Elseworlds

DC Comics used to have special issues called "Elseworlds," in which various characters would find themselves in different circumstances than what we were used to seeing them in. The idea was that these stories never happened in the continuity of their various titles, but rather, what if something different happened.

What if Batman was a 16th century pirate? What if Superman's rocket had landed in communist Russia during the 1940s? Etc.

When I wrote my spec script for "Smallville" (CW, 8 p.m.) a couple of years ago, it was entitled "Elseworlds." Through a bit of technology, Clark (Tom Welling) was able to see what life would have been like had he been adopted by Lionel Luthor rather than the Kents. Let's just say I brought the idea of sibling rivalry to a whole new level between Clark and Lex (Michael Rosenbaum).

Clearly, that script was never bought, because I'm still here doing this blog for you guys, but "Smallville" does finally visit an Elseworlds scenario for tonight's 150th episode, directed by Welling. As Brainiac (James Marsters) flies back to Krypton of the past to assassinate the young Kal-El, Clark wonders if the world might not be better off without him. The spirit of his father gives him a slice of what that might be like.

Lex is President, with Brainiac as his chief of staff and Kara (Lauren Vandernoot) as his enforcer. Lois (Erica Durance) is a Pulitzer Prize winner investigating Lex's sinister plans.

As a comics enthusiast, I've always enjoyed the Elseworlds ideas that the writers have come up with over the years (Marvel Comics has a similarly themed series called "What If?") While "Smallville" is hardly the first series to tackle the "It's a Wonderful Life" dilemma, at least it can fall back upon the DC Comics tradition of Elseworlds to justify it.

THURSDAY'S BEST BETS: "Smallville" isn't the only CW series to play with an alternate reality; Dean Winchester experienced his own version last season on "Supernatural" (CW, 9 p.m.) Tonight, Dean gets a visit from a spirit claiming to be that of his father.

Addison (Kate Walsh) makes a one-night return to "Grey's Anatomy" (ABC, 9 p.m.) from her spinoff "Private Practice," no doubt sending "Grey's" fans into a frenzy. It follows a new "Ugly Betty" at 8 p.m. and precedes a new "Lost" at 10 p.m. as Jack falls gravely ill, and Kate and Juliet rush to save him. Ah, to be nursed back to health by Kate and Juliet...

"CSI" (CBS, 9 p.m.) must be investigating Vulcans, because several victims turn up with green blood, followed by a new "Without A Trace," which presumably has no Vulcans.

Earl is finally awake on "My Name Is Earl" (NBC, 8 p.m.), which kicks off the network's terrific comedy lineup of "Scrubs," "The Office" and "30 Rock," followed by a new "ER" at 10 p.m.

Finally, the documentary "Carrier" (PBS, 9 p.m.) wraps up tonight.

Late Night Shuffle

On vacation last week, I didn't get around to reporting the news that former "SNL" cast member Jimmy Fallon will be replacing Conan O'Brien on NBC's "Late Night" when O'Brien gets the "Tonight Show" gig next year.

My brother and his friends, who follow the late night talk show circuit a lot more than I do, seem to think this will be a disaster of Titanic proportions because none seem to be fans of Fallon. They aren't the only ones that are worried.

One TV critic, Tim Goodman, wrote a column wondering if would-be movie star Fallon would be able to reduce his own ego in favor of his guest's, something that every talk show host needs to do (though somehow Larry King has managed a career for 40 years without being able to do this). Another critic, Alan Sepinwall, seemed to think the opposite, that Fallon wouldn't have enough of a personality to make a go of things.

My thoughts? Let Fallon actually tape a show or two before passing judgment.

Here's the thing. I remember when O'Brien was first named Letterman's replacement. Here was a guy who hadn't appeared regularly in front of a camera or an audience who was taking over for the most popular host on TV at that point. Needless to say, no one thought much of Conan's chances, but a decade-plus later, he seems to have done well enough for himself.

The late night circuit is something of a crapshoot, anyway. I never thought much of Jimmy Kimmel before, but with his recent brilliant Matt Damon-Ben Affleck-Sarah Silverman love triangle videos, he's riding a huge wave of popularity.

On the other hand, Chevy Chase, who had a very successful movie career, may go down as the worst talk show host in history.

Now people are questioning whether Conan, arguably the top host right now not on a show produced by Comedy Central, can take over "The Tonight Show," which skews to an older audience than his. I'm guessing if you ask an NBC exec, they are counting on Conan's appeal among younger viewers to cut into the Comedy Central juggernaut of "The Daily Show" and "The Colbert Report."

Meanwhile, people are pointing to Fallon's lackluster movie career and the success of his former SNL partner Tina Fey as to reasons why he will fail. I'll point out that A) few people are as hot as Tina Fey right now, or as funny in general, and B) the six people who watched the movie "Collision Course" probably never imagined that Pat Morita's partner in that flick would be able to successfully replace the legendary Johnny Carson.

Let's see Fallon do his thing, and then pass judgment.

AROUND THE DIAL: It's going to be very difficult for anyone to replace the late Stanley Kamel as a recurring character on "Monk," but the producers have signed the always reliable Hector Elizondo to play Monk's (Tony Shalhoub) new therapist. ... Oscar nominee Amy Ryan will be joining "The Office" as a guest star as Toby's replacement, while Oscar and Emmy nominee Angela Bassett will be joining the cast of "ER" for its final season next year. ...

WEDNESDAY'S BEST BETS: Can we please siphon just one of Thursday's great shows over to Wednesday's? Just one? Seriously, it'd free up my TV watching greatly to spread the wealth.

As it is, "American Idol" (Fox, 9 p.m.) dominates the night following new episodes of "Til Death" and "Back To You" on Fox.

"Criminal Minds" (CBS, 9 p.m.) is new, as is "CSI: NY" at 10 p.m., which squares off with a new episode of "Boston Legal" (ABC, 10 p.m.) "Law & Order" (NBC, 10 p.m.) follows a two-hour "Deal Or No Deal."

The CW is debuting the new reality show "Farmer Wants a Wife" at 9 p.m. I'd watch, but I'm worried my liver will force its way into my neck, cutting the flow of blood off to my brain. Come to think of it, that may be the only way to watch this show.

Finally, the documentary series "Carrier" (PBS, 9 p.m.) continues tonight.

'Shark' Swims Again

Tonight marks the return of the law drama "Shark" (CBS, 9 p.m.), a show fairly derivative of Fox's superior "House."

The main difference between the two shows is that the larger-than-life lead character, Sebastian Stark (James Woods), is a lawyer and has a teenaged daughter while House (Hugh Laurie) is a doctor and completely alone.

But both shows are structured essentially the same. Stark and his minions get a weekly case that seems unwinnable, only to have Stark pull a brilliant legal trick to win in the end. "Shark" isn't a bad show, but is a good example of the sort of formulaic hour-long crime dramas CBS is famous for.

One of main things I wish "Shark" would do more of is develop the supporting cast better. Though the supporting doctors on "House" don't get a whole lot to do, at least we care about them as people. In "Shark," we rarely get that with the lawyers working for Stark.

Tonight's episode, the first new one since the strike, picks up with Stark facing both criminal charges and losing his law license after helping cover up a murder for his client (Jonathan Banks) years earlier. But that character is a small fish, and a tough U.S. Attorney (Paula Marshall) is pushing Stark to help net Banks' sociopathic partner, who ordered the original murder to cover up a bigger crime.

It's a pretty strong episode and something of a roller coaster ride as we see Stark facing up to the worst mistake he's ever made and risking losing everything. Marshall, who is filling in for Jeri Ryan while Ryan is on maternity leave, has some good chemistry with Woods.

The worst moments for "Shark" for me are usually the ones with his daughter (Danielle Panabaker), who is written as so consistently whiny and annoying, it's hard to care about her. She continues that streak tonight.

I'm not sure if "Shark" has been officially renewed yet, so the ratings for the next few episodes in its new timeslot could be critical. A new episode of "NCIS" at 8 p.m. as a lead-in should help.

TUESDAY'S BEST BETS: Another crime drama that is testing a new timeslot and night for a ratings boost is "Women's Murder Club," (ABC, 10 p.m.) back with a new episode and new showrunners. This quirky little crime drama could get a big boost not only from switching away from the Friday night wasteland, but also following "Dancing With The Stars" at 9 p.m.

"Law & Order: SVU" (NBC, 10 p.m.) has guest star Robin Williams playing a character who does all sorts of crazy antics. Boy, never seen that before.

Fox's highly rated reality lineup of "American Idol" and "Hell's Kitchen" puts its contestants through the grinder once more.

On cable, "The Riches" (FX, 10 p.m.) is all new.

Finally, the documentary "Carrier" (PBS, 9 p.m.) continues tonight. It follows a rerun of "Nova," also about giant naval vessels, this one about the sinking of the Japanese supership the Yamamoto in 1945.

Back In The 'House'

OK, back from vacation and back in Macon. (Yes, I did post four times last week while on holiday, making me the coolest TV critic ever, especially since I don't get paid for this).

I guess karma is rewarding me with the first new episode of "House" (Fox, 9 p.m.) since the strike. This time, our favorite curmodgeon is stuck with a cheery patient.

It should be interesting to see how "House" fares on its new night after being a staple of Tuesdays. It helps to have the natural pairing of "Bones" (Fox, 8 p.m.) as a lead-in. As I've often written, both shows are natural complements of the other.

SUNDAY NIGHT SHOUT-OUT: After all this time, "The Simpsons" still manages to make me laugh. Thanks to Matt Groening & Co. for working the Bayeux Tapestry into the opening couch sequence. Well played, sir, well played.

MONDAY'S BEST BETS: One great thing about being in the sweeps period is that the networks pull out all of the stops. This period is especially important, because the last one in February was seriously affected by the strike. The networks use the ratings generating during sweeps to set ad prices, so it's the most critical time of the year in terms of revenue for the networks.

Maybe that's why "Deal Or No Deal" (NBC, 8 p.m.) is trotting out a "Star Wars" themed episode, which includes the 26 models dressed in the Princess Leia slave bikini from "Return of the Jedi." It's followed by a new "Medium" at 10 p.m.

CBS is all-new with its comedy lineup, plus "CSI: Miami" at 10 p.m.

"Gossip Girl" (CW, 8 p.m.) is new and features "Buffy" alum Michelle Trachtenberg, followed by "One Tree Hill."

Finally, the documentary "Carrier" (PBS, 9 p.m.) continues to feature life aboard a US Navy ship.

A Wee Bit Of Heartbreak For Me

It was kind of a good news/bad news day for me yesterday, courtesy of the WWW.

As you loyal dozens know, I (try to) knock out screenplays and teleplays in my spare time. Not full-time, mind you, because that would require me selling something and making some money, and I'm not in danger of that any time soon.

Anyway, in this golden age of Sci-Fi/Fantasy TV with the revival of the "Doctor Who" (Sci Fi, 9 p.m.) and "Battlestar Galactica" (Sci Fi, 10 p.m.) franchises, my ultimate dream was to lead the revival of "Blake's 7" back to TV.

Since I'm sure most of you have never heard of it, let alone seen it, "B7" was a BBC sci-fi series that ran four seasons from 1977-81. Created by Terry Nation (also the creator of the Daleks, BTW) and brilliantly written (albeit with cheesy, 1970s BBC special effects), the series told the tale of Blake, a freedom fighter who battles against the totalitarian Earth empire in a dystopian future.

What I loved about the old series was that Blake and his crew weren't really the good guys, more like anti-heroes. And the bad guys weren't all that evil, just very bureaucratic. The end of the series was one of the most memorable ever. (Let's just say the good guys don't win).

In this post-9/11 world, where shows like "BSG" achieve the pinnacle of good science fiction by providing an allegory to our own world and values, I always thought "B7" would be a perfect candidate. After all, from different perspectives, Blake is either a freedom fighter or a terrorist. In our world where terrorism remains such a prominent problem, what better thing than to look at the issue in a futuristic way?

Well, apparently I'm not the only one to think this way. Sky TV announced yesterday that "B7" would be revived as a TV series. The Hollywood Reporter article can be found here: http://www.hollywoodreporter.com/hr/content_display/international/news/e3if57cb0c541e56ebf5d7d34e9c0e33ed9

The guys shepherding the project do have experience in the "B7" universe - they produced a radio series last year.

It's not that I resent them, but this was always my screenwriting fantasy. I mapped the whole thing out in my head, how it would pay tribute to the original series but be updated with a post-9/11 spin. I even came up with my own killer ending and a dream cast. Of course, one of the first things would-be screenwriters learn is not to write about copyrighted properties they don't own, which is why you will never see my killer "Batman" movie idea, by the way.

Sadly, unless I win the lottery tomorrow and buy out the "B7" rights, all of this will remain in my noggin, another dream to be unfulfilled.

On the bright side, I'm hoping these guys capture some of that "BSG" magic and do justice with the new "Blake's 7" so that it becomes the pop culture phenomenon that Galactica has become.

WEEKEND'S BEST BETS: As noted above, Sci-Fi is all-new tonight, including the "Sarah Jane Adventures" at 8 p.m.

Speaking of fantasy shows, "Moonlight" (CBS, 9 p.m.) returns after a long, strike-induced layoff with a new episode. Though on the bubble, this show has a loyal core of fans, particularly of the female persuasion over star Alex O'Loughlin. It anchors new episodes of "Ghost Whisperer" at 8 p.m. and "Numb3rs" at 10 p.m.

On Saturday, BBC America will have a mini-marathon of "Robin Hood" before airing the brand-new (on this side of the pond) second season at 9 p.m.

On Sunday, PBS takes a break from "Masterpiece" with the docu-drama "Carrier" at 9 p.m. about life aboard a US Navy carrier.

Fox's animation lineup, led by "The Simpsons," is all-new.

A new "Desperate Housewives" and "Brothers & Sisters" on ABC take on a new "Cold Case" and "Dexter" on CBS, beginning at 9 p.m.

"Wire In The Blood" (BBC America, 8 p.m.) airs a new installment.

Finally, "The Tudors" (Showtime, 9 p.m.), which was just renewed for a third season, continues with a new episode from Season 2.