Showing posts with label Hummus Records. Show all posts
Showing posts with label Hummus Records. Show all posts

Sunday, 11 April 2021

REVIEW: Rorcal & Earthflesh, "Witchcoven" [EP]

By: Josh McIntyre
 
Album Type: EP
Date Released:02/04/2021
Label: Hummus Records


“Witch Coven” CS//CD//DD//LP track listing:

1). Altars of Nothingness
2). Happiness Sucks – So Do You

The Review:

 I am always impressed by Rorcal’s ability to be immaculately heavy. I mean it’s pure black bile smashing into your face with the weight of anvils. It melts your eyes and makes you feel smaller, more insignificant as an existential being. The guitars are huge, the drums are huge, the frequencies are huge, and the vocalist (who has one of the best tones in metal) roars like the meanest devil sent to drag you to Hell. Add in Earthflesh, their collaboration partner with this release, and the layers of noise make it sound like being forced into a meat grinder.

Speaking of Hell and devils, these two songs (both around 15 minutes) sound like occult rituals of the most frightening sort. The first song, “Altars of Nothingness”, begins with deep, choir-like vocals that certainly recall religious ceremonies before building up into a vile sludge fest. I’m normally one of those people who views religious and occult themed metal to be played out and cliche but somehow Rorcal and Earthflesh turn out something that really, truly sounds like the soundtrack to someone being set to flames. It isn’t just some band playing rock n’ roll songs about Satan, they manage to bring about an intensity that brings to mind the emotional state of someone in great pain who knows that all they have left in life is pure torment.

It feels as if the first track takes place on Earth, our living realm, while the second half takes place in a Hell-like dimension. Switching to blastbeats and buzzing guitars it sounds like the pure dread of someone falling to their doom, knowing that this is all they have left in life. As the song develops it continuously wavers between these faster parts and back to more doom sections. It feels natural as it flows and when the EP ends the quietness is quite apparent given the last half hour journey.

“Witch Coven” finds a brilliant balance between crushing atmosphere and riff to move the body (particularly the chugging section of the first track). Rorcal is truly at their best when throwing these juxtapositions together. The clean vocals and layers of sound from Earthflesh add to make this a special flavor of extreme music, one that is rich in mindfulness, a focus on emotive feel, and pure devastation.

“Witch Coven” is available HERE

Band info: Rorcal || Earthflesh

Wednesday, 6 November 2019

ALBUM REVIEW: Rorcal, "Muladona"

By: Eeli Helin

Album Type: Full Length
Date Released: 08/11/19
Label: Hummus Records



”Muladona” CS//CD//DD//LP track listing:

1. This is how I came to associate drowning with tenderness
2. She drained you of your innocence, and you poisoned her with it
3. I’d done my duty to my mother and father. And more than that, I’d found love
4. A sea of false smiles hiding murder, jealousy, and revenge
5. Carnation were not the smell of death. They were the smell of desire
6. The only constant in this world is blackness of the human heart
7. I was the Muladona’s seventh tale

The Review:

Little did I know how big of a treat I was in for, when I was asked to scribe up the track premiere for the Swiss blackened death/sludge/doom/noise quartet Rorcal earlier this autumn. Prior to that, I recall coming across the band a few times, but never gave them enough attention to fully comprehend what I was ingesting. When the premiere opportunity came along, I quickly and quite profoundly realised how big of a mistake I've made by not really giving the band a chance years earlier. In fact, not doing so proved to be one of the biggest blunder I've made in my entire life, in terms of my music listening habits. The track we premiered over here at THE SLUDGELORD, "A sea of false smiles hiding murder, jealousy and revenge", was so impactful and effective that it plunged me harshly into a very overwhelming Rorcal binge for weeks. Those weeks were full of amazement, awe, and sound-inflicted pleasure that felt otherworldly altogether, and all that time I kept kicking myself for being neglectful towards the band before. I'm certainly glad that has forever changed as of now.

"Muladona" is Rorcal's fifth full-length releasing on November 8th through Hummus Records, thematically based around a novel of the same name by Eric Stener Carlson, mirrored through the bleak and violent whirlwind of dissonant and abrasive death metal, borrowing flavours from blackened aesthetics and noise (quoting myself like a champ here). The author also lends his voice to the band as a narrator throughout the album. The close interaction between the two makes up an extremely transcendental experience, tying the whole epos together in an unprecedented manner, capable of engulfing your focus fully for its entire duration.

Opening with an intro track "This is how I came to associate drowning with tenderness", it's clear right from the beginning that this is something else. The haunting atmosphere created by the amalgamation of drones and the narration, along the drum and bass hits pave the way to a half an hour's worth of godless and violent, utter satisfaction. "She drained you of your innocence, and you poisoned her with it" spews forth an overly sorrowful and dramatic atmosphere, commencing with a slow and airy pace for a good while. Amping up constantly, the track picks up speed and force for a five minutes before exploding into its black metal-esque, blast beat driven final moments. Ending to some insect samples and gasps, it's easy to picture yourself on the narrators position, as you're surely trying to catch your breath before the next track kicks in.

"I'd done my duty to my mother and father. And more than that, I'd found love" is an apocalyptic piece drawing influence from a lot of places. One of the best things on the album is that how seamlessly all influences, all these different tones blend in together. The almost folk-ish approach to some leads join the most abrasive kind of death-flavoured crushing beating while being viewed through a very blackened lens. The vocals also take the spotlight here, as the desperate yet powerful screams carry the story onwards with the narration. The following and the first pre-released track "A sea of false smiles hiding murder, jealousy and revenge" packs in the kind of fury and agony that makes it perhaps the most effective and interesting cut on "Muladona". This shortest and most vile track acts also as a perfect bridge to the second half of the album, being placed right to the middle and having the sinew to capsize the listener's well-being due to its disgusting but fascinating and enveloping nature.

The following pair, "Carnation were not the smell of death. They were the smell of desire" and "The only constant in this world is blackness of the human heart" push Rorcal's musical limits right to the edge of being unbearable noise, but right when the hypnotizing chaos starts to dare getting too much, they change the direction and let you breath. Although most of the album is pretty relentless and suffocating, the short moments of quietness and tranquillity filled with samples and dynamics give just enough air to the album to avoid getting nauseating. The narrative takes a stronger weight towards the end, and the story gets more interesting and compelling throughout, despite being very uneasy and even deranged at times.

The culmination point of the album lies at the pinnacle of it, the magnificent closer that is "I was the Muladona's seventh tale". There's a sense of closure found here, fittingly similar to the last twenty pages of an extremely immersive and rousing book. The tale is brought to its dismal end in a sentimental fashion, picking along the tastier spices from across the album and grinding them into one very eloquently. Massive breakdowns follow each other consecutively, leading ultimately in a mental one. The narrative is brought to an end over few minutes of noisy drones, while you're left in a state of mind that's infuriatingly hard to describe.

It takes time to fully grasp and figure "Muladona" out, let alone to depict it in sensible words. "Muladona" is a grand piece of music portrayed in a setting that hasn't been done before in this extent. It quickly became obvious that not only this album is amongst the top ones of this year for me, it's also amongst the best albums I have ever heard. And all that from a band who's history was completely out of my view before hearing this album. I sincerely hope that some of my blabbering above made even the slightest of sense, and if not else, at least peaked your interest to give it a listen. The feelings that Rorcal is able to generate with "Muladona" are ponderous and many, that should be dealt with accordingly. Long after the album's finished, it'll echo in the silence you need to surround yourself with after experiencing it, calling and alluring you back into its black embrace.

”Muladona” is available HERE






Band info: bandcamp || facebook

Thursday, 26 September 2019

TRACK PREMIERE: Rorcal debut "A sea of false smiles hiding murder jealousy and revenge"

By: Eeli Helin


It is a tedious task to dig for striking and fresh music from the heaps of uninspiring bulk, but a delightful one when it pays off. It is also extremely pleasurable to be approached with something stunning and magnificent, for a premiere, for instance. Leading an obvious bridge from there, RORCAL are one of those outstanding ones. They're releasing their new album "Muladona" on November 8th through Hummus Records, and we're pleased to bring you the first single cut "A sea of false smiles hiding murder jealousy and revenge" today.

Three years after their previous effort "CREON", the band returns with an adaptation of a novel of the same name written by Eric Stener Carlson, mirrored through the bleak and violent whirlwind of dissonant and abrasive death metal, borrowing flavours from blackened aesthetics and noise. The droning and haunting feel carries through the album, the latter aspect being very prevalent in this particular track. Drenched in horror and cacophonous terror, "A sea of false smiles hiding murder jealousy and revenge" will gnaw your bones clean and leave you with a tense expectation for the rest of the album.

The track offers few isolated, passing moments of clarity that will only drag you deeper into its depths. There is a sense of despair very rarely obtained in such a graceful manner, which only goes to underline the primal force of RORCAL, the key atmosphere on the album, and the deep meaning behind every single word. Sit back, prepare to sink into the lyrics and blow out your speakers with the track from below.  ”Muladona” is available to preorder HERE

Band info: facebook

Wednesday, 17 October 2018

TRACK PREMIERE: Ølten deliver a titan of sonic manipulations on "Raus"


Formed in 2012, Ølten are a three piece armed with one guitar, one bass, and a drum kit, taking these individual elements they have coalesced into a titan of sonic manipulations, a trio that doesn’t always need to flex its muscles to display raw power. Their new record “Ambiance” is set for release via Hummus Records on November 2nd,  and you can check out a brand new track entitled “Raus” below.  Preorders for “Ambiance” are being taken (HERE) and band offer some insight to the structure and sound of the track below

The intro riff shares similar sounds with our friends from Unfold, a Swiss band we've all admired for years. This track then continues with a long central part a bit "prog": two guitar notes, four moog notes. And finally, a trax whose brakes give out on the way down.



Band info: bandcamp || facebook

Monday, 5 March 2018

ALBUM REVIEW: Coliguns, "Millennials"

By: Charlie Butler

Album Type: Full Length
Date Released: 23/03/2018
Label: Hummus Records




“Millennials” is a whirlwind of chaos interspersed with periods of hypnotic heaviness. Coilguns have crafted a killer record played with a hunger and venom that leaves all competitors eating their dust.



“Millennials” CD//DD//LP track listing:

1). Anchorite
2).  Deletionism
3).  Millennials
4).  Spectrogram
5).  Music Circus Clown Care
6).  Ménière’s
7).  Wind Machines For Company
8).  Self Employment Scheme
9).  Blackboxing
10).  The Screening


The Review:

Fans of the chaotic heaviness of classic Hydra Head bands like Keelhaul and Knut need Coilguns new LP “Millennials” in their lives. The unpredictable Swiss quartet have taken that powerful early 2000s sound, imbued it with their distinct brand of mayhem and dragged it screaming into the present.

Anchorite” opens proceedings with a slowly unfurling locked groove that sounds like Mastodon’sRemission” being dragged into a pit of sludge. The uncomfortable, dark atmosphere cast by this track persists throughout this mesmerising record that flits between simmering controlled carnage as demonstrated on “Self Employment Scheme” and brief bursts of head-scratching math-metal like “Music Circus Clown Care”.

The title track demonstrates Coilguns ability to temper their complexity with raw, paint-stripping punk rock intensity. Few bands can deliver this kind of raging adrenaline rush, hurtling into oblivion like their sadly missed Swiss comrades Kruger on a collision course with the sun. A looming doom riff appears to signal a snail-paced climax before the drums thunder back in at full speed to maintain the rapid velocity.

This is just one example that highlights the importance of Luc Hess’ drumming. More often than not, the drumming on these tracks will pursue an unexpected path for a band of this style to great effect. “Spectrogram” is based on an ominous, tom-heavy pattern that has more in common with post-punk than metal or hardcore. Its ominous repetition provides the perfect backdrop for the bands lumbering riffs and slowly building wall of sound. The restrained menace and eerie twinkly keyboard sounds conjure up a claustrophobic mood that brings to mind the underrated Breach. When the band lock into a punishing, Shellac style riff on “Deletionism”, the drums shuffle in and around the riff instead of providing the expected punishing groove. This makes it all the more powerful when the beat returns to more traditional heavy territory.

Millennials” is a whirlwind of chaos interspersed with periods of hypnotic heaviness. Coilguns have crafted a killer record played with a hunger and venom that leaves all competitors eating their dust.

“Millennial” is available here



Band info: bandcamp || facebook

Tuesday, 9 January 2018

VIDEO PREMIERE: Swiss chaotic wrecking crew Coilguns make a statement with "Millennials"


You know that feeling when you discover a new band and they basically knock you on your ass, rewind to March 2012 and by the luck of happenstance I discovered Swiss chaotic hardcore post whatever you want to call it sludge titans Coilguns and their hugely impressed debut EP “Stadia Rods”, a 6 song set all the more bewildering by the fact it was recorded by the band (a then three piece) live in one take with little or no overdubs, it was a hugely impressive debut and left a lasting mark upon me.  Fast forward a year and the band would issue debut full length “Commuters” via Pelagic Records,  an album with its frequent twists and turns, both confused and enthralled me  in equal measure,  resulting in a record that unfolded over time and one that with repeated sessions unveiled yet more intricacies and hidden moments of wonder amongst the chaos. 

Well, after 5 long years Coilguns are back with new album “Millennials”, which is set for release via their own imprint Hummus Records on 23rd March.  “Millennials” is a violent and over-the-top distorted record, born in a completely saturated scene and the band are ready to deliver a statement, that this isn’t a band to messed with and is one to take notice of in 2018.

Millennials” was written and recorded in January 2016 by the band, self-engineered on the inside of the desperate monoculture landscapes of central Germany. What is a breathless, lo-fi and lo-tuned epileptic record that roughly questions their own behavior as partially conscious citizens of a scary weird and exciting globalized music world.


The band commented, "We have this manic habit of using crazy sounding Wikipedia article titles as track names, just to blur our traces and look smart I guess. It always creates a funny gap in between the song's lyrical content and its final title. Our favorite on this album is clearly "spectrogram", one can easily guess why."  You can check out the exclusive  and stellar album title track “Millenials” below and preorders are available here 



Band info: facebook || bandcamp