Showing posts with label Elizabeth Strout. Show all posts
Showing posts with label Elizabeth Strout. Show all posts

Saturday, September 7, 2024

Motherless Child by Elizabeth Strout

 

Baby breastfeeding
Illustration by Jules Julien

Fiction

Motherless Child 

by Elizabeth Strout

They were late.

Olive Kitteridge hated people who were late. A little after lunchtime, they had said, and Olive had the lunch things out, peanut butter and jelly for the two oldest kids, and tuna-fish sandwiches for her son, Christopher, and his wife, Ann. For the little ones, she had no idea. The baby was only six weeks old and wouldn’t be eating anything solid yet; Little Henry was over two, but what did two-year-olds eat? Olive couldn’t remember what Christopher had eaten when he was that age.

Elizabeth Strout on Returning to Olive Kitteridge

Elizabeth Strout


This Week in Fiction

Elizabeth Strout 

on Returning to Olive Kitteridge


By Deborah Treisman
July 29, 2019

Your story in this week’s issue, Motherless Child,” revolves around Olive Kitteridge, who was the protagonist of your 2008 story collection, “Olive Kitteridge,” and will be the protagonist of a sequel, “Olive, Again,” which comes out this fall. What made you want to go back to Olive (or move forward with her)?

I never intended to return to Olive Kitteridge. I really thought I was done with her, and she with me. But a few years ago I was in a European city, alone for a weekend, and I went to a café, and she just showed up. That’s all I can say. She showed up with a force, the way she did the very first time, and I could not ignore her. This time, she was nosing her car into the marina, and I saw it so clearly—felt her so clearly—that I thought, Well, I should go with this.

Elizabeth Strout / ‘All ordinary people are extraordinary’

 

Elizabeth Strout


Elizabeth Strout: ‘All ordinary people are extraordinary’

The Pulitzer prize winner on uniting Olive Kitteridge and Lucy Barton in her new novel, her unfathomable dreams, and how she went from ‘blabbermouth’ to writer

Pulitzer prize winner Elizabeth Strout, 68, has wooed readers and critics alike with a string of bestselling novels set in Maine, where she grew up and now mostly lives. Her latest, Tell Me Everything, unites two recurring protagonists from recent books – self-effacing author Lucy Barton and abrasive nonagenarian Olive Kitteridge – with sometime lawyer Bob Burgess, who first appeared in her 2013 novel The Burgess Boys, and is now set to be hauled out of semi-retirement by a murder case. As a New England winter finally yields to spring, pathos and dry humour gild tender reflections on loneliness and connection, and the redemptive power of storytelling.

Sunday, July 9, 2023

Olive, Again by Elizabeth Strout review – triumphant return of Olive Kitteridge



Olive, Again by Elizabeth Strout review – triumphant return of Olive Kitteridge

These stories about an irascible yet winning Maine widow have the amplitude and emotional subtlety of the most comprehensive novels

Lucy Hughes-Hallett
Friday 25 October 2019


Olive Kitteridge doesn’t much like Betty, the “nursing aide” assigned to her after her heart attack. She dislikes Betty for the hostility with which she treats the other carer, a Somali woman. She dislikes her for her Republican bumper sticker. She really, really dislikes her for having dropped the cigarette butt that caused Olive to bend over, get dizzy and fall and subsequently decide she’d better move into sheltered housing. But when one day Betty shows up crying over the death of the headteacher on whom she had a crush, back when Olive was teaching her maths in high school, Olive softens. She hands her a Kleenex and asks about her life. “‘It sucks,” says Betty. Olive wants more. “Oh it’s just a life,” says Betty. “Olive thought about this. She said: ‘Well, it’s your life. It matters.’”

Sunday, November 6, 2022

Booker prize 2022 / Alan Garner becomes oldest author to be shortlisted

 

Booker prize shortlisted authors … top (from left): Percival Everett, Elizabeth Strout, NoViolet Bulawayo; bottom (from left): Claire Keegan, Alan Garner, Shehan Karunatilaka

Booker prize: Alan Garner becomes oldest author to be shortlisted

This article is more than 1 month old

Only British writer on list will collect prize on 88th birthday if successful, and is among a list of books judges say ‘speak powerfully about important things’


Sarah Shaffi
Tue 6 September 2022

Alan Garner has become the oldest author to be shortlisted for the Booker prize, and is the only British writer on this year’s list.

He is joined on the shortlist, described by chair of judges Neil MacGregor as six books that “speak powerfully about important things”, by one Irish writer, two Americans, a Zimbabwean and a writer from Sri Lanka.

Historian MacGregor said the judges were looking for books in which “something momentous happens”, as well as novels that would “demonstrate how great writing gives the human predicament a shape”.

MacGregor was joined on the judging panel by academic and broadcaster Shahidha Bari; historian Helen Castor; novelist and critic M John Harrison; and novelist, poet and professor Alain Mabanckou.

If Garner goes on to win for his novel Treacle Walker, about a young boy who is visited by a wandering healer, he will receive the award on his 88th birthday. Treacle Walker is also the shortest book on the list, coming in at around 15,000 words.

The judges called it a “mysterious, beautifully written and affecting glimpse into the deep work of being human”, and said the book had made some of them cry.

Also making the cut are former shortlistees NoViolet Bulawayo and Elizabeth Strout. Zimbabwean Bulawayo, who was shortlisted in 2013 for her debut We Need New Names, is through to the final six again with the Animal Farm-inspired political satire Glory, narrated by a chorus of animals. The judges called it “a magical crossing of the African continent, in its political excesses and its wacky characters”.

American author Strout was shortlisted in 2006 with My Name is Lucy Barton. The title on this year’s list, Oh William!, is also part of her Lucy Barton series and sees the character reconnect with her first husband. The judges described it as “one of those quietly radiant books that finds the deepest mysteries in the simplest things”.

Shehan Karunatilaka’s The Seven Moons of Maali Almeida is about a photographer caught up in the horrors of civil war, and is his second novel, published 10 years after his first. He is the second Sri Lankan author in two years to make the Booker shortlist, and has written a novel “full of ghosts, gags and a deep humanity”, say the judges.

American writer Percival Everett’s The Trees is about detectives who investigate a series of gruesome murders in Money, Mississippi, where Emmett Till was lynched 65 years earlier. The judges said it was “horrifying and howlingly funny” and that it “asks questions about history and justice and allows not a single easy answer”.

Irish author Claire Keegan is shortlisted for the slim Small Things Like These, set in the run-up to Christmas in a small Irish town. The panel said Keegan was “measured and merciless as she dissects the silent acquiescence of a 1980s Irish town in the Church’s cruel treatment of unmarried mothers”.

There had been, said director of the Booker prize foundation, Gaby Wood, “virtually no arguments, no proper rows” between the judges when deciding on the list. They had chosen books that bring history to life and, said Bari, “books that use humour as a strategy”.

Half of the titles on the list are published by independents: Small Things Like These by Faber, The Seven Moons of Maali Almeida by Sort Of, and The Trees by Influx.

Bea Carvalho, head of fiction at Waterstones said the shortlist showed “astonishing literary experience and prestige, with nominees who booksellers have enjoyed championing for many years”.

“We are delighted that the Booker judges have chosen such a commercially strong and wide-reaching selection and can’t wait to see what they choose as 2022’s winner,” she added.

The 2022 winner will be announced on Monday 17 October in an awards ceremony held at the Roundhouse in London. The six shortlisted authors each receive £2,500 and a specially bound edition of their book; the winner will receive £50,000.

THE GUARDIAN



Wednesday, October 26, 2022

Books that made me / Elizabeth Strout / ‘My guilty pleasure? War and Peace. I read it furtively’

 

Elizabeth Strout



Books

that 

made me


Elizabeth Strout: ‘My guilty pleasure? War and Peace. I read it furtively’

Her in-laws felt so embarrased by her reading it on holiday, they said: ‘Liz, that’s so pretentious, can’t you cover it up?’


Elizabeth Strout

Friday 10 March 2018


The book I am currently reading
A Long Way from Home by Peter Carey. It’s an astonishing piece of work: so Peter Carey, and yet completely on its own, about a couple in the 1950’s who are doing the Redex Trial – a race around the Australian continent – with their navigator. The places the book goes – well, it’s just wonderful; it feels necessary.

The book that changed my life
Honestly, all the good books I have read have somehow changed my life. A good book creates a sense of opening – of the soul, of one’s life, of other people’s lives.

The book I wished I’d written
The Mambo Kings Play Songs of Love by Oscar Hijuelos. The cultural history of Cuban Americans is something I would have had no knowledge about, but boy, did I admire that book!

The book that had the greatest influence on my writing
The Collected Stories of William Trevor. I credit him with a great deal of my ability to find my way around a sentence. What a writer he was; he could flip over a sentence so gently, and show the underbelly in a heartbeat. His work is always quietly compassionate. Also the work of Alice Munro has influenced me. Munro and Trevor have been like two bookends in my writing life.

The book that changed my mind
The Return by Hisham Matar opened my mind. It brought me into unfamiliar territory, and made it familiar; the sense of loss was something I understood right away, and I was so grateful to have read it.

The last book that made me cry
Local Souls by Allan Gurganus. The first novella in this collection of three novellas, called “Fear Not,” had me tearing up almost immediately, and I could not understand why at first. By the end of it, I was weeping openly.

The last book that made me laugh
I recently reread The Brothers Karamazov, by Dostoevsky, and I had forgotten – or maybe I didn’t get it the first time around – how funny he is, how funny the book is in places, the observations thrown out. I laughed out loud a number of times reading it.


The book I couldn’t finish
I can’t remember. But I am not a person who feels obligated to read a book to the last page if it is not doing something for me.

The book I’m most ashamed not to have read
Moby-Dick. I am so embarrassed that I never read that book; I feel as if I should start it right now.

The book I most often give as a gift
I give out Trevor’s Collected Stories like a preacher with his Bible. And people are always glad to have it, I have noticed that.

My earliest reading memory
Pigeon Feathers and Other Stories by John Updike. I must have been about six or seven. Obviously I couldn’t understand much of what was going on, but I did understand this: that to be a child did not pay. Adult life was where the real stuff was happening.

My guilty pleasure
Seriously? It’s War and Peace. The first time I read it, I was on vacation with my in-laws and sitting by the pool one of them said: “Liz, that’s so pretentious, can’t you cover that up?” I almost died. So now I read it furtively in the privacy of my home.

 Anything Is Possible is published by Penguin. 


THE GUARDIAN





THE BOOKS THAT MADE ME
2017
13 October 2017
Eimear McBride / ‘I can never finish Dickens – it’s sacrilege’
20 October 2017
Shami Chakrabarti / ‘Harry Potter offers a great metaphor for the war on terror’

20 August 2021
Books that made me / Frank Cottrell-Boyce / ‘I read Adrian Mole every year, it gets funnier each time’

27 August 2021
Books that made me / Chris Riddell / ‘Maurice Sendak taught us playfulness could be profound’