Friday, October 12, 2007

Al Gore Wins Nobel Peace Prize

Let me be one of the last to add to the growing chorus of congratulations to our former Vice President and almost-President, Al Gore, Jr., who, with the Intergovernmental Panel on Climate Change (IPCC), was awarded this year's Nobel Peace Prize for their work to bring international attention to the problem of global warming.

Intergovernmental Panel on Climate Change (IPCC) Albert Arnold (Al) Gore Jr.

The citation reads:

"for their efforts to build up and disseminate greater knowledge about man-made climate change, and to lay the foundations for the measures that are needed to counteract such change"

This is a well-deserved and marvelous honor, though I must admit that I would much rather have had Gore finishing the second of two terms today, and advocating for change on global warming rather than the ongoing, walking catastrophe that occupies the White House as I type these words. Nevertheless, a great honor for Gore, the IPCC, and all who have tried bring greater awareness and action to this utterly crucial issue.

Thursday, October 11, 2007

Lessing the Nobelist + Events in Profusion!

First I woke to the news of, and then read an email from Reggie confirming that Doris Lessing, the 87-year-old Persian-Zimbabwean-British author had received the 2007 Nobel Prize in Literature. She wasn't on the list I wrote up a few days ago, in part because I thought she'd been passed over for good and because, having honored an English-language writer just a few years ago, and given that no Arab-language author has won in a while, I figured the Swedish Academy would select from that literary garden. But Lessing, only the 11th woman to win the Nobel Prize in Literature, is a prolific and important author, acclaimed both for her short stories (which I must admit I do not teach) and for her novels, especially the 1960 work The Golden Notebooks, which placed the theme of late 20th century Western bourgeois feminism at the center of contemporary literary and intellectual discourse. While this wasn't the only work to do so, it was one of the most important, and its resonance can be felt in a great deal of Western literature that followed. While there are other writers I admit to championing more, I'm glad Lessing was finally honored, and, to echo Reggie, it remains the case that the Nobel committee likes and succeeds in surprising. At the same time, her work has been insistently political, progressive and visionary, and on a number of levels falls within the general trend of recent literature Laureateships; the "linguistic" writers, at least these days, are not being recognized.

Of course I'd like to write more, but I must get back to reading short stories (6 due marked up with notes for tomorrow + so many exercises), so please post comments if you'd like on Lessing or other topics (there are so many I really would like to write about, but just don't have the time), and please check out the following upcoming events!

Congratulations also to Greg Pardlo, who launches his award-winning first book of poems, Totem, this weekend!

***

AUDIOLOGO performs tomorrow night:

Audiologo on electronics, voice, & various theatrics playing with the multi-genre creative force that is MuthaWit @ BAMCafé Live,
Friday, October 12, 9pm
Brooklyn, NY
*FREE*

A little bit on the upcoming show from MuthaWit founder Boston Fielder:

"MuthaWit is returning to NYC this Friday night to perform at the internationally acclaimed Brooklyn Academy of Music a.k.a. BAM. This unique BAMcafe LIve show will debut several new compositions along with elements of a theatrical piece we are developing called, "Hants, Saints n Panties."* So, not only will you get the aggressively ethereal music of MuthaWit, but also storytelling and acting. To make the night even more special the program will be filmed for television. We hope to have all of you beautiful people in the audience for that. Oh, did I mention that the show is free? It is, so I truly hope you'll join us. The particulars:

MuthaWit @ BAMcafe Live
Fri, Oct 12 at 9pm(doors open at 8pm so get there early!)
BAMcafé (Brooklyn Academy of Music)
30 Layette Avenue, Brooklyn, New York 11217
Cost : Free
INFO: http://www.bam.org/events/bamcafelive.aspx
DIRECTIONS: http://www.bam.org/visitor/index.aspx

"We are incredibly excited about this show. You're going to thank yourself you attended. It's just going to be one of those thangs!"

+

• Sunday, October 14
Sounded Text: A Symposium on Music, Performance, and New Media
Taplin Auditorium, Fine Hall
Princeton University
Princeton, NJ
@ 2pm
INFO & DIRECTIONS: http://soundedtext.artdocuments.org/
FREE

Audiologo performs The Mark, a sound, text, video, and performance piece exploring intergenerational questions of African American women’s racialized bodies, histories of trauma, and the call of memory and legacy within a speculative experimental narrative. Also on the bill are exciting new performance works by composers/performers Anne Hege and Andrea Mazzariello aka massey.

Sounded Text features lectures, presentations, and performances from renowned interdisciplinary performance artist and Columbia University professor--Visual Arts Division/Spanish and Portuguese--Coco Fusco, new media artists/musicians/scholars Mendi + Keith Obadike, poet/scholar Timothy Liu, and composer/vocalist Amy X Neuburg, plus the House of Sound group installation exhibition.

Can't get to Princeton? You get another chance to see myself, Anne Hege and Andrea Mazzariello (aka massey) in NYC.

• Friday, October 19
The Tank
279 Church Street (between Franklin & White)
NYC
7:30pm
INFO: http://www.thetanknyc.org/
DIRECTIONS: http://www.thetanknyc.org/?q=contact
$5.00

Audiologo performs The Mark, a sound, text, video, and performance piece exploring intergenerational questions of African American women’s racialized bodies, histories of trauma, and the call of memory and legacy within a speculative experimental narrative.

Also on the bill are exciting new performance works by composers/performers Anne Hege and Andrea Mazzariello aka massey.

***

More on Sounded Text at Princeton, from Dr. SWEAT (who'll be in Chicago soon, I think!):

Hi all, I'm sending word about this upcoming symposium. K and I are tying to work out some new stuff here. I'm also really looking forward to hearing the other artists.

Mendi

Keith and I are performing and presenting on a panel on Sunday at Sounded Text: A Symposium on Music, Performance and New Media at Princeton University. This two-day symposium explores relationships of the performative body to music, text and new media, featuring: Coco Fusco, Mendi + Keith Obadike, Timothy Liu, and Amy X Neuburg.

http://soundedtext.artdocuments.org/

Keynote address: Coco Fusco
October 13, 4pm
Taplin Auditorium at Fine Hall, Princeton University [map] [complete campus map]

Guest Artists Performance + Panel Discussion
Performance - featuring works by Mendi + Keith Obadike, Timothy Liu (in collaboration with Samson Young) and Amy X Neuburg

October 13, 8pm
Taplin Auditorium at Fine Hall, Princeton University [map] [complete campus map]

Guest Artists Panel Discussion
Mendi + Keith Obadike, Timothy Liu and Amy X Neuburg

October 14, 11am
Betts Auditorium at the School of Architecture Building, Princeton University [map] [complete campus map]

***

Also on Friday, but in Chitownia, two of my senior colleagues read with Polish poet Adam Zagajewski:

Reginald Gibbons, Mary Kinzie, and Adam Zagajewski @ Hotel Allegro

The Association of Literary Scholars and Critics presents this reading by three major American poets at 8:15 PM. Free, but reservations are required: call 617-358-1990 by 9 October. 171 W Randolph. For more information (and to read samples of the poets' work), visit the Poetry Foundation website.


***

At NURTURE ART in Manhattan, starting tomorrow:

A reminder that the latest in our Emerging Curators Program, Subjects of Power and Devotion, opens at NURTUREart Gallery at 910 Grand Street tomorrow, October 12th with a reception from 7-9 p.m. Curated by Fabian Goncalves Borrega, the show features Katia Fuentes, Luis Delgado, Amy Tamayo, Mary Daniel Hobson, and Leah Oates.

Fetishism takes us into the realm where fantasy intervenes in representation... the substitution of an object for some dangerous, powerful but forbidden force.
--Stuart Hall

Subjects of Power and Devotion addresses the object's mysterious ability to attract our attention, our desire, and our intrigue. This ability can simply (or not so simply) derive from the aesthetics of the object, or in many cases the object functions as a placeholder for emotional or otherwise significant human experiences. In the photographs collected for Subjects of Power and Devotion, the objects under the artist's gaze are diverse, from human bodies to fragmentary landscapes, but all explore the way we honor, fetishize, and encode desire, memory and power into material substance, including our own bodies.

Subjects of Power and Devotion is a NURTUREart Emerging Curators' Program Collaboration. Learn more about all NURTUREart's programs and opportunities for emerging artists and curators at

www.nurtureart.org
.

***

This Sunday in the Bkyn:

Unnameable Books October: Readings and Chairs

Dear ones,

I'm sorry I haven't written lately. I know you must miss me, and it is terrible to be out of touch. I miss you too, gentle readers. I also owe a letter to my grandmother in New Hampshire -- I promise to write her next week. In the meantime, there are several events here on Bergen Street that you ought to know about.

We've recently purchased some fo! lding chairs, which allow for readings to last longer, and now with greater comfort and formality. Everything is new and improved. We are moving, ever more slowly and steadily, toward a regular biweekly reading series here on Sunday afternoons. The first of these, or one of the first, is coming

THIS SUNDAY! AT 5:00 PM!!! STARRING JOHN KEENE, CHRISTOPHER STACKHOUSE AND GEOFFREY JACQUES!!!!!!!! see below for details.

We have many wonderful books here in the store -- a first american edition of Anti-Oedipus, an old collected Jarry, the nearly complete translated works of Edmond Jabès (which are mostly out of print), a bunch of scarce Aleister Crowley, some lovely rare art books printed by an italian fine-printer with essays by Roland Barthes, The Function of the Orgasm, Practical Electricity for Home Study, etc. etc. etc. All these excellent books and more -- more,! frankly, than can fit in the store -- are seeking new homes. All I ask for, in exchange, is a handful of cash.

As ever, we are also carrying a fine selection of the latest fall fashions, in which you can read up-to-minute imaginative missives of war, peace, love and destruction, in lyric, narrative and fragmented forms, fiction and non-fiction, truth and lies -- we even have that OJ Simpson book! We are about to reorganize the front of the store to make your browsing experience all the more lovely. In the process, I fear that the comfy blue chair, through no fault of its own, will be banished to the basement, making room for MORE NEW BOOKS for the Christmas season. The smaller, more stylish, less comfy, green chair, of scandinavian design, though not from Ikea, will remain in its place, the used fiction section, for all your sedentary pleasures.

UPCOMING READINGS:

Please mark your calendars:


1. Sunday, October 14 at 5 PM
Geoffrey Jacques
Christopher Stackhouse
John Keene

Unnameable Books
[formerly "Adam's"]
456 Bergen St.
Brooklyn, NY 11217
unnameablebooks@earthlink.net
(718) 789-1534
*www.unnameablebooks.net*


***

If you're in Chicago, then check out KRISTA FRANKLIN'S ART EVENT:

2nd Sun Salon & Naïveté Studios presents
a first look at Krista Franklin's

"Seed (The Book of Eve)"
The Octavia E. Butler Artist Book

an exhibition of prints & projections from "Seed (The Book of Eve)" & a reading of brief excerpts of Ms. Butler's novels featuring:

Tyehimba Jess
D. Denenge Akpem
Quraysh Ali Lansana
Rev. Kim Crutcher
Rone Shavers
Toni Asante Lightfoot
Amanda Torres
Emily Evans
& Krista Franklin

Sunday, October 14, 2007
2pm
@ Naïveté Studios
4863 N. Ravenswood Ave.
Chicago, IL 60640

For more information call:
773-771-9385

Light refreshments will be served. Prompt arrival is suggested.

"Seed (The Book of Eve)" is a handmade artist book of visual interpretations of the novels and stories of science-fiction writer Octavia E. Butler. Being developed page-by-page, "Seed (The Book of Eve)" is a series of mixed-media collages--some that include excerpts and lines from the novels themselves.

Created on pages that are the size of the paperbacks of many of Ms. Butler's books, the collages are imaginings, or re-creations, of passages and ideas from her novels.

"This project is supported by a Community Arts Assistance Program grant from the City of Chicago Department of Cultural Affairs and Illinois Arts Council, a state agency."

www.kristafranklin.com
www.myspace.com/kristacfranklin

Monday, October 08, 2007

Hanifah Walidah Event Tonight

From Tisa B and Erica D, Hanifah Walidah's event tonight, if you're in New York::

What happens when 30 women of color--straight, gay and trans--get together in a classic Brooklyn Brownstone? A house party, of course. U People documents the humor, tensions, and tenderness shared among this eclectic group of often misunderstood individuals who one day joined forces on a less than typical music video shoot. The documentary dares to echo the oft despised question “who are you people?” to which the unabashed heroines and heroes candidly shout back. more...

PLEASE JOIN US FOR A PRE-SCREENING OF U PEOPLE THE FILM AND THE DEBUT OF HANIFAH WALIDAH HOT NEW MUSIC VIDEO “DO YOU MIND”.

See and distribute flyer on events page

All proceeds go to the U People Completion Fund. Purchase below via Pay Pal.

NYC Screening @ Culture Project, Mon. Oct. 8, 2007
Buy NYC Tickets Here
Subway Directions
Several different subway lines bring you within walking distance of the theater
Take the 6 to Spring Street, then walk west to Mercer and one block south to Broome.
Take the C or E to Spring Street, then walk east to Mercer and one block south to Broome.
Take the N or R to Prince Street, then walk west to Mercer and two blocks south to Broome.
From our old home at 45 Bleecker, walk two blocks east to Mercer and four blocks south to Broome.
We are also convenient to the Canal St. station (at Lafayette), which gets the J, M, Z, the N, Q, R, W, and the 6 lines.

Sunday, October 07, 2007

Sautumner Cont. + Nobelaureation + Beisbol

S/aut/um/n/er Cont.
It's amazing how quickly a week flies by, particularly when you're making your way through a thicket of short stories and critical papers. So far so good with all three classes, all three of which will be immersed in the literary art of Junot Díaz, who's scheduled to visit in early November. His new novel, which I'm reading now and which is one of my October book picks, is one of the most remarkable I've read in a long time, particularly for its sheer verbal daring and verve. The stories he tells are also deeply compelling.

The warm weather has thrown my compass off, though. Yesterday it was so humid it felt like July, and all the surfaces in the kitchen are tacky, as if they'd just been sprayed with adhesive. Even the leaves on the trees are still green. Maybe it was this warm last fall in Chicago, though I can't remember much, of course, from last fall except my class, the Cave Canem 10th anniversary celebration, and taking on the new administrative post....

UPDATE: I knew the Chicago Marathon was running today, which was enough to keep me far away from downtown, but I hadn't realized until I spoke with C this evening that in fact, it was so hot that someone fell dead during the race (I'm sorry to hear this occurred) and the officials finally called the event off, though not before Patrick Ivuti of Kenya--by an eyelash--and Ethiopian Berhane Adere respectively won the mens' and women's races.

Nobelaureation
Every year I engage in a bit of prognosticating about the Nobel Prize in literature, which'll be announced this upcoming week. Reggie H. sent me a link to Marlon James's picks, which are intriguing. I've said before that Adonis (Adunis), Saadi Youssef, or Mahmoud Darwish are likely pics, especially given that only one Arabic-language writer (the late Egyptian fiction writer Naguib Mahfouz) has received the prize, that a playwright and screenwriter (Harold Pinter) and a novelist (Orhan Pamuk) were the last two selections, and that the Middle East is a political flashpoint, and the Swedish Academy appears eager these days to make political statements with the awards. By this measure, Nuruddin Farah, the Somali novelist, and Assia Djebar, the utterly original Algerian-French author, are also likely considerations. There is the question of genre, though, and the additional issue that some nations, like Brazil, Vietnam, and Indonesia have never had a writer honored, while others, like India and China, have had their greatest writers selected only once (or infrequently). So Rubem Fonseca, Sergio Sant'Anna or Ferreira Gullar of Brazil; Duong Thu Thuong of Vietnam; Pramoedya Ananta Toer of Indonesia; any of India's acclaimed authors, but in particular Salman Rushdie, for example; and China's Mo Yan, may be tipped. Among the American authors, there's always John Ashbery, of course, who probably should be honored for his influence on English-language poetry alone; others include the oft-suggested Philip Roth, as well as W. S. Merwin, and E.L. Doctorow (nominated this year for a Neustadt International Prize). More unusual selections would be one of my favorite writers, Jay Wright, or the much younger Richard Powers, one of the most prodigiously talented contemporary fiction writers. Canada's authors, who've never received a Nobel Prize, both Alice Munro and Margaret Atwood would make excellent candidates. The former is one of the greatest living short stories writers in the English language, and the latter is one of the most important novelists, as well as a notable poet. Maryse Condé and Kamau Brathwaite are also excellent, perennial candidates, as is another writer whose despite being a nonagenarian continues his singular work, Wilson Harris. There are many other highly acclaimed, deserving writers, like Claribel Alegría of Nicaragua, Haruki Murakami of Japan (one of my favorites), David Malouf of Australia, Luisa Valenzuela of Argentina, Juan Goytisolo, Javier Marías and Julián Ríos of Spain, Mario Vargas Llosa of Peru (a politically repellant pick, but a great author), Yoel Hoffmann, David Grossman, A.B. Yehoshua, and Amos Oz of Israel, or Carlos Fuentes of Mexico. A few years ago, Vargas Llosa wrote, apropos of Fonseca, that the time of the linguistically-oriented work, as embodied in the work of French 1985 laureate Claude Simon, had passed, though subsequent winners, like Toni Morrison, José Saramago, Camilo José Cela, and Elfriede Jelinek have belied this to some degree, it's clear that political engagement of some sort must also be part of the mix. Certainly it has been the case with Pamuk, Pinter, Jelinek, Coetzee, Kertesz....

And whom are you picking? (Brilliant as they are, Edwidge Danticat and Zadie Smith are still too young to win it just yet.)

Béisbol Been Bery, Bery Bad to Chicago (Again)
One week into the baseball playoffs, and the Chicago Cubs and Philadelphia Phillies are out, while the two less heralded teams from Arizona (the Diamondbacks) and Colorado (the Rockies) are now in the National League Championship series. Arizona has a young, gung ho team of budding stars (Chris Young, Eric Byrnes, Brandon Webb) with several very sharp starting pitchers, while Colorado brings a battery that would make the Yankees jealous. I can't see which of these teams will win, though if Arizona's lineup keeps hitting, I think they have the edge.

Speaking of the Yankees, their convicted-felon-but-pardoned owner has just nnounced that unless they somehow sneak past Cleveland, now up 2-0, he is canning manager Joe Torre, who led the Yankees to four World Series wins (1996, 1998-2000), and 13 straight post-season trips, but hasn't won it all for the loudmouth since W took office. Poor guy; every year he has a threat like this hanging over his head, internal team dramas (including a known steroid user, the Stray-Rod scandal, etc.) and shaky starting pitching, usually consisting of people older than me on the mound, and every year he takes the team to its limit. After the way Cleveland has played, including Fausto Carmona (above, AP Photo/Tony Dejak, Pool) surviving a mid-game midge attack, though, I think Yankee fans ought to begin saying their goodbyes to Torre. The team is not hitting--A-Rod is again swinging like he's never seen a breaking pitch--and Cleveland's pitching is a major reason why. It's kind of sad, but they almost appear to want things to end. It would at least a few less weeks of tension and the overbearing Steinbrenner, after all. Their main nemeses, the Boston Red Sox, are tormenting the Angels of Los Angeles-Anaheim, and appear set to extend their overhyped road show on national TV screens perhaps into the World Series, though I'm hoping for Cleveland to pull an upset.

Back to the Cubs: they looked like they didn't know why they were on the field. Not that I was surprised, but this time, they couldn't blame it on poor Steve Bartman. Now Cubs fans, where's that goat?

Monday, October 01, 2007

Quick Cuts

Tonight is the first meeting of the third of my three classes, the graduate workshop. Over the years this has become one of my favorite classes to teach, and I doubt this year's group will prove any different.

There's always so much going on that I want to write about, but it takes an almost orisha-inspired effort to get anything into the little composition screen here. I'm not sure why. I think I'm going to try very short blurb-like posts for a while and see how that goes. Maybe I'll be able to get things out more quickly, and draw readers and commentators back.

The Chicago Police Department has a terrible reputation among many of Chicago's Black and poor residents, and here's one reason why. These accounts, of "savage beating" of suspects, of torturing to obtain false confessions, and of soliciting murder against other cops who might blow the whistle on the thuggery, are outrageous, yet not much of a surprise to those who've heard about all of it before, especially people who lived in the wards and areas where Jon Burge, Jerome Finnigan and fellow goons had free reign. Yet they were so out of control they also beat up businesspeople on occasion. It's also important to consider the links, via those forced confessions, to those wrongly placed on Death Rowby these cop's lies, which casts Chicago's corrupt Republican ex-governor George Ryan's commutation of sentences in a different light, and underlines why it was such a deeply and startlingly important and heroic act. If you're looking for script material, here it is.

KleindollRandall H. sent to the Cave Canem list a link to Robin Givhan's Washington Post piece on the endearing thrall of the "Aryan" at the Milan and some of the US's fashion shows (Cf. Calvin Klein). This season I guess instead of the models' challenge being "can't you be thinner?" this season it's "can't you be whiter?" No matter that Italy itself is ethnically and racially diversifying once again (as it did during the long period between Greek and late Roman rule), or that the designers showing at the houses almost all come from societies that are increasingly diverse; or rather, perhaps that is the point, to assert this narrow and suffocating aesthetic template as an act of resistance, defiance, supremacy, a last--it's clear, even if you don't buy into the whole Eurabia nonsense--gasp. I do wish Givhan recognized that there many more kinds of women out there being overlooked by this global industry, but the US's racial and racist imaginary seems to leave our media spellbound or worse. Nevertheless, her general point is important, as fashion is a global industry, and these images circulate throughout the world, their power not restricted to the elite who can actually afford the actual clothes.

AlsopThis weekend marked conductor Marin Alsop's debut as the Music Director of the Baltimore Symphony Orchestra. She is the first woman ever to lead a major American symphony orchestra. Bravissima! I'm a big fan of hers from her recordings over the years; according to Anthony Tommasini's New York Times article, Alsop has been a dynamo since she accepted the position under a cloud of controversy and criticism concerning her abilities and her possible effects on the organization, which was reeling financially. Contrary to the predictions of the naysayers, the orchestra is revitalized, a new donor has provided a $1 million subsidy to ensure $25 tickets for patrons, subscriptions are up, and the musicians themselves are energized. In addition, her first concert wasn't stuck in the distant past. She programmed contemporary American composer John Adams's Fearful Symmetries with Gustav Mahler's Fifth Symphony, and to the Times' critic's ear, both were triumphs. Reggie H. says she's got an ambitious schedule coming, including performances of works by contemporary composers such as Thomas Adès, H. K. Gruber, Tan Dun, as well as the African-American composer James P. Johnson--and not in February! I swear, if I lived closer, I'd take the train down to catch some of these.

St. Francois d'AssiseAnd speaking of classical and contemporary art music, after years of fairly staid repertoire, the New York Sun reports that the New York City Opera, now under the sway of Europe's operatic visionary Gérard Mortier, is announcing a 2009-2010 dedicated to "20th century works"--right up my alley! But even better is the lineup of operas, which I'm still stunned by. Mortier plans to program not just one or two works--say, Prokofiev's The Gambler and a Britten opera, like The Turn of the Screw, both of which would be great and like to have played either at the City Opera or the Metropolitan Opera in recent years (Prokofiev's opera is at the Met this season). No, Mortier really isn't playing.

The 2009-2010 season — which will be Mr. Mortier's first fully in residence, since for the next two years he is finishing his tenure as director of the Paris National Opera — will be devoted to 20th-century works. It will open, as he has said before, with Stravinsky's "The Rake's Progress," and will include two other icons of American opera: Philip Glass's "Einstein on the Beach" and John Adams's "Nixon in China." The English tenor Ian Bostridge will sing in a production of Benjamin Britten's "Death in Venice."


But it doesn't end there.

In accordance with Mr. Mortier's previously expressed desire to take City Opera to other parts of the city, the first season will include a production of Messiaen's "St. Francis of Assisi," at the Park Avenue Armory and Drill Hall, where it will be performed amid an installation by the artist Ilya Kabakov. (The painter Anselm Kiefer is also lined up to design an opera set, Mr. Mortier said.) There will be other productions at the Brooklyn Academy of Music, the Apollo Theater in Harlem, and, pending negotiations, Jazz at Lincoln Center's Rose Theater.


Get that? Operas at the Armory, in Harlem, and in Brooklyn, but not via BAM, because, as per its charter, it's the CITY opera; Lincoln Center already has the musically and socially preëminent (and horribly conservative) opera house and company just across the plaza, though along the way a number of people appear to have forgotten this. And he's going to bring Messaien's monumental opera, which had its US premiere in San Francisco, to New York City. I cannot describe what a big deal this is. He's also aiming to create more affordable pricing, more outreach to the local communities, and more African-American operagoers. To that end Bernice Johnson Reagon of Sweet Honey in the Rock has been commissioned to write a new opera, as has Philip Glass. There are other modernist and contemporary operas, by the likes of Scott Joplin, Kurt Weill, Ernst Krenek, Roger Sessions, Hans Werner Henze, Thomas Adès, Elliott Carter, Harrison Birtwistle, Anthony Davis, Mark Adamo, John Corigliano, Poul Ruuders, and so on, that I hope he programs, and I would love to see his versions of Alban Berg's Lulu, Bela Bártok's Bluebeard's Castle, and . And then the purists can still have some of their Verdi, Puccini, Mozart, Donizetti, Glück, Rossini, Bellini, Offenbach, Bizet, Massenet, Handel, Tchaikovsky, Rimsky-Korsakov, Strauss, and, let me not forget, Richard Wagner. In Mortier's hands, any opera will be a lot more interesting.

Samuel Delany on Tuesday

Ryan C. forwarded the following email from Big Rod about a special Samuel R. Delany (at right, VCU) reading and talk tomorrow evening (Tuesday, October 2, 2007):

The New York Review of Science Fiction Readings

South Street Seaport Museum presents
Samuel R. Delany
The 40th Anniversary Celebration of The Star Pit

Tuesday, Oct 2nd -- Doors open 6:30 PM
Free Admission -- $5 donation if possible
South Street Seaport Museum's Melville Gallery
213 Water Street
(directions and links below)

"Two glass panes with dirt between and little tunnels from cell to cell: when
I was a kid I had an ant colony."
-- The Star Pit

Some 40 years ago, Samuel R. Delany narrated a radio adaptation of his Hugo-nominated novella, The Star Pit, for The Mind's Eye Theatre, Baird Searles' ongoing series of radio dramas at New York's listener-sponsored WBAI-FM.� We will celebrate the 40th anniversary of this landmark broadcast with a talk by Delany about the making of the radio drama, and a performance of segments from the original work.

The Star Pit was first published in the February, 1967, issue of Worlds of Tomorrow and subsequently nominated for the Hugo Award. The ensuing radio drama was a landmark: A sophisticated science fiction tale brought to the airwaves a decade after most radio stations had given up on drama altogether.

Samuel R. Delany was a published science fiction author by the age of 20, and quickly became recognized as one of the most prominent figures in literary speculative fiction. He published nine well-regarded science fiction novels between 1962 and 1968, as well as several prize-winning short stories (collected in Driftglass [1971] and more recently in Aye, and Gomorrah, and Other Stories [2002]). Among his most important novels are The Einstein Intersection, Nova, and Stars in My Pockets Like Grains of Sand.� His tenth and most popular novel, Dhalgren, was published in 1975. His main literary project through the late 1970s and 1980s was the four-volume Return to Nevèrÿon series.

Delany has published several autobiographical/semi-autobiographical accounts of his life as a black and gay writer, including his Hugo award-winning autobiography, The Motion of Light in Water. He is also the subject of a recent film documentary, "The Polymath, or The Life and Opinions of Samuel R. Delany, Gentleman."

Since 1988, Delany has been a professor at several universities. He spent 11 years as a professor of comparative literature at the University of Massachusetts at Amherst, a year and a half as an English professor at the University at Buffalo, then moved to the English Department of Temple University in 2001, where he has been teaching ever since. He has also published several books of criticism, interviews, and essays, and a best-selling book, Times Square Red, Times Square Blue (1999), about the effort to redevelop Times Square and what it means for working-class gay men in New York City.

Press coverage: http://sfscope.com/2007/08/samuel-delany-to-celebrate-40.html

--
The New York Review of Science Fiction Reading Series is in its 19th season of providing performances from some of the best writers in science fiction, fantasy, speculative fiction, etc. (The magazine has just published its 20th anniversary issue.) The series takes place the first Tuesday of every month at the South Street Seaport's Melville Gallery, 213 Water Street. Admission is free, but $5 donations are encouraged to offset costs and buy dinner for the
readers. The producer and executive curator is radio producer and talk show host Jim Freund.

Review of last event
---
WHEN:
Tuesday, 10/2/07
Doors open at 6:30 -- readings begin at 7

WHERE:
The South Street Seaport Museum's Melville Gallery
213 Water Street� (near Beekman)
http://maps.google.com/maps?oi=map&q=213+Water+Street,+New+York,+NY

HOW:
By Subway
Take 2, 3, 4, 5, J, Z, or M to Fulton Street; A and C to
Broadway-Nassau. Walk east on Fulton Street to Water Street

By Bus
Take M15 (South Ferry-bound) down Second Ave. to Fulton Street

By Car
• From the West Side: take West Street southbound. Follow signs to FDR
Drive Take underpass, keep right - use Exit 1 at end of underpass. Turn
right on South Street, six blocks.
• From the East Side, take FDR Drive south to Exit 3 onto South Street

Saturday, September 29, 2007

2007 Rugby World Cup

If you're looking for a sport to follow and you're not getting into the Major League Baseball season's final games (despite the Mets' near-collapse and the Cubs' possibly accursed presence), you find it still to early to champion a National Football League team, you cannot believe the National Hockey League exists and opened its season in Britain, you felt disappointed by the US Women's Soccer World blowout at the hands of Brazil and the drama surrounding the game (poor Brianna Scurry!), and you don't really care about NASCAR, the new quicker cricket, what's left of the tennis and golf seasons, etc., there's always the 2007 Rugby World Cup.

RWC 2007, a perfect combination of athleticism and beauty, is underway in Europe, and is nearing the end of the first-round games. The top teams are New Zealand's "All Blacks" squad, which is 4-0; Australia, which is also 4-0 so far; Argentina; South Africa, which walloped the highly ranked England squad, with the stunning Jason Robinson; and, it appears to some surprise, Fiji, which defeated Wales to make it into the next round.

The United States team, featuring a very diverse lineup, has had a rough tournament so far, losing all three of its games, including matches against Tonga and Samoa, against whom player Fifita Mounga suffered a terrifying injury. Their final match will be against the above-noted South Africa, which doesn't bode well for a win. There's always next time. Meanwhile, I'll keep following the scores and perhaps post again after the next or a subsequent round. Will it be New Zealand, Australia, Argentina, South Africa, England, or some other squad?

PARIS - SEPTEMBER 28: Paul Sackey of England breaks away to score his team's second try during the Rugby World Cup 2007 Pool A match between England and Tonga at the Parc des Princes on September 28, 2007 in Paris, France. (Photo by Warren Little/Getty Images)LENS,

FRANCE - SEPTEMBER 08: Jason Robinson of England scores the opening try during the Rugby World Cup 2007 match between England and the USA at the Stade Felix Bollaert on September 8, 2007 in Lens, France. (Photo by David Rogers/Getty Images)

LENS, FRANCE - SEPTEMBER 08: Salesi Sika of the USA is pursued by Jason Robinson of England during the Rugby World Cup 2007 match between England and the USA at the Stade Felix Bollaert on September 8, 2007 in Lens, France. (Photo by Shaun Botterill/Getty Images)

ST. ETIENNE, FRANCE - SEPTEMBER 26: Takudzwa Ngwenya of USA breaks past Elvis Seveali'I of Samoa to score a try during match thirty two of the Rugby World Cup 2007 between Samoa and USA at the Stade Geoffroy Guichard on September 26, 2007 in St. Etienne, France. (Photo by Richard Heathcote/Getty Images)

ST. ETIENNE, FRANCE - SEPTEMBER 26: The Samoan team do The Siva Tau (Samoan War Dance) prior to match thirty two of the Rugby World Cup 2007 between Samoa and USA at the Stade Geoffroy Guichard on September 26, 2007 in St. Etienne, France. (Photo by Richard Heathcote/Getty Images)

MARSEILLE, FRANCE - SEPTEMBER 22: Juan Manuel Leguizamon of Argentina goes over to score his team's second try during Match Twenty Six of the Rugby World Cup 2007 between Argentina and Namibia at the Stade Velodrome on September 22, 2007 in Marseille, France. (Photo by Julian Finney/Getty Images)

MARSEILLE, FRANCE - SEPTEMBER 08: Luke McAlister of New Zealand and Mils Muliaina (L) in action during Match Two of the Rugby World Cup 2007 between New Zealand and Italy at the Stade Velodrome on September 8, 2007 in Marseille, France. (Photo by Ross Land/Getty Images)

PARIS - SEPTEMBER 09: Bryan Habana of South Africa goes past David Lemi of Samoa during the Rugby World Cup 2007 Pool A match between South Africa and Samoa at the Parc des Princes on September 9, 2007 in Paris, France. (Photo by David Rogers/Getty Images)

LYON, FRANCE - SEPTEMBER 11: Mamuka Gorgodze of Georgia takes the catch during match nine of the Rugby World Cup 2007 between Argentina and Georgia at the Gerland stadium on September 11, 2007 in Lyon, France. (Photo by Jamie McDonald/Getty Images)

ST-ETIENNE, 9 September - Pedro Carvalho (POR) during match seven of the Rugby World Cup 2007 between Scotland and Portugal at the Stade Geoffroy Guichard. (Photo by Richard Heathcote/Getty Images)

MARSEILLE, FRANCE - SEPTEMBER 08: Rodney So'oialo of New Zealand is tackled by Sergio Parisse of Italy during Match Two of the Rugby World Cup 2007 between New Zealand and Italy at the Stade Velodrome on September 8, 2007 in Marseille, France. (Photo by Alex Livesey/Getty Images)

MARSEILLE, FRANCE - SEPTEMBER 08: The New Zealand players perform the Haka prior to the start of Match Two of the Rugby World Cup 2007 between New Zealand and Italy at the Stade Velodrome on September 8, 2007 in Marseille, France. (Photo by Julian Finney/Getty Images)

EDINBURGH, UNITED KINGDOM - SEPTEMBER 23: Doug Howlett of New Zealand dives over the line to score a try during the Rugby World Cup 2007 Pool C match between Scotland and New Zealand at the Murrayfield Stadium on September 23, 2007 in Edinburgh, Scotland. (Photo by Laurence Griffiths/Getty Images)

TOULOUSE, FRANCE - SEPTEMBER 29: Sitiveni Sivivatu of New Zealand scores the opening try during Match Thirty Four of the Rugby World Cup 2007 between New Zealand and Romania at Le Stadium on September 29, 2007 in Toulouse, France. (Photo by Ross Land/Getty Images)

Fijian team training (no photo credit available)

TOULOUSE, FRANCE - SEPTEMBER 12: Mosese Rauluni of Fiji makes a pass during the Rugby World Cup 2007 Pool B match between Japan and Fiji at Le Stade on September 12, 2007 in Toulouse, France. (Photo by Shaun Botterill/Getty Images)

CARDIFF, UNITED KINGDOM - SEPTEMBER 16: Seremaia Bai of Fiji escapes the tackle of Dave Spicer of Canada during the Rugby World Cup 2007 Pool B match between Canada and Fiji at the Millennium Stadium on September 16, 2007 in Cardiff, Wales. (Photo by Stu Forster/Getty Images)

CARDIFF, UNITED KINGDOM - SEPTEMBER 16: Seru Rabeni of Fiji hands off James Pritchard of Canada during the Rugby World Cup 2007 Pool B match between Canada and Fiji at the Millennium Stadium on September 16, 2007 in Cardiff, Wales. (Photo by Laurence Griffiths/Getty Images)

MONTPELLIER, FRANCE - SEPTEMBER 23: Gabiriele LovobalavuSeru Rabeni of Fiji is tackled by Adam Freier (R) and Phil Waugh (L) of Australia during match twenty seven of the Rugby World Cup 2007 between Australia and Fiji at the Stade de la Mosson on September 23, 2007 in Montpellier, France. (Photo by Jamie McDonald/Getty Images)

MONTPELLIER, FRANCE - SEPTEMBER 23: Ifereimi Rawaqa of Fiji catches the line out throw during match twenty seven of the Rugby World Cup 2007 between Australia and Fiji at the Stade de la Mosson on September 23, 2007 in Montpellier, France. (Photo by Richard Heathcote/Getty Images)

NANTES, FRANCE - SEPTEMBER 29: Akapusi Qera of Fiji makes a break during the Rugby World Cup 2007 Pool B match between Wales and Fiji at the Stade de la Beaujoire on September 29, 2007 in Nantes, France. (Photo by Warren Little/Getty Images)

LYON, FRANCE - SEPTEMBER 08: Yuki Yatomi of Japan is stopped by the Australia defence during the match three of the Rugby World Cup 2007 between Australia and Japan at the Gerland stadium on September 8, 2007 in Lyon, Fance. (Photo by Jamie McDonald/Getty Images)

BORDEAUX, FRANCE - SEPTEMBER 25: Christian Loamanu of Japan is snagged by James Pritchard of Canada during the Rugby World Cup Pool B match between Canada and Japan at the Stade Chaban Delmas on September 25, 2007 in Bordeaux, France. (Photo by Warren Little/Getty Images)

Friday, September 28, 2007

Poetry Society of America Uproar + Events Today & Tomorrow

UGLINESS AT THE POETRY SOCIETY OF AMERICA
Well, the news is out. As Motoko Rich reports in yesterday's New York Times, the selection of Yale professor John Hollander to receive the Society's prestigious Frost Medal, and the aftermath involving the Society's board chairperson, has led several members of the board to resign, including the board chair himself.

First, Walter Mosley, who needs no introduction, stepped down after the board decided to name Hollander, in part, as he noted, because of the gross conservatism of the choice. (Hollander had, unfortunately, been proposed three years ago, though the award went, it appears, to Richard Howard.) This led to the board's chair, the financier, William Louis-Dreyfus, attacking Mosley in written form with accusations of "McCarthyism," for his decision, which he claimed was based on Hollander's extra-poetic racist comments over the years. After his verbal assault, Elizabeth Alexander, Rafael Campo, and Mary Jo Salter, boardmembers and three of the leading contemporary American poets, also stepped down, and Louis-Dreyfus accused them of McCarthyism.

I'll get back to the story in a moment, and while I cannot speak for any of them, I must note that Hollander is definitely on record making racially inflammatory and racist statements over the years, and one has to wonder, in concert with Walter, that given all of the poets so vital to our society and literature who are of Hollander's generation, why on earth would the poetry society waste an award on this man? Seriously, can you name one book, let alone one poem Hollander has written, or even what kinds of poems and subject matter the man focuses on? (Okay, you may recall those concrete poems that were in poetry anthologies back in the day, but when I asked this question of people back in 2001 at an event at which he was appearing and about which I'll say more below, not one person could do so, as opposed to nearly every other poet--Thylias Moss, Michael Palmer, etc., who was on stage that day.) Previous winners include Maxine Kumin, Lawrence Ferlinghetti, Galway Kinnell, Sonia Sanchez, Stanley Kunitz, John Ashbery, Adriennne Rich, William Stafford, Donald Hall, Denise Levertov, Gwendolyn Brooks, Allen Ginsberg, Sterling Brown, Robert Creeley, Robert Penn Warren, etc. I ask, is John Hollander in this category? I have two senior poetry colleagues at the university, and could name three dozen other senior poets off the top of my head who are more deserving. This selection feels almost like it was pulled straight from the pocket of a certain other Yale professor who will remain nameless (HB).

But back to the news, in reaction to the poets' resignations, Louis-Dreyfus then stepped down. As Rich reports,

Mr. Louis-Dreyfus, who runs an international commodities trading and shipping firm and dabbles in writing poetry, said he resigned partly to protest what he regarded as an “exercise of gross reactionary thinking” among the other board members who left in the wake of the award to Mr. Hollander, a retired English professor at Yale.

When Mr. Hollander was considered for the award three years ago, some members raised comments he had made in interviews, reviews and elsewhere that they felt should be examined when judging his candidacy. In one example, Mr. Hollander, writing a rave review in The New York Times Book Review of the collected poems of Jay Wright, an African-American poet, referred to “cultures without literatures — West African, Mexican and Central American.” And in an interview on National Public Radio’s “All Things Considered,” a reporter paraphrased Mr. Hollander as contending “there isn’t much quality work coming from nonwhite poets today.”

Other board members said they felt that such comments were not characteristic of Mr. Hollander’s views or had been misinterpreted. Mr. Louis-Dreyfus said that even if the comments were representative, they were irrelevant criteria for judging the Frost Medal, just as he would argue that Ezra Pound’s anti-Semitism should not detract from the literary appreciation of his work.


Louis-Dreyfus could have argued that among the Frost Medal's prior recipients, one can find Wallace Stevens, a remarkable and central American poet, whose racism and anti-Semitism is woven into the fabric of his poetry, but who was deserving of--well, some huge honor (he did win many of the major poetry and literary awards), though perhaps Louis-Dreyfus was unaware of the award's history or, as I've learned over the years about a number of readers, doesn't consider Stevens's work to be especially racist (cf. T. S. Eliot). One can make a case for differentiating the artist and her or his art, to a degree. Instead, he made really outrageous and insulting comments, which Elizabeth Alexander addressed directly and respectfully, noting in a written statement that:

“Mr. Louis-Dreyfus’s persistent mischaracterization of the words and intentions of PSA board members including myself surrounding the awarding of the Frost medal and subsequent private board business is disturbing. I resent his inflammatory invective and willful misstatement of events. My own life’s work is guided by and devoted to principles that are utterly anti-‘reactionary’ and counter to anything that might remotely be deemed ‘McCarthyism.’”

I applaud Mosley, Alexander, Campo, and Salter. I also noted the following on the Cave Canem list:

Just a side note: I'm not sure if anyone here remembers the "What's 'American' about American Poetry" conference some years back, at the New School University, but during one of the panels, Hollander made reactionary and racist remarks about poetry's origins, suggesting that it did not come from such things songs we hear in childhood, conversations heard in the kitchen, etc. "Our origins are not in gestures and songs," or something to that effect, as a direct counter to what Thylias Moss, I believe, had stated.

Thylias and Sonia were the primary people who challenged him (and there may have been others, so my apologies if I'm blanking), and I can't remember if they were both on the same panel as him or if Sister Sonia was on a later one and brought up his comments to repudiate them, but both were superb. This was right after 9/11 and around the time of the brouhaha surrounding the elitist structure of the former Chancellors of the Academy of American Poets, which finally led to real changes in its leadership and governance. At any rate, his remarks at the conference are just one awful John Hollander moment I'll never forget.

Here's the poem I wrote, nothing special, but it contains his and others' remarks (i.e., it's a found poem), including commentary by some young hipsters there bemoaning the fact that there was nothing left to write about (in November 2001, mind you...):

A REPORT ON THE "WHAT'S AMERICAN ABOUT AMERICAN POETRY?" CONFERENCE AT
THE NEW SCHOOL*

We're fed up with tolerance
and writing about whores
shooting up
lyricism
there are no poets of my generation
waiting for something to rebel against
on 137th Street and 7th Avenue
a brother was crossing the street said
a white silence
which is metaphysical
and a black silence
which is social and political
I am not suffering
the language of power
behind the poems
only ghosts
of Charles Bernstein
he doesn't want to engage
the book of Generation X
the Beats have already done it
coming from deconstruction and all that
French theory
when anyone appears
to strike a pose
aren't you the sister who was reading
Allen Ginsberg
I come from another context altogether
there is so much vitality there
as you can tell
from my accent and shit
but really it's about living
language poetry
to give you another example
a children's game in France
songs and gestures are not our origins
Orpheus
but I am a mestizo
and went to Iowa
reclaiming language
from the seat of power
two white women
just resigned
two black women
who will not be silent
aren't you the sister was reading
Allen Ginsberg
can you say something
about history and how you feel
this competition over anxieties
infects us all
or Janey, who knew
from Hurston
it's a shame the organization
sells only so many copies
(and a heated discussion ensues
because Eros is in there too)
we are waiting to rebel against
smart bombs and cynicism
poems are mere ghosts
of my generation
there's nothing left
behind the words
but fragments
rupture
Burroughs and someone else
that's new
beginning with Native Americans
amidst the white middle class
between the two silences
an accident can happen
a difference that never comes
as a work of fiction
only ghosts
are silenced
behind the poems
with heroin
and vernacular
but you are too young
to be dropping bombs on Mesopotamia
like hiphop
to be cynical of the world
you can change
hearing Judy Grahn at a women's gathering
only one poem please though
are there any studies
overthrowing Allende
erasing differences
concerning the audience
we keep coming back
to Eliot and Pound
to rebel against
the street and jazz
Africans in bondage
I think I break
behind the poems
an East Coast thing
only minstrels
and whores
are our precursors
of cynicism
don't read
Generation X
but look for me
ghosts
translate my absence
into language
speak
the words
behind
the words
rebel against
the silent
power


*A Report on the "What's American about American Poetry?" Conference
at the New School: Many of these fragments are reco(r)dings of
statements by participants (panelists, attendees) at the Poetry
Society of America's conference of this title, held at the New School
University in New York, November 12-14, 2001.




MORE CONGRATULATIONS
Today they go to poet Sean Hill, whose poetry manuscript will be published by the University of Georgia Press. Sean's a gifted, award-winning poet, and also a member of the Cave Canem family. One of my favorite memories is of him, Reggie H. and me peering at Kevin Young's To Repel Ghosts shortly after it came out, and being taken in particular with the "conceptual" poem (one of my favorites in the book), "Kansas City Monarchs," which of course was one of Jean-Michel Basquiat's touchstones.

HAPPENINGS
For those in the New York area:

Today, the music of words:


YC: MiPO Reading--Harris, Girmay, Stackhouse--9/28
Friday, September 28, 2007
7pm
SEPTEMBER 2007


Heralded as one of three Chicago poets for the 21st century by WBEZ Chicago Public Radio, Duriel E. Harris is a co-founder of the Black Took Collective and Poetry Editor for Obsidian III. Drag (Elixir Press, 2003), her first book, was hailed by Black Issues Book Review as one of the best poetry volumes of the year. She is currently at work on AMNESIAC , a media art project (poetry volume, DVD, sound recording, website) funded in part by the University of California Santa Barbara Center for Black Studies Race and Technology Initiative. AMNESIAC writings appear or are forthcoming in Stone Canoe, nocturnes, The Encyclopedia Project, Mixed Blood, and The Ringing Ear. A performing poet/sound artist, Harris is a Cave Canem fellow, recent resident at The MacDowell Colony, and member of the free jazz ensemble Douglas Ewart & Inventions. She teaches English at St. Lawrence University in upstate New York.

Aracelis Girmay writes poetry, fiction, & essays. Originally from Santa Ana, California, she earned degrees from Connecticut College & NYU. Girmay is a Cave Canem Fellow & former Watson Fellow. Her poems have been published in Callaloo, Bellevue Literary Review, Indiana Review, and Ploughshares , among others. Her book of poems, Teeth, will be published by Curbstone Press: summer, 2007.

Christopher Stackhouse the author of "Slip" (Corollary Press, 2005) and co-author with writer John Keene on the collaborative book "Seismosis" (1913 Press, 2006), which features Keene's text and Stackhouse's drawings. He is an editor for literary journal Fence Magazine, a Cave Canem Writer Fellow, a 2005 Fellow in Poetry New York Foundation For The Arts, and Bard College, Milton Avery Graduate School of the Arts, M.F.A. Writing Candidate.

AT

stain
766 grand street
brooklyn, ny 11211
(L to Grand,
1 block west)
718/387-7840


And the music of music:

KING BRITT/THE COSMIC LOUNGE
This Friday September 28th 2007
@ LOVE
179 MacDougal St (@ 8th St), New York
10pm - 6am
$5 before midnight / $15 after midnight / $10 Reduced List until 1am (email rsvp@rapsterrecords.com)
100 advanced tix good for priority admission all night for $8
King BrittKing Britt
Drawing on a deep and personal connection with the free jazz movement
of the 60’s & 70’s, KING BRITT (above left) presents an evening of cosmic and spiritual jazz on vinyl. The legendary DJ and producer behind countless remixes and the Sylk130 Collective will be delving deep into his crates for a connoisseur’s selection of the finest sounds and textures the expansive genre has to offer.

Friday’s party celebrates the release of THE COSMIC LOUNGE Vol 1 a Rapster / BBE CD collection of vintage jazz which brings together tracks from the likes of Don Cherry, Doug Carne, Eddie Henderson and Grachen Moncur III. The disc is available in stores now.

HANK SHOCKLEE (above right), sonic alchemist behind the boards of Public Enemy and countless others will join King in a very rare guest DJ appearance.

“The best Free Jazz plumbs depths that are so deep I feel like the sound approaches the infinite breadth of the Cosmos” –King Britt

For more info check:
The Cosmic Lounge
King Britt
Hank Shocklee
Music Is Love
BBE Music
Shocklee.com


Tomorrow:

GLAAD Black LGBT community Media Essentials Training
Kartina Parker - Media Strategist for Communities of African Descent, Gay & Lesbian Alliance Against Defamation (GLAAD)
Sat., Sept. 29; 11am FREE
Doubletree Hotel Campbell Center
8520 North Central Expressway

The Black LGBT Community needs to be ready to place their personal stories to counteract stereotypes and homophobic press coverage. Learn how to increase visibility of Black lesbian, gay bisexual, and transgender personal stories in the media. This primer will teach media terminology, protocols, and interview techniques.

For more info, e-mail parker@glaad.org.

Wednesday, September 26, 2007

Classes + Myanmyar + Strike Over + Kehinde Wiley Busts

CLASSES BEGIN
It's the first day of classes, and so far, so good! Such smart students, all of them are avid readers, and among the writers they listed as their favorites were Dostoyevsky, Ellison, Hemingway, Kerouac, Flaubert, Melville, Vonnegut, Murakami, and Salinger. Who teaching writing wouldn't want to start with such a baseline!

(That's me at right, in my office, in front of the Luis Luma painting and Ella Turenne's Neg Maron print.)

MACARTHUR AWARDS
Congratulations to the 24 recent recipients of MacArthur Foundation "Genius" Fellowships! One is my colleague at the university, the rightly esteemed and remarkable fiction writer and poet Stuart Dybek; another is the New York-based artist Whitfield Lovell, who follows his partner Fred Wilson in receiving this honor (thanks for the h/t, Bernie); another is the blues musician Corey Harris; the playwright Lynn Nottage, whose Intimate Apparel received excellent reviews when it debuted several years ago; and vocalist Dawn Upshaw, best known for her work in opera and contemporary art song. Congratulations to them and to all the other recipients!

2007 CAVE CANEM PRIZE TO RONALDO WILSON
Ronaldo Wilson, one of the founders of the Black Took Collective, is the 2007 Cave Canem Prize Winner! Congratulations, Ronaldo! His prose-poetic manuscript, The Narrative of the Life of the Brown Boy and the White Man, was selected by judge Claudia Rankine. Serena! F.I.E.R.C.E.ness, and I think it's fair to say that Cave Canem has shown how expansive its aesthetics are with this and last year's selection, of Dawn Lundy Martin's first book of poems! This year's runners up were R. Erica Doyle (!!!) and Nicole Terez Dutton. Congratulations to both of them too, so much fierceness in one year.

PROTESTS IN MYANMAR
The protests in Myanmar, which I highlighted a few days ago, continue to gain international attention, especially now that the government's security forces have started to brutally suppress them. Again, I am impressed and moved by the courage of the Buddhist monks, held in the highest esteem by their society, to put their lives on the line to challenge the horrible, oppressive conditions and the military dictatorship that has imposed them in that country.

The US has propose new sanctions, but I keep hearing that China is the lone country that can put pressure on the ruling junta and its government, and supposedly China may have already done so, but after the defense forces attacked, shot and arrested a number of the monks yesterday, it's clear that China's input may have its limits, though perhaps harsher penalties, such as cutting off arms sales, political support, and other forms of cooperation may do the trick. But does China want to buttress pro-democracy efforts in a neighboring country when its own record is so horrible? Would it, and wouldn't that be telling its own people to try something according to the Tianenmen Square rallies and protests again, despite the country's economic successes? Would the business élite even support such a move, or are they too intimately linked these days to the Chinese government?

So what is to be done to help the people there? What can the rest of the world do? Will US sanctions have any effect at all?

UAW STRIKE OVER
I woke to the NPR news that the United Auto Workers (UAW) had called off its strike against General Motors (GM) because the two sides had reached a compromise during their all-night negotations. Supposedly the agreement hinges on GM creating a retirement health care benefits trust fund, to be administered by the UAW, that will relieve a huge financial burden from the carmaker's books. Hearing this I immediately thought that if we had single-payer, government financed, comprehensive, cradle-to-grave health care, there'd be no need for such a trust fund, and GM, thus relieved of one of its major competitive setbacks, would face having to produce better, more affordable, and more appealing cars. Note to Democrats: this is another gift horse staring you in the face. It also makes me wonder about the old pension system, which many corporations exploited for their own gain and little penalty, at the expense of retirees and US taxpayers. If GM had a real, well-invested, well-managed pension, this turn of events also would not have come to pass. But the world of pensions of old is gone; in fact, as we saw in 2004, we can never relax our vigilance about making sure that Social Security remains viable and properly funded. I'm glad, though, for the GM workers who were about to face a terrible hardship; at least for now they can sleep a little easier.

SCHIP + WAR FUNDING
Yes, this isn't an original argument and it's so obvious it could be in a Bob Herbert column--I enjoy reading him, but you get my drift--but it looks like W will veto the SCHIP bill, which doesn't have a veto-proof majority in the House, because of the GOP, claiming that the $35 billion is too costly and that more American middle-class families will avail themselves of a public, government-funded program, and yet he's sent his Secretary of Defense, Robert Gates, up to Capital Hill to request $190 billion in additional funding for the debacles in Iraq and Afghanistan. Meanwhile, if SCHIP fails to be funded, poor American children would be the first to suffer.

Gall, shamelessness and arrogance don't come close to describing this man and his government!

Senate Majority Reid vowed the other day not give in to more of Bush's shenanigans. I'll believe it when I see it, but as a Republican Senator suggested about SCHIP, the House should keep reintroducing the bill over and over, and forcing the president to veto it. Eventually enough Republicans will be embarrassed enough that rather than tethering themselves to his sinking ship, they'll join the Democrats to provide enough votes for an override vote. As for the war funding, tell the president absolutely NOT until the information and testimony the Democratic chairs have requested on a range of Iraq-related issues, such as the gross corruption, Blackwater's actions, the faulty equipment (this week brought the news that the infantry must contend with guns that frequently jam, unlike their opponents!), and so forth, are adequately addressed. And don't worry about the American people; we're quite aware of the scare tactics and demagoguery this administration is going to tuse.

KEHINDE WILEY BUSTS AT CEREAL ART
Wiley PaintingKehinde Wiley's work, drawing as it does upon current artworld and critical-theoretical trends and discussions around appropriation, the archive, Black and popular cultural studies and performance, and sexuality and gender studies, has fascinated me since I first saw it, but also confounded me somewhat as well.

His paintings (at right, a photo I took of his "Saint Andrew," oil on canvas, 7'x8', 2006 when C and I went to his "Scenic" show at the Rona Hoffman Gallery in River East, in Chicago) are physically breathtaking, especially when viewed up close, and increasingly polished in terms of their technique, while also deeply suffused with an irony-edged eros, but I feel like he's found a socially and commercially viable strategy and keeps, well, exploiting it, a strategy that's meant to appeal, rather obviously, to the powers that be in the artworld, while please the Folks along the way.

His evidently and playfully ironic use of Eurocentric references, both as ground (composition, figuration, etc.) and in the titles--which I think of as falling in a long and broad lineage, but in a specifically queer way to Bob Thompson, for example, though Wiley is very interested in aspects of mimetic realism and expressionism, whereas Thompson, who wasn't gay, was far more grounded in abstraction and the emerging color-field school--underlines this so forcefully for me. Nothing unusual there, and he's well within the mainstream, both of the past and of today. But were he engaged in a more resistent form of détournement, say, or using classical Chinese models, for example, would his work, whose technical achievement is undeniable, be as celebrated? Would it be dismissed as Afro-Chinoiserie, or not discussed at all? (And what would that kind of work, a more complex and provocative anti-Afro-Orientalism, say, look like?) As I said, Wiley's not the only person, in visual arts or any other area of the arts, who's doing this, but I can't stop thinking about it when I consider his work. We all to some extent work with the terms set before us, but where does the limit lie? Is it unfair for me, an admirer of his work, to introduce these questions into the debate?

I'm still very drawn to his work, and so when I received a recent email from Cereal Art in Philadelphia about the availability of a new set of his busts, including his "After La Negresse, 1872," I had to check them out. I've never seen this in person, but they appear to replicate the formal and thematic concerns of the large paintings in this new form, which I think increases the layers of irony (cast marble and resin busts, all white, etc.) and humor--to what end? I don't think I have an answer, but I'm enjoying looking at them.

Cereal Art is selling them as a "special project" at $1400 a pop. What do you think?

Monday, September 24, 2007

Summerfall in Chicago + This and That

SUMMERFALL
When I left Jersey City last week, autumn had arrived. Cool days and cooler evenings filled my final week at home. In Chicago, however, it's still summery. Actually mid-summery. Every day the thermometer's crossed the 80°F threshold, and today it's so warm (90°F) I'm finding it difficult to believe that classes are about to start and October is just around the corner. Rather than calling this Indian summer, it's basically Summerfall. Or Sutumn. Or Faummer.

JENA 6 RALLYING LAST WEEK
Jena Six Rally
From Los Angeles Times: Chris Graythen / Getty Images

Last Thursday I wasn't able to head down to Texas to participate in the Jena Six protest and rally nor was I able to participate in the local demonstrations, so I signed up to call Louisiana state officials to urge justice in the case, in which six African-American teenagers were arrested, and one convicted as an adult, for an attack on a White schoolmate. The attack on the White student was the culminating event in a series of clashes that began White students decided to hang a noose from a tree, as an racially inflammatory affront to Black students who'd decided to sit under it (and to Blacks in Jena more broadly), and received only token sanctions as a result, their action being labeled a "prank." The case has rightly sparked international outrage, and last's week's public protest drew many thousands of participants.

Since I'm shy and not especially comfortable on the telephone, I was a little nervous about calling, but ColorofChange provided scripts and numbers, and I set to dialing. I can report that of the actual human beings I actually reached, all were unfailingly polite, some even apologetic, and one sounded exasperated, especially after I said that I was calling from Chicago, Illinois. (I think C said she probably was thinking "Damn Yankees!") This same person also said she would put me "on the list," which I assumed meant a list to be presented to the state official to whom I was lodging my protest, but then I also considered that the same list might end up in the hands of scary right-wing types (even though I realize we may be undergoing wiretapping, which I say with no little amount of horror and rage), so while I gave my name, she at least got a dummy phone number.

I do not for a minute think that my telephone rallying matched the commitment and courage of those who were present at the marches and rallies, or the bravery of the young defendants. I also think that one response by some of the officials involved will be what it was in before, during and after the Civil Rights movement: defiance, though they have been served a wake-up call, not only by the longstand Black leadership, but by a new generation of activists who are fed up by the persistence of racism in its most grotesque and spectacular forms.

Louisiana's officials probably will respond to the threat of economic boycott, but they also probably realize that many of the supporters of the Jena Six are also strong supporters of those who suffered from Hurricane Katrina and its aftermath, and cutting off the state of Louisiana could harm New Orleansians just as readily as racist district attorneys in rural parts of the state. So it strikes me that one of the best positions to take is to keep the pressure on, publicize the miscarriages of justice far and wide, and not let Louisiana's officials of whatever party off the hook. The Governor, Lieutenant Governor, Director of Tourism, top judicial officials, and everyone else in power should know that last Thursday was not the last hurrah--that won't come until all of the Jena Six are fully cleared, and there is a public apology and investigation into everything that occurred.

And, now that the New York Times has abolished Times Select, you can read Paul Krugman's take on the protests and on the electoral corner the Republican Party, through its Southern, a/k/a racist strategy, has painted itself into. (I would add that the Democratic Party and politicians also engage in racist discourse when they feel--wrong--the need to do so.)

And as Metta Sama noted in a recent email she sent, "it ain't just a Southern thang."

And as Reggie notes, the issue of Black on Black violence, and Black male violence against women, deserves a similar nationwide demonstration and rally.

HASTA, LIBRERÍA LECTORUM
LectorumSic transeunt ruae Novi Eborici.

Herbert R. wrote Reggie and me to pass on an article from Críticas saying that the landmark Librería Lectorum, the major Spanish-language bookstore in New York, has closed. Founded in 1960, the store can no longer afford the burgeoning rents on its strip of West 14th Street--that's right, rents are exploding on West 14th Street!--and ironically, the landlords are the sons of the store's founder, Argentinian Gerome Gutiérrez. The heirs no longer own the business, which was sold along with the Spanish-language publishing arm, Lectorum, to the publisher Scholastic, which now plans to shift the entire outfit to the online world, though there's a slender--nonexistent--possibility that they will find another storefront in New York.

Lectorum Publications president Teresa Mlawer says that street traffic has plummeted and the neighborhood has been gentrifying for years, but 14th Street between 6th and 7th Avenues was still fairly gritty when I walked it many times this summer, although it has changed somewhat even from last year. Still, it's no SoHo or Chelsea, at least not yet, and ousting the store will only help speed the gentrifying process. It's a major loss for New York's Spanish-speaking community and for the city's culture, on multiple levels, not least because of the disappearance of an important venue and meeting place for Spanish-language authors from across the city and globe, and because of the ongoing dismantling of 14th Streets's longstanding cultural economy, which is set to shift into another mode altogether.

I realize New York, like all vibrant cities, is always changing, and that from its origins it's revolved around commerce, but it still painful to acknowledge the loss of yet another key institution like this. I also think the Gutiérrez brothers ought to be ashamed, but is that even a valid emotion in our contemporary society? I visited the store several times this summer, primarily to look for books in Spanish by the late Roberto Bolaño, and I also recall one of the first times I went there, back in the 1990s, and found a book by the Dominican fiction writer and scholar José Alcántara Almánzar, and the woman at the registered, noting his back cover and glancing up at me, asked me if I was he! Given how bad my spoken Spanish was then and that I was flattered into speechlessness, I had to deny it with a headshake.

Neither of the two articles mentions that one block west, another Spanish-language bookstore, Macondo, remains, though it long has hand only a fraction of the texts as Libreria Lectorum, and on occasion I've almost had to wake the attendant who was working in there. I wonder how much of a lease and life it'll have as the relentless march of luxury condos and stultifying chain stories continues across every square inch of Manhattan's grid.

The New York Times's article on the store's closing is here.

Que nunca se la olvide, que siempre se la recuerde.

AHMADINEJAD IN NEW YORK
Re: the brouhaha surrounding the visit by the decidedly wacko, authoritarian, Israel-hating, democratically elected, figurehead president of Iran, Mahmoud Ahmadinejad, to New York to attend the opening of the UN General Assembly, and his "roast" (to use C's apt term)/conversation/free-for-all today at Columbia University (which should not be punished by New York State politicians for hosting the talk), I came across a great quote from the comments section after Glenn Greenwald's post on this topic:

"History teaches that grave threats to liberty often come in times of urgency, when constitutional rights seem too extravagant to endure."--Thurgood Marshall

In light of the events this year and the past seven years, that "urgency" deserves scare quotes, BTW.

UPDATE: Here's a New York Times report on Ahmadinejad's bizarre riffs today, including his claim that there are no gay people in Iran (though they're persecuted, like the Baha'i and other religious, social and sexual minorities, and hanged there) and that the Holocaust was theoretical rather than actual (though Iranian TV is featuring a very popular miniseries on this topic). He did get in a few knocks at his questioners and at his chief antagonist, W, though he said little of substance, whether about the appalling heinous human rights record in Iran, its support of Hamas, or its connection to the corrupt and ineffectual quasi-government of Iraqi Prime Minister Nuri Al-Maliki.

WHERE DID THE TV GAYS GO?
There are fewer gay characters (and Latino characters) on network TV, but more on cable. So says a new Gay & Lesbian Alliance Against Defamation (GLAAD) study. According to GLAAD's report, most of the network gay characters--all 6 of them--are on one channel, ABC, with the other one appearing on NBC; there are no gay characters on CBS, Fox, or CW. The last channel has the largest percentage of characters who're people of color. CW used to be the WB, and snapped up content from UPN, both ghettos for neo-minstrelsy, right?

(BTW, what categories does Wentworth Miller fall into? Racial, that is, for the survey purposes. Just asking.)

I'm not sure what the mainstream network folks are thinking, and I'm not suggesting there's a conspiracy so much as the usual oversight, indifference and neglect, but given the high gay quotient both in Hollywood and New York, it makes you wonder.

No word on how many of the few remaining network gays, lesbians, bisexuals, or transgenders or their cable kin have lots of melanin, though. And the lone show featuring lots--a whole cast full!--of Black and Latino gay people, Noah's Arc, problematic as it was, is off LOGO, so I'd imagine the numbers aren't great on cable either. It's not just on Queer as Volk that queers of color don't exist....

UAW SAYS STRIKE
GM wants to cut costs while to compete with foreign automakers. The United Auto Workers want to keep jobs in the US. GM says, No. The UAW says no more more work until they get a guarantee. Health care costs and liabilities are a major aspect of the negotiations. But if we had a single-payer national health care system, GM and the UAW wouldn't have haggle over this issue. Would they?

DEMOCRACY IN MYANMAR
Finally, this is what I'd call religious, moral and ethical leadership.