Showing posts with label Norah McMeeking. Show all posts
Showing posts with label Norah McMeeking. Show all posts

Saturday, March 29, 2014

Highlights of the 2014 Arizona Quilters Guild show : Day 1

This is our 5th year attending the spring Arizona Quilters' Guild show.  It's always like finding treasure in the desert!  As you can see, many folks from around North America agree.  It was fun to see cars from Alaska, California, Colorado, Michigan, Minnesota, Montana, North Dakota, Oklahoma, South Dakota... plus Alberta, British Columbia and Ontario (among others!)


Agave Sunset by Jo Ann Kilgroe


Jo Ann says, "Working from an agave (cactus) in my yard, I created this design. I pieced, appliqued, and painted colorful batiks." We loved this stunning quilt which depicts the flora of the Southwestern U.S. so well.

Close up, Agave Sunset by Jo Ann Kilgroe


Agave Sunset won the City of Mesa, Arizona Award exemplary work and also won Second Place for Best Mixed Technique in the small quilts category. Here's a great example of how to blend traditional techniques with a contemporary motif:  Jo Ann made a "flying geese" patchwork panel and spiky piecing to enhance the colors of this vibrant quilt.

O Burrito Mia by Margot McDonnell


Second place winner for Large Pictorial Quilts, Margot says,"From children and a donkey, inspired by a 1970 greeting card, I added background details, employing applique, paint, and embroidery for a folk art effect."

Close- up, O Burrito Mia by Margot McDonnell


This adorable landscape quilt, showing a peaceful village by a mountain lake and darling children off to an adventure on their pet burro, really inspired our imagination. We were impressed by Margot's use of vibrant, clear colors.

Purple Agave by Vicki Bohnhoff


Second place winner for Digital Imaged Quilts, Vicki notes of her original design, "I used a negative, purple, variegated Agave image by photographer Camille Spurlock to print with archival inks onto silk charmeuse for a cactus beaded quilt."

Close up, Purple Agave by Vicki Bohnhoff


Vicki embellished her work with elegant, tiny blue beads which outline and enhance the luminous quality of these spiny, symmetrical leaves.

Koi Pair by Georgia Heller


First place winner for Pictorial Small Quilts, Georgia explains, "[This original design was] made for a 2013 exhibit at the Phoenix Japanese Friendship Garden. A vital part of the beauty and ecology of a Japanese garden are the colorful koi [fish]."

Close up, Koi Pair by Georgia Heller


We enjoyed this lovely machine applique work, along with the pretty thread painting of the undersea plants along the bottom of the quilt.

Roman Tiles, 76 x 76", by Ann L. Petersen


Best of Show and First Place - Large Pieced Award winner this year, Ann writes, "My original center star, borders, layout, and painted quilting designs were added to Norah McMeeking's  St. Mark's Wallhanging  pattern of Roman mosaic tiles."

Close up, Roman Tiles by Ann L. Petersen


Ann notes that after quilting the motifs around the star, she painted them with metallic paint to give them added luster and clarity. This show stopper also won the award for Excellence in Machine Quilting at the 2013 Road to California Quilt Show.


Image credits:  Photos were taken by Quilt Inspiration.

Friday, October 4, 2013

California Fall Quilt Show: Part 6

Here's a variety of blocks, patterns, colors, and techniques from the talented artists at Diablo Valley Quilters 2013 show.  We're sure there's something for everyone; and hopefully, you'll enjoy all of these, as we did !

Patches, 32 x 26", by Ellen Brill


Ellen notes, "The creation of my little friend began in a class taught by Susan Carlson at the Empty Spools Seminars. I was inspired by a photo of a baby porcupine and created a pattern from enlarged photos.

Close up, Patches by Ellen Bill


We loved the wonderful sense of texture created by this combination of applique and quilting, which Ellen did herself. Notice how the dimensionality of this piece is enhanced by the use of darker fabrics beneath the porcupine to create a shadow illusion. 

30's Baskets, 26 x 30", a mini quilt by Bonnie Sherr 


Bonnie writes, "Handpieced blocks, paper pieced borders, and hand quilted. The pattern is from Those Fabulous 30's: Sweet Little Quilts to Brighten Your Day, by Gwen Hurlburt."  Basket blocks are one of our favorite designs, and Bonnie's choice of a flying geese border really provides visual interest to this cheerful, classic quilt.

Rainbow, 69 x 83", by Linda Probst


Linda says,  "Rainbow won 1st place in a four county quilt guild ( Mt. Airy, Maryland) mystery quilt competition."  We liked the brightly colored border, which looks like mosaic pieces or puzzle pieces all fitted together.

Close up, Rainbow by Linda Probst


Linda makes very effective use of strong contrasting hues, including a white background, to emphasize the interlocking diamonds of this intriguing quilt. If you look closely, you can see the cute dragonfly motif that is part of the pretty quilting pattern done by Linda herself.

1863 Dixie, 74 x 84", by Carroll Stephens, quilted by Sharon Graves


Carroll writes, "This pattern was called 'The Cotton Club' and was a block of the month project from Bonnie Blue Quilts.  Forty-five different blocks here are an excellent way to showcase America's heritage of folk arts, especially as shown in this work reminiscent of Civil War quilts. The quiet taupe background and muted cranberry red tones reflect colors from cloth often colored with plant dyes during the mid 19th century.

Generosity, 74 x 74", by Layne Rahbar


Layne says, "This circular pattern is from Bella Bella Quilts by Norah McMeeking. I challenged myself to make it from fabrics in my stash. Then I added my own borders and [the] Mariner's Compass pattern in the center." Layne's superior workmanship is evident in both the construction of the medallion and the inner and outer borders. Her careful selection of monochromatic warm autumn hues has resulted in a spectacular creation.

Close up, Generosity by Layne Rahbar


The continuity of this pattern is enhanced by the fact that each individual "spoke"of this design contains the same print fabric, as it radiates outward from the Mariners Compass. The creams and beiges of the background provide a sparkling contrast for the rich gold and umber tones of the spokes.

Image Credits:  Photos were taken by Quilt Inspiration.

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