brown
        • "Skin Tight" by Ohio Players
        • "Theme From The Planets" by Dexter Wansel
        • "South Bronx" by Boogie Down Productions
B4. Scarface
        • "Blues & Pants" by James Brown
        • "Ashley's Roachclip" by The Soul Searchers
        • "Gimmie What You Got" by Le Pamplemousse
        • "Different Strokes" by Syl Johnson
B5. Let a Ho Be A Ho
        • "Money" by Pink Floyd
        • "Impeach The President" by The Honey Drippers
B6. City Under Siege
        • "The Message From The Soul Sisters" by Myra Barnes
        • "Think (About It)" by Lyn Collins
        • "I'd Like To Teach The World To Sing (In Perfect Harmony)" by The Hillside Singers

For those with sharp eyes, yep there's a children's Batman 7" record on the list. Packaged with a comic book, it was a 70's vinyl version of the "Read-And-Listen" shit kids have loaded on their iPads today. It supplies all of the "he's a paranoic who's a menace to our society" samples  - which up to this day I assumed were from some obscure B-movie. Who in the Geto Boys owned that record? I debated including it since it runs a little long but was so surprised at the discovery I felt I had to. And upon listening to this catalog you'll find that it could have sufficed as sample material for a whole multitude of famous rap songs from back in the day (Public Enemy being one of the more consistent repeat clients). While some of the tunes are far from something I'd listen to on a daily basis, all have their moments, and most of the funk stuff is truly amazing. Interestingly, I just read a somewhat recent interview with Scarface in which he pledges a Geto Boys reunion LP if Rick Rubin would produce. Rick, are you reading?

7/11/15 update: Since my latest post was actually for Mr. Scarface Is Back I went ahead and updated the "album" cover for this one. Looks a ton better in my opinion. Enjoy.

Part I                                        Part II                                        Part III

Monday, May 25, 2015

Do It Like An Instrumental



Look, when it comes down to it, there's little I can write to further extol the greatness of the Geto Boys' Def American release. I came across these instrumentals of "Fuck 'Em" and "Do It Like A G.O." the other day and have been listening to them non-stop. Evidently the cuts existed as a 12" vinyl-only release back in 1990 but I'm pretty sure these were culled together from the original record samples by someone with a LOT more Audacity dexterity then me. A complaint? I just wish there was an instrumental version of the whole album. Enjoy. 


Tuesday, August 5, 2014

Packin' Horse Dick



Oh boy, here we go again. Jesus, how many posts on this two-bit blog have started with that sentence? Too fucking many probably... Anyways, here's the hidden gem of Rap-A-Lot Record's late 80's catalog, the debut release by burgeoning Geto Boy Willie D (or "Ghetto Boy Willie Dee" depending on what set you're claimin') - a low-budget dozen-song LP that is so banally minimalistic i that it comes off as an epic of primitive genius. First off, Willie D is a terrible rapper. There, I said it. You can barely understand his strange lispy cadence and his rhymes are awful. That being said, it actually works with the dollar store back beats and sorry off-time samples (how anyone on this record had the balls to call themselves a DJ is laughable). Willie it at his peak on the fucking killer "Put The Fuckin' Gun Away" - easily the best song on the album. The absolutely austere "Bald Headed Hoes" probably influenced countless thousands of closet MC's out there who've since realized you don't need a TR808 or other fancy drum machine - pawn yourself a $5 Casio beat box and sign the record deal. D's hilarious "Fuck Me Now" and the terribly unsexy token sex rap "Kinky" will have you laughing out loud. Geto Boy fans will be pleased to hear one of the many versions of "Do It Like A G.O." (yet another two versions appear on both the Grip It! and The Geto Boys albums) and anyone hunting for the best duet in hip-hop history need look no further than this record. "I Need Some Pussy". Bolivia. Best lyrics ever.


Tuesday, March 2, 2010

Size Ain't Shit


 

One of the cooler things about doing a blog is revisiting music you wouldn't normally be listening to. For some reason, I've been pulling out a lot of my old rap CDs lately and finding some excellent diamonds in the rough. The other day I posted Choice's somewhat lackluster debut and hinted at the greatness of the above album, The Geto Boys. Def American producer extraordinaire Rick Rubin discovered the Houston-based quartet, hosed off the Rap-A-Lot mediocrity, and created a near-perfect rap album. My only complaint is "City Under Seige" - what were they thinking with that??? Interestingly, this album caused a whole lot of controversy when it was released in 1990 (Warner Bros. actually balked at pressing the CD); and while still arguably shocking today, it is no match to some of the sadistic, murderous, hateful mysogyny you can find anywhere (including this blog!) There's more brutal stuff on prime-time CSI these days then what the 'Boys talked about in "Mind Of A Lunatic". Wow, how times change. Dig it


Friday, February 26, 2010

Wow


 

Choice. Wow, what can you say. Without a doubt Houston's most insane hip hop export. Forget H.W.A., BO$$, Yo-Yo and M.C. Lyte trying to out-swear each other, Choice blows them out of the water with her inane vulgarity. And she's on Rap-A-Lot to boot, adding that quintessential east Texan bargain-basement quality. As an aside, I've always thought listening to a Rap-A-Lot Records release is like watching a shot-on-video movie (Redneck Zombies comes to mind). Yeah, it's technically a movie but it's just... different. In a cheap way. You feel like you're getting ripped off somehow - and to anyone who disagrees - compare Rap-A-Lot's We Can't Be Stopped to Def American's The Geto Boys and get a life. 

Choice first surfaced on Willie Dee's landmark first album Controversy as a "guest" appearance in the he/she rap-off gem "I Need Some Pussy." According to Willie Dee's "Little Hooker" a few years later (on his 1992 I'm Goin' Out Lika Soldier) Choice sucked off the Rap-A-Lot owner to get her record contract, which is surprising because the thing is dude, she is really ugly! What the fuck? Whatever, I'm not a rap album producer so who am I to judge but sheesh, she looks really, really weird. Kinda like a dude. Anyways, among the "hits" on this classic include the title "Payback" in which she disses all the big names in the industry (gotta love the whole verse blasting Too $hort); it's their hats she's stepping on on the album cover. Wait, I'm confused, she actually banged all these big-name West Coast rappers? Huh, I guess trick hos were a running a little slim back in 1990. And were they really dissing her in public too? I dunno, I can't really recall hearing about her and I was pretty into the rap scene for a suburban white kid (shit, I was a Vibe subscriber for chrissakes). Anyways, "Pipe Dreams" is her token explicit sex song and "Down With My Man" is a weird subservient track... I have to stop, you really can't put this album into words, ya just gotta hear it. The disclaimer reads "If Penthouse, Playboy, Freddy Crugar, The Texas Chain Saw Massacre and violence on TV are OK, so is this album!"  'Nuff said.

Amazingly, Choice lasted long enough to release another record 2 years later that dropped a single called, get this, "HIV Positive". The musical version of Pink Flamingos - the tune is such a train wreck of songwriting that you couldn't do worse if you tried. "He didn't know she's H-I-V positive / Ya know, the AIDS / H-I-V positive / Stuck his dick in some fucked up shit." Absolutely priceless. Hmmmm, now that I think about it, I should have posted that album instead. My bad.