The latest Backlisted podcast is a great edition on Shelagh Delaney and her 1958 play A Taste of Honey. It was her first play, written and produced before she was 20. It was then filmed in 1962 with Rita Tushingham, Dora Bryan and Murray Melvin.
As the Backlisted blurb asks:
How did a Salford teenager change the face of British theatre? Nearly 70 years on, why do the play's themes and characters continue to resonate in the 21st century? And what did Shelagh Delaney do for an encore (and why do so few people know about it)? This show will open your eyes.
The show certainly reminds us that the modern world did not start with the Beatles. Take the interview above from 1959, which you can hear in it.
Delaney comes over as a thoroughly contemporary figure, while the interviewer sounds like an alien. Where did he learn to pronounce the world "play" like that?
It would be comforting to think his assumptions that Delaney must had help to write the play and faint derision for her "native Lancashire" are equally strange to us now, but I'm afraid I often hear echoes of such views.
I can't recommend this edition of Backlisted highly enough. Listen out for an anecdote about an exchange between Dirk Bogarde and Murray Melvin during the filming of HMS Defiant.
And let's end this post with a piece of A Taste of Honey trivia from 2003:
Earlier in the day Home Office Minister and Salford MP, Hazel Blears, revealed that she appears in kitchen sink classic, A Taste of Honey, shown at the Festival. "They filmed it at the bottom of our road" she recalled "And I was in one scene wearing bunches and a little kilt. My brother sang `The Big Ship Sails On The Ally Ally O'..."