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Showing posts with label Robert Kirkman. Show all posts
Showing posts with label Robert Kirkman. Show all posts

Wednesday, April 14, 2010

Hump-Day Harangue: Walking Dead Cast Takes Shape...

Not really much of a literal "harangue" this week, if you must know the truth--more of a cautiously optimistic nod of approval, as the anxiously anticipated AMC series adaptation of Robert Kirkman's The Walking Dead comic book series becomes more and more of a reality.

Yesterday, rumors of Brandon Routh being cast in the show were debunked by the actor himself. I'll admit, I couldn't quite figure out who he was going to be playing anyway, especially since two of the prime roles had already been cast.

Speaking of those two roles, it's very interesting to see that AMC is going with relative unknowns for the most part in this, its first wholly owned TV property. The basic cable channel has been on fire lately with shows like Breaking Bad and Mad Men (my personal fave on TV right now), inheriting the throne of TV excellence once firmly inhabited by HBO. And those are both shows which have benefited greatly from having some fresh faces in key parts, so it's understandable that AMC would continue the trend.

As is our wont, we geeky internet types had a ball speculating as to which recognizable actor could take on this or that role. I know I recently conducted a poll which asked who should play lead character Rick Grimes, with choices like Lost's Josh Holloway, Supernatural's Jared Padalecki and Parenthood's Peter Krause (my choice at the time.) In the end, AMC went with British actor Andrew Lincoln (pictured), perhaps best "known" for his supporting part in the 2003 ensemble pic Love Actually. Playing his cop buddy Shane will be Jon Bernthal, an even less known commodity whom I mainly recall from his part as Al Capone in the sequel to A Night at the Museum (hey, I have kids, it comes with the job.)

In the end, I have to give kudos to AMC for resisting the allure of "name-brand" actors, although I'm sure the lower price-tags may have been a crucial factor in the decision, as well. Much like Mad Men, this is the kind of a show that will benefit greatly from a cast of relatively unrecognized talent (although it should be said that Lincoln is fairly known in the UK for his television work.) This shouldn't be something like a CSI or Law and Order spin-off, packed with familiar faces and big-time movie stars slummin' on TV. One of the selling points of The Walking Dead is its dedication to presenting a "believable" zombie apocalypse, as much of an oxymoron as that may be, and the presence of famous celebs would no doubt be a bit distracting.

Kirkman himself seems to be excited, although if I were in his shoes I'd be excited if they had cast Jerry Stiller and Fyvush Finkel in the leads. Nevertheless, I think The Walking Dead has lots of potential to be something very special, and as location scouting kicks off and shooting is almost ready to begin, I gleefully await the realization on screen of one of the strongest comic book series I've read this decade.

Wednesday, August 19, 2009

Hump-Day Harangue: So, About This Walking Dead TV Series...

A couple days ago, the news tore through the online horror universe like crap through a goose. Robert Kirkman's acclaimed The Walking Dead comic book series has officially been optioned by AMC as a TV series to be directed by Frank Darabont. And let me just say, I'm very excited about it. But my excitement comes with certain caveats. Allow me to explain.

I started reading The Walking Dead from the very first issue, back in 2003. That's right, I read the original monthly issues--none of that trade paperback or hardcover stuff for me. I was overjoyed to find an ongoing comic book series about a zombie apocalypse, and one that seemed to be smartly written, and amazingly drawn.

Speaking of drawn, I'll say that it was the stunning artwork by Tony Moore that helped take the book to a whole other level. Unfortunately, after only six issues, Moore abruptly departed. That was the first blow. He was replaced by Charlie Adlard, an artist I never warmed up to. I found his work to be sloppy, uninspired, and even confusing.

With Moore gone, my interest in the book began to wane. The shoddy artwork began to draw attention to the flaws in Kirkman's writing. The multitude of similar characters who became hopelessly impossible to distinguish from on another under Adlard's pen and brush. Then there was the snail's-pace plot development, which devolved into soap opera, in which whole issues would go by without a single zombie, let alone any action whatsoever.

The book had great promise. On paper, it's an excellent concept: Charting the ongoing efforts of a group of survivors in a world overrun by the undead. Kind of like a great zombie movie that doesnt end after just two hours, but shows you what happens week after week, and month after month. But my problem was with the execution. The problem was, nothing much happened.

I remember an issue which ended with our heroes mistakenly wandering into a gated community swarming with ghouls. You'd think this would be fodder for a whole bunch of issues overflowing with zombie action, but Kirkman wraps it up in just one issue, then takes the characters to the shelter of an abandoned prison, where they remain seemingly forever, interacting solely with each other while the zombies remain harmlessly outside the gates.

Still, being the zombie lover that I am, I gave the book every chance. I stuck with it for three years, despite the fact that I started losing interest after only six months. But I finally had to give up.

Through all that time, what kept me engaged was the great concept, which I knew, as other readers did, would make for a great television series. There had never been a zombie TV series, and certainly in this age of quality cable shows, the time was ripe. Naturally, most hoped for an eventual HBO run, since that seemed the most approptiate outlet.

And so now, years after I walked away from the book, ironically, comes the news that finally, The Walking Dead will indeed become a TV series. And despite my abandonment of the comic, I will admit that my interest has been greatly piqued, for a number of reasons.

Firstly, those early issues of the series are very strong, and will make for some killer episodes. Then, there's the Darabont factor. The man is a gifted director, with a head for genre material, and I have no doubt he can deliver a product that is actually superior to the material on which it's based.

However, the show must avoid the pitfalls that doomed the book, in my eyes. To go an entire episode in which we completely forget that the world has been taken over by zombies would be disastrous, quite frankly. Kirkman made the rather pretentious claim at one point that the title referred not to the zombies, but to the human characters--and his readers rightly called him out on it within the book's copious fan letter pages. The writer eventually backed down and even admitted himself that it was a bit of a heavy-handed conceit, or at least one that George Romero had already exhaustively mined.

To be a success, this show needs to deliver the goods, and not become the boring soap that the book became. It also needs to work around the constraints of commercial TV. AMC has freer reign than broadcast networks, but its not as free as HBO or Showtime. But then again, this book isn't so much about the gore factor, anyway, so maybe that won't be much of a problem.

There are a lot of people excited about this project, and with good reason. But I wonder how many of them actually read the comic book, especially as long as I did. Sure, it is a great idea, and had moments of greatness, including the torture of Michonne at the hands of the Governor, or the stuff at Herschel's farmhouse... but for the most part, in my opinion, it fell far short of its potential. And I'm hoping this show won't do the same.

So don't get me wrong here--I am excited about a Walking Dead TV series, and have been hoping for one for the past five years. However, I can't blindly heap praise on a comic book I found to be often disappointingly sub-par. And so I charge Mr. Darabont: Amaze me, sir. Fix Kirkman's mistakes. Work your magic and turn a great concept into a great television series. And I promise to tune in every single week.
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