Showing posts with label Gregory Rabassa. Show all posts
Showing posts with label Gregory Rabassa. Show all posts

Thursday, April 17, 2014

García Márquez / One Hundred Years of Solitude / David Gallagher

From the archive, 28 June 1970: One Hundred Years of Solitude by Gabriel García Márquez

Observer review (of translation by Gregory Rabassa) by David Gallagher

David Gallagher
The Guardian, Thursday 17 April 2014

one hundred years review
England is now certainly the last remaining civilised country in which the extraordinary zest and originality of contemporary Latin American fiction has not been recognised.
At a time when the novel appears to many to have generally burnt itself out, Latin Americans have boisterously resuscitated the genre by presenting sheer original subject matter in a vigorous language and a correspondingly original form.

Friday, March 14, 2014

García Márquez / Blacaman the Good, Vendor of Miracles



Blacaman the Good, Vendor of Miracles
By Gabriel García Márquez
BIOGRAPHY
Translated by Gregory Rabassa



From the first Sunday I saw him he reminded me of a bullring mule, with his white suspenders that were backstitched with gold thread, his rings with colored stones on every finger, and his braid of jingle bells, standing on a table by the docks of Santa Maria del Darien in the middle of the flasks of specifics and herbs of consolation that he prepared himself and hawked through the towns along the Caribbean with his wounded shout, except that at that time he wasn't trying to sell any of that Indian mess but was asking them to bring him a real snake so that he could demonstrate on his own flesh an antidote he had invented, the only infallible one, ladies and gentlemen, for the bites of serpents, tarantulas, and centipedes plus all manner of poisonous animals. Someone who seemed quite impressed by his determination managed to get a bushmaster of the worst kind somewhere (the snake that kills by poisoning the respiration) and brought it to him in a bottle, and he uncorked it with such eagerness that we all thought he was going to eat it, but as soon as the creature felt itself free it jumped right out of the bottle and struck him on the neck, leaving him right then and there without any wind for his oratory and with barely enough time to take the antidote, and the vest-pocket pharmacist tumbled down into the crowd and rolled about on the ground, his huge body wasted away as if he had nothing inside of it, but laughing all the while with all of his gold teeth. The hubbub was so great that a cruiser from the north that had been docked there for twenty years on a goodwill mission declared a quarantine so that the snake poison wouldn't get on board, and the people who were sanctifying Palm Sunday came out of church with their blessed palms, because no one wanted to miss the show of the poisoned man, who had already begun to puff up with the air of death and was twice as fat as he'd been before, giving off a froth of gall from his mouth and panting through his pores, but still laughing with so much life that the jingle bells tinkled all over his body. The swelling snapped the laces of his leggings and the seams of his clothes, his fingers grew purple from the pressure of the rings, he turned the color of venison in brine, and from his rear end came a hint of the last moments of death, so that everyone who had seen a person bitten by a snake knew that he was rotting away before dying and that he would be so crumpled up that they'd have to pick him up with a shovel to put him into a sack,but they also thought that even in his sawdust state he'd keep on laughing. It was so incredible that the marines came up on deck to take colored pictures of him with long-distance lenses, but the women who'd come out of church blocked their intentions by covering up the dying man with a blanket and laying blessed palms on top of him, some because they didn't want the soldiers to profane the body with their Adventist instruments, others because they were afraid to continue looking at that idolater who was ready to die dying with laughter, and others because in that way perhaps his soul at least would not be poisoned. Everybody had given him up for dead when he pushed aside the palms with one arm, still half-dazed and not completely recovered from the bad moment he'd had, but he set the table up without anyone's help, climbed on it like a crab once more, shouting that his antidote was nothing but the hand of God in a bottle, as we had all seen with our own eyes, but it only cost two cuartillos because he hadn't invented it as an item for sale but for the good of all humanity, and as soon he said that, ladies and gentlemen, I only ask you not to crowd around, there's enough for everybody.

Thursday, March 13, 2014

Monologue of Isabel Watching It Rain in Macondo


Monologue of Isabel Watching It Rain in Macondo
By Gabriel García Márquez 
BIOGRAPHY

Translated by Gregory Rabassa


MONÓLOGO DE ISABEL VIENDO LLOVER EN MACONDO

Winter fell one Sunday when people were coming out of church. Saturday night had been suffocating. But even on Sunday morning nobody thought it would rain. After mass, before we women had time to find the catches on our parasols, a thick, dark wind blew, which with one broad, round swirl swept away the dust and hard tinder of May. Someone next to me said: "It's a water wind." And I knew it even before then. From the moment we came out onto the church steps I felt shaken by a slimy feeling in my stomach. The men ran to the nearby houses with one hand on their hats and a handkerchief in the other, protecting themselves against the wind and the dust storm. Then it rained. And the sky was a gray, jellyfish substance that flapped its wings a hand away from our heads.

Friday, June 17, 2011

García Márquez / The Autumn of the Patriarch


THE AUTUMN OF THE PATRIARCH
By Gabriel García Márquez 
BIOGRAPHY

Translated, from the Spanish, by Gregory Rabassa

THE NEW YORKERSEPTEMBER 27, 1976







Over the weekend the vultures got into the Presidential Palace by pecking through the screens on the balcony windows, and the flapping of their wings stirred up the stagnant time inside, and at dawn on Monday the city awoke out of its lethargy of centuries with the warm, soft breeze of a great man dead and rotting grandeur. Only then did we dare go in without attacking the crumbling walls of reinforced stone, as the more resolute had wished, and without using oxbows to knock the main door off its hinges, as others had proposed, because all that was needed was for someone to give a push and the great armored doors that had resisted the lombards of William Dampier during the building’s heroic days gave way. It was like entering the atmosphere of another age, because the air was thinner in the rubble pits of the vast lair of power, and the silence was more ancient, and things were hard to see in the decrepit light. All across the first courtyard, where the paving stones had given way to the underground thrust of weeds, we saw the disorder of the quarters of the guard who had fled, the weapons abandoned in their racks, the big, long rough-planked tables with plates containing the leftovers of the Sunday lunch that had been interrupted by panic, in the shadows we saw the annex where Government House had been, colored fungi and pale irises among the unpled briefs whose normal course had been slower than the pace of the driest of lives, in the center of the courtyard we saw the baptismal font where more than five generations had been christened with martial sacraments, in the rear we saw the ancient viceregal stable, which had been transformed into a coach house, and among the camellias and butterflies we saw the berlin from stirring days, the wagon from the time of the plague, the coach from the year of the comet, the hearse from Progress in Order, the sleepwalking limousine of the first century of peace, all in good shape under the dusty cobwebs and all painted with the colors of the flag. In the next courtyard, behind an iron grille, were the lunar-dust-covered rosebushes under which the lepers had slept during the great days of the house, and they had proliferated to such a degree in their abandonment that there was scarcely an odorless chink in that atmosphere of roses which mingled with the stench that came to us from the rear of the garden and the stink of the henhouse and the smell of dung and fermented urine from the cows and soldiers of the colonial basilica that had been converted into a milking barn. Opening a way through the asphyxiating growth we saw the arches of the gallery with potted carnations and sprigs of astromeda and pansies where the concubines’ quarters had been, and judging from the variety of domestic leftovers and the quantity of sewing machines we thought it possible that more than a thousand women had lived there with their crew of seven-month runts, we saw the battlefield disorder of the kitchens, clothes rotting in the sun by the washbasins, the open slit trench shared by concubines and soldiers, and in back we saw the Babylonian willows that had been carried alive from Asia Minor in great seagoing hothouses, with their own soil, their sap, and their drizzle, and behind the willows we saw Government House, immense and sad, where the vultures were still entering through the chipped blinds. We did not have to knock down the door, as we had thought, for the main door seemed to open by itself with just the push of a voice, so we went up to the main floor along a bare stone stairway where the opera-house carpeting had been torn by the hooves of the cows, and from the first vestibule on down to the private bedrooms we saw the ruined offices and reception rooms through which the brazen cows wandered, eating the velvet curtains and nibbling at the trim on the chairs, we saw heroic portraits of saints and soldiers thrown to the floor among broken furniture and fresh cow flops, we saw a dining room that had been eaten up by the cows, the music room profaned by the cows’ breakage, the domino tables destroyed, and the felt on the billiard tables cropped by the cows. Abandoned in a corner we saw the wind machine, the one which counterfeited any phenomenon from the four points of the compass, so that the people in the house could bear up under their nostalgia for the sea that had gone away, we saw birdcages hanging everywhere, still covered with the sleeping cloths put on some night the week before, and through the numerous windows we saw the broad and sleeping animal that was the city, still innocent of the historic Monday that was beginning to come to life, and beyond the city, up to the horizon, we saw the dead craters of harsh moon ash on the endless plain where the sea had been. In that forbidden corner which only a few people of privilege had ever come to know, we smelled the vultures’ carnage for the first time, we caught their age-old asthma, their premonitory instinct, and guiding ourselves by the foul smell from their flapping wings in the reception room we found the wormy shells of the cows, their female hindquarters repeated many times in the full-length mirrors, and then we pushed open a side door that connected with an office hidden in the wall, and there we saw him, in his denim uniform without insignia, in his boots, the gold spur on his left heel, older than all old men and all old animals on land or sea, and he was stretched out on the floor, face down, his right arm bent under his head as a pillow, as he had slept night after night every night of his ever so long life as a solitary despot.


Only when we turned him over to look at his face did we realize that it was impossible to recognize him, even though his face had not been pecked away by vultures, because none of us had ever seen him, and even though his profile was on both sides of all coins, on postage stamps, on condom labels, on trusses and scapulars, and even though his engraved portrait with the flag across his chest and the dragon of the fatherland was displayed at all times in all places, we knew that they were copies of copies of portraits that had already been considered unfaithful during the time of the comet, when our own parents knew who he was because they had heard tell from theirs, as they had from theirs before them, and from childhood on we grew accustomed to believe that he was alive in the house of power because someone had seen him light the Chinese lanterns at some festival, someone had told about seeing his sad eyes, his pale lips, his pensive hand waving through the liturgical decorations of the presidential coach, because one Sunday many years ago they had brought him the blind man on the street who for five centavos would recite the verses of the forgotten poet Rubén Dario and the blind man had come away happy with the nice wad they had paid for a recital that had only been for him, even though the blind man had not seen him, of course, not because he was blind but because no mortal had ever seen him since the days of the black vomit, and yet we knew that he was there, we knew it because the world went on, life went on, the mail was delivered, the municipal band played its retreat and silly waltzes on Saturday under the dusty palm trees and the dim street lights of the main square, and other old musicians took the places of the dead musicians in the band. In recent years when human sounds or the singing of birds were no longer heard inside and the armored doors were closed forever, we knew that there was someone in Government House because at night lights that looked like a ship’s beacons could be seen through the windows of the side that faced the sea, and those who dared go closer could hear a disaster of hooves and animal sighs from behind the fortified walls, and one January afternoon we had seen a cow contemplating the sunset from the presidential balcony, just imagine, a cow on the balcony of the nation, what an awful thing, what a stinking country, and all sorts of conjectures were made about how it was possible for a cow to get onto a balcony, since everybody knew that cows can’t climb stairs, much less carpeted ones, so in the end we never knew if we had really seen it or whether we had been spending an afternoon on the main square and as we strolled along had dreamed that we had seen a cow on the presidential balcony, where nothing had been seen or would ever be seen again for many years, until dawn last Friday, when the first vultures began to arrive. Rising up from where they had always dozed on the cornices of the charity hospital they came, they came from farther inland, they came in successive waves, out of the horizon of the sea of dust where the sea had been, for a whole day they flew in slow circles over the house of power until a king with bridal-fan feathers and a crimson ruff gave a silent order and that breaking of glass began, that breeze of a great man dead, that in and out of vultures through the windows imaginable only in a house which lacked authority, so we dared go in too and in the deserted sanctuary we found the rubble of grandeur, the body that had been pecked at, the smooth maiden hands with the ring of power on the bone of the third finger, and his whole body was sprouting tiny lichens and parasitic animals from the depths of the sea, especially in the armpits and the groin, and he had the canvas truss on his herniated testicle, which was the only thing that had escaped the vultures in spite of its being the size of an ox kidney, but even then we did not dare believe in his death, because it was the second time he had been found in that office, alone and dressed and dead seemingly of natural causes during his sleep, as had been announced a lung time ago in the prophetic waters of soothsayers’ basins.