Showing posts with label inside. Show all posts
Showing posts with label inside. Show all posts

Thursday, January 05, 2012

Kidnapped (Review)

Kidnapped

Kidnapped aka Secuestrados (2011)

Directed by Miguel Ángel Vivas

I've always thought the home invasion film is one of the most terrifying genres in all of horror. I mean the reason why is pretty obvious. It realistically could happen. That's terrifying as shit right?

Lots of movies have been made about this and I've seen a lot of them. Them (aka Ils), The Strangers, Inside and Funny Games are all the notables. When I first saw Michael Haneke's Funny Games, I'll admit I was blown away. Vicious violence and Haneke's attempt to chide us and ask if we were desensitized to it all was revolutionary. Now we're given yet another home invasion film that's just as nihilistic and unrelenting as Funny Games and one has to ask why?

Vivas's Kidnapped is a Spanish import that puts the audience uncomfortably close to a home invasion playing in real time and let's us squirm as a family is robbed, tortured and terrorized. It's pure cinematic wickedness as Vivas employs only a few cuts/edits and instead hovers the camera around the action as it plays. It's a damn eerie and effective technique, one where audience has nowhere to escape but feel as terrorized as this family.

But the problem with Kidnapped lies not in it's dread or viciousness but in it's characters. Our family are ridiculously badly drawn: Dad is inept, Mom is too houswifey and daughter seems like a spoiled brat. The bad guy's don't fair either. I'm going to use a Miami Heat analogy that may or may not work to explain their dumb-ititude.

In the end Kidnapped will shock the shit out of you (that ending will stick in your mind like a splinter) but says nothing of why violence fascinates us. Kidnapped is awesome style, but little substance and stands on the lower ladder of the home invasion genre. It's also why I disliked The Strangers so much. I need more than "Because you were home".

Boring Plot-O-Matic

Three hooded Eastern-European criminals burst into a home in a Madrid gated community, holding the family hostage in its own home, and forcing the father to empty his credit cards.

Awesome Review-O-Matic

Let's get that pesky plot out of the way. Innocent Spanish family has just moved into an awesome new home and they display all those qualities of rich families I despise. Dad is mega rich, Mom is all into house wife duties and the daughter wants to party. When 3 ski masked criminals invade their home, they are abused and fucked up. Dad is forced to get PINs for all his credit cards and driven out into the city and take out the max from ATMs. Meanwhile, mom and daughter are guarded into a sense of home invasion normalcy.

Later, unexpected visitors ring that damn doorbell and get caught in the mix. It's up to our fearless duo to make sure their master heist goes according to plan. The camera work here is utterly flawless. The shots hover like a guardian angel, we peek in from scene to scene with no cutting whatsoever. Violence becomes almost dreamlike. In one scene where our girls try to escape, the terror is amplified by a Vivas technique where he goes split screen and we see the action take place simultaneously. It's damn effective revealing the horror of both scenes. My eye wandered to the criminals as I knew I'd see mega fuckedupness on their end.

It's this style that is suspenseful and draws an eager viewer into this hellish world that's taking place. Kidnapped is paced so well that it's a testament to the actors and actresses to get all their dialogue, motions, etc all accomplished without any cuts. You really do admire this type of cinema as its exhilarating to watch.

Let me go into that Miami Heat analogy. When one goes into home invasion as a criminal activity you'd think the 3 of them would be on the same page. Let's break them down with their Heat counterparts.

Master Chief Criminal: Wade

We have a leader who is the one takes the dad around town maxing out his cards. You'd think this guy could be able to handle his crew but you'd be wrong. He's doesn't have the pulse of his team and seems to be a useless kind of leader. But you get the feeling he's gonna put a dagger through your heart and come up with a Wade like game winning bucket.

Petty Criminal Crazy Guy: LeBron

OK this guy is kinda nuts. He goes all crazy and almost goes all Lebron in the 4th quarter. The entire heist was in jeopardy because of his actions. He goes all murdery on a inspector and decides to "SVU" the daughter. He's totally the muscle of the crew but definitely a total choker...you know like Lebron.

Petty Criminal Morality Guy: Bosh


This guy has a total change of heart and feels bad that Lebron guy is totally fucking up everybody and is out of control. Like Bosh, he's the 3rd fiddle and he brings absolutely nothing to the game. If you're recruiting for a home invasion, you need soldiers willing to do anything to get the job done. They brought Morality Bosh Guy. And he's a fuckin pussy.

So there you have it. Your Big Three master criminals. The master plan is completely flawed. How much can one really max out from an ATM machine to get a big score? Not a helluva alot I would imagine. Home invasions are bash and dash. You get in, you loot and you get out. But these guys are having a fuckin sleepover. Plus their team isn't as solid as one might think with a bad captain, a crazy guy and a wuss.

If it wasn't for Wade guy saving the day, they'd have lost to the damn Cleveland Cavaliers family. In every home invasion movie, the family always tries to fight back or escape. And sure our family does here. I'd take the argument that summoning up courage is hard to do when you fear for your life. But one has to make sure when they are fighting back, you actually defeat your enemy. I like to think in a way that the family was only up by 2 pts and thought they had won the game. That's when Amazing happens.

Kidnapped's characters are just not at all interesting and the logic is a little off. The style as I said was spectacular but the substance of what this nihilistic journey was for is lacking. In Funny Games, Haneke broke the 4th wall and talked to the audience and asked us what WE WOULD DO. It seemed that Haneke wanted to provoke the audience and ask why we want to see the violence and when he REWINDS the action, we're even more thrilled. There is a message within Funny Games with its clean cut villains and the quagmire they give the family.

In Kidnapped, it's all glitz and glamour. Oh we see our big 3 wreak havoc, we see the dazzling dunks of gore and splatter and a game winning shot and I enjoyed seeing this mayhem. But it didn't really give me anything to talk about after seeing it. I didn't come away with something that might be thought provoking or worthwhile.

Kidnapped gives you a taste of home invasion genre, the life and death struggle but doesn't have a conceptual theme of what we just saw. It's nihilism for nihilism's sake and sometimes that's all you get.

Nude-ipedia

Daughter has serious cleavage issues

Gore-ipedia

Sliced throats
Gunplay
SVU action
If I told you more, the movie might be spoiled

WTF moment


The ending

The Jaded Viewer's Final Prognosis

I know Kidnapped is high on many Top 10 lists and it will get an honorable mention from me in mine. I expect more from my home invasion and I got what I expected. European imports usually have both style and substance. I'm kinda shocked Kidnapped didn't have the latter.

Rating:


Check out the trailer.


Friday, May 01, 2009

Martyrs (Review)

Martyrs

Martyrs (2008)

Directed by Pascal Laugier

Well that wasn't what I was expecting.

After avoiding all the reviews and hype, I figured this was a classic run of the mill torture porn but taken to the ultimate extreme.

Boy was I wrong.

Martyrs has sort of created a new subgenre of horror. Uber-surreal torture-core.

Yeah I know what your saying. What the fuck is that?
Dude, I don't even know. But I can say this. This isn't torture porn like Saw or Hostel or any of the other "kill for the fun of it" horror.

It's a twisblended hybrid of the Argentoism, pure unrelenting grindy torture-core and horror taken to a transcendent level.

That's not to say I didn't have my gripes. It's almost pointless at times until you get to the end and figure what the whole thing is about. For 100 minutes, if you take the visceral challenge, you may have been a martyr yourself to a first. Uber-surreal torture-core horror.

Boring Plot-O-Matic

France. A night at the beginning of the 1970s.

Lucie, a little girl missing for over a year, is discovered wandering by the side of a country road.

Near catatonic, she can say nothing about what has happened to her. The cops quickly find the place in which she's been incarcerated - a disused slaughterhouse. Every indication is that she never once left the empty, freezing room in which she was imprisoned.

Filthy, starving, dehydrated, the child's body nonetheless bears no traces of sexual abuse - this was no paedophile abduction, but something far stranger.

What happened in that icy room? And how did Lucie escape?

Lucie is hospitalized - slowly she learns how to live again, an enfant sauvage gradually returning to the real world. In the hospital, she meets Anna, another little girl, and a victim of terrible abuse at the hands of her family. In no time, they are inseparable. Anna takes charge of Lucie, like a mother. As for her kidnappers, the police are at a dead end. Lucie's ordeal remains a terrible mystery.

One night, as Anna sleeps, Lucie hears an awful, rasping breathing. A vision appears: a body, naked, skeletal, tortured. Barely human. The apparition seizes her...

15 years later. A house, isolated in the middle of a forest. A family: Mum, Dad, two kids. A happy home. As they eat breakfast, there's a knock at the door. The father opens it to find a young woman, hollow-eyed and wraithlike and mad. In her hands, a rifle. "Remember the little girl I once was?" She shoots him where he stands, enters the house, and locks the door...

Minutes later, the family lie bloody. All dead. Lucie calls Anna, who tells her not to move, she'll be right there. In shock, Lucie hangs up. And then she hears it. That terrible, terribly familiar breathing...


Awesome Review-O-Matic

If you've seen Inside or Frontiere(s) or even Haute Tension, you know the French may be squeamish when it comes to war but not in their horror movies.

It be best to break this down like Kool Aid minutes. "Oh Yeah!"

!!!SPOILERS BELOW!!!

The first 35......

The movie starts off in pure insanity as we see a teen Lucie escape from her abductors. We see a childhood friendship develop between the victimized Lucie and her new BFF Anna.It seems our baddies haven't been caught by the cops and poor Lucie is having nightmares of the monsters she left behind.

Fast forward to 15 years later and our French girls are now French foxes. And BOOM! like a mushroom cloud we get carnage. Lucie believes she's found those mofo's that tortured her.

Lucie is blasting Dad, mom, Peter Brady and Jan to kingdom come with a freakin shotgun. It's insane first few minutes.

I've never seen such bloody crassness in a while. Lucie goes all child-a-cide killing little swimmer Jan. It's so brutal, you may feel sick. But this is the new wave, and the Rottweiler French horror has gone postal. The beginning is pure mystery, Scooby Doo-ey in a way. Questions are raised. Who abducted and tortured poor Lucie? Is she sure this normal Brady bunch family did it? What is this thing chasing after her?

The next 35........

As Lucie gets bombarded by her dreammares, she starts to self mutilate herself. She starts to slice her arms, back and hand via figments of her torture-verse. Meanwhile, Anna starts to doubt Lucie's saneness and starts to Reservoir Dogs the mess thats been made by cleaning up bodies and calming Lucie the fuck down.

But Lucie has gone cuckoo and slits her throat.

Later, have a brief mourn Anna finds a hidden compartment and works her way down to a lab of horrors. She finds a deprived, almost corpselike body of a woman who she attempts to heal. But shits too late for her.

These scenes are like Lynchian and surreal blocks of fuckedupness. The woman is naked and scarred and has a device that has been nailed to her head that blinds her. It's almost like a death piece of art. The one thing most people have agreed upon is that it's breathtaking to see these images on screen. Nothing, and I mean nothing will prepare you for this level of sheer horror.

But I've always said, if I have not seen it before, that's a plus. And if it works within the boundaries of the film, then the amplification goes off the scale.

This all comes crashing down as our poor medievaled victim is blown away by the abductors.

The last 35........

Now Anna is told the experiment into martyrdom by an old lady. It seems the religious are not the only ones to experience the world of martyrdom.

And so begins the torture-core of Anna. It's by far a very difficult thing to watch. Almost bordering on the rape scene in Irreversible.

Anna is fed what looks to be pea soup, beaten constantly, forced to expel her self via a bucket and her head is shaved.

These constant fade ins and outs of Anna's torture are sick to the gut. If one can watch these 20 or so minutes, it's like a running a marathon of horror-core.

Though, how does one survive within the world of this film. She's lets herself go and accepts her fate. This is then leads to her torturers to skin her entire body except her face.

And in this act of letting go, she is the 4th to experience what the movie is about......

Seeing what lies after death.

Because as we are told, Martyr means to witness and that is what Anna becomes.

The thing about every torture porn like flick is you feel super duper empathy towards the victim. Every fiber in your being hopes the victim will go all Kill Bill and somehow escape and kill off the sicko killers. I had that inkling too. Maybe she would kill off these fucked up people and escape.

But that never happens....and seriously that's a good thing.

The whole point of Martyrs is to flip that shit upside down. The big bad evil at the end seems to have a religiously and scientific (sorta) reason of why they are doing this. It's not rich people or some old guy spewing out a "live your life" philosophy. Jigsaw is just evil and so are the wealthy Madoffs.

This world within Martyrs has cult like normals wanting to know what lay beyond. Does the end results justify the means?

Oh believe me, I still want all those people to get tortured and Abu Gharabed, but its almost Argento-y in a way where this insanity is logical.

This film isn't without its negatives. It paces way to long and drags and drags. It also destroys all logic (where the fuck are the police?) But the biggest gripe comes in that the torture that Lucie, Anna and the other victims go through seems pointless until the end. And even the revelation that this is an experiment into martyrdom and what lays beyond death is almost bordering on just being plain stupid.

Shit dude, this was the plot of Flatliners!

But it is a film thats spawned a new subgenre. Uber-surreal torture-core horror.

And that's an accomplishment.

Gore-ipedia

Shotgun blasts
Sliced arms
Shotgun blast to the head
Corpse walking art
LOTS AND LOTS of torture
Skinned alive

Nude-ipedia


I'm going to have to say tortured victim nudity doesn't count
Brief boobies from Anna

WTF moment

A skinned Anna witnessing

The Jaded Viewer's Final Prognosis

Martyrs is not as good as Inside which to me for now is the pinnacle of all that is French horror. But its new progeny Martyrs, it's as good as advertised.

Be warned, it's not a movie with any semblance of plot, or an in depth look into characterology or any sort of "horror" kills.

It's something new and that should be something we all need to witness.

Rating:


Trailer:










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Wednesday, July 30, 2008

Martyrs (Trailer)


The new French wave of horror is blazing across screens as the official trailer for Martys is now online.

If you've seen Inside or Frontiere(s) or even Haute Tension, you know the French may be squeamish when it comes to war but not in their horror movies. If the trailer and the 2 teaser trailers below are any indication of how sadistic and bloody this will be, I'm so fuckin thrilled.


The buzz is this is the uber ultimate in torture porn. Kudos to the fearless French horror film industry. Let the carnage ensue!!!!

Here's the synopsis (courtesy of esplatter.com):

France. A night at the beginning of the 1970s.

Lucie, a little girl missing for over a year, is discovered wandering by the side of a country road.

Near catatonic, she can say nothing about what has happened to her. The cops quickly find the place in which she's been incarcerated - a disused slaughterhouse. Every indication is that she never once left the empty, freezing room in which she was imprisoned.

Filthy, starving, dehydrated, the child's body nonetheless bears no traces of sexual abuse - this was no paedophile abduction, but something far stranger.

What happened in that icy room? And how did Lucie escape?

Lucie is hospitalized - slowly she learns how to live again, an enfant sauvage gradually returning to the real world. In the hospital, she meets Anna, another little girl, and a victim of terrible abuse at the hands of her family. In no time, they are inseparable. Anna takes charge of Lucie, like a mother. As for her kidnappers, the police are at a dead end. Lucie's ordeal remains a terrible mystery.

One night, as Anna sleeps, Lucie hears an awful, rasping breathing. A vision appears: a body, naked, skeletal, tortured. Barely human. The apparition seizes her...

15 years later. A house, isolated in the middle of a forest. A family: Mum, Dad, two kids. A happy home. As they eat breakfast, there's a knock at the door. The father opens it to find a young woman, hollow-eyed and wraithlike and mad. In her hands, a rifle. "Remember the little girl I once was?" She shoots him where he stands, enters the house, and locks the door...

Minutes later, the family lie bloody. All dead. Lucie calls Anna, who tells her not to move, she'll be right there. In shock, Lucie hangs up. And then she hears it. That terrible, terribly familiar breathing...


Oh man, this is going to kick so much freakin ass. Check out the official trailer and the teasers.

The Official Trailer


The Teaser Trailers



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Monday, April 21, 2008

Inside (Review)

Inside

Inside (À l'intérieur) (2007)

Directed by Alexandre Bustillo and Julien Maury

"À l'intérieur complètement âne de coups de pied!!!"

Translation:

"Inside totally kicks ass!!!"

-jadedviewer's jeffy pop after watching Inside

Now that's one great fuckin horror movie.

The hype surrounding Inside was all good. Arrow in the Head gave it 4 arrows. Fangoria gave it 4 skulls. And so, the jaded viewer joins in the hoopla and praise as I too will give it 4 spinkicks.

The French's track record for horror has been mixed. Alexandre Aja brought us Haute Tension which I had mixed feelings on. Gasper Noe's Irreversible was an exercise in insanity.

Inside, brought over to the States via Dimension Extreme should have been theatrical. But Hollywood's PG-13 vomit of horror will always exclude these masterpieces from ever coming overseas.

So why are we all gushing gore-tastically over Inside. It has the ingredients of one of the best horror/thriller movies of 2008.

Instructions are below.

PREP TIME
15 Min (grab some popcorn and hold on tight)
COOK TIME
1 Hr 22 Min
READY IN
30 Min (that's when the shit gets good)

INGREDIENTS

1 secluded house in a riot prone French suburb
1 hot, pregnant French soon to be mother who has lost her husband in a car accident
1 insane, demented, disturbed, twisted, fucked up woman bent on killing our maternity ward heroine
3 inept cops
1 criminal perp at the wrong place and at the wrong time
1 newspaper boss at the wrong place and at the wrong time
1 mother at the wrong place and at the wrong time
50 gallons of blood and guts

Heaping, oozing, gloroficus blood soaked splatter spoonfuls of the following:

1 sharp object through the head
1 gun shot through the back of the head
1 scissors through the head
1 burnt face beyond recognition
1 sharp object to the neck
1 emergency tracheotomy

and more!


DIRECTIONS

Put all ingredients together. Stir continuously until house is soaked and dripping with blood. Throw in slasher motive twist. Bake at 350 degrees until movie makes you say "Oh shit, that's fucked up." Movie is done when the ending gives you shivers.

Inside stars Beatrice Dalle our pregnant La femme who spends her last night home alone on Christmas Eve before she has to go to the hospital and give birth. A knock at her door has a mysterious Woman (Alysson Paradis) tell her to "Ouvre moi ta porte… que je t’ouvre le ventre."
("Open your door…. so I can open up your belly….")

And so it begins the torturous cat and mouse between the stalker and the stalkee.

Good times.

Directors Bustillo and Maury sculpt a brilliant thriller wrapped in gore soaked horror euphoria. From the ominous flashes from La Femme's flickering camera flash to the red/white bathroom contrast in the aftermath of the extreme carnage, it's awesomely shot and staged.
More superfluous are CGI scenes of La Femme's unborn baby looks of pain and anguish as her mother tries to survive. Totally mesmerizing and strategically placed. Definitely, something I've never ever seen before.

The FX are as Savini-ish with such attention to detail, no CG company could ever duplicate. The slitting throats, belly busting and other gore and splatter are so realistic, it was a work of art.

Gorehounds can rejoice as you will see the insides in Inside.

My only gripe was the 3rd act went in the realm of WTF, but by then you're already engulfed in the ocean that is this execution in fist pumping horror.

People will ask, is this just another torture porn? Hell fuckin no.

The characters are intriguing, the pace is slow then frenetic, there are very suspensful moments and the visuals are top notch.

The mass killings are done for a reason (if only known to our insane slasher madwoman) and it never steps out of its own reality.

This is one of the best horror films in the last decade. It has all the ingredients in a horror fan's wet dream.

One you taste this film, you'll come back for more.

Dinner's served.

Rating:


Trailer:



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