Showing posts with label jazz. Show all posts
Showing posts with label jazz. Show all posts

Wednesday, 5 February 2020

Glass Beach


Glass Beach are a four-piece band from Los Angeles, California that began in 2016. They released their debut LP last year on Run For Cover Records, which has sparked a ton of attention that continues to grow. They truly embody the "post-emo" tag, which (in this case) can be said to be some kind of  emo jazz synth pop punk hybrid. The band has crafted a seamlessly unique and innovative sound, taking a myriad of influences from unexpected places to create a strangely cohesive, catchy and creatively genre-bending albums in recent years. There's far too much to really delve into here, except that it's a highly recommended listen that I think a lot of people will find something to like in. Enjoy.

1. classic j dies and goes to hell, Pt. 1
2. bedroom community
3. (forever?????????)
4. bone skull
5. neon glow
6. cold weather
7. calico
8. glass beach
9. (blood rivers)
10. dallas
11. (rat castle)
12. planetarium
13. soft!!!!!!
14. yoshi's island
15. orchids

Friday, 18 October 2019

Foxtails - querida hija

Alright so I'm pretty late to this, but that is only because I was dead for a month and a half, but am back now (or at least at this very minute). Connecticut's greatest three-piece is back with a new LP, following up 2017's incredible full-length III and 2018's equally-amazing split with Algae Bloom. This new LP is 7 tracks demonstrating the band's incredible mesh of emo/screamo with math rock and jazz influences. It shows a growing maturity and technical prowess, with the band at the tightest they've ever been. I cannot recommend this enough, as it is so good it temporarily brought me back to life. You can stream or purchase the full album below from Emo Cat Records on vinyl/CD/cassette. They're also heading out for an East Coast tour with Let's Get Invisible next month, check out the dates below.



Foxtails

Emo Cat Records

Wednesday, 13 June 2018

Just Friends


Just Friends are a 10-piece punk/funk band from California that formed in 2013. Thus far, they've dropped an EP and a very recent full-length of catchy, energetic punk, complete with brass instrumentation, funky riffs, and touches of jazz and R&B. They find a middle ground between Bomb The Music Industry! and early Red Hot Chili Peppers, with a definite emo influence coming through. It's definitely a unique sound, with a collective feel-good vibe. Their debut full-length, Nothing But Love was just released by Counter Intuitive. It features an eclectic mix of tracks, with some immediate standouts such as "Never Gonna Bring You Down", "I Wanna Love You", "Sick Of It All", and "Worry". It's an incredible album, and absolutely recommended. Enjoy.

1. Shots Fired
2. Ryerson
3. Welcome Mats
4. Move 2 Miami
5. Bad Weather II
6. Graduate
7. Paint
8. Normal Me
9. Home Forever
10. Dublin, CA

1. Just Friends - Sad 2 See
2. Just Friends - The Good Life
3. Prince Daddy & The Hyena - Moo Moo Meadows 
4. Prince Daddy & The Hyena - Devotion

1. Bang My Line
2. Nothing But Love
3. Keep Up

1. 1-800-CHOP-CITY
2. Never Gonna Bring You Down
3. Keep Up
4. Supersonic
5. Flex
6. I Wanna Love You
7. 107.7 KJFC
8. Get Down (feat. Caliph)
9. Nothing But Love
10. Sick Of It All
11. Bang My Line II
12. Faucet
13. Worry

1. Love Letter
2. Shine
3. Honey (ft Nate Curry)
4. Fever
5. Basic (ft Lil B & Hobo Johnson)
6. Hollerbox
7. Hot
8. Sizzle
9. Stupid (ft Lil B)
10. Bad Boy
11. Big Money Power Music
12. Sunflower

Wednesday, 29 November 2017

Friend/Enemy


Friend/Enemy were a short-lived indie rock project created by Tim Kinsella and Todd Mattei, lasting between 2001 and 2002. Both of them were also members of Joan of Arc at the time. If you're familiar with that band (and Owls to an extent), the strangeness of this project will come as no shock to you. The foundation of these songs were laid down by the aforementioned members, and then a ton of collaborators would come in and add density to these tracks. Other contributors include bassist Sam Zurick (a regular in the Cap'n Jazz/Owls/Joan of Arc collective), and even Zach Hill on drums (of Hella and Death Grips notoriety), among others. Sonically, this project is very experimental, dipping into elements of math rock, jazz, prog, and indie, all beneath Kinsella's distinct vocal stylings and storytelling. In addition, there's an array of sounds in the mix here in addition to standard rock instrumentation, such as a banjo and a bunch of percussion. It's an interesting album undoubtedly, and highly recommended to fans who lean more towards the stranger side on the strange/sad Kinsella spectrum. Enjoy.

1. Thax Douglas
2. Do The Stand On One Foot Dance To The Radio Rodeo
3. I'd Rather Be High Than Get Laid Any Other Day Of The Week
4. How Do You Explain Me To Your Mom
5. Out At The Inner (Dark)
6. Just Like Anne E. Fay's Bues
7. Teeny Comealong
8. The Lost Sciences Of The First Bible Pressing
9. I Once Loved Something, Etc.
10. Okay We'll Fade Before The End

Saturday, 4 November 2017

Faraquet


Faraquet were a three-piece post-hardcore band from Washington, DC that were around from 1997 to 2001, and played a few reunion shows in 2007. They were a Dischord band, which definitely shows in their sound. Faraquet take the foundation that bands like Fugazi laid, and spun it in their own direction. Instrumentally, they explored complex rhythms, odd chord structures, and off-kilter melodies. In many instances, they border on math rock with some hints of jazz influence. They display some incredible musicianship in creating a unique sound, that fans of the Dischord roster will still surely dig. Only one full-length album was ever released, 2000's The View From This Tower, which contains all their essential tracks. They also released a small amount of singles and one split prior to their full-length, all of which were included in a compilation released in 2008. Enjoy.

1. Cut Self Not
2. Carefully Planned
3. The Fourth Introduction
4. Song For Friends To Me
5. Conceptual Separation of Self
6. Study In Complacency
7. Sea Song
8. The View From This Tower
9. The Missing Piece

1. Parakeet
2. Um Die Ecke
3. The Whole Thing Over
4. Call It Sane
5. Study In Movement
6. Yo-Yo
7. Review
8. Rex
9. Conversations
10. Sea Song

Friday, 20 October 2017

Really From (fka People Like You)


Really From (formerly known as People Like You) are a five-piece indie/jazz/emo band from Boston, Massachusetts that have been around since at least 2014, formed by members of I Kill Giants. They put out their debut album that same year, but have really begun to garner attention with the release of Verse earlier this year, on Topshelf Records.

This album has some fantastic musicianship, clean production, and some very memorable songwriting. These songs are intricate, with the instrumentals entwining so smoothly that even the most complex of drum or guitar patterns never take away from the gentle tone of the songs. The band has two vocalists, though both utilize a soft delivery in-line with the somber instrumentals. There's really not much else to say here. This is an incredible record produced by some fantastic musicians who have crafted some fantastic songs. Fans of Joan of Arc, TWIABP, Modest Mouse and awesomeness take notes. On a side note, this album is available on their Bandcamp for a mere $1, if you've got a bit of change to spare and a lot of support to give. Enjoy.

1. Kneeplay 1: "Do you know jazz?"
2. Isaac
3. A song about white supremacy
4. Kneeplay 2: "Lilac and Linwood."
5. Everything Matters!
6. Kneeplay 3: "This apple is really depressed."
7. The Act Of Falling
8. Regret
9. Kneeplay 4: "Don't date in your early twenties."
10. The upstairs and downstairs don't exist anymore
11. Kneeplay 5: "Forever Left-Eye."
12. Your Third Act
13. Kneeplay 6: "She didn't even like jazz."

1. You Need a Visa
2. The Baker
3. Thumbnail
4. Variations on an Aria
5. Kneeplay 7: "Orchid Hunter"
6. Eulita Terrace
7. Kneeplay 8: "On rain and how it reminds me of Glass"
8. Josephine Ave
9. Hackensack Hospital
10. Kneeplay 9: "This apple is really depressed (Reprise)."
11. Sleeptalk

1. Apartment Song
2. Quirk
3. Yellow Fever
4. Try Lingual
5. I Live Here Now
6. Last Kneeplay
7. I'm From Here
8. In The Spaces
9. The House

Tuesday, 7 June 2016

Black Flag


I had to share my Black Flag collection eventually, so here it is. If there's one way to describe this band, it's "iconic", at least for part of their career. Whether it be the classic Damaged, the teeth-clenched My War, songs like "Nervous Breakdown", the band's very interesting history, or the "bars" logo which is recognizable to people who don't even listen to the band (and which I admittedly have embedded in my skin), Black Flag are one of punk rock's flagships and icons.


Trying to start an introduction on the band's history in no easy task. They've got a very long and rich history that's documented in a ton of great sources (The Decline Of Western Civilization, Get In The Van, and many, many more) which do a much better job than I ever could. Basically, Black Flag began in Hermosa Beach, California under the name Panic in 1976 by the band's sole continuous member, guitarist Greg Ginn, whose label SST also released the band's material. Aside from him, the band had a revolving door of members that I could not even begin to get into details about. In the band's early days, the other most noteworthy member was bassist Chuck Dukowski, who stayed with them until '83. Black Flag also went through three singers, the first being Keith Morris. He later formed the Circle Jerks, OFF!, and stayed very active in the punk community to this day. He also currently fronts Flag, but we'll get to that. Besides a bunch of demos, he only appeared on the band's debut EP, Nervous Breakdown, which is considered to be one of the first, if not the first, hardcore punk release ever. It's been infinitely influential to this day. Their second vocalist, Ron Reyes, appeared on Jealous Again and came back to sing on 2013's What The..., which is quite aptly titled, but we'll also get to that later. Their third vocalist was Dez Cadena, whose guttural shouts brought the band into an angrier, noisier territory. The main material these three guys put out with Black Flag is all included on The First Four Years, which is a punk rock essential. The demos and outtakes from this era appear on Everything Went Black, which is a really interesting listen to hear each vocalist's take on the early songs.


Hardcore '81. Cadena's vocal chords were being shredded to hell (check out some live stuff from him, you'll see why), and the band was in need of a new vocalist, since Cadena wanted to play rhythm guitar. This guy from DC had been playing in this band called State Of Alert and managing the local Haagen Daz. After going up to see Black Flag play in New York, he hopped onstage with them to perform "Clocked In", since he had to drive back to DC to scoop ice cream the next day. A few days later, he gets a call inviting him up to audition for the band's new vocalist. And just like that, Henry Garfield becomes Henry Rollins, and the rest is history. Sort of. The band's "classic" line-up was now fully formed, featuring Rollins on vocals, Ginn on guitar, Cadena on rhythm guitar, Dukowski on bass, and Robo (also of The Misfits) on drums. They recorded their first full-length album, Damaged, which featured Rollins punching a mirror on the cover, which is a pretty accurate representation of the music on it. Some of the angriest, noisiest, and most intense hardcore of the time is found right here, from the Reagan-era anthem "Rise Above" to the distressed stream of consciousness "Damaged I". The album is highly regarded, and for good reason.


Damaged was meant to be distributed by Unicorn Records, a subsidiary of MCA at that time, who pulled back on their distribution deal after hearing the album. SST and the band said fuck it and distributed it themselves, which lead to a lawsuit that lasted for the next few years. During this time, the band recorded a handful of demos with drummer Chuck Biscuits (who was in D.O.A. and later Danzig), which are really damn good. They were finally able to release proper records again in 1984, after putting together a ton of material in the years prior. 1984 saw the release of three Black Flag full-lengths and a live album, with a new line-up featuring Rollins and Ginn, as well as bassist Kira Roessler and drummer Bill Stevenson (from the Descendents). My War came first, which featured a slowed-down, metal-inspired sound, which alienated a lot of fans waiting for another Nervous Breakdown. Especially the second side of the album, which was three long, slow songs completely consumed with anger.  As the years went on, it became an influence on grunge and sludge metal, and now held in higher regard as the phenomenal album that it is. Following that was Family Man, which was split into two parts. The first half featured Rollins' spoken word, and the second half featured the experimental jazz and punk fusion that Ginn would continue to explore on The Process Of Weeding Out and his other project Gone. One song, "Armageddon Man", is a combination of both sides, which makes for a demented yet intriguing listen. The end of 1984 resulted in a great live album, Live '84, and another full-length Slip It In, which is a slew of diverse but continuously good material.


The gravitation towards heavy metal continued into 1985 with Loose Nut, which only continued to alienate their fanbase. Black Flag have always had their share of opposition, whether it be the LAPD in their early days, or their own fans later on, they managed to continue on. By now they were more than used to being attacked at shows, particularly Rollins who became the scapegoat to blame for the band's changing sound. By 1985, he was the fully-formed muscled-out, tatted-up, short-short wearing long-haired beast that he's most iconic for in his Black Flag days. Check out their live stuff from this era, it's incredibly intense. When it came to the records though, Loose Nut isn't exactly their most critically-lauded or fan favourite from the band, though I still think it's a great album that has a ton of gems and some standout tracks which could almost be described as catchy (just listen to the chorus on "Bastard In Love"). The heavy metal inspiration peaked on the band's last album (as far as I'm concerned), which was In My Head. Again, it's not the most recognized of Black Flag's material, but it's a solid album front-to-back nonetheless.


By 1986 the band had begun to dissolve. Stevenson and Roessler had left the band, and tensions from the band's vigorous touring schedule and continued experimentation had really started to take a toll on the remaining members. The legendary Black Flag ended in a phone call from Ginn to Rollins, and that was it. All its members went their separate ways and got involved in a bunch of other projects, leaving the bars behind. A handful of members have gotten together on occasion post-2000 to perform some songs, but that's about it.


If there really is a benevolent god, he is not a fan of Black Flag. In 2013, Greg Ginn and Ron Reyes got together under the Black Flag name to play shows and record a new album. The result was What The..., which is as aptly titled as they come. Putting the name and awful cover art aside, it's an incredibly average punk album, which doesn't carry any of the raw energy that they did in their earliest days. It's basically a bastardization of the name, which resulted in even more revolt than My War did years ago. This didn't last long though, since Reyes was kicked out and replaced by skater Mike Vallely. Reyes just can't seem to catch a break with the Black Flag name. when he quit back in 1980, he was credited as "Chavo Pederast" (basically saying he's a pedophile) on Jealous Again as "revenge", and now after coming back years later he gets the boot once again. This incarnation of Black Flag (if you want to call it that) was done by the end of 2014. At the same time, another form of the band sprung up, this one going under the name Flag. It features Morris, Dukowski, Stevenson, Cadena and the Descendents' guitarist Stephen Egerton, and it is definitely the more respectable tribute to the original band, though there's no denying that Greg Ginn IS Black Flag.


Personally, they were a huge influence on me musically. They weren't really my introduction to punk, but they (along with a few others) were definitely my introduction into hardcore, and the wonderful world of the 80's American underground rock, which I still think contains some of the best music ever put out, whether it be Black Flag, Sonic Youth, Mission Of Burma, Rites Of Spring, you name it. I remember watching "Depression" from The Decline Of Western Civilization and thinking "holy fuck", because I had never "got" music like that before, and it's kind of stuck with me ever since. But enough self-indulgence, get into this band. At least The First Four Years, Damaged, and My War, because those are the absolute essentials, and I question your sanity if you don't give them a listen. Enjoy.

1. No Values
2. White Minority
3. I Don't Care
4. Gimme Gimme Gimme
5. Wasted
6. I Don't Care
7. Instrumental
8. I Don't Care (2)

1. Nervous Breakdown
2. Fix Me
3. I've Had It
4. Wasted

1. Jealous Again
2. Revenge
3. White Minority
4. No Values
5. You Bet We've Got Something Personal Against You

1. Six Pack
2. I've Heard It Before
3. American Waste

1. Louie Louie
2. Damaged I

1. White Minority (Live)
2. Depression (Live)
3. Revenge (Live)

1. Thirsty And Miserable
2. Life Of Pain

1. Rise Above
2. Spray Paint (The Walls)
3. Six Pack
4. What I See
5. TV Party
6. Thirsty And Miserable
7. Police Story
8. Gimmie Gimmie Gimmie
9. Depression
10. Room 13
11. Damaged II
12. No More
13. Padded Cell
14. Life Of Pain
15. Damaged I

1. Police Story
2. Nervous Breakdown
3. Depression
4. I've Heard It Before
5. You Bet We've Got Something Personal Against You

Note: Live bootleg

1. TV Party
2. I've Got To Run
3. My Rules

1. Gimmie Gimmie Gimmie
2. I Don't Care
3. White Minority
4. No Values
5. Revenge
6. Depression
7. Clocked In
8. Police Story
9. Wasted
10. Gimmie Gimmie Gimmie
11. Depression
12. Police Story
13. Clocked In
14. My Rules
15. Jealous Again
16. Police Story
17. Damaged I
18. Louie Louie
19. No More
20. Room 13
21. Depression
22. Damaged II
23. Padded Cell
24. Gimmie Gimmie Gimmie
25. Crass Commercialism

1. What Can You Believe?
2. Yes I Know
3. Slip It In
4. Modern Man
5. My War
6. Black Coffee
7. Beat My Head Against The Wall
8. I Can't Decide
9. I Love You
10. Nothing Left Inside
11. I Love You
12. My War
13. Interview Session
14. Swinging Man

1. What Can You Believe?
2. Modern Man
3. Slip It In

1. Nervous Breakdown
2. Fix Me
3. I've Had It
4. Wasted
5. Jealous Again
6. Revenge
7. White Minority
8. No Values
9. You Bet We've Got Something Personal Against You
10. Clocked In
11. Six Pack
12. I've Heard It Before
13. American Waste
14. Machine
15. Louie Louie
16. Damaged I

1. I Love You
2. My War
3. Swinging Man
4. Interview Rado Tokyo 1984

1. My War
2. Can't Decide
3. Beat My Head Against The Wall
4. I Love You
5. Forever Time
6. Swinging Man
7. Nothing Left Inside
8. Three Nights
9. Scream

1. Family Man
2. Salt On A Slug
3. Hollywood Diary
4. Let Your Fingers Do The Walking
5. Shed Reading (Rattus Norvegicus)
6. No Deposit, No Return
7. Armageddon Man
8. Long Lost Dog Of It
9. I Won't Stick Any Of You Unless And Until I Can Stick All Of You!
10. Account For What?
11. The Pups Are Doggin' It

1. Slip It In
2. Black Coffee
3. Wound Up
4. Rat's Eyes
5. Obliteration
6. The Bars
7. My Ghetto
8. You're Not Evil

1. The Process of Weeding Out
2. Nervous Breakdown
3. Can't Decide
4. Slip It In
5. My Ghetto
6. Black Coffee
7. I Won't Stick Any Of You Until and Unless I Stick All Of You!
8. Forever Time
9. Fix Me
10. Six Pack
11. My War
12. Jealous Again
13. I Love You
14. Swinging Man
15. Three Nights
16. Nothing Left Inside
17. Wound Up
18. Rat's Eyes
19. The Bars

1. 01

Note: One file, bunch of live tracks

1. Loose Nut
2. Bastard In Love
3. Annihilate This Week
4. Best One Yet
5. Modern Man
6. This Is Good
7. I'm The One
8. Sinking
9. Now She's Black

1. Your Last Affront
2. Screw The Law
3. The Process Of Weeding Out
4. Southern Rise

1. Paralyzed
2. The Crazy Love
3. Black Love
4. White Hot
5. In My Head
6. Out Of This world
7. I Can See You
8. Drinking And Driving
9. Retired At 21
10. Society's Tease
11. It's All Up To You
12. You Let Me Down

1. Loose Nut
2. I'm The One
3. Annihilate This Week
4. Wasted
5. Bastard In Love
6. Modern Man
7. This Is Good
8. In My Head
9. Sinking
10. Jam
11. Best One Yet
12. My War
13. Slip It In/Gimmie Gimmie Gimmie
14. Drinking And Driving
15. Louie, Louie

1. Minutemen & Black Flag - Fetch The Water
2. Minutemen & Black Flag - Power Failure
3. Minutemen & Black Flag - Friends
4. Minutemen & Black Flag - Candy Rush

1. Wasted
2. TV Party
3. Six Pack
4. I Don't Care
5. I've Had It
6. Jealous Again
7. Slip It In
8. Annihilate This Week
9. Loose Nut
10. Gimmie Gimmie Gimmie
11. Louie Louie
12. Drinking And Driving

1. Annihilate This Week
2. Best One Yet
3. Sinking

1. I Can See You
2. Kickin' & Stickin'
3. Out Of This World
4. You Let Me Down

Disc 1
1. No Martyrs
2. I've Heard It Before
3. Room 13
4. Depression
5. I Can't Decide
6. Nervous Breakdown
7. Jealous Again
8. Scream
9. Six Pack
10. No Values
11. I've Had It
12. My Life
13. I've Got To Run
14. My Rules
15. Modern Man
16. Beat My Head Against The Wall
17. Fix Me
18. Rise Above
19. TV Party
20. Wasted
21. Revenge

Disc 2
1. Band Intros/Scream
2. Jazz Poetry
3. Revenge
4. I've Gotta Run
5. My Rules
6. I've Heard It Before
7. Room 13
8. Depression
9. I've Had It
10. Nervous Breakdown
11. Jealous Again
12. My Life

1. My Heart's Pumping
2. Down In The Dirt
3. Blood And Ashes
4. Now Is The Time
5. Wallow And Despair
6. Slow Your Ass Down
7. It's So Absurd
8. Shut Up
9. This Is Hell
10. Go Away
11. The Bitter End
12. The Chase
13. I'm Sick
14. It's Not My Time To Go-Go
15. Lies
16. Get Out Of My Way
17. Outside
18. No Teeth
19. To Hell And Back
20. Give Me All Your Dough
21. You Gotta Be Joking
22. Off My Shoulders