Catástrofe Club are from Catalonia and make some super interesting post-punk-like eclectic music. The Josep Maria Herrera-David Molina duo are self-proclaimed "portraitists of the global catastrophe" who "compose and create with a particular sense of tragicomedy" and with an impressive approach to mixing genres in order to create a poignant message in an attractive form, just as it is on their new album.
El crecimiento infinito is the final part of their long play trilogy. My first thought when listening to this album was to check if this was a side project of Oscar D'Aniello a.k.a. Delafé, Spanish indie pop slash spoken word hip-hop artist the first albums of whom I really enjoyed back in the day. It's obviously not, but Herrera's voice and, most importantly, the spoken word way of "singing" bears strong resemblance here. However, the project, although very melodic, is far from a chill indie pop: it's post-punk delivered in various unique ways, so unfamiliar for the genre. The flow and catchiness of pop music and the lively electronica the compositions are built on are not your typical post-punk accessories.
However the whole theme they point the audience at, as they "question the individual, but in a somewhat calmer way, accepting the collapse and fatality of a social tragedy as something certain and inevitable that can only be contemplated", the collapse that has many reasons, but most importantly the consumptive way of life and the heavy but clever critique the artists employ, is taken right from the post-punk handbooks. So is the overall minimalism and slower pace that create this fantastic atmosphere within which the mesmerizing spoken word phrases go on and on and drill into the listener's mind.
El crecimiento infinito costs 8 EUR.
Check: Safari
Country: Catalonia/Spain
Genre: electronic post-punk
Label: Hidden Track Records