Showing posts with label AL Kennedy. Show all posts
Showing posts with label AL Kennedy. Show all posts

Wednesday, September 29, 2021

'Where do I think best? In bed' – authors reveal their dream retreats

Paul Bowles in Tanger


'Where do I think best? In bed' – authors reveal their dream retreats


A hotel on the Moray Firth estuary; an adrenaline-filled auction room in west London; an ad man’s office in Manhattan on DVD … AL Kennedy, William Boyd and others celebrate their cultural hideouts


by William Boyd, AL Kennedy, Nicola Barker, Joan Bakewell and Daljit Nagra
Friday 29 December 2017

AL Kennedy

AL Kennedy: My bed

I’m typing this in bed – but more of that later. Writers asked to expatiate on cultural or creative spaces may tend to feel they have to swear they can’t add one word to another without staying in a Tuscan palazzo, or being surrounded by folk musicians from obscure mountain villages and their charmingly artisanal children. (Sort of like Michael Redgrave in The Lady Vanishes only more lifestyley.) This helps advertisers offer you Tuscan holiday packages, or mountain socks made from homespun doghair.

Tuesday, June 26, 2018

After Fifty Shades / Five authors offer their ripostes

Illustration by T.A.

After Fifty Shades: five authors offer their ripostes


Friday 6 July 2012 

AL Kennedy

He breathed along the inside of her thigh,

rising, taking it slow. She could, in fact, feel him smiling – there was that warmth in the occasional brush of his lips. He wouldn't kiss her, she knew, until the ache for it was almost unbearable.
She answered him by stroking his neck, his head, the pale skin of his shoulders, each place so much more delicate and electric than anything her husband could offer, so much stronger.

"Do you read?" he murmured, the words running hotly up to catch where she wanted his kisses, where she was ready, open for his open mouth.
"Do I read?" Her voice sounded younger, more confident – as if she were the woman she'd intended to become, someone not married to Kevin, someone with no kids, someone beautiful. "Yes, when I have time." She was someone sensual, her skin being finally woken and properly explored. She was a woman rocking at the start of an afternoon's love, already impatient.
He licked her, teasing. "I bet you read. I bet you read smut." He licked again, his tongue clever, amused, tender. Then he withdrew. "They say women respond more to written pornography." His hands now, stroking, playing in from the rise of her hips, while he eased back a touch to study her. She'd told him she liked it when he looked, really looked. "Men like pictures, but you want a story and characters and emotions with your sex – then fit it in your Kindle and read it on the bus. Naughty. I bet you don't even blush. Think of all those publishers, baby – sitting back happy, knowing they can give you what you want. Like me." He grinned, lowered his head again, began in earnest.
He wasn't wrong.


Jenny Colgan

'I can't," I said.


Every sinew in me was straining hard; I could barely keep kneeling. I could feel the sweat bursting on my forehead and coursing down my back. My mouth wouldn't close.
"You must," he said. His voice sounded gruff, his eyes still fixed on my breasts as he continued the fierce stroking and caressing. They were so tight; straining over the top of the corset as if they wanted to burst. The nipples were utterly rigid. I could hardly believe my huge breasts – the bane of my life, the subject of catcalls and fumbles since I was fourteen years old, until I had wanted to hide away in shame, swathed in huge jumpers that made me look like a walking tent – had become so responsive.
But here they were; fierce and proud, high and so, so tight and full. They were being teased and tormented until I couldn't bear it, as if they had been made for this; and here was I on all fours, my entire body raging in a fever, although he hadn't yet even touched me anywhere else.
"You're not leaving," he had said, casually, earlier, and my head had whipped round, half in fear, half still slightly hysterical at the height of the heels he wanted me to wear; seven inches of black, shiny patent leather, ending in a point that could core an apple, with an impossible arch that left me practically en pointe.
"How am I supposed to walk in those?"
"You're not," he said, as if surprised by the question. "You're meant to fuck in them. And you're not leaving until I've taught you how to come properly."
He paused and flashed that wolfish grin I'd seen before. I looked at the immaculate black leather men's gloves he had brought with some trepidation.
"I'd cancel any other plans you had for the weekend."



Alastair Campbell

I felt like an adolescent boyfriend


being taken back to a new girlfriend's house as we went up in the lift. I didn't want to stand too close to her as it carried us to our floor, even after the intimacy of our walk. She was clearly feeling the same sense of excitement tinged with unease. She even said "Here we are then" as she fished her swipe card from her bag.

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"Is this the moment when I ask if you want to come in for a coffee?" she said, smiling.

She was standing about four feet away from me. I looked long and hard, trying to read those eyes. Was she still pulling me in, or pushing me away? Then, before I knew it, I was kissing her.
"Are you crazy!" she said, drawing away. "Not here!" She unlocked the door to her room and pulled me in.
It was dark inside. The change of atmosphere froze us momentarily, as if we suddenly realised the enormity of what we were doing. Maya walked across the room to turn on a lamp. Then she sat down on the side of the bed and kicked off her shoes.
I walked over and stood by her. I held my hand towards her. She took it, and I sat down beside her. Then I bent my head towards her ear.
"You said I was the best friend you've ever had," I whispered. "Can I be the best lover too?"

Jeanette Winterson

Subway: 8am.



June rain outside and heat underground steam the tunnels like a sauna. The doors open into a carriage of vertical bodies. Smell of too little washing and too much cologne. Like Paris in the nineteenth century.
The guy next to me is young and skinny. He's jammed forward against a black woman with an enviable rump. No Photoshop, no collagen implants. The real thing. Big.
My eyes are idling, shoes, bags, haircuts, clothes. Then I focus.
The guy is moving himself against the woman, using the push and sway of the train. She's talking full speed to her friend and fanning her face with a magazine. She doesn't seem to notice what he's doing. He's holding on to the overhead rail, long white arm, clean shirt. But the little thrusts are unmistakable.
The train jerks into the next stop and the doors crash open. He pulls away. She gets out. He catches my eye. He blushes like a Shakespearean boy actor playing a girl. Cute. And his penis is hard through his jeans.
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The doors close again. I could have moved away. Instead I turned my back to him and leaned against him, inching my hips so that he could push his cock against the soft crack of my ass. He put his arm round me – stronger than I expected from a skinny guy – he pulled me as tight in as he could get. Too much material, but who cares? I love the feel of him like an electric torch. I feel lit up. I haven't had sex for about 3 months. I'm not having sex now, but I'm having something better; feeling sexy is better than sex. My mouth is full of saliva and my ordinary everyday office knickers are wet.
He comes.
The doors judder open. I have already missed my stop. He gets out. He says "Same time tomorrow morning. Carriage 4."
At work I go straight to the loo and touch myself till I orgasm, standing up, the picture of us in my mind. It's the best come I've had for a long time – alone or with anyone.
Tomorrow I won't wear knickers.


by Will Self

He was angry with me – I could tell


And his normally smooth face became contorted and red, with deep creases suggesting that he had been lying face down on the world for some time, inhaling its earthy dours. He was my boss – and I associated this with all the authority that was missing from my life, all the firm, masculine, commanding authority that I needed to both subdue my restless spirit and rouse my deepest passions. He was my boss – and when, in his anger at my failure to adequately collate the minutes from last week's interdepartmental steering meeting, he stamped his beautifully shod foot (Church's or possibly even Lobb's) on mine … I orgasmed at once, a nerve-shattering orgasm that curled my hair and curdled the low-fat yoghurt drink that was sitting on a nearby desk.
 Written, in order, by AL Kennedy, Jenny Colgan, Alastair Campbell, Jeanette Winterson and Will Self


Wednesday, October 25, 2017

Twitter fiction / 21 authors try their hand at 140-character novels




Twitter fiction: 21 authors try their hand at 140-character novels



We challenged well-known writers – from Ian Rankin and Helen Fielding to Jeffrey Archer and Jilly Cooper – to come up with a story of up to 140 characters. This is their stab at Twitter fiction

Geoff Dyer

I know I said that if I lived to 100 I'd not regret what happened last night. But I woke up this morning and a century had passed. Sorry.

James Meek

He said he was leaving her. "But I love you," she said. "I know," he said. "Thanks. It's what gave me the strength to love somebody else."

Jackie Collins

She smiled, he smiled back, it was lust at first sight, but then she discovered he was married, too bad it couldn't go anywhere.

Ian Rankin

I opened the door to our flat and you were standing there, cleaver raised. Somehow you'd found out about the photos. My jaw hit the floor.

Blake Morrison

Blonde, GSOH, 28. Great! Ideal mate! Fix date. Tate. Nervous wait. She's late. Doh, just my fate. Wrong candidate. Blond – and I'm straight.

David Lodge

"Your money or your life!" "I'm sorry, my dear, but you know it would kill me to lose my money," said the partially deaf miser to his wife.

AM Homes

Sometimes we wonder why sorrow so heavy when happiness is like helium.

Sophie Hannah

I had land, money. For each rejected novel I built one house. Ben had to drown because he bought Plot 15. My 15th book? The victim drowned.

Andrew O'Hagan

Clyde stole a lychee and ate it in the shower. Then his brother took a bottle of pills believing character is just a luxury. God. The twins.

AL Kennedy

It's good that you're busy. Not great. Good, though. But the silence, that's hard. I don't know what it means: whether you're OK, if I'm OK.

Jeffrey Archer

"It's a miracle he survived," said the doctor. "It was God's will," said Mrs Schicklgruber. "What will you call him?" "Adolf," she replied.

Anne Enright

The internet ate my novel, but this is much more fun #careerchange #nolookingback oh but #worldsosilentnow Hey!

Patrick Neate

ur profile pic: happy – smiling & smoking. ur last post: "home!" ur hrt gave out @35. ur profile undeleted 6 months on. ur epitaph: "home!"

Hari Kunzru

I'm here w/ disk. Where ru? Mall too crowded to see. I don't feel safe. What do you mean you didn't send any text? Those aren't your guys?

SJ Watson
She thanks me for the drink, but says we're not suited. I'm a little "intense". So what? I followed her home. She hasn't seen anything yet.

Helen Fielding

OK. Should not have logged on to your email but suggest if going on marriedaffair.com don't use our children's names as password.

Simon Armitage

Blaise Pascal didn't tweet and neither did Mark Twain. When it came to writing something short & sweet neither Blaise nor Mark had the time.

Charlie Higson

Jack was sad in the orphanage til he befriended a talking rat who showed him a hoard of gold under the floor. Then the rat bit him & he died.

India Knight
Soften, my arse. I'm a geezer. I'm a rock-hard little bastard. Until I go mushy overnight for you, babe. #pears

Jilly Cooper

Tom sent his wife's valentine to his mistress and vice versa. Poor Tom's a-cold and double dumped.

Rachel Johnson

Rose went to Eve's house but she wasn't there. But Eve's father was. Alone. One thing led to another. He got 10 years.
THE GUARDIAN



Saturday, July 30, 2016

My writing day / AL Kennedy / ‘As payments plummet, I’m back on the road as much as I was when I started out’


AL Kennedy by Alan Vest


AL Kennedy: ‘As payments plummet, I’m back on the road as much as I was when I started out’



The Man Booker longlisted author on working in the chaos of a new house, making ends meet and the rare joy of writing in a first-class carriage



AL Kennedy

Saturday 30 July 2016 10.00 BST


A
fter a while, there is no typical day. There are very few days even close to being typical or useful. The busyness and business of being a writer fight for space with anything like writing. And then there is the resting and recharging, which are necessary and which I only remember when I get ill and am reminded – again – that I have to take a break. But let’s take one day last week as an example – as it turned out, the hottest day this year so far.

I wake in my new house, which is still in new house chaos. Planning non‑emergency building works cuts into time for writing. I look out of the window at the little river, which is winking bluely and suggesting I should sod everything and walk along it. In fact, I get myself suited, booted and packed. I then make a Lemsip and coffee combo in a kitchen that currently has a water-collapsed ceiling and is dominated by a vast dehumidifier. The dehumidifier means I could bake bread in there without an oven. Which is handy, because I can’t use the oven.
I drink. There is some bread. Then a railway station.
I spend much of my life on railway stations and in trains. Readings, festivals, conferences – travel sells books. As payment for everything plummets, I find I am back on the road as much as I was when I started out. The percentage of my income that comes from UK book publication is now the same as it was when I started out. But things could be worse. Like many UK authors, I am supported by income from abroad, especially Germany.
My first train can’t even reach London. It gets as far as Colchester – two stops – and despairs. But train two arrives in London only slightly late. Being only slightly late is always an achievement. I emerge at Liverpool Street into the super-heated greeny‑brown air of the capital. A quiet cab driver (either too hot to curse remainers, or too hot to curse Boris) batters manfully through the gridlock and I’m at King's Cross with enough time to eat cheap warm sushi out of a bag. It’s the healthy option. If you mainly eat at railway stations you try to aim for the healthy option.
Train three grumbles out of King's Cross and I start reading. Today is a reading day – three translated novels, two French, one German. It is fantastically easy to write on trains if you can get a first class ticket – power, quiet, tea, air-con, perfect – but I’m in steerage this time and close to tennis elbow again from too much typing, so today it’s sleazy, philosophical French murders and gritty city German prostitutes with added ironic deconstructions of capitalism.
The French body count distracts slightly from the complete failure of the carriage’s air conditioning. Free water is issued, an unscheduled stop does not result in access to a technician who is battling with other mishaps elsewhere. Paintwork threatens to bubble. We simmer on to Edinburgh, 40 minutes late, and I get to eat out of a bag on Waverley station, this time with two and half hours to idle away. I’ve missed my connection. I drink a lot of fruit juices – healthy option. I ponder the German prostitutes and capitalism as the pimp of us all – it seems a useful metaphor.
I trundle myself on to train five, which is the slow train, but which will get me to Nairn instead of rushing me straight to Inverness, where I’ll have to be uplifted and taken back to Nairn. I am grateful for mobile phones, internet access and wheeled bags. They make today much easier than it would have been 20 years ago.
I finish the last, trippy, deathy French roman policier and reach sunset as we curve round the bay at Montrose. I text my gentleman of choice, attaching a photo of the sunset. We exchange good nights from our endless roads. It is cool, finally. And at 00.30, or so, I am being hugged by people I love and given tea and food and we are talking, talking. Writing tomorrow, but now the comfort of kind voices. It’s what they call inspiration.

 AL Kennedy's latest book Serious Sweet (Jonathan Cape) has been longlisted for the Man Booker prize.
THE GUARDIAN






Thursday, April 21, 2016

My hero / Victoria Wood by AL Kennedy


Victloria Wood in 2002. Photograph: The Independent/Rex/Shutterstock


My hero: Victoria Wood by AL Kennedy

A writer with an exemplary, generous eye, she was transgressive, warm, intelligent, surreal and bloody funny – she could gently overturn the world


AL Kennedy
Thu 21 Apr 2016


Y
ou may be old enough to remember when Victoria Wood appeared on New Faces on ITV. It was 1974 and Wood was transgressive, warm, intelligent, subversive, joyous, surreal and bloody funny. My gran knew she was funny, my mum knew she was funny, I knew she was funny. Everyone did. For more than four decades she gave us that: the unforeseen, triumphant joy of real comedy, heart and mind.


When most TV comedy was still using female performers as busty set dressing, Wood was in charge of her funny; its sheer quality setting her beyond all usual restrictions. When posh boys riffed on life’s absurdities and scholarship boys joined them – there was Victoria Wood. When much working-class and club comedy was caught in a headlock of self-loathing, misogyny and general hate – there was Victoria Wood. Like all genuinely transcendent comedians, she was completely herself, saying what she felt was true. Gently, self-deprecatingly, she could overturn the world, be northern, be female, be Ann Widdecombe dancing. She was part of the creative impetus that broke UK writers and performers through into that wonderful, crazed explosion of “alternative comedy” in the 80s.
As a writer, Wood created extraordinary roles – often for women – and had an exemplary, generous eye for other talented actors and comics. She put the music into beautiful and useful lines, whether in a drama such as Housewife, 49 or a song such as “Let’s Do It”. She could be real without dragging humanity in the gutter, she could be angry without bullying, she could be serious without being smug. She lit my world and I thank her.
THE GUARDIAN




2009
001 My hero / Oscar Wilde by Michael Holroyd
002 My hero / Harley Granville-Barker by Richard Eyre
003 My hero / Edward Goldsmith by Zac Goldsmith
004 My hero / Fridtjof Nansen by Sara Wheeler 
005 My hero / Mother Mercedes Lawler IBVM by Antonia Fraser

007 My hero / Ernest Shepard by Richard Holmes
008 My hero / JG Ballard by Will Self
009 My hero / Alan Ross by William Boyd
010 My hero / Ben the labrador by John Banville

011 My hero / Vicent van Gogh by Margaret Drabble
012 My hero / Franz Marek by Eric Hobsbawm

2010

017 My hero / Jack Yeats by Colm Tóibín
018 My hero / Francisco Goya by Diana Athill
019 My hero / Max Stafford-Clark by Sebastian Barry
020 My hero / Arthur Holmes by Richard Fortey

036 My hero / Robert Lowell by Jonathan Raban
037 My hero / Beryl Bainbridge by Michael Holroyd
038 My hero / Charles Schulz by Jenny Colgan
039 My hero / Oliver Knussen by Adam Foulds
040 My hero / Annie Proulx by Alan Warner

041 My hero / David Lynch by Paul Murray
042 My hero / Edwin Morgan by Robert Crawford
043 My hero / Anne Lister by Emma Donoghue
044 My hero / Jane Helen Harrinson by Mary Beard
045 My hero / Edmund Burke by David Marquand
046 My hero / Shelagh Deleaney by Jeanette Winterson
047 My hero / Christopher Marlowe by Val McDermid
048 My hero / Gwen John by Anne Enright
049 My hero / Michael Mayne by Susan Hill
050 My hero / Stanley Spencer by Howard Jacobson

051 My hero / William Beveridge by Will Hutton
052 My hero / Jean McConville by Amanda Foreman
053 My hero / Alexander Pushkin by Elaine Feinstein
058 My hero / Cy Twombly by Edmund de Waal

2011
079 My hero / Gene Wolfe by Neil Gaiman
087 My hero / Alberto Moravia by John Burnside
096 My hero / Isaac Babel by AD Miller
097 Lucian Freud by Esi Edugyan
100 Thomas Tranströmer by Robin Robertson
102 My hero / David Hockney by Susan Hill

2012

190 My hero / Iris Murdoch by Charlotte Mendelson
194 My hero / René Descartes by James Kelman
199 My hero / Albert Camus by Geoff Dyer

2015
2016