Yes, the boys are indeed back, and judging from the clip that Mike Judge just unveiled at Comic-Con, they thankfully haven't matured even one bit.
But first, a bit of movie news, because for fans of comedy (which it's all about today), this could be pretty great.
"Easy A," while lighter than air and clearly aimed at moviegoers much younger than me, was also easily one of the funniest movies of 2010. It's director, Will Gluck, has a new movie out today starring Mila Kunis and Justin Timberlake, which in spite of its rather tired "Friends With Benefits" title and premise looks like it could be pretty witty.
What really made "Easy A" a winner, however, was the writing, so the even better news today is that Fox Searchlight has just purchased a new spec script from "Easy A' screenwriter Bert Royal.
Titled "A Thousand Words or Less," the comedy, which Royal will also direct, is set in the cutthroat world of a national high-school (I'm assuming) essay contest. Shailene Woodley, who apparently stars on ABC Family's "The Secret Life of the American Teenager" (which I've obviously never seen) and can soon be seen in Alexander Payne's "The Descendants" with George Clooney, is apparently up for the lead role in this.
I guess you can't get Emma Stone every time, but this should be a hoot all the same, so stay tuned ...
And in other comedy news, I can understand why a lot of people don't like Ricky Gervais. He can be more than a bit of a prick, I suppose, but for comedy to work really well you almost always have to piss someone off, as he's clearly good at.
I can't wait to see what he came up with for the Warwick Davis mockumentary "Life's Too Short" (apparently coming to HBO, but no word yet on exactly when), but he's apparently already moved on to something new, titled "Afterlife."
As Gervais just revealed on his blog, the show, which he's working on with "Dexter" producer Clyde Phillips, will have him playing God, which should have probably an equal number of people cringing and laughing.
The comedy will be about an atheist who dies and goes to heaven ... and meets Gervais as God.
"Not the typical, wise, benevolent God -- that's Morgan Freeman's thing," Gervais wrote. He said his own version will be "an arrogant, wisecracking son of a bitch, who thinks he's the best thing since sliced bread. ... Actually he thinks he's the best thing ever because... well, he is. (He invented sliced bread by the way.) He also loves welcoming atheists to heaven with a smug grin on his face."
He went on to say that, despite his own being an atheist, this isn't an "atheist comedy" because if it was it wouldn't include a heaven or God.
Not sure about the logic there, or where or when this will actually hit the airwaves, but keep your eyes out for it (and I'll certainly let you know when I know more.)
OK, after that rather long detour, on to the main event. With "Beavis and Butthead" coming back to MTV this fall, only two questions popped into my head. Will they still be funny, at least for those people (like me) who found them to be very funny the first time around? And what in the world will they do between segments now that MTV no longer shows anything approaching music videos?
Well, as this 4-minute-plus Comic-Con clip shows, the boys have, if anything, possibly regressed. And in this first bit, which I'll only tell you is titled "Holy Cornholio" (you can probably guess where this is going), they're just as funny as ever. And as for the commentary, instead of videos, for this at least, it's "Jersey Shore," and if you can get past the obviously blatant plugging of MTV's own programming, the boys shred it pretty darn good. Anyways, enjoy, and have a perfectly pleasant weekend. I'm off to see "Captain America." Peace out.
Back in 2008, it certainly didn't seem at the time to on paper be exactly the winning formula for a top-shelf political movie. A script from "Buffy the Vampire Slayer" and "Gilmore Girls" regular Danny Strong, directed by Jay Roach, purveyor of the broadest kind of big-screen comedies?
Anyone who's seen "Recount," their HBO movie about the rather memorable 2000 U.S. presidential election, however, knows (or at least I do) that it was a surprisingly smart, funny and very entertaining political flick, with Laura Dern's sublime performance as Katherine Harris as the very sweet cherry on top.
Now, the two of them are teaming up again for a political flick with even better source material, John Heilemann and Mark Halperin's tome about the 2008 presidential election, "Game Change: Obama and the Clintons, McCain and Palin, and the Race of a Lifetime," and wisely simply shortened the title to "Game Change." And they've lined up an intriguing choice to play the most colorful character, Sarah Palin.
Julianne Moore (not Tina Fey) will play the never-boring former candidate for vice president, and assuming she can avoid the battle with bad accents she played out on "30 Rock," she should be great in this. No word yet on the rest of the cast or exactly when this will hit TV, but since this intrigues me, I'm almost certain to pass it on when I find it.
I read a pretty good deal of political books, and can attest that "Game Change" is one of the very best in the genre, so definitely bring this on!
And all I have after that today is the first trailer I know of for "Bad Teacher" the upcoming comedy starring Cameron Diaz, Justin Timberlake, Jason Segel and, thankfully, Phyllis from "The Office," too. Frankly, it doesn't look all that promising, but since it comes from director Jake Kasdan ("The TV Set," "Walk Hard: The Dewey Cox Story" and, way back in the day, "Freaks and Geeks," too), I'm holding out hope it will be a whole lot funnier than I'm expecting when it drops June 24. Enjoy the trailer, and have a perfectly pleasant Thursday. Peace out.
Before I get into any of that, including glimpses of two great documentaries I managed to see yesterday at the Rehoboth Beach Independent Film Festival and a Studio Ghibli picture just guaranteed to make you smile, there is one bit of good news this morning.
Though most of my head knows that "Easy A" isn't one of the best movies of 2010, in my heart it has lingered as the funniest movie I've seen this year, so it will almost certainly end up in my top 10 for the year. And besides, Emma Stone is just so thoroughly charming throughout that its perfectly easy to give in to the fact that this is as light as light can get and just go along for the very fun ride.
So it's nothing but good - if incomplete - news that "Easy A" director Will Gluck and star Stone are reuniting for Sony Screen Gems for an as-yet-untitled and -unscripted comedy. The wild card here is that it's not yet known who will write the flick, but here's hoping it's "Easy A" scribe Bert V. Royal, who clearly knows the funny.
In less exciting Gluck news, he did both and write and direct the rather generic looking friends-with-benefits comedy with the uninspired title of, well, "Friends With Benefits," starring Mila Kunis and Justin Timberlake and set to come out July 22.
And after that, all I have today is a couple of clips that bring the funny and two looks at movies I managed to catch yesterday in Rehoboth. You know, it really is a shame that Curtis Hanson has pretty much disappeared, because I quite liked at least a few of his flicks, especially the Eminem biopic "8 Mile," which I'm pretty sure airs on at least one basic cable channel every single Saturday afternoon. And though he clearly needs the work, I'm fairly certain Hanson isn't directing the upcoming Justin Bieber biopic (yes, really) "Justin Bieber: Never Say Never," but I'm glad Babelgum pilfered from his flick for this very funny parody "8 kilometer." Enjoy.
Now, I've never seen Jimmy Fallon's show, and if I'm ever sitting in front of a TV at that hour, I'll be watching Conan O'Brien instead, but it's nice to see that Fallon at least uses his fantastic house band, The Roots, for some real musical madness from time to time. Here, it's Jeff Goldblum crooning "Just a Friend," only to be joined later by Biz Markie himself, all backed by the Roots (who, for my money, put out the best album of 2010 with "How I Got Over.") There's really not much more to say about this except that Biz clearly learned nothing at all from his stint on "Celebrity Fit Club." Enjoy.
And finally today, I managed to catch two nearly perfect documentaries yesterday (and one truly disastrous Indian movie, "Like Stars on Earth," but I really don't have anything to say about that.) First up is "Enemies of the People," which spotlights the very hard work of newspaper journalist Thet Sambath, who for 10 years plus in his spare time has been embedding himself with veterans of the Khmer Rouge killing machine and often coming face to face with pure evil. It's personal for Sambath, whose mother, father and brother were all killed by Khmer Rouge operatives, and that's what makes this difficult movie so engaging. And his interviews with Nuon Chea, Pol Pot's No. 2, are as chilling as Errol Morris' encounter with Robert S. McNamara in "Fog of War." Highly recommended as soon as this becomes available, and it's in "Save" mode now at Netflix, so hopefully soon. Enjoy the U.S. trailer.
"Summer Pasture" was nominated this year for a Gotham Award in the category of "Best Movie Not Playing at a Theater Near You," and that certainly would have been true for me if not for the Rehoboth fest. The film itself is deceptively simple but thoroughly charming as it takes a look at six months or so in the life of a Tibetan nomad couple who herd yaks for a living. It has a little to say about modernization and a lot to say about life, without ever hammering you over the head with any of it. This may not sound terribly appealing, but trust me, it all just really works very well. I have no idea when this might come to DVD in the west, but with the Gotham love, hopefully it will be soon, and I'll certainly let you know when I hear of it. Enjoy the trailer.
And really finally, there also isn't much to say from me about this great Studio Ghibli group shot except that it's the thing that most made me smile this morning, especially since my single favorite Ghibli character is the great Porco Rosso. Enjoy, and have a great rest of the weekend. Peace out.
Since it's still hot as, well, August outside, what better time than now to look ahead to a time when the weather is cooler and the movies are reliably better, fall.
And just to clarify, on my movie calendar, fall starts in September and ends in November, no matter what the calender says. That said, here are 10 movies I'm definitely psyched to see this fall.
9/1: "The American": George Clooney stars as a hitman who's given one final, inevitably complicated, assignment to complete in Italy in this sure-to-be-cool thriller from director Anton Corbijn, who made the Ian Curtis biopic "Control."
9/3: "Machete": Whether or not Robert Rodriguez's revenge pic starring Danny Trejo (developed from the fake trailer of the same name that appeared in between the two halves of "Grindhouse") is any good, with a cast that also somehow includes Robert De Niro, Jessica Alba, Don Johnson, Michelle Rodriguez, Steven Seagal and even Lindsay Lohan, it should be anything but boring. Enjoy the latest trailer.
9:15: Never Let Me Go: Here's one case where I'm definitely glad I haven't read the book first, because Kazuo Ishiguro's novel, which has been made into a movie starring Carey Mulligan, Keira Knightley and Andrew Garfield, is about students at a boarding school with a mysterious secret, and I don't want to already know what that is going in.
9/17: Easy A: I'm surely too old for teenie adaptations of classic works, but this take on Nathaniel Hawthorne's "The Scarlet Letter" just looks extremely clever, and star Emma Stone is a natural comedienne. Enjoy the trailer below.
9/17: "The Town": Ben Affleck's directing followup to "Gone Baby Gone" features a stellar cast - including Jeremy Ritter, Reel Fanatic fave Rebecca Hall and Don Draper - in a Chuck Hogan novel about bank robbers in Boston and the FBI man who's out to get them.
9/24: "It's Kind of a Funny Story": Co-directors Anna Boden and Ryan Fleck, who made last year's seriously satisfying baseball/immigration drama "Sugar," return this time with the story of a teenager who checks himself into a mental institution and ends up getting housed in the adult area, where he meets Zach Galifianakis and all kinds of other colorful characters. The one movie I'm most looking forward to seeing this fall. Enjoy the trailer below.
10/1: "Social Network": The creation of Facebook may not exactly sound like a riveting story of American ingenuity, but I'm betting that in the hands of director David Fincher and with a script from "West Wing" creator Aaron Sorkin, this flick starring Jesse Eisenberg and Justin Timberlake will be a real winner.
10/1: "Freakanomics": If too many cooks don't spoil the soup, this documentary based on the best-selling book about the often bizarre rules of causality from six directors - Heidi Ewing, Alex Gibney, Seth Gordon, Rachel Grady, Eugene Jarecki and Morgan Spurlock - should be a surprise hit this fall.
11/5: "Fair Game": Spy games are always best when they're based on a true story, so even if it's clearly old news by now, you can count me in for director Doug Liman's take on the story of outed CIA agent Valerie Plame (Naomi Watts), with her husband being played by Sean Penn.
11/5: "127 Hours": Director Danny Boyle kind of snuck up on Oscar voters to take the top prize with "Slumdog Millionaire," and I think he just might do it again with the story of mountain climber Aron Ralston, played by James Franco, who survived the titular 127 hours trapped under a boulder in a Utah canyon.
So there you have it. Please feel free to let me know of any I've snubbed (and remember that there will be some great ones in December, but that's not on this list) or any you're really amped to see this fall, and have a perfectly passable Tuesday. Peace out.
Congrats to my staff on 4 Emmy nominations. This bodes well for the future of The Tonight Show with Conan O'Brien.
It's good to know that through it all Conan is, of course, still very funny, but easily the best news in yesterday's Emmy nominations was long overdue acting nods for Connie Britton and Kyle Chandler of "Friday Night Lights." They probably won't win, and the great show somehow still didn't get a best dramatic series nomination, but kudos nonetheless. Bully.
And beyond that today, it's a fairly slow day outside the quartet of clips at the end of this, but there is news about one of my favorite directors. Although Matt Reeves has been garnering plenty of attention for his thoroughly unnecessary English-language remake of the simply brilliant vampire movie "Let the Right One In," the director of the original classic (yes really, classic already, it's that good), Tomas Alfredson, has quietly assembled an A-list cast for what should be a fantastic spy flick, his take on John Le Carre's "Tinker, Tailor, Soldier, Spy."
Already according to Variety, Ralph Fiennes, Colin Firth, Gary Oldman and Michael Fassbender have all signed on, though there's no word yet on which of them will play the main spook, George Smiley. Even better than that is that Peter Morgan, who wrote, among many other things, "Frost/Nixon," "The Queen" and the fantabulous futbol flick "The Damned United" (rent that one already), has penned the script for this, so it should be whip smart.
Le Carre's novel was already made into a seven-part British miniseries starring, among others, Alec Guinness and the late, truly great Ian Richardson (if I can digress for a second, the "House of Cards" trilogy, starring the latter as the nefarious Francis "F.U." Urquhart, is a grand piece of political theater, so watch that as soon as you can find it.) In the story, Smiley is assigned to uncover and take out a double agent implanted in the British Secret Service by Moscow Centre.
Update: A second of research by me reveals that Gary Oldman will indeed be playing George Smiley, so count this as one to definitely keep an eye out for in 2012.
OK, after that all I have today is a quartet of clips, but they're all well worth sticking around for. First up comes the second teaser trailer I know of for David Fincher's "The Social Network," and I have to say both of these have brought new life to that dying art of getting you amped up for a flick without revealing any actual footage. The flick, penned by Aaron Sorkin and starring Jesse Eisenberg, Rashida Jones (of "Parks and Recreation") and one Justin Timberlake, is set to drop Oct. 1. Enjoy.
Next up comes the second full trailer I know of for Robert Rodriguez's "Machete," which of course springs from the faux trailer in "Grindhouse" and is set to come out Sept. 3. There's a gigantic chance this could just be bloody awful, but with Danny Trejo as the lead badass and Jessica Alba, Steven Seagal, Michelle Rodriguez, Don Johnson, Lindsay Lohan and even somehow Robert De Niro all starring in this, I'm betting on a lot of silly fun too. Enjoy.
I'm not sure when I'll be able to see Christopher Nolan's "Inception," since I'll be on vacation in Philly next week with mi hermano, but there's no doubt that the marketing machine for his brainy blockbuster set to come out July 16 is operating at full force. Here's just one of the many clips out there today, in which Leo DiCaprio introduces Reel Fanatic favorite Ellen Page to the concept of shared dreaming.
And where in the world would be a better place to end up today than with Warwick Davis discussing his upcoming mockumentary BBC series with Ricky Gervais and Stephen Merchant, "Life's Too Short"? No idea when this will manage to cross the pond, but hopefully the wait won't be too long, because with that trio, comedy gold will surely be unearthed. Enjoy the clip, and have a great weekend. Peace out.
The short answer to that question is of course not, because it certainly takes a lot of steps to get a movie from great script to even somewhat good flick.
And though I have to admit I had never heard of it until I stumbled on it yesterday at Collider.com, Franklin Leonard has been releasing "The Black List" (rather unfortunate name, but great idea) since 2004. It's a list of the best scripts that Leonard, now an executive at Universal, has received each year, in 2009 culled from 97 offerings. You can read the whole thing here, but below are a few highlights from the top 10 that caught my eye, with commentary from me.
1. The Muppet Man By Christopher Weekes I had no idea that a biopic about Jim Henson was in the works, but I'm just jazzed beyond all reason that it is and may even be coming soon. Like everyone of a certain age, I grew up with the Muppets, and just loved them, especially the thoroughly magical "Muppet Movie." This is listed as being set up at the Jim Henson Co., so may not exactly be an objective view, but who would really want to watch a hatchet job about Jim Henson anyway? With this and (maybe) a new Muppet movie coming from Jason Segel and Nicholas Stoller, it truly could be a new golden age for my favorite puppets (who somehow even have their own very fun Youtube channel, too.)
2. The Social Network By Aaron Sorkin I just lent out my copy of Sorkin's "Sports Night" to my fellow cubicle slave Randy Waters, and he now shares the minority view with me that it's even better than Sorkin's "The West Wing." Either way, his wit shined again in 2008 with "Charlie Wilson's War," and hopefully will also with this story about the creation of Facebook (which I'm somehow on.) In the words of Leonard, the "fascinating biographical elements of Shattered Glass meets the courtroom drama of Kramer vs. Kramer, without the tears." Namechecking one of my favorite movies ("Shattered Glass") will get my attention every time, and with David Fincher directing this for an October 2010 release starring Jesse Eisenberg and Justin Timberlake (a surprisingly good actor), this is definitely one I've got my eyes on.
3. The Voices By Michael R. Perry I certainly like twisted movies, and from the right perspective I also don't mind some horrific violence thrown in too, so this sounds right up my alley. According to Leonard, this one's about a schizophrenic worker at a bathtub factory who accidentally kills a beautiful woman from his workplace. While trying to cover his tracks, he starts to hear voices from his foul-mouthed cat and dog. In describing it as like "watching the lovable pig from Babe join forces with American Psycho’s Patrick Bateman," Leonard already had me hooked. Mark Romanek (One Hour Photo) will apparently direct this if he can find someone crazy enough to take the lead role.
5. Cedar Rapids By Phil Johnston You can count Miguel Arteta's "Youth in Revolt" starring Michael Cera as one of the near-future movies I'm really looking forward to, so it's certainly good news to hear that his next one should be a winner too. He's attached to direct this flick starring Ed Helms as a small-town insurance man who hasn't accomplished much of anything until he gets invited to represent his company at the Cedar Rapids insurance convention. Helms is still the funniest guy on "The Office," and with Alia Shawkat, John C. Reilly and even Sigourney Weaver set to co-star, it should be a real hoot.
6. Londongrad By David Scarpa (The Day The Earth Stood Still and co-wrote The Last Castle) It seems like forever since I've seen a great spy movie (or at least one without Paul Greengrass' uncontrollably shaky camera), but this one certainly seems to fit the bill. It's an adaptation of Alan Cowell's 2008 book "The Terminal Spy: A True Story of Espionage, Betrayal and Murder," which chronicles the life and death of Alexander Litvinenko. The story itself seems way too good to be true, with Litvinenko allegedly poisoned by radioactive tea, but it really did happen in 2006, and thoroughly fascinated me at the time. Leonard says the script evokes "Born of the Fourth of July, Silkwood, and Robert DeNiro’s history-of-the-CIA saga The Good Shepherd - but in Russia, with spies," which sounds great to me. Warner Bros. has apparently optioned the script, and I somehow think I read Johnny Depp has been attached to star in it, though I read so much about movies that I could be just all wet about that.
And now, if you'll excuse me, I'm off to see one movie today, but I can't decide between "Invictus" and "The Princess and the Frog." I'll eventually see them both, but I'm leaning with starting with Disney's return to 2D animation. Peace out.
You know, I should probably just stick around Macon this weekend, what with four movies opening here this weekend and even two ("The Men Who Stare at Goats" and Richard Kelly's "The Box") I actually want to see, but I still think I'm gonna make the hour or so trip up the road to see "Precious: Based on the Novel Push by Sapphire" on Saturday morning.
And not because, like Liz Lemon, I do anything Oprah tells me to, but a hearty endorsement from Tyler Perry does go quite a way in this corner. No, I was already intrigued, but I finally decided to bite when I saw this from a review on Collider.com, not exactly known for its embrace of black cinema: "Precious" isn't a Hallmark movie. It's one of the best movies of the year.
But enough about that movie I haven't seen yet until perhaps Sunday, if it moves me enough to get up in the morning and write a review. For now, there's more than a few tidbits out there worth commenting on, especially what Danny Boyle's gonna finally do to follow up "Slumdog Millionaire," after being idle for quite a while now.
And it in fact sounds pretty fascinating. Boyle, who has already directed two of my favorite flicks with "Trainspotting" and "Shallow Grave" and one I truly detest in "Sunshine," will next turn his attention to "127 Hours," which tells the story of mountaineer Aron Ralston, who got pinned under a boulder for nearly five days while climbing in Utah. Since I assume the story will be well known before the movie comes out (if it isn't to you already), I'll tell you he ended up using a dull knife to amputate his arm and then hiked a 65-foot sheer wall before a family came to his aid.
That all sounds great, if more than a little harrowing, to me. No word on who would play Ralston (though Christian Bale popped immediately into my mind), but Boyle has already written a treatment, and "Slumdog" scribe Simon Beaufoy is in talks to write the script.
It will begin filming next year for a 2010 release, so definitely keep your eyes on this one.
Another Iraq war movie I'll see?
It really is hard to overstate exactly what Kathyrn Bigelow accomplished this year with "The Hurt Locker," and I'm sure she'll get some earned recognition now that we've just entered awards season (already? I'm afraid so.) Before her great movie starring Jeremy Renner and Anthony Mackie, I had sworn off of Iraq war movies, but her approach of simply looking at war through the soldiers' eyes combined with her natural touch for pyrotechnics just made this one incredibly entertaining (I've seen it twice already, and just might again when it finally hits DVD, probably in January.)
And now, Ken Loach is taking on the subject, and given his rather extreme distaste for objectivity I'm sure he'll come up with a completely different animal, though another one I'll take a chance on when I can because I almost always dig his passion.
His flick, "Route Irish," will detail the story of two men who work as private security contractors in Iraq. When Frankie is killed on "Route Irish" - the road linking Baghdad airport with the Green Zone - Fergus, wracked with grief and guilt, rejects the official explanation and determines to investigate the truth of his friend's death.
Sounds awfully earnest to me, but like I said, I have a whole lot of time ("Riff Raff" is still one of my favorite romantic flicks) for Mr. Loach, so this is certainly one that intrigues me.
Is no TV cartoon character safe?
If I were to put together a comedic actors hall of fame, Anna Faris would certainly get a spot, at least in the up-and-comers wing, because she's just that funny in just about everything she does. And just this year, she certainly acquitted herself well as ambitious weather girl Sam Sparks in the goofy, fun animated flick "Cloudy With a Chance of Meatballs."
That, however, doesn't mean I'm going to follow her anywhere near a "live-action/CG hybrid" movie about Yogi Bear. And no, I'm not making that up.
It at least sounds kinda funny that Dan Aykroyd will voice Yogi and Justin Timberlake will voice Boo Boo, but this still would have to get reviews hailing it as the "Citizen Kane" of "live-action/CG hybrid movies about talking bears" before I'd give it a chance. Faris will apparently play some kind of nature documentarian.
Dr. Horrible going to comics
"Dr. Horrible's Sing-Along Blog," the Web creation of Joss Whedon starring Doogie Howser and Captain Mal Reynolds, was never quite as funny in my book as it was hyped up to be, but it was still a silly enough brand of fun to be enjoyed as a diversion. You can still watch the whole 45-minute-or-so thing at Hulu, and now it seems the character is getting new life thanks to Dark Horse comics.
In a one-shot comic, Zack Whedon, brother of the "Buffy" mastermind himself, and artist Joelle Jones tell the origin story of the wannabe evil genius. According to Dark Horse, they "establish how a young, impressionable, but brilliant Dr. Horrible was drawn into a world of crime. Readers are reacquainted with the charming, brawny, crime-fighting superhero extraordinaire Captain Hammer when Dr. Horrible crosses paths with his greatest enemy in an all-out showdown of immeasurable proportions.
Since it's only a one-shot, I can guarantee I'll spring the three bucks or so this should cost when it hits my local comic book store Nov. 18.
And, since along with "Precious" I'm sure to also go see "The Men Who Stare at Goats" on Sunday this weekend, I'll leave you with this clip of George Clooney explaining to Ewan McGregor what gets him in the spirit to exercise his psychic abilities. Enjoy, and have a great weekend. Peace out.
You know, I think I'm almost alone here, but I almost unconditionally loved what Zack Snyder did with "Watchmen".
Now, of course, there are always going to be complaints from fans of the funny book by Alan Moore and Dave Gibbons about what was left out, and it seem that Snyder has now taken just about all of those complaints to heart.
After a director's cut, which I bought, that clocks in at a you-would-think-long-enough 178 minutes or so, he's now about to release "Watchmen: The Ultimate Cut" on Nov. 3, which will run for what you would have to hope would be an exhaustive 3 hours and 35 minutes. Whew.
I'm not enough of a sucker to buy this again, especially since my company is offering us furloughs as the latest incentive to keep working there, but I do think I'll at least rent it, because it does seem to be just about as close to the graphic novel on screen in its entirety as we're gonna get (though I know I'm being naive here, and there will surely be an "Ultimate, Ultimate" edition coming sometime soon.)
In this new version, "Tales of the Black Freighter" will be interwoven into the movie, as it should be, but Hollis Mason's autobiography, "Under the Hood," will only be available as a standalone extra. Perhaps coolest of all in the extras will the entire motion comic, which I'd really like to see.
Anyways, call me a sucker if you want, but I think I can spare three-and-a-half-hours or so of my life for what has apparently turned into "Watchmen: The Miniseries".
Two doses of "News of the Weird"
With apologies to Chuck Shepherd, whose News of the Weird we publish most Fridays in the Telegraph, as far as movie news of sorts it doesn't get much weirder than these next two tidbits.
After, and I never would have guessed there were this many, FOUR direct-to-DVD sequels, it seems that "Bring It On" is about to get yet another life on stage as a musical. And no, I'm not making that up.
Now, I will admit that I'm a big fan of the original with Kirsten Dunst, Gabrielle Union and Eliza Dushku, and I've even sat through most of some kind of sequel with both Hayden Panettiere and Beyonce's sister in it on a Saturday afternoon, but I can't imagine any scenario in which I'd pay Broadway prices for another dose. However, if a touring company brings this to Macon's Opera House someday, I have to admit I'd at least be curious.
And in possibly even odder news, Werner Herzog, whose most recent flick was a new take on Abel Ferrera's "Bad Lieutenant" (because Lord knows the world needed that), is now offering classes in "guerilla filmmaking" for $1,450 a weekend.
If I somehow had $1,450 to blow through and was in Los Angeles from Jan. 8-10, I actually bet this would be a lot of fun, especially since he's describing it with typical bravado:
"The Rogue Film School is not for the faint-hearted; it is for those who have travelled on foot, who have worked as bouncers in sex clubs or as wardens in a lunatic asylum, for those who are willing to learn about lock-picking or forging shooting permits in countries not favoring their projects. In short: it is for those who have a sense for poetry. For those who are pilgrims. For those who can tell a story to four-year-old children and hold their attention. For those who have a fire burning within. For those who have a dream."
The beginning of the end for Jay Leno?
Actually, I'm well aware that he's probably indestructible at this point, but it's still interesting to see how he fared with the key 18-49 demographic on Monday night, one week after his big debut. Here are the numbers:
6.5 House 4.6 Big Bang Theory 4.4 Two and a Half Men 4.3 CSI Miami 4.1 Dancing With The Stars 3.5 How I Met Your Mother 3.2 Accidentally On Purpose 2.7 Heroes 2.3 Castle 1.8 The Jay Leno Show 1.2 One Tree Hill 1.1 Gossip Girl
Now, I will admit that I watch "Gossip Girl" as exactly the kind of mindless fluff I need on a Monday night, so I certainly think it's great that Jay not only finished dead last among the shows from the big four networks, but also just barely managed to beat the CW's two offerings. Predictably pathetic. Please keep tuning out!
Fincher's "Facebook" takes shape
Most of this was already pretty well known, I think, but Columbia Pictures has now confirmed the cast for David Fincher's flick "The Social Network," written by Aaron Sorkin and based on the rise of Facebook (which I'm on, somehow.)
In the principal cast, Jesse Eisenberg will play Facebook CEO Mark Zuckerberg, Justin Timberlake will play Napster co-founder and Facebook founding president Sean Parker, and someone I've never heard of named Andrew Garfield will play Eduardo Saverin, the Facebook co-founder who fell out with Zuckerberg over money.
Why should anyone care about any of this? Well, I find the subject kind of fascinating, and I've been rewatching a lot of "Sports Night" lately, which is proof that Aaron Sorkin is an extremely witty guy when he gets things right (and, in its own little way, I think "Sports Night" just might be better than "The West Wing" - blasphemy, I know.)
Steve Coogan alert
I normally wouldn't care one lick about any early news about a Will Ferrell/Adam Mckay comedy, but when you cast Steve Coogan, who would certainly have to be in the discussion if you were actually to try and pick the funniest man on Earth, you've got my ear.
Actually, the whole premise of "The Other Guys" sounds pretty funny. The Rock and Samuel L. Jackson will play supercops who constantly show up a pair of bumbling co-workers to be played by Ferrell and Mark Wahlberg. I wasn't sold, however, until I saw that the great Mr. Coogan has been cast as the arch villain of the piece.
For the best doses of Coogan I can recommend on DVD, try "24-Hour Party People" and "Tristram Shandy: A Cock and Bull Story."
Has Diablo Cody lost "it"?
Now, I'm really not someone to kick people when their down (except for maybe Jay Leno), and I admittedly haven't yet seen "Jennifer's Body" (and I'm not sure I will), but if this really is Diablo Cody's next writing project I think the "Juno" scribe has really hit a wall.
It seems she's not set her sights on "Sweet Valley High," the series of novels about (and I'm going on what the trades say here, not having actually read any of them) a set of identical twins "with dissimilar personalities - the sensitive and practical Elizabeth and the flighty and boy-crazy Jessica - in the fictional town of Sweet Valley."
My God does that sound awful, so if you made it this far you certainly deserve a reward. Ricky Gervais' new film, "The Invention of Lying," doesn't open until next week, unfortunately, but here's an odd bit of marketing that only he could come up with. This clip is seven minutes long (and this is only part one), but I guarantee that if you let it get started for a couple of minutes you'll laugh out loud as Gervais' comedy compadre and punching bag Karl Pilkington tries to first review the flick and then offers his rather unique ideas for marketing it. Enjoy, and have a perfectly passable Wednesday. Peace out.
When I was very young, my father brought home a little movie called "Spinal Tap," and I have never been the same since. Along with being a movie junkie and a devoted fan of the hapless Baltimore Orioles, I have recently returned to the town I grew up in, Salisbury, MD., to work for The Daily Times newspaper.