Man Bait (The Last Page, 1952)
Man Bait is a lesser-known film that really shouldn’t be. It’s director Terence Fisher’s first movie for Hammer Films, marking the beginning of a legendary career he’d have with the studio. It’s one of the first films made at Bray Studios, having just been converted to a movie studio a few months prior, and also the first proper American release for British sexpot Diana Dors, and is one of the better entries in the tight little British thriller market of the 1950s, short and sturdy black-and-white movies made on small budgets, meant to be exported to the U.S.