Showing posts with label Sinclair Lewis. Show all posts
Showing posts with label Sinclair Lewis. Show all posts

Wednesday, July 5, 2023

Andy Borowitz recommends the best Comic Writing



Andy Borowitz recommends the best Comic Writing

Do you have to be cruel to be comedic? It often helps, says bestselling humour writer, Andy Borowitz. He picks his favourite comic novels.


Interview by Eve Gerber
Marc 16, 2012


You’ve just turned the tale of a brush with death into a bestselling ebook that is by turns tragic, romantic, profound and just plain gross. Tell us about An Unexpected Twist and how you twist everything into comedy.

Friday, November 25, 2022

Book Review 047 / Babbitt by Sinclair Lewis

 


Babbitt

by Sinclair Lewis

1922

Book Review

The 100 best novels / No 47 / Babbitt by Sinclair Lewis (1922)



November 22, 2016


‘Babbitt’, Sinclair Lewis’s satirical portrait of 1920’s America, was written only three years into the prohibition era, and published three years before that other, very different portrait of the USA of the time, ‘The Great Gatsby’. The term ‘babbitt’ was used in the US for some time (I am not sure if it is still current) to signify a person, especially a business or professional man, who “conforms unthinkingly to prevailing middle-class standards and norms”. The name itself is a cleverly constructed combination of ‘babble’, the meaningless babyish talk that Babbitt typically uses when in discussion with his friends, and ‘rabbit’, a small and vulnerable creature, the opposite of the alpha-male that he believes himself to be.

Friday, November 22, 2019

Sinclair Lewis

Upton Sinclair

Upton Beall Sinclair Jr. (Sept. 20, 1878 – Nov. 25, 1968) was a writer of novels of social protest and political tracts; he is best known for his 1906 expose of the meatpacking industry, "The Jungle."

Born in Baltimore, Md., Sinclair was named for his father, an amiable alcoholic who became a symbol for feckless failure in the eyes of his son. Sinclair's mother, Priscilla Harden, was by contrast Puritanical and strong-willed, qualities that Sinclair also embodied. Living in cheap apartments in New York from the age of 10, Sinclair had personal experience of poverty. But he was also an indulged only child who often visited his mother's wealthy relatives in Maryland. The contrast between wealth and poverty troubled him and became his major theme.

Sinclair was one of the best educated American writers of his era, graduating from what is now City University of New York at 18 and attending classes at Columbia College for two more years, but he condemned American education for failing to explain and rectify social problems associated with poverty. Hungry as a young shark, in his words, for money and fame, he began writing boys' stories at 16. At 20 he vowed to give up hack writing and become a serious novelist.


At 21 he married the 18-year-old Meta Fuller. Their son, David, was born the following year, in December 1901. Sinclair's several serious novels failed, and his marriage was in trouble when, in 1903, he turned to what he regarded as the secular religion of Socialism. In 1904 his Socialist contacts sent him to Chicago to write about the plight of meatpacking workers. The resulting novel, "The Jungle," aroused such great indignation — about bad meat, not about mistreated workers, as Sinclair had intended — that it helped secure passage of the country's first Pure Food and Drug laws.

Sinclair used his sudden wealth and fame to support several experiments in communitarian living. He also agitated for various reforms, all detailed in hastily written novels and nonfiction books and articles that did not live up to the promise of "The Jungle." His marriage collapsed in 1911, and in 1913 he married again, more happily, to Mary Craig Kimbrough. In 1916 they moved to Pasadena, Calif. In the productive 12 years that followed, Sinclair wrote nonfiction critiques of American education, religion, journalism, and literature. He also wrote more fiction, including the well-received "Oil!" in 1927 and "Boston," about the Sacco and Vanzetti case, in 1928 (the film based on "Oil!," "There Will Be Blood," effectively captures the best part of the novel, the bringing in of the well).

Sinclair Lewis

In 1934 Sinclair ran for governor of California as a Democrat; he lost, but was said to have altered the state's rigid conservatism. Returning to writing, Sinclair reinvented himself as a historical novelist. "World's End," in 1940, would be the first of 11 "Lanny Budd" novels, in which Sinclair's young protagonist roams the world, meeting leaders both good (Roosevelt, Churchill) and evil (Hitler, Mussolini). By 1953, when the series ended, Sinclair had become a committed cold warrior, convinced that the Soviet Union for which he had once had high hopes was a tyranny worse than Hitler's.

A few more books would follow, but Sinclair spent most of his time caring for his ailing wife until her death in 1961. He married for the third time the following year to a lively widow who made the intensely private writer "put the 'social' in Socialism." He also reconciled with his son, David, from whom he had long been estranged; in 1967, the year before his death, he moved to a nursing home in Bound Brook, N.J., not far from his son's home.

Sinclair Lewis

Sinclair's vast collection of letters and books is housed in the Lilly Library at Indiana University. It includes a famous photograph of the author, who was about 5 feet 7 inches, standing next to a stack of books he had written that is taller than he is: some 90 books in 90 years. Many of those works were admitted propaganda by a talented writer who had more interest in persuasion and politics than in human personality and are no longer read. One wag said he sold his birthright for a pot of message. But a few, including "The Jungle," parts of "Oil!," and "World's End," hold up well. Sinclair himself was that rarity in the literary world, a man of action as well as of ideas.



Wednesday, August 23, 2017

Top 10 books about tyrants


Osvaldo Guayasamín

Top 10 books about tyrants


The novelist Christopher Wilson assembles a rogues’ gallery of despots and dictators from fact and fiction

Christopher Wilson
Wednesday 23 August 2017 13.00 BST


T
he emergence of a dictator tends to be seen as a unique coincidence of character and circumstance – yet there are clear consistencies. As a tyrant, you’re almost certainly male. You’ll survive much longer in power than a democrat, possibly for 30 to 40 years. Then you’ll die or get toppled. Retirement (more time with the family) isn’t an option. Whether you’re of the left or the right, you’ll have organised repression, mass arrests, routine torture, summary trials, prison camps and a secret police force, and you will have made a cult of your personality. There will be mass murder rationalised as defence of the state. The victims will be described as disposable things.
My latest novel, The Zoo, is set in the Union of Soviet Socialist Republics in 1953. It is a time of alternative facts. History gets rewritten daily. Truth is in perpetual flux. People dispensable as flies, disappearing en masse. Some are disinvented entirely – erased from the records, purged from books, wiped from photos. There are two national newspapers: “the truth” and “the news”. However, as the saying goes: “There’s no news in the truth and no truth in the news.” Presiding over all this is the Great Leader – the Man of Iron, the Gardener of Human Happiness, the Genius, the Architect of Joy, the Moral Compass of the Universe, Kind Uncle Joe.
My aim was to occupy the mind of a tyrant – in this case, a tyrant much like Stalin – reasoning that everyone has their reasons, even monsters.
This selection explores the mentality and behaviour of the tyrant, the conditions that support him, his impact on the population and the means to oppose him.




1. I, Claudius by Robert Graves
A writer, lame, with a stammer and deaf in one ear, Claudius is seen as an idiot by his Roman imperial family – too ineffectual to bother about, let alone kill. Claudius watches as his relatives jostle for power and dispose of each other. Augustus gives way to the paranoid Tiberius. Then there’s the crazy Caligula, who declares himself a god, makes his horse a senator, commits incest with his three sisters and has sections of the crowd at the games thrown to the lions. Imagined by Robert Graves, sourced from Suetonius and Tacitus accounts, the book is an encyclopaedia of tyrannical possibilities, and a cracking, engrossing, gossipy read.
2. We by Yevgeny Zamyatin
Written in 1920, but never published in the Soviet Union, this dystopian novel of a totalitarian future, anticipates the biological controls of Brave New World and the Big Brotherish language of 1984. Governed by the Benefactor, Reason and One State, citizens are numbers in a transparent world of glass, with every waking moment governed by the (time) Table. Freedom is an “unorganised primitive state” incompatible with happiness. Sex is licensed. But outside the containing Green Wall there’s another world – of anarchy, freedom and furry people. With his writings suppressed, Zamyatin wrote to Stalin describing himself as a writer in waiting, until “it becomes possible in our country to serve great ideas without cringing before little men”.



3. It Can’t Happen Here by Sinclair Lewis
Suspend disbelief and imagine this: a political outsider, a populist demagogue gets elected president of the USA, lashing out at a liberal press, promising to sort out Mexico, stigmatising minorities, appealing to the blue-collar vote, promising a return to greatness and prosperity. Once elected, he establishes a militia to quell dissent, jails opponents, invades Mexico. Written in 1935, Lewis drew on the career of the Louisiana governor Huey Long, imagining an America infected with a bad dose of European fascism. At least it can’t happen here.
4. The Dictator’s Handbook by Bruce Bueno de Mesquita and Alastair Smith
Here’s a Freakonomics or Selfish Gene of politics. Whatever its ideology, its rhetoric or moral pleadings, power always follows one rule. It acts to sustain itself. The aim of power is to retain power. But even dictators don’t rule alone. Every government requires a coalition of essential supporters who need rewarding or paying off. A lot follows from basic principles. The larger the coalition, the better the infrastructure, the less the reliance on natural resources, the more inclusive and democratic the society will be. Dictatorships are more stable because there are simply fewer vested interests to serve. A successful tyranny reduces the proportion of influential people and maximises the number who are irrelevant and interchangeable.


5. The Color Purple by Alice Walker
Tyrants operate not just in government at the national level, but in every layer and tranche below. These despots are bosses, teachers, priests, parents, siblings, spouses. In The Color Purple, Walker unpacks them all like a nest of Russian dolls. Poor Celie, has a hard ride. Growing up in the American south in the 1930s, she gets the lot – the abusive parent, the rapist, the wife-beater, the bigot, the bully – and suffers, absorbs, learns and survives.



6. The Autumn of the Patriarch by Gabriel García Márquez 
This story is powerful and complex, in love with the comma, disdaining the fullstop, with imagery you can smell, touch and taste, repugnant and beautiful, with labyrinthine sentences, intersecting voices and without speech marks. It’s the tale of the 100-year reign of the genocidal, man-roasting, child-slaughtering, patriarch and the fear and awe he commands in his people.
7. Nothing to Envy: Ordinary Lives in North Korea by Barbara Demick 
A book that travels to a hermit country that has dropped out of the world to follow the lives of six North Koreans under the rule of Kim Il-Sung and Kim Jong-Il. All eventually find their way to South Korea to tell their experiences of hideous brutalities, homeless orphans, labour camps, starvation, cradle-to-grave indoctrination and the godlike status of the Dear Leader. But even defection doesn’t bring peace. Having internalised tyranny, South Korea is unsettling. And there’s gut-gnawing guilt – they know that they’ve condemned their remaining relatives to retaliatory punishment, labour camps or worse.





8Stalin: The Court of the Red Tsar by Simon Sebag Montefiore
This is a great book – among the classic biographies of the major 20th-century tyrants. It’s meticulously researched from primary sources, humanising the circle that governed the Soviet Union. At the centre is Stalin, this moralistic opportunist, dull charmer, loyal back-stabber, Mozart-loving, humane mass-murderer, rapacious reader, sensitive poet, bestial man of culture, cinephile and lover of nature, who thought it best to starve millions of his people in Ukraine and Kazakhstan, institute a Great Terror, establish a massive network of labour camps, and who would proudly assert: “Gaiety is the most outstanding feature of the Soviet Union.” To complete the picture, add the terminal query: was he murdered?

9. The Authoritarian Personality by Theodor W AdornoElse Frenkel-BrunswikDaniel Levinson and Nevitt Sanford

Tyranny is coercive, but it also relies on the complicity and conformity of the public. This study, written after the second world war as an attempt to account for European fascism, offers a psychic audit of “the follower”. The research may itself be flawed by the biases and selective perception it finds in the authoritarian personality, but it’s compelling and coherent. The despot requires a compliant middlerank that defers to those above and despises those below, stigmatises difference, rejects the foreign, externalises aggression, enjoys simplicity, obeys without question and turns a deaf ear to the inner drone of conscience. But, heck, it’s a long read – and technical.

10. On Tyranny: Twenty Lessons from the Twentieth Century by Timothy Snyder
Here’s a recent primer on avoiding tyranny based on twenty key lessons. Some of these principles seem like a direct rebuttal of Trump – “be kind to our language,” “believe in truth,” “listen for dangerous words”. Others sound like a warning about recent events in Turkey or Russia – “defend institutions,” “beware the one-party state,” “do not obey in advance”. These principles may seem obvious, or presume an unrealistic, public bravery – “stand out,” “be as courageous as you can.” Some sound like forlorn echoes from history, but they may well be the clearest, soundest advice we get.


Monday, August 11, 2014

The 100 best novels / No 47 / Babbitt by Sinclair Lewis (1922)




The 100 best novels

writtein English

No 47

Babbitt 

by Sinclair Lewis (1922)

What it lacks in structure and guile, this enthralling take on 20s America makes up for in vivid satire and characterisation

Robert McCrum
Monday 11 August 2014


Babbitt, dedicated to Edith Wharton, was published in the same year as Ulysses (No 46 in this series) and likewise explores the passage through life of a middle-aged man. Coincidentally, the opening chapters follow the eponymous house agent's life during a single day. However, George F Babbitt, a self-intoxicated bully from the fictional city of Zenith, is a world away from Dublin's childless cuckold, Leopold Bloom. Similarly, Babbitt, a satire on 20s America by the controversial Sinclair Lewis, was a bestselling entertainment (the antecedents of which are found in Mark Twain, No 23 in this series) with an artistic intention far removed from Joyce's "silence, exile and cunning".

Yet, in his own way, Lewis took his writing very seriously, researching and annotating his subjects to the point where imagination often got forced aside. Introducing the novel to English readers, Hugh Walpole, a now forgotten literary figure of the 20s, declared that the first 50 pages are "difficult, the dialogue strange, the American business atmosphere obscure". But once the book takes hold, it becomes enthralling. Babbitt may be short on structure and narrative guile, but it's full of larger-than-life characters and vivid satire. "Babbittry", denoting a certain kind of bogus sales pitch, became part of the inter-war American lexicon. John Updike, who may feature later in this series, nods to this in his sequence of novels about "Rabbit" Angstrom, also a salesman. Both are writing about the American dream.
For Lewis, however, it's a socio-economic cul-de-sac from which he wants his heroes – George Babbitt, Elmer Gantry and the rest – decisively to break out. Similar desires might be said to animate the inner lives of some Arthur Miller protagonists, especially Willy Loman.

In Main Street, his acclaimed satire on the dullness of life in Gopher Prairie, Lewis had already challenged the romance of small-town America. In Babbitt he took on the midwestern, middle-sized city, and its ecology of American enterprise, celebrated in the term "boosterism".
Lewis recognised that these places, and their inhabitants, were not immune to social instability or economic depression, and that "boosting" these mid-American towns, and their stultifying way of life, offered no guarantee of stability after the upheavals of the first world war. When Babbitt comes to resent the middle-class prison of respectability in which he finds himself, striving to find meaning in an existence made trivial by mammon, the novel takes wing. His revolt resolves itself on his return to society, after a period of defiance and ostracism. He has been purged and renewed and, in the words of his son, is now "really going to be human".
Babbitt's adventures, narrated episodically, are designed to illustrate Lewis's argument and to cohere into a persuasive satire against US bourgeois conformity. Babbitt, like Galsworthy's Forsyte, whom – spoiler alert – I have chosen not to include in this series, is a symbol of American capitalism; Lewis a key transitional figure from Twain, especially, to the great postwar writers of the 1940s and 50s.

A note on the text

Babbitt, Lewis's eighth novel, was published in a hardback edition of some 400 pages in 1922. It was an immediate bestseller, and "Babbitt" entered the language to denote a "person and especially a business or professional man who conforms unthinkingly to prevailing middle-class standards".
In its first year of publication, Babbitt sold almost 150,000 copies in the United States, becoming a notable bestseller (a term then coming into vogue). Lewis had already enjoyed astonishing success with Main Street (1920). Inevitably, both books were contrasted, with opinion fairly equally divided. HL Mencken, the great American critic and columnist from Baltimore, adopted the cause of Babbitt, declaring himself "an old professor of Babbittry". Mencken brushed past Lewis's satire to find a passionate work of realism, in which George F Babbitt becomes a crucial archetype, representing those inter-war American city dwellers, sold on Republican conformity. Babbitt, according to Mencken, stood for everything that was wrong with American society.
Nevertheless, Babbitt fever swept the American reading public, and also caught the eye of critics, poets and writers. Vachel Lindsay wrote a poem entitled The Babbitt Jamboree, and in 1927 the English writer CEM Joad published The Babbitt Warren, a critique of US society. Babbitt is part of the reason Lewis was awarded the Nobel prize for literature in 1930, the first American novelist to receive the honour.


Three more from Sinclair Lewis

Main Street (1920); Arrowsmith (1925); Elmer Gantry (1927).
THE GUARDIAN



THE 100 BEST NOVELS WRITTEN IN ENGLISH
007 Emma by Jane Austen (1816)
014 Fair by William Thackeray (1848)  
031 Dracula by Bram Stoker  (1897)
035 The Call of the Wild by Jack London (1903)
036 The Golden Bowl by Henry James (1904)
039 The History of Mr Polly by HG Wells (1910)
040 Zuleika Dobson by Max Beerbohm (1915)

041 The Good Soldier by Ford Madox Ford (1915)
042 The Thirty-Nine Steps by John Buchan (1915)
043 The Rainbow by DH Lawrence (1915)
044 Of Human Bondage by W Somerset Waugham (1915)
045 The Age of Innocence by Edith Warthon (1920)
046 Ulysses by James Joyce (1922)
047 Babbitt by Sinclair Lewis (1922)
048 A Pasage to India by EM Forster (1922)
049 Gentlemen Prefer Blondes by Anita Loss ( 1925)
050 Mrs Dalloway by Virginia Woolf (1925)