Friday, 21 June 2024
Edith Pike
Saturday, 31 December 2022
Planes Mistaken For Stars
This band has evolved a ton over the years, managing to exist somewhere in an intersectional sweet spot between hardcore, emo, rock and metal. You'd be hard-pressed to find a band that singularly encompasses such a wide sonic palette with the same level of vigor and finesse as Planes Mistaken For Stars. Just to give you a quick surface-level rundown, their earlier work is rooted in a punk-emo hybrid, sort of akin to bands like Hot Water Music and Small Brown Bike. There's a raw, driving energy to it, but with a vulnerable and often melodic backdrop in play. Though never a band I would describe as "simplistic", their technical prowess did become more prominent as the years went on, with their varied influences piling on alongside of it. They kind of went in the opposite direction that most bands do, become increasingly heavier and more experimental. Having said that, they still weren't shy about bringing in slower, acoustic elements well into their later years, and always wore their love for straight up rock n roll on their sleeve. If you're new to this band, I honestly think the best way to delve into their discography is to go from the start and work your way forward (Planes Mistaken For Stars > Fuck With Fire > Up In Them Guts > Mercy > Prey), though you could easily inverse that order and work your way back as well. My personal favourite album is probably Mercy, though that's a fairly interchangeable stance. Definitely give this band a shot if you haven't heard them before, I think they're right up the alley for people interested in the general niche of music that this blog covers. Again, enjoy!
Thursday, 17 November 2022
A Place For Owls
Wednesday, 22 November 2017
The Blue Ontario
Wednesday, 25 January 2017
Christie Front Drive
What Christie Front Drive really perfected were their melancholic guitar melodies that would often build up to a climax of shimmering chords in extended instrumental breaks. The band really worked together to create these massive songs with an attack and release tension, often topped off by some heartfelt, soaring vocals. The main attraction always remains the instruments, though. There are some truly fantastic rhythms and melodies within their discography, many of which would define what a midwestern "emo" band sounds like. From the gentle arpeggios at the beginning of "Valentine", to the dissonant outro of "Field", to the dynamic "Slide", to the massive choruses of "Seven Day Candle", this band can do no wrong.