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Showing posts with label Godzilla. Show all posts
Showing posts with label Godzilla. Show all posts
Monday, September 17, 2012
Saturday, February 19, 2011
VAULTCAST! Conversations in the Dark: Miguel Rodriguez Returns!
Produced from the mid 1980s through the late 1990s, the Heisei series represented something of a rebirth for the giant lizard. There certainly was a lot of ground to cover, and many films to discuss; but Mr. Rodriguez and I were certainly up to the task. Listen in and join us, won't you?
As always, you have a couple of options. You can listen on the embedded player below, or proceed to the Vaultcast page and download it!
Part 1 of the series!
Part 2 of the series!
Sunday, November 21, 2010
The Lucky 13 Returns! Week Four: Thanksgiving
Pass the cranberry sauce, would you? Yes, folks, it's the time of year to give thanks once again--and also to gorge ourselves on food and pass out in a tryptophan coma on the living room couch. It's Thanksgiving! And I don't know about you, but I'm thankful each and every year for the opportunity to share my love of horror with the world via this little musty corner of the interwebs. As part of that gratefulness, we here in the Vault, and over at Brutal as Hell, have turned this edition of the Lucky 13 over to everyone's favorite turkey-related holiday.
You might be asking, just how many Thanksgiving-themed horror flicks are there? And you'd have a valid point, as this was one of the more challenging installments to put together (hence the anemic number of contributions). Still, I got a little creative, and I hope you enjoy our offerings this week. Also, enjoy Thursday, and make sure not to overdo it. OK, overdo it all you want--what am I, your mother?
I know what you're thinking. What on earth does a giant irradiated lizard doing battle with a massive mountain of sludge have to do with Thanksgiving? Clearly, you didn't grow up in the Northeastern U.S. during the 1970s and 1980s. Because if you did, you'd know that Thanksgiving was the day they carted out all the giant monster movies to show on syndicated TV.
Don't ask me why they did it, but it was just like getting to see the Wizard of Oz every year on Easter. It never failed that each Thanksgiving, WWOR Channel 9 (I believe it was) would dust off such gems as King Kong, Son of Kong, Mighty Joe Young, and more Godzilla films than you could shake a spiky tail at.
By far, my favorite amongst them was Godzilla vs. The Smog Monster, a.k.a. Godzilla vs. Hedorah. In fact, it was a highlight of the holiday for me, and I would look forward to sitting on the floor cross-legged in front of the TV after the big dinner to take in all the Toho goodness while my uncles and aunts snored away all around me. Wonderul times...
Why did this one stand out so much for me? Do you need to ask? Animated interludes... The classic hippie environmentalist theme song, "Save the Earth"... The funkiest Godzilla foe of them all... And best of all, some really messed up imagery--this was one of the darkest and most violent of the classic Godzilla movies, for sure. It's easy to understand why I loved it so much. And why I miss those Thanksgivings of yore...
When I think of all the delightful trappings of the Thanksgiving holiday (the cold weather, the brotherhood, and the heaping piles of succulent meat), the only film that immediately comes to my mind is the backwoods be-bad-or-be-eaten bonanza known as Ravenous. Although the film didn’t fare well with critics upon its initial release (or at the box office), this cannibalistic comedy immediately dug its way into my heart right on my first viewing of the film.
From the minute that our sniveling hero John Boyd enters the confines of Fort Spencer with its ragtag group of eccentrics and crazies, I could tell that this was just one of those types of movies that seemed to be made solely for myself. Things only get better when the ever-charismatic Robert Carlyle arrives on the scene, and the film is pumped up a few gory and insane notches once he reveals his true flesh-hungry identity. The rest of the movie plays out as a good vs. evil skin munching demon-type scenario, with Pearce’s stoic John Boyd attempting to take down Carlyle’s devilishly charming Colqhoun before the mad faux-colonel can feast on all the inhabitants of the base.
There’s much dark humor to be had in the film, mostly due to Carlyle’s unique dining habits. Ranging from the absurdly silly (David Arquette screaming “He was licking my foot!”) to the fiendishly black (the strangely hunger-inducing scene of the troops sitting down for a steaming bowl of homo sapien), the comedy in Ravenous never overwhelms the sense of terror that it manages to pull off simultaneously, keeping the film completely balanced on the tight rope that separates horror from humor.
Although even I can’t claim Ravenous to be a cinematic masterpiece, I also cannot deny the massive amount of ghoulish fun that I have when watching it. There are deeper themes touched upon in the movie, such as Boyd’s search for redemption for his acts of cowardice. But let’s face it. When you get down to it, you end up watching Ravenous just so you can see a blood-soaked pilgrim chase down his dinner to the twangy plucks of a banjo. It’s a viewing experience in the best tradition of the holiday (although you should probably save this one for when the kids go to bed after the Charlie Brown special). Set the table, pop in the DVD, and good God let’s eat already.
* * * * * * * * * *
Head over to Brutal as Hell to see what Marc and the gang have cooked up! And join us next week when the Lucky 13 will have something very special in store for Hanukkah... I'm verklempt just thinking about it!
Week 2: Man vs. Nature
Week 3: Veteran's Day
Thursday, October 14, 2010
Thursday Guilty Pleasure: Week Two
Well, kids, it's The Vault of Horror's third anniversary today--and what better way to celebrate than to regale you with my love for cheesy Japanese monsters and little boys in ridiculous shorts? That's right, it's time for another edition of Thursday Guilty Pleasure, brought to by yours truly and Missy Yearian of Chickapin Parish, the poor misguided soul who seems to derive joy from the nadir of Dario Argento's career. Read on...
Godzilla's Revenge (1968)
Speaking of nadirs, this happens to be, by everyone's estimation, the ultimate lowpoint of the entire classic Showa series of Godzilla films from Toho. To that I say, pshaw. That's right! Pshaw. Because Godzilla's Revenge--as you would know if you listened to my recent Vaultcast with Miguel Rodriguez--brings me, and has always brought me, a disproportionate amount of pleasure.
By the late 1960s, Toho had completely given in to the fact that the main fans of the Godzilla series were little children. And so, instead of trying to make truly excellent films like Ishiro Honda's original Gojira, they started cranking out blatant kiddie fare, created without any intention of being anything but fluff. But once you accept that this isn't Gojira...well, Godzilla's Revenge can be a whole lot of fun.
You've got the little boy Ichiro, who aroused more jealousy in me than any other cinematic boy aside from possibly Elliot in E.T. You see, Ichiro had a magical machine that could transport him to Monster Island to hang out Big G and the rest of the gang. OK, so he was only dreaming, but that didn't make it any less awesome to me. I wanted to be that boy, and I wanted to chill with Anguirus, Gorosaurus and the rest of the kaiju crew.
Then, of course, there's Minya. That's right, I was the world's biggest Minya fan. Godzilla's little son (although paternity was never incontrovertibly established) completely captured my imagination, with his Don Knotts-like voice and classic smoke-ring blowing abilities. Yes, he may be the most maligned member of the Japanese movie monster fraternity, but I'm not too much of a snob to admit I loved the goofy-looking guy--and somewhere, in my grown-up heart, I still do. So take that, purists!
Godzilla's Revenge is a whole lot fun--not to mention the perfect gateway Godzilla film for little kids. So let's all get off the high horse, kick back and enjoy it's silly goodness, shall we? After all, what better way to learn a lesson about how to deal with bullying than by watching Godzilla duke it out with something that looks like a cross between a giraffe and a cat?
And now, I toss it over to Ms. Yearian, and her Guilty Pleasure for this week...
Mother of Tears (2007)
There is something special about Italian horror, no? All of us genre fans have a little place in our heart for those crazy Italians—mostly Lucio Fulci and Dario Argento. They make what we like to call “style over substance” movies. Hell, I’ve never seen a Lucio Fulci movie make much sense. Argento, however, is somehow a master at this particular kind of filmmaking. His movies are generally among the most visually beautiful you’ll ever see (see Suspiria or Tenebre).
This is why I was so surprised to discover that he’d botched Mother of Tears so badly. Holy hell, is that movie a mess or what? I mean, the acting is abysmal. The visuals are absurd. The story makes no sense. It should be the greatest cinematic disappointment of the decade.
But for some reason, it just isn’t. Don’t get me wrong. This is one of the worst horror movies I have ever seen. It’s an absolute disaster. But I’ve got such a girl boner for it that I can hardly believe it. That’s right, folks. I love Mother of Tears.
What makes the movie such a treat is the absolute shamelessness with which Argento made it. From the beginning, wherein a woman is strangled with her own intestines, the film is an experiment in absurdity. If I were to give you a highlight reel, it would look like the worst films of the eighties (a decade Argento seems to still be stuck in). A good example of this is the monkey (is it really a monkey? A baboon? Who knows?) that chases Sarah all over Italy. One could also cite the people chasing her on the train, what with their decidedly Duran Duran hairdos and makeup stylings.
But the real treat of Mother of Tears is the titular witch. Sporting a big, bouncy hairdo and the glossiest red lips you’ve ever seen, she’s no more terrifying than your average glance at your family photo albums. Upon first seeing her, I thought, “What? This is the worst of the three mothers? But she’s so eighties!”
All right, all right, truth be told, when I first saw Mother of Tears, I thought it was awful. I thought it was the worst possible ending to a fantastic trilogy. But then I saw it again. And, I don’t know, folks. You’ve got to admire Argento’s moxy. He made one atrociously bad movie (and yes, a bad ending to the trilogy), but it’s sure got style, doesn’t it?
* * * * * * * * * *
Yes, you read correctly up there at the top. Today is the third birthday of The Vault of Horror--which began here, if you'd care to check out the very first, completely unimpressive post. So to just keep it brief, I'd like to thank everyone, both colleagues and readers alike, for supporting this blog and helping it grow into what it is today. I can assure you... you ain't seen nothing yet.
Speaking of nadirs, this happens to be, by everyone's estimation, the ultimate lowpoint of the entire classic Showa series of Godzilla films from Toho. To that I say, pshaw. That's right! Pshaw. Because Godzilla's Revenge--as you would know if you listened to my recent Vaultcast with Miguel Rodriguez--brings me, and has always brought me, a disproportionate amount of pleasure.
By the late 1960s, Toho had completely given in to the fact that the main fans of the Godzilla series were little children. And so, instead of trying to make truly excellent films like Ishiro Honda's original Gojira, they started cranking out blatant kiddie fare, created without any intention of being anything but fluff. But once you accept that this isn't Gojira...well, Godzilla's Revenge can be a whole lot of fun.
You've got the little boy Ichiro, who aroused more jealousy in me than any other cinematic boy aside from possibly Elliot in E.T. You see, Ichiro had a magical machine that could transport him to Monster Island to hang out Big G and the rest of the gang. OK, so he was only dreaming, but that didn't make it any less awesome to me. I wanted to be that boy, and I wanted to chill with Anguirus, Gorosaurus and the rest of the kaiju crew.
Then, of course, there's Minya. That's right, I was the world's biggest Minya fan. Godzilla's little son (although paternity was never incontrovertibly established) completely captured my imagination, with his Don Knotts-like voice and classic smoke-ring blowing abilities. Yes, he may be the most maligned member of the Japanese movie monster fraternity, but I'm not too much of a snob to admit I loved the goofy-looking guy--and somewhere, in my grown-up heart, I still do. So take that, purists!
Godzilla's Revenge is a whole lot fun--not to mention the perfect gateway Godzilla film for little kids. So let's all get off the high horse, kick back and enjoy it's silly goodness, shall we? After all, what better way to learn a lesson about how to deal with bullying than by watching Godzilla duke it out with something that looks like a cross between a giraffe and a cat?
And now, I toss it over to Ms. Yearian, and her Guilty Pleasure for this week...
There is something special about Italian horror, no? All of us genre fans have a little place in our heart for those crazy Italians—mostly Lucio Fulci and Dario Argento. They make what we like to call “style over substance” movies. Hell, I’ve never seen a Lucio Fulci movie make much sense. Argento, however, is somehow a master at this particular kind of filmmaking. His movies are generally among the most visually beautiful you’ll ever see (see Suspiria or Tenebre).
This is why I was so surprised to discover that he’d botched Mother of Tears so badly. Holy hell, is that movie a mess or what? I mean, the acting is abysmal. The visuals are absurd. The story makes no sense. It should be the greatest cinematic disappointment of the decade.
But for some reason, it just isn’t. Don’t get me wrong. This is one of the worst horror movies I have ever seen. It’s an absolute disaster. But I’ve got such a girl boner for it that I can hardly believe it. That’s right, folks. I love Mother of Tears.
What makes the movie such a treat is the absolute shamelessness with which Argento made it. From the beginning, wherein a woman is strangled with her own intestines, the film is an experiment in absurdity. If I were to give you a highlight reel, it would look like the worst films of the eighties (a decade Argento seems to still be stuck in). A good example of this is the monkey (is it really a monkey? A baboon? Who knows?) that chases Sarah all over Italy. One could also cite the people chasing her on the train, what with their decidedly Duran Duran hairdos and makeup stylings.
But the real treat of Mother of Tears is the titular witch. Sporting a big, bouncy hairdo and the glossiest red lips you’ve ever seen, she’s no more terrifying than your average glance at your family photo albums. Upon first seeing her, I thought, “What? This is the worst of the three mothers? But she’s so eighties!”
All right, all right, truth be told, when I first saw Mother of Tears, I thought it was awful. I thought it was the worst possible ending to a fantastic trilogy. But then I saw it again. And, I don’t know, folks. You’ve got to admire Argento’s moxy. He made one atrociously bad movie (and yes, a bad ending to the trilogy), but it’s sure got style, doesn’t it?
* * * * * * * * * *
Yes, you read correctly up there at the top. Today is the third birthday of The Vault of Horror--which began here, if you'd care to check out the very first, completely unimpressive post. So to just keep it brief, I'd like to thank everyone, both colleagues and readers alike, for supporting this blog and helping it grow into what it is today. I can assure you... you ain't seen nothing yet.
Tuesday, September 14, 2010
VAULTCAST: Conversations in the Dark... w/Miguel Rodriguez
I warn you ahead of time: The geekery involved this week reaches alarming proportions. Your mileage may vary. If you dare to take a listen to our discussion of singing fairies, cockroach people and little boys in tiny shorts, then check out the embedded player below--or proceed directly to the official Vaultcast page to download.
Monster Island Resort podcast: http://www.monsterislandresort.org/
For more on Horrible Imaginings: The Horror Film Festival of San Diego
Twitter: http://twitter.com/MnstrIsleResort
*Special thanks to Captain Cruella of Village Invasion - Crawl of the Dead for forging the unholy Solomon/Rodriguez alliance!
Tuesday, July 20, 2010
Thursday, June 17, 2010
Wee-Sol Draws a Kaiju Battle
In the grand tradition of Wee-Sol Draws a Zombie, I bring you my five-year-old son's latest foray into genre-based illustration. This time, he decided it would make his kaiju-lovin' pop happy if he sketched an all-out brawl between Godzilla and his long-time ally/enemy, Mothra, which now hangs majestically in my office:
The little guy had some issues figuring out how to get the giant tail to lay just right (lower right-hand corner), but in the end I think he mastered it expertly. When he had a little difficulty visualizing, we decided it might be a good idea to pop in our beloved Classic Media DVD release of Godzilla vs. Mothra, which features a gallery of vintage movie posters. Here was the one he picked to use as inspiration:

How about that, Vault dwellers? To quote one of our mutual heroes, not bad for a little furball.
The little guy had some issues figuring out how to get the giant tail to lay just right (lower right-hand corner), but in the end I think he mastered it expertly. When he had a little difficulty visualizing, we decided it might be a good idea to pop in our beloved Classic Media DVD release of Godzilla vs. Mothra, which features a gallery of vintage movie posters. Here was the one he picked to use as inspiration:
How about that, Vault dwellers? To quote one of our mutual heroes, not bad for a little furball.
Monday, February 8, 2010
Friday, July 17, 2009
VAULT VLOG: B-Sol & Son Review Godzilla Final Wars!
I should've known when I got my daughter Zombelina involved in the blog business, that my other spawn would demand to get in on the act, as well. And so, it is with great pleasure that I present the debut of my only begotten son, Skeleton Jack (sorry BJ, he liked that better than The Pumpkin King, whatcha gonna do....).
Today in the Vault Vlog, we take a special look at the boy's favorite Godzilla movie. Hope you enjoy. All those looking for a serious, well-considered and informative review--please look elsewhere. Thanks!
Today in the Vault Vlog, we take a special look at the boy's favorite Godzilla movie. Hope you enjoy. All those looking for a serious, well-considered and informative review--please look elsewhere. Thanks!
Tuesday, July 7, 2009
G-FEST XVI: A Photo Essay By B-Sol, Part 2
And finally, I leave you with... Dalek porn! (Tilt yer head, it's worth it.)
Labels:
convention,
Godzilla,
kaiju,
photo,
photo essay,
video
Sunday, July 5, 2009
G-FEST XVI: A Photo Essay By B-Sol, Part 1
Labels:
convention,
Godzilla,
kaiju,
photo,
photo essay,
toy,
video
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