Showing posts with label Ford Madox Ford. Show all posts
Showing posts with label Ford Madox Ford. Show all posts

Saturday, November 26, 2022

Book Review 041 / The Good Soldier by Ford Madox Ford



The Good Soldier 

by Ford Madox Ford

1915



11 November 2015


This novel has an utterly misleading title. Ford claimed ‘The Good Soldier’ was his publisher’s idea, as an alternative to ‘The Saddest Story’, which may not have caught the public mood, but the commercial appeal of a novel published in 1915 about a ‘good soldier’ must have been hard to resist. Why not go the whole distance and call it “Brits beat the Hun”? It would have had as much relevance.

Thursday, November 28, 2019

Ford Madox Ford / The saddest story



The saddest story

Ford Madox Ford's personal life was deeply complicated, made worse by his own indecision and economy with the truth. No wonder unreliability, shifting identities and the turmoils of love and sex are the hallmarks of his greatest novel. Julian Barnes admires The Good Soldier



Julian Barnes
Saturday 7 June 2008

I
n 1927, The Good Soldier was reissued as the first volume of a uniform edition of Ford Madox Ford's works. In a dedicatory letter to Stella Ford, the novelist explained that his "tale of passion" was a true story heard a decade previously from the character he calls Edward Ashburnham, but that he'd needed to wait until all the originals were dead before he could write it. He claimed it as his best book, and asked, uxoriously, that Stella accept not just this work, but "the general dedication of the edition".

Julian Barnes / A tribute to Parade's End by Ford Madox



Julian Barnes: a tribute to Parade's End by Ford Madox Ford

Ford Madox Ford's Parade's End, adapted for the BBC by Tom Stoppard, is a masterpiece saturated with sex and features 'the most possessed evil character' in 20th-century fiction

Friday 24 August 2012

I
n 1927, Ford Madox Ford compared himself to a great auk: that clumsy North Atlantic penguin, hunted to death by the middle of the 19th century. The occasion was the reissue of his first masterpiece The Good Soldier (1915) – his "great auk's egg" – which he had published at the age of 41. Even back then, he maintained, he had felt like an "extinct volcano", one who had had his time and was all too willing to hand over to the "clamorous young writers" of the rising generation. But those new voices – Imagists, Vorticists, Cubists – had been blown away by the first world war, and somehow he was still around. And so, to his own surprise, "I have come out of my hole again" to write more books … Such weary, genteel valetudenarianism was typical of Ford, and probably didn't help his reputation. When he died, in 1940, Graham Greene wrote that it felt like "the obscure death of a veteran – an impossibly Napoleonic veteran, say, whose immense memory spanned the period from Jena to Sedan".

Wednesday, November 13, 2019

Digested classics / Good Soldier by Ford Madox Ford



Digested classics

 Good Soldier by Ford Madox Ford


John Crace
Saturday 14 February 2009

This is the saddest story I ever heard. Yet I do not know how best to set it down, for this is the dawn of modernism and this is an experimental narrative of recovered memories and broken time-frames that loops and skips to leave you as confused and frustrated as I.
We had known the Ashburnhams for nine years in Nauheim and had assumed an intimacy that only comes from not talking to one another. You will gather from this that my wife, Florence, had a "heart" and from the way I cleverly manipulate the pluperfect that she is now dead.



Captain Ashburnham, Edward, who had had a successful military career in India, and, Leonora, whom I loved, though without the sex instinct - far too much effort for one so languidly detached as myself - would dine with us each night. Florence and I were Americans abroad, Teddy and Leonora the perfect British gentry; together we were good people who never did anything very much.It was 1913 when Florence grasped Teddy's arm as we were visiting a Protestant shrine and I noticed Leonora blanch. A more engaged and reliable narrator might have been disturbed by his wife's intimacy with another man, but I was satisfied when Leonora explained her reaction as that of an injured Irish Catholic.
Besides, Florence had given me no reason to suspect she had been Teddy's lover for nine years. If I had heard heavy breathing emanating from her locked bedroom, to which she retired alone each night at nine o'clock, then I understandably assumed they were the consequences of acute arrhythmia. So I assured Leonora I would only insult her co-religionists once per chapter and thought no more about it.
It was only after Teddy had died that Leonora told me of the Kilsyte case, where he had improperly kissed a servant girl, of his attachment to Major Basil's wife, of his affair with Maisie Maidan and of his unfortunate amour with the mistress of a Russian grand-duke that had cost him £40,000 and forced Leonora to take control of his assets to save them from bankruptcy.



And yet, in my familiar annoyingly perverse manner, I do not judge Teddy, for he was a good man, who was kind to tenants and small animals, and it is hard not to see he was trying to keep his philandering in order because each mistress was better bred than the last. If he had a fault, it was that he was a sentimentalist; and if I had a fault, it was that I was so absorbed in being the perfect stylist, repeating the perfect adjectives to ever more perfect effect, that I failed to notice my IQ was hovering near zero.
Did I mention that Maisie Maidan had died on 4 August? Perhaps not. How artfully artless of me! But then everything important in Florence's life had happened on that date. She had been born on 4 August and we also got married on that day - one I remember well as it was the last time I showed any passion, not sexual of course, but by hitting my darky servant for no good reason, other than that is how a gentleman from Philadelphia behaves.
And of course poor Florence committed suicide on that date, not that I realised she had killed herself at first, but then as I had turned stupidity into an art-form, it was at least in keeping for me not to notice. Leonora tells me the first thing I said was: "Now I can marry the girl."
I don't recall that, but even though Leonora is a Romanist, I see no reason to disbelieve her.
Ah, the girl! Leonora's ward, Nancy Rufford. Silly me again for not mentioning her earlier! Teddy was a good man and I honestly believe he was struggling to maintain a propriety in his feelings with the young woman and that Florence might have misunderstood his intentions. Not that that is why she took her life. Rather that she had returned to the hotel to find me talking to one of her relatives and assumed he must have told me about her inappropriate sexual liaison before we met.
He hadn't, as I only discovered that later, though I see now her family had once tried to warn me about her affair, that had also begun on 4 August, but it's hard to heed such advice when one's head is located so securely inside one's rectum, but Florence wasn't to know that when she swallowed the prussic acid.



I suppose the deceived husband ought to have been angry with Teddy, but I was a sentimentalist too and I truly loved him so much that some critics suspected me of being a closet homosexual. The person I really hated was Leonora. It was she who had pimped for Teddy, she who had led me to believe I might marry Nancy.
It was Leonora, too, who had conducted her own Papist affair with Rodney Bayham and had married him after Teddy's suicide. Yes, it quite slipped my mind that Teddy took his own life when Leonora forced Nancy to return to India. Nancy went quite mad on the boat and Teddy never forgave himself.


Ford Madox Ford

So now I sit, the American millionaire, waiting for the next 40 boring years to pass, listening to Nancy repeating the word "shuttlecock". Sometimes I even think of Teddy lying in the barn with his throat slit and how I saw him take out the pen knife but was too exhausted to stop him. Yes, it is a very sad story.
 John Crace's Digested Reads appear in G2 on Tuesdays.

Jean Rhys / After the Affair

Jean Rhys

AFTER THE AFFAIR
by Alexander Chee and Maud Newton

Alexander Chee and Maud Newton discovered a shared passion for the works of Jean Rhys this winter while anticipating Lilian Pizzichini’s new biography, The Blue Hour. They decided to read the novels Jean Rhys and Ford Madox Ford wrote after their affair with one another. This conversation is the result.

Granta
22nd June 2009
From: Alexander Chee
To: Maud Newton
Dear Maud,
I am imagining Jean Rhys finally holding the printed edition of The Left Bank and Other Stories, with its long strange preface by Ford Madox Ford. The preface begins with Ford describing his childhood in Paris, spending hard winters there, hating Paris, and then he gives a long description of Paris, and after fifteen pages, after talking about Parisians and the Rive Gauche, just when you have no idea who he is anymore, or why you would care, he finally says something about her.

Saturday, April 2, 2016

Julian Barnes's Top Ten List



Julian Barnes's Top Ten List

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Julian Barnes (born 1946) is a British author who has published eleven novels, including Flaubert’s Parrot (1984),England, England (1998), Love, etc (2000),Arthur and George (2009) and most recently, The Sense of an Ending (2011), which won the Man Booker Prize for Fiction. He has also published three short story collections, including The Lemon Table (2004), and several works of nonfiction, including the essay collectionSomething to Declare: Essays on France and French Culture (2002) and the memoir/history, Levels of Life. For more information, visit his official website.
1. Madame Bovary by Gustave Flaubert (1857). Of the many nineteenth-century novels about adulteresses, only Madame Bovary features a heroine frankly detested by her author. Flaubert battled for five years to complete his meticulous portrait of extramarital romance in the French provinces, and he complained endlessly in letters about his love-starved main character — so inferior, he felt, to himself. In the end, however, he came to peace with her, famously saying, “Madame Bovary: c’est moi.” A model of gorgeous style and perfect characterization, the novel is a testament to how yearning for a higher life both elevates and destroys us.

Thursday, March 31, 2016

Top 10 novels about unfaithful wives




Top 10 novels about unfaithful wives


From the class-crossing Constance Chatterley to Tolstoy’s enchanting Anna Karenina, here are 10 wives caught in flagrante delicto by their creators


Piers Paul Read
Wednesday 2 December 201513.00 GMT


Some years ago, at a performance of Puccini’s opera Tosca, I remembered a book I had read on the opera by a US historian that established just how inaccurate and partisan was its portrayal of the political realities of the time. The young revolutionaries Angelotti and Caravadossi, collaborators with the invading French, are shown as romantic heroes, while the loyal chief of police, Baron Scarpia, is evil incarnate – the sadistic agent of reaction who tortures Caravadossi and barters ruthlessly with Tosca: the surrender of her body for her lover’s life.
Can one perpetrate an injustice on a historical character? Could I, a British novelist, undo the calumny of an Italian composer? Little is known of Vitellio Scarpia. He appears in the histories of the time as a courageous soldier who took part in the popular uprising that drove the French out of Naples. It is said that, as a Sicilian, he was in an ambiguous social position in Rome. Did he have a wife or perhaps a lover? This was the age of Casanova and the Marquis de Sade; and, though the city was ruled by the pope, adultery was an accepted feature of life. The church might condemn it from the pulpit, but it was tolerated as an inevitable consequence of the frailty of human nature.
After the defeat of Napoleon, sexual permissiveness came to be associated with atheism and sedition, and society became less tolerant of unfaithful wives. Their transgressions, no longer peccadillos, inspired some of the finest novels in western literature – almost all of them, it has to be said, written by men.

Monday, June 30, 2014

The 100 best novels / No 41 / The Good Soldier by Ford Madox Ford (1915)



The 100 best novels

writtein English

No 41

The Good Soldier 

by Ford Madox Ford (1915)


Ford's masterpiece is a searing study of moral dissolution behind the facade of an English gentleman – and its stylistic influence lingers to this day


Robert McCrum
Monday 30 June 2014

The Good Soldier was conceived by Ford Madox Ford as the summation of his career as an admired and influential Edwardian novelist, his "last book", and a middle-aged writer's traditional riposte to the literary Cubists, Vorticists and Imagists of the day. In fact, it far outlives those heady innovators and stands at the entrance to 20th-century fiction as a dark, spellbinding puzzle, a novel of perennially enthralling and mysterious depths whose influence lingers like gun-smoke after a shooting.

The "good soldier" of the title is the retired Indian army veteran Captain Edward Ashburnham, who, with his wife Leonora, forms an apparently normal friendship with two Americans, John and Florence Dowell, at the German spa town of Nauheim, where, in August 1913, all four have gone for a cure.The apparent perfection of these two marriages quickly unravels. Dowell's steady unfolding of this "saddest story", in a series of flashbacks, exposes not only his wife's infidelity with "the good soldier" but also his own blind folly in not recognising the truth about his empty and loveless marriage.
The first part of Dowell's narration reaches its terrible climax with his wife Florence's suicide over her lover's betrayal. But here, where a more conventional novelist might have explored some of the nuances in the triangular relationship of the survivors – the Captain, Leonora and Dowell, their friend – Ford plunges into the terrible abyss of "the good soldier's" relations with his wife, his many affairs, and his shameful infatuation with his young ward, Nancy, a tormented affair that culminates in Ashburnham's suicide.
At the end, two marriages are in ruins, Nancy has gone mad, and Dowell, looking back in desolation, is alone with the dreadful memory of that perfect English gentleman, Edward Ashburnham, whose fatal flaw was his desperate and ruthless pursuit of love. Subtitled "A Tale of Passion", The Good Soldier is also an extraordinary story of broken hearts and betrayal.

A note on the text

Ford's masterpiece, published as a single volume in March 1915 by John Lane of The Bodley Head, was originally entitled The Saddest Story, inspired by its famous first line: "This is the saddest story I have ever heard." This was Ford's dominant motif. An earlier version of the novel's opening section had already appeared in Blast, on 20 June 1914, as "The Saddest Story". However, in the depths of the Great War, Ford's publisher was concerned that such a title would render the book unsaleable, and begged him to change it. The author, having enlisted in the army, was otherwise engaged, and inattentive to these concerns. "One day, when I was on parade," Ford later wrote, "I received a final wire of appeal from Mr Lane, and the telegraph being reply-paid I seized the reply form and wrote in hasty irony: 'Dear Lane, Why not The Good Soldier?'"
Six months later the book appeared under that title, subtitled "A Tale of Passion". Ford says he was horrified, but it was too late.
Ford's insouciance about the title is odd, because not only did he regard it as "my best book", he had also invested so much of himself in its composition. Previously, he wrote, "I had never really tried to put into any novel of mine all that I knew about writing." This one would be different. "On the day I was 40," he writes, "I sat down to show what I could do – and The Good Soldier resulted."


Ford Madox Ford

Actually, he did not sit down: he walked up and down the offices of his magazine, The English Review, dictating what he imagined would be his swansong. "I fully intended it to be my last book," he said. There was a new generation – Ezra Pound, TS Eliot, Wyndham Lewis and many others – coming to prominence. Ford felt The Good Soldier to be like a member of "a race that will have no successors".
He was wrong, of course. A succession of writers, from Graham Greene to Kazuo Ishiguro, have found things to admire here, and to venerate. A masterclass in the tale of the "unreliable narrator", it remains an evergreen English classic about an "English gentleman" and the "black and merciless things" concealed behind that label. The Good Soldier is a novel with an extraordinary afterlife, a text that repays every re-reading with significant new insights.



Three more from Ford Madox Ford

Parade's End (1924-28) and The Fifth Queen (1906-1908), both trilogies; Romance (with Joseph Conrad, 1903).
THE GUARDIAN



THE 100 BEST NOVELS WRITTEN IN ENGLISH
007 Emma by Jane Austen (1816)
014 Fair by William Thackeray (1848)  
031 Dracula by Bram Stoker  (1897)
035 The Call of the Wild by Jack London (1903)
036 The Golden Bowl by Henry James (1904)
039 The History of Mr Polly by HG Wells (1910)
040 Zuleika Dobson by Max Beerbohm (1915)
041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)