Showing posts with label reviewers. Show all posts
Showing posts with label reviewers. Show all posts

Tuesday, March 15, 2011

Reviews Wanted for e-Anthology


by Libby Hellmann

Hi, all. I've been very fortunate to hook up with a group of fabulous authors (in addition to those on The Outfit, of course), and we're e-publishing a new anthology April 1. We're looking for reviewers to help it launch it in style. Here's what we're saying:

Hold on tight for a literary thrill-ride into the wickedly clever, frightening, and exhilarating world of Top Suspense, a sizzling collaboration of twelve master storytellers at the peak of their powers in thirteen unforgettable tales. Max Allan Collins, Bill Crider, Stephen Gallagher, Lee Goldberg, Joel Goldman, Naomi Hirahara, Vicki Hendricks, Paul Levine, Harry Shannon, Dave Zeltserman, and yours truly.

This unforgettable anthology – packed full of cold-blooded killers, erotic tension, shady private eyes, craven drug dealers, vicious betrayals, crafty thieves, and shocking twists – is coming out on APRIL 1 and is only a taste of the thrills you will find in the breathtakingly original ebooks by these authors at www.topsuspensegroup.com.

But you can get a FREE ADVANCE READING COPY...in your e-format of choice.


Here’s all you have to do:

1. Send me an email through my website with the subject FREE TOP SUSPENSE BOOK and give me your name and the address of your website or blog (don’t have one? That’s okay. Read on).

2. Agree to post a review, positive or negative (but with no spoilers!) on your blog, website, Goodreads page, Facebook page, or the Amazon listing for TOP SUSPENSE in the next 60 days. (You don't have to buy the book on Amazon to review it there, you only need to have an account).

3. Email me a copy of the review or a link to the post.

Each Top Suspense author has been alotted just 25 copies to giveaway, so if you're interested, you'd better hurry. And once you get your book, sit back, bite down on a piece of strong leather, and prepare to get hit by some gale-force suspense and writing so sharp it will draw blood.


Hope to hear from you! Thanks.

Friday, August 10, 2007

Can't We All Get Along?

By Barbara D’Amato

This week, on one of the mystery lists, I came upon an extremely hostile reviewlet of a new crime novel. It brought back thoughts of a specific type of comment about books that has puzzled me for years.

I’m not talking about negative reviews. They’re legitimate. A good reviewer is able to say, “This isn’t my favorite kind of novel, but it’s a good example of its type.” I’m talking about the comment in which the reader or reviewer is angry that such a book even exists.

It would be understandable if the reader were upset that a book dissed his religion or ethnicity. It’s even reasonable to have a distaste for a book that appears to the reader to be gratuitously bloody or cruel -- although in those cases I would say just don’t read it. But these, oddly enough, are stylistic objections.

Intentionally, I am not going to quote from any of these diatribes, nor name names or publications. It seems unprofessional to leave out all the proof of what I’m saying, but I’d rather not add to the back-and-forth. And anyway, we’ve all read some of them, haven’t we?

It’s not the writers who come up with these angry blasts. Virtually all the writers I know are supportive of other writers. They know how hard it is to write a book, and they are appreciative of others who do it, even the book isn’t what they like to read.

These are readers who are outraged that noir, or chicklit, or whatever they can’t stand, even gets published. They are outraged when a fast-paced adventure novel is low on characterization. Or they are furious that a chicklit book may be “light.” Or they can’t stand it that a traditional puzzle mystery is more intellectual than emotional. Hello? What were you expecting?

A sentence from the 60s comes to mind. Let a thousand flowers bloom.

If books had misleading cover descriptions, so that you paid money for an updated Rambo and got a knitting boutique, anger might be understandable. But mostly that isn’t the case, and, in addition, a lot of the outrage comes from reviewers and critics who get advance reading copies free.

What in the world triggers this anger? Maybe it comes from fear of the foreign, a kind of xenophobia: how can any person be so different from me as to enjoy this book?

I’d be interested in your thinking.