Announcing the 5th Annual Cyber Horror Awards!

It took a lot longer than usual this year--thank you, day job!--but earlier this week, I was proud to finally release the complete list of winners for the 5th annual Cyber Horror Awards! I encourage everyone to head right over to the official page of the awards to find out all the winners, as voted on by the online horror journalism community.

Since 2009, the CHAs have been the only annual horror movie awards voted on exclusively by bloggers and other online critics. It's always a blast putting them together, and always fun to recognize the best in horror cinema each year. This year was quite an interesting one! For the first time, the awards were not dominated by one big movie, but rather by two: Drew Goddard's The Cabin the Woods and Ridley Scott's Prometheus. For the most part, Scott's Alien quasi-prequel snagged prizes in the more technical areas, while Goddard's meta-horror chestnut received more of the content-driven awards--which is pretty spot-on. Also, it's worth noting that this year saw the fewest amount of films winning awards, with only four. However, they were arguably the four best horror films of 2012, which makes me happy.

We saw a tie for David Cronenberg Award for Best Director, and a winner of the Dwight Frye Award for Best Supporting Actor who received more votes than all the other nominees combined! Ti West's The Innkeepers won three awards, and two of them were the Jamie Lee Curtis Award for Best Actress and the Linnea Quigley Award for Best Supporting Actress--a testament to that movie's strong female performances.

For the complete lowdown on all the winners, please proceed directly to the official Cyber Horror Awards page! And as always, I'm eternally grateful to the luminaries who took the time out to cast their votes this year:

Matt-Suzaka of Chuck Norris Ate My Baby
Dod March of The WGON Helicopter
Bryan White of the Rondo-nominated Cinema-Suicide
John W. Morehead of Theofantastique
Stu Conover of BuyZombie
BJ-C of Day of the Woman & Icons of Fright
BC of Horror-Movie-a-Day
Max Cheney of the Rondo-winning Drunken Severed Head
John Cozzoli of the Rondo-nominated Zombos' Closet of Horror
William Israel of Nightmare Castle
Christine Hadden of Fangoria.com and Fascination with Fear
Michele Eggen of The Girl Who Loves Horror
Anna Dynamite of Bemused and Nonplussed 
Johnny Squires of Freddy in Space and Fearnet 
Paige MacGregor of Fandomania 
John Kenneth Muir of Reflections of Cult Movies & Classic TV 

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Better Late Than Never: Announcing the Nominees for the 5th Annual CYBER HORROR AWARDS

It all started four years ago as a novel idea... how interesting would it be to give the horror blogosphere a platform from which to praise the best in horror movies each year? Other critic-based movie awards exist out there, so what about one for online horror journalists--who happen to be among the most opinionated, vocal critics of them all? So I came up with the Cyber Horror Awards, taking advantage of the connections I had made in the online horror world to create a system that could be used to recognize greatness in horror cinema each year.

Each year, I reach out to a select group of notables to help me select nominees in 13 different categories. Once that's done, the official ballot is emailed to scores of online horror critics (this year that number reached nearly 150), both blogger and non-blogger alike, asking them to select their choices. And then, at long last, the winners are declared over at the official home of the Cyber Horror Awards. Needless to say, this is all happening a few months later this year than I'd normally like, but hey, sometimes real life can be a bit of a nuisance.

Speaking of the official CHA website, by going there you can check out the official list of this year's nominees, highlighting some of the best and brightest the horror genre had to offer in 2012. It's quite an interesting field this time out... In previous years, a single movie usually dominated the nominees: 2008 was the year of Let the Right One In; in 2009 it was Trick 'r Treat; 2010 was dominated by Black Swan; and last year it was Attack the Block. This year, however, there are three films which are running neck-and-neck: The Woman in Black, with 10 nominations; The Cabin in the Woods, with 11 nominations; and Prometheus, with a whopping 12 out of 13 nominations (all that was missing was Best Supporting Actor... poor Idris Elba.) The Innkeepers also made a significant showing with 6 nominations.

But enough jibber-jabber. To give you a taste, our nominees for the Val Lewton Award for Best Horror Film of the Year are:

• Prometheus
• The Cabin in the Woods
• The Woman in Black
• The Innkeepers
• Sinister

Head over to the Cyber Horror Awards website and check out the full list now! Ballots have been sent out, with a deadline of August 15. I expect to publish the results not long after that. And incidentally, if you're an online horror critic/blogger and you have NOT received a ballot from me, feel free to reach out to me, and we'll see what we can do to rectify that!

And now, I leave you with a handy guide to all the awards and their previous winners:

Val Lewton Award for Best Film
2011: Attack the Block
2010: Black Swan
2009: Trick 'r Treat
2008: Let the Right One In

David Cronenberg Award for Best Director
2011: Joe Cornish, Attack the Block
2010: Darren Aronofsky, Black Swan
2009: Michael Dougherty, Trick 'r Treat
2008: Tomas Alfredson, Let the Right One In

Jamie Lee Curtis Award for Best Actress
2011: Jodie Whittaker, Attack the Block
2010: Natalie Portman, Black Swan
2009: Isabelle Fuhrman, Orphan
2008: Lina Leandersson, Let the Right One In

Vincent Price Award for Best Actor
2011: Rutger Hauer, Hobo with a Shotgun
2010: Leonardo DiCaprio, Shutter Island 
2009: Woody Harrelson, Zombieland
2008: Kare Hedebrant, Let the Right One In

Linnea Quigley Award for Best Supporting Actress
2011: Angela Bettis, The Woman
2010: Delphine Chaneac, Splice
2009: Lorna Raver, Drag Me to Hell
2008: Lizzy Caplan, Cloverfield

Dwight Frye Award for Best Supporting Actor
2011: John Goodman, Red State
2010: Vincent Cassel, Black Swan
2009: Bill Murray, Zombieland
2008: Vinnie Jones, The Midnight Meat Train

Curt Siodmak Award for Best Screenplay
2011: Joe Cornish, Attack the Block
2010: Mark Heyman, Andres Heinz & John McLaughlin, Black Swan
2009: Michael Dougherty, Trick 'r Treat
2008: John Ajvide Lindqvist, Let the Right One In

Karl Freund Award for Best Cinematography
2011: Hallvard Braein, Troll Hunter
2010: Matthew Libatique, Black Swan
2009: Anthony Dod Mantle, Antichrist
2008: Hoyte Van Hoytema, Let the Right One In

Albert S. D'Agostino Award for Best Production Design
2011: Roger Ford, Don't Be Afraid of the Dark
2010: Dante Ferretti, Shutter Island
2009: Steve Saklad, Drag Me to Hell
2008: David Hackl, Repo! The Genetic Opera

Bernard Herrmann Award for Best Score
2011: Tie: Joseph Bishara, Insidious / Steven Price, Attack the Block
2010: Clint Mansell, Black Swan
2009: Christopher Young, Drag Me to Hell
2008: Johan Soderqvist, Let the Right One In

Tom Savini Award for Best Makeup
2011: Sharon Toohey, Tucker & Dale vs. Evil
2010: Rick Baker, The Wolfman
2009: Greg Nicotero, Drag Me to Hell
2008: Greg Nicotero, Diary of the Dead / Mirrors

Ray Harryhausen Award for Best Visual Effects
2011: Troll Hunter
2010: Black Swan
2009: Coraline
2008: The Ruins

Molly Arbuthnot Award for Best Costume Design
2011: Ha Nguyen, Priest
2010: Milena Canonero, The Wolfman
2009: Magali Guidasci, Zombieland

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Presenting the TOP 25 HORROR TV SERIES OF ALL TIME!

As promised some weeks ago, at long last I bring to you my ultimate endeavor to determine the greatest horror-themed television shows of all time. Long-time readers will remember that years back, The Vault presented a series of "Best Of" lists covering topics like "The Greatest Horror Films of All Time", "The Greatest Horror Literature of All Time", "The Greatest Foreign Horror of All Time", "The Horror Canon", and "The Greatest Contemporary Horror Films".

Yet, I specifically avoided covering horror television series. The reason for this was that I (naively) didn't really think there were enough truly high-quality shows to warrant an extensive list. However, in the past four years certain things have changed: For one thing, horror on television within the past few years has improved noticeably. Also, I admit that my awareness of great horror television has broadened thanks in large part to working on The Vault all these years. And so the time came to revisit the concept.

As before, I enlisted the help of some of the best and brightest online horror writers/bloggers out there, the group once (inflammatorially) referred to as "The Cyber Horror Elite". Elite or not, these excellent thinkers and superfans were asked to send me their personal top 10 horror TV shows of all time. Only ongoing, regular series were eligible, meaning made-for-TV movies and miniseries were excluded (For the record, they were actually eligible for inclusion in the Greatest Horror Films of All Time list--only Salem's Lot made the cut.)

Once I received everybody's lists, I ranked them on a points system--ten points for a number-one choice, nine points for a number-two choice, etc. Then I compiled a master list of the top 25 scoring shows, which I now present to you.

So here it is--the Top 25 Horror TV Series of All Time, as voted on by the horror blogosphere:

1.       The Twilight Zone (1959-1964) CBS

2.       The X-Files (1993-2002) FOX

3.       Tales from the Crypt (1989-1996) HBO

4.       Kolchak: The Night Stalker (1974-1975) ABC

5.       Twin Peaks (1990-1991) ABC

6.       Buffy the Vampire Slayer (1997-2003) WB

7.       Dark Shadows (1966-1971) ABC

8.       The Walking Dead (2010-present) AMC

9.       The Outer Limits (1963-1965) ABC

10.   American Horror Story (2011-present) FX

11.   Rod Serling's Night Gallery (1970-1973) NBC

12.   Are You Afraid of the Dark? (1991-2000) YTV/Nickelodeon

13.   Tales from the Darkside (1983-1988) Syndicated

14.   Dexter (2006-present) Showtime

15.   Supernatural (2005-present) WB/CW

16.   Boris Karloff's Thriller (1960-1962) NBC

17.   Friday the 13th: The Series (1987-1990) Syndicated

18.   Alfred Hitchcock Presents (1955-1965) CBS/NBC

19.   Millennium (1996-1999) FOX

20.   Masters of Horror (2005-2007) Showtime

21.   True Blood (2008-present) HBO

22.   American Gothic (1995-1996) CBS

23.   Goosebumps (1995-1998) YTV/Fox Kids

24.   Monsters (1988-1991) Syndicated

25.   The Hitchhiker (1983-1991) HBO/First Choice/USA

Other vote-getters worth mentioning included: Being Human (UK), Angel, The Kingdom, Brimstone, The Addams Family, Werewolf, Fringe, Riget, The Munsters and Gareth Marenghi's Darkplace.

More than with any other list, this time out, the number one choice was quite literally a mandate. Not only was The Twilight Zone included on nearly every single list submitted to me, it was at or near the very top, every time. As a result, it scored a full 50% higher than the second-place show, The X-Files, and was head and shoulders above the rest of the pack. 

Speaking of X-Files, that show, along with the #3, Tales from the Crypt, and #4, Kolchak: The Night Stalker, received a general consensus as well, appearing on most of the lists submitted. After the top four, there was a noticeable drop-off as individuals' personal tastes came into play and a multitude of different series were selected. But it's worth noting that the group in general gave a very solid stamp of approval to those top four shows, which is not really all that surprising.

Decades Breakdown:

1990s: 9
1960s: 5
2000s: 5
1980s: 4
2010s: 4
1970s: 2
1950s: 1

In the event of shows airing in two different decades, I went with the one that contained the vast majority of the seasons (1990s for The X-Files, 1960s for Twilight Zone, etc.). Shows that were fairly evenly aired in two different decades were counted for both (Alfred Hitchcock Presents for both the 1950s and 1960s, Buffy the Vampire Slayer for both the 1990s and 2000s, etc.) It's very interesting to note that the most heavily represented decade is the 1990s, which was by far the least represented decade for horror films. I guess most of the best horror that decade was confined to the small screen!

By Network:

ABC: 4
CBS: 3
HBO: 3
Syndication: 3
NBC: 3
FOX: 2
WB/CW: 2
YTV: 2
Showtime: 2
And one each for AMC, FX, Nickelodeon, Fox Kids, First Choice and USA

In addition to the three syndicated shows, 13 of the shows were aired on broadcast TV, and 9 were cable programs. Certain programs were run on more than one network during their run, and so were counted for both.

Other Interesting Facts:

• All shows were American productions, with the exception of Goosebumps (Canadian), as well as Are You Afraid of the Dark? and Friday the 13th: The Series, which were American/Canadian co-productions.
• Five of the 25 shows on the list, or a full 20%, are currently still running on television (Dexter, True Blood, Walking Dead, Supernatural and American Horror Story). I'd say that says a lot about the current state of horror on TV. Either that or the importance of short-term memory.
• Despite that last stat, only one of the top seven shows, Buffy the Vampire Slayer, was in production during the past decade. And five of the top ten shows aired more than 20 years ago, with the top five all airing at least a decade ago or more.
• Six shows on the list ran for only two seasons or less. Some shows only get their due later...
• Four of the top ten shows were aired on ABC.
• The longest-running show on the list is the original Alfred Hitchcock Presents, which ran for 11 seasons.

As always, I'd be remiss if I didn't give credit to the many knowledgeable individuals who contributed their personal picks for this list. Thanks to you all!

BJ-C of Day of the Woman
Heidi Honeycutt of Planet Etheria and Planet Fury
John Morehead of Theofantastique
Unkle Lancifer of Kindertrauma
Dr. Gangrene, horror host and writer of Tales from the Lab
Dod March of The WGON Helicopter
John Kenneth Muir, literary/film critic and writer of Reflections on Cult Movies & Classic Television
Rondal Scott of Strange Kids Club
James Gracey of Behind the Couch, Fangoria contibutor, author of Dario Argento
Chris Hallock of All Things Horror
John Cozzoli of Zombos Closet of Terror, majordomo of the League of Tana Tea Drinkers
Christine Hadden of Fascination with Fear, Fangoria contributor
The Lightning Bug of The Lightning Bug's Lair
Bryan White of Cinema Suicide
Stu Conover of Buy Zombie
Nate Yapp, formerly of Classic-Horror.com
Nia Edwards-Behi of the Abertoir Horror Festival and Brutal as Hell
Jeff Allard of Dinner with Max Jenke
The Mike of From Midnight, With Love
Melissa Yearian, formerly of Chickapin Parish
Michelle Moricola of Fright Skool
Ryne Barber of The Moon Is a Dead World
Pax Romano, formerly of Billy Loves Stu
Jose Cruz of Grim Reader
The Divemistress of The Avod podcast
The Monster Scholar of Monster Land
Emily Intravia of The Deadly Doll's House of Horror Nonsense
Matt Suzaka of Chuck Norris Ate My Baby
And yours truly, of course.

There you have it. Digest. Discuss. Debate. Distribute.

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Stay Tuned for the Greatest Horror TV Shows of All Time...

Some years ago, I made a bit of a stir with a series of posts gathering together a veritable cornucopia of illustrious horror bloggers and other online critics from far and wide to help me determine the best of the best in the horror genre. With tongue-in-cheek flair, I called our little group "The Cyber Horror Elite". Here are the lists we collaborated on back then:

The Top 50 Greatest Horror Films of All Time
The Top 25 Greatest Horror Films of the Modern Era
The Top 20 Foreign Horror Films
The Greatest Fright Fiction of All Time
The "Horror Canon"

One category I left out in those days was television series. In my naivete, I just wasn't sure there were enough quality choices to make for a captivating list. But these days, there is just so much quality stuff on TV, horror and otherwise, that I was led to reconsider my position. And so I reassambled the once vaunted Cyber Horror Elite for one more ride.

As we speak, I'm tabulating lists submitted to me by some of the coolest online horror scribes around, trusted friends and colleagues all. They have until Monday to get me their personal lists. From there, I'm putting together our definitive list of the Greatest Horror TV Series of All Time, which I'll be posting next week. So keep your eye on this space in the days to come, Vault dwellers. This one's going to get you talking...

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The Tuesday Top 10: Favorite Haunted House Movies

You know how there are those horror fans who will go on and on about how the best horror comes from what you don't see, and that psychological dread will always trump blood and guts? Yeah, I'm one of those guys. Don't get me wrong, I have no problem with gore, but I'll take the gothic over the macabre any day of the week, and I've always been more Poe/Lovecraft than King/Barker.

And when it comes to subtle, psychological horror, the most effective movies have always involved ghosts--particularly the ultimate distillation of that particular subgenre: the haunted house movie. Because we're dealing with the supernatural in its most ethereal, mysterious and non-corporeal form, it's hard to pull off a good ghost story. There aren't always a lot of bells and whistles, but the payoff is always worth it.

Many of my all-time favorite horror films are in the tried-and-true haunted house category. They've thrilled me, chilled me, and made me think twice about sleeping with the lights off. Here are a few of the very best...

10. Ghost Story (1981)
Largely underrated chiller featuring future Borg Queen Alice Krige as the spirit of a hot young chippie terrorizing a group of septuagenarians who accidentally killed her back in the 1920s. While not technically a “Haunted House” tale since the activities transcend location, it hits many of the familiar tropes, and hits them well. It also features the great Fred Astaire in his final role—although sadly, he doesn’t dance. Based on the 1979 novel by Peter Straub.

9. Poltergeist (1982)
Easily one of the most financially successful horror flicks of all time, this one had the backing of Steven Spielberg, and a “summer blockbuster” feel. And although the spectacle and Spielberg touch do soften the scares just a bit, there’s enough creepiness and genuine terror in there (courtesy of director Tobe Hooper) to get the job done. I particularly enjoy how the movie really gets at some primal fears and exploits them to great effect (see: Clown Toy and Face Ripping Scene).

8. The Others (2001)
The good old-fashioned ghost story gets ushered into the 21st century with this Shyamalan-esque (back when that was a good thing) period piece. The look and feel are rich and foreboding, generating an atmosphere of creeping dread. Plus, you’re not entirely sure of the nature of what you’re seeing until the final reel—and even if you see it coming, it’s one hell of an ending. (See my illustrious son’s movie blog for his own review of the film!)

7. The Uninvited (1944)
For years, this film was mystifyingly unavailable on DVD—but thankfully that situation has recently changed. In many ways, this movie became the prototype for the classic haunted house film—a mansion on a cliff; a deep, dark secret; plenty of things that go bump in the night… Plus, it even spawned a great standard: “Stella By Starlight”! Beautiful, funny and frightening at the same time.

6. Beetlejuice (1987)
Back when Michael Keaton used to exist, he was known for some memorable roles—but this one might be his greatest (Flying Mouse Guy notwithstanding). Birthed from the addled mind of Tim Burton, this was really the flick that set the course for the young director’s career, and became one of the greatest horror comedies of all time. Worth it for seeing Dick Cavett dance to the Banana Boat song, and catching Alec Baldwin before he mutated into a different person.

5. House on Haunted Hill (1959)
Another one that stretches the definition of a haunted house film (I won’t spoil it for the newbies), but no list of this kind would be complete without it. Both producer William Castle and star Vincent Price are in top form here, and the result is one of the most rip-roaringly fun horror flicks of the Eisenhower era. I never get tired of the way this movie deconstructs the entire sub-genre with such glee. Plus, it happens to be my daughter Zombelina’s favorite movie (though she seems to be gravitating more toward Drag Me to Hell recently…)

4. The Woman in Black (2012)
Blasphemy to rank this one so highly? Mayhaps. However, I came away from it very, very impressed a few months ago, and found it to be one of the most effective mainstream horror films I’d seen in years—not to mention the best British horror film since the heyday of Hammer. A real gothic throwback, this movie restored my faith that a truly excellent haunted house film could still be made in the era of post-slasher torture porn.

3. The Changeling (1980)
A personal favorite of mine, and one the virtues of which I’ve been extolling for years. George C. Scott is superb (when is he not?) as a reclusive widower being stalked by the ghost of a murdered child. Perhaps it was because I first saw this at such a young age, but the sheer terror it inspired in me never truly left. One of the most restrained yet powerful horror films I have ever seen, and must-see viewing for any fan of ghost stories.

2. The Haunting (1963)
Speaking of restrained yet powerful, this stellar adaptation of Shirley Jackson’s 1959 novel The Haunting of Hill House. Robert Wise pulls off such a fine job that the experience of watching this film is almost like that of actually reading a really great haunted house story. There are moments in this film that have frightened me more than anything I’ve ever seen in any other horror film. The ultimate “pure” haunted house film. Plus, you get to see Richard Johnson pre-Zombi 2, before he got all sweaty and hairy.

And the number one haunted house movie of all time…

1. The Shining (1980)
This film is so stylized and surreal (like almost all Kubrick’s work), that you almost forget what you’re watching at times: An absolutely incredible haunted house movie. In this case, the house is the Overlook Hotel—and the haunting is of a nature that is never fully explained, although we know it has something to do with Native American burial ground and some very long-staying guests from the 1920s. One of, if not the greatest horror film of all time, and a masterpiece that never loses a bit of its power. Stephen King may have hated it, but what does he know—he once attacked a car with a chainsaw. This is supernatural terror at its absolute zenith.

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The Tuesday Top 10: Favorite P.J. Soles Lines

Moving right along with this week's P.J. Soles Blogathon, here's a look at some of my favorite pronouncements from one of the most quotable scream queens of all time...

10. "You're really not gonna come? You're gonna miss out on the prom?" (Carrie)

9. "Go get me a beer!" (Halloween)

8. "I only use it on special equations." (Rock 'n Roll High School)

7. "Don't rip my blouse, it's expensive, you idiot!" (Halloween)

6. "I'm gonna treat it like a UFO sighting. I saw something, but I'm not quite sure what it was." (Stripes)

5. "So who cares? I always forget my chemistry book and my math book, and my English book, and my, let's see, my French book, and... well who needs books anyway, I don't need books, I always forget all my books, I mean, it doesn't really matter if you have your books or not... hey isn't that Devon Graham?" (Halloween)

4. "I'm a teenage lobotomy." - (Rock 'n Roll High School)

3. "Tom Roberts is so boring his brother is an only child." (Rock 'n Roll High School)

2. "Totally." (Halloween)

And of course...

1. "See anything you like?" (Halloween)


For more in the P.J. Soles Blogathon, keep your greasy eyeballs glued to the Vault's sister blog, Day of the Woman!

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The Tuesday Top 10: Reasons Why I Love Theater of Blood

Let's get something straight. If I needed to, I could probably write a post entitled Top 100 Reasons Why I Love Theater of Blood and not really have to strain too hard. The 1973 Vincent Price classic is one of my all-time favorite horror films, and a movie that remains an endless source of joy for me since I first discovered it in the discount bin several years ago. It's an unqualified pleasure from start to finish, and the reasons for this are nearly limitless. However, for the purposes of this post, I will confine my reasons to ten. Here goes:

10. Robert Morley in a Pink Leisure Suit
For a generation of Americans in the '60s and '70s, the effete, rotund Morley represented the ultimate British stereotype, and he is put to such good use here as the ridiculous Meredith Merridew, meeting his demise dressed as if he should be hanging out with Jack Tripper at the Regal Beagle. Glorious.

9. The Hamlet Speech
I know the idea is that Edward Lionheart is a hack, and an inside jab at Price himself, but I'll be damned if his "To be or not to be" soliloquy isn't genuinely powerful and moving. It's perhaps the most famous speech in the English language, and Price breathes new life into it, delivering it just before he takes the Nestea plunge into the River Thames.

8. Gore Galore
I can't be totally sure, but I feel as if this has to be Price's most graphically violent film. From excised hearts and impaled chest cavities to beheaded poodles and Kentucky fried critic, we get it all. It's a far cry from the more reserved Hays Code days that first set Price on the road to horror immortality in the 1940s and '50s, that's for sure.

7. Michael Hordern
Plain and simple, I love watching this man work. I've always admired him as Jacob Marley in the 1951 British version of A Christmas Carol, and his voice remains iconic thanks to his turn as Gandalf in the legendary 1978 BBC Radio adaptation of The Lord of the Rings. He's one of those old school English character actors, for whom every word or expression is memorable. If only his appearance wasn't so brief...

6. Shakespearean Murder Theme
It almost goes without saying that this would be one of the main things to love about this movie. Lionheart is a disgraced stage actor on a vendetta against his worst critics, basing each murder around a different play by the Bard. How could the English Lit geek inside me be anything but tickled pink by this concept?

5. Richard III Costume
Price has quite a number of costume changes throughout the film, but his Richard III getup is truly breathtaking. Combining the classic hunchback accoutrements with some really impressive makeup, it's the perfect ensemble to showcase some particularly hammy acting on Vincent's part--so much so that he even references it as such within the scene itself!

4. The Music
The Welsh composer Michael J. Lewis is one of film's most underrated tunesmiths, and this score is a prime example. His notes are the first thing you hear as the movie begins, and you're instantly hooked. A haunting woodwind theme, almost Renaissance in its flavor, it is perfectly evocative of the era of Shakespeare, and provides a counterintuitive juxtaposition to the unfolding grisly mayhem.

3. The Utterly Transparent Diana Rigg Subplot
Needless to say, sweet Diana is always fun to watch on screen, but here she finds herself involved in one of the most strangely developed character arcs I think I've ever seen. Her role in the plot is telegraphed from a mile away, with almost zero attempt at concealing it prior to the supposedly "shocking" revelation at the end. This should be a negative, but for some reason I find it all the more reason to enjoy the movie. It could be the abject silliness, not sure.

2. The Fencing Scene
"Alive in triumph! And you thought me slain!" Could this be Price's finest moment on screen? I would submit that it is. So grandiose, so over-the-top, relishing every moment of it as he leaps into action, rapier in hand, chasing the startled Devlin across the gymnasium with glee, the score kicks into high gear. Of course, this is intercut with some really obvious stunt double work, but I think that only makes it all the more excellent.

1. Butch
There are really no words for this. Vincent Price, sporting a gigantic white man's fro, prancing about as an overtly stereotypically gay hairdresser. This is camp of the highest order, and something that each time I watch it, I honestly marvel that it actually happened. Price truly was a great sport, and he clearly was having the time of his life making this movie. And thanks to scenes like this, that pleasure and joy is transferred over to me every time I pop it in the DVD player. Mr. Price, I salute you.

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The Tuesday Top 10: Favorite Vincent Price Roles

Perhaps no other genre of film has been as dominated and epitomized by a single actor the way that horror has been by Vincent Price. The gloriously histrionic Price has attained a position unlike anyone else in the history of terror cinema, and with a mere glance over his resume, it's quite simple to see why. When looking back on such a deeply enjoyable body of work, it is almost impossible to select just a handful of favorite roles out of a career built with one unforgettably iconic turn after another.

So you'll gave to excuse me if I left out any of your favorites. Being the died-in-the-wool Vincent fanatic that I am, I agonized over what to include, but in the end I think I managed to put together a fitting collection of some of the performances that have forever etched him into the minds and hearts of fright fans worldwide. Enjoy!

10. Professor Hubert Whitehead
Yes, the two-part Brady Bunch tiki episode rears its perm-covered head. For baby boomers and genXers alike, Price's guest spot alongside America's whitest family in 1972 is a pop culture flavor explosion that still resonates.

9. Fortunato Luchresi
In perhaps the most memorable portion of 1962's Poe anthology Tales of Terror, Price plays the proud and doomed Fortunato of The Cask of Amontillado, alongside a decidedly over-the-hill Peter Lorre. To this day, this remains the definitive adaptation of Poe's chilling tale of revenge.

8. The Inventor
In one of his final roles, Price takes to the screen in 1990 with his young admirer, Tim Burton, directing behind the lens. And although a small part, the aging legend injects so much pathos into it that it becomes one of the most powerful elements of the entire film. The master reminds us one last time that there will never be another.

7. Dr. Warren Chapin
Price played a lot of men of science, and without doubt his character in William Castle's gimmicky 1959 masterpiece, The Tingler, is one of the finest of these. Dr. Chapin is a scientist delving into the nature of fear itself, and unleashing a hideous creature in the process.

6. Matthew Hopkins
Despicable, debauched and devious, Price is at his villainous peak here, playing a cynical and unscrupulous witch hunter in the 1968 British film Witchfinder General. Reportedly, director Michael Reeves instructed Price to reign in his trademark hamminess in exchange for more subtle realism, and in this case it paid off with one of the actor's most chillingly realistic roles.

5. Frederick Loren
And here we have another classic Vincent Price role brought to us by William Castle. In 1959's House on Haunted Hill, Price is both chilling and wryly humorous as the sardonic, scheming Loren. If you're looking for Price at his classy, sophisticated and self-satisfied best, then look no further.

4. Dr. Robert Morgan
In one of his most influential turns, Price once again plays the part of a scientist--only this time, one whose experiments are for the purpose of saving humanity. In The Last Man on Earth (1964), the first of three screen adaptations of Richard Matheson's I Am Legend, Price exudes a Larry Talbot-esque blend of regret, guilt and outrage as the last human holding down the fort against an army of vampire/zombies out for his blood.

3. Edward Lionheart
Here we have one that is truly dear to my heart, from 1973's Theater of Blood. Price is quite literally priceless here, playing a self-deprecating role that is clearly a spoof of himself. Ever the sport, Price attacks the part with relish, delivering one Shakespearean soliloquy after another as he dispatches his critics with violent aplomb.

2. Prof. Henry Jarrod
The part that put Price on the map, and skyrocketed him into the horror pantheon for all-time. A 3-D extravaganza from 1953, House of Wax gives us Price as the deranged and disfigured Jarrod, transforming unsuspecting victims into museum exhibits. This role would literally set the tone for much of the rest of Price's career.

1. Dr. Anton Phibes
Not only my favorite Vincent Price role, but very easily one of my favorite roles in any horror movie, period. It gets no better than The Abominable Dr. Phibes (1971), and in this role, Vincent is given his greatest palette ever. The ease with which he commands each scene--without ever even moving his lips, no less--is awe-inspiring. To watch Vincent Price as Dr. Phibes is to watch an inspired god of genre cinema at his over-the-top best, managing to be both sublime and ridiculous simultaneously.

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The Vault of Horror's Top 10 of 2010

The previous 12 months were interesting ones for the horror genre. I won't say outstanding, but I also won't say terrible. There certainly was a bunch of entertaining and engaging films released last year, but not as many as in some previous years. I can't say I'm totally thrilled with this top 10 list, but I can at least honestly say that the top 7 were films I genuinely found to be terrific. The rest may very well have been bumped if I had had the pleasure of seeing movies like The Crazies and Daybreakers, for example.

But alas, I was invited by the incomparable Scott Weinberg of Cinematical and FEARNet (by way of the delightful Britt Hayes of Brutal as Hell and CHUD) to take part in a vast Ultimate Horror Top 10 of 2010, and so here is the list I came up with, when pressed. My list, along with those of many others across the horror blogosphere, have been tabulated to create a soon-to-be-published master list of the best horror flicks of 2010. I'm thrilled to be a part of it, and here's the list I sent in!

10. Afterlife
The inclusion of this one is definitely proof that I needed to see more new horror films in 2010. Ah well, what can I say, life got pretty busy. Still, there are worse ways to kill a couple of hours.

9. A Nightmare on Elm Street
Sorry, people, I actually enjoyed it, OK? Sue me. No, not as good as the original, but I thought it was a decent little horror movie, and the "Dream, Dream, Dream" drugstore scene is pretty classic.

8. The Wolfman
A flawed film, but one I enjoyed nonetheless. I've long been waiting for a remake of this Universal classic, and I can't say I was disappointed.

7. [REC] 2
Alright, now we're getting into the really good ones. I am a huge fan of the original [REC], and though I found it far scarier than this, I will go on the record as saying this was the better film.

6. Piranha 3-D
Just a ton of fun, and when it comes to horror, that's really what I've been gravitating more and more toward in recent years. Great gore, and a balls-to-the-wall attitude you don't see too often anymore.

5. Shutter Island
Not really horror in the truest sense, but a very well-made psychological thriller from Martin Scorsese.

4. The Human Centipede
I enjoyed this far more than I ever imagined I would. I also was amazed that it really wasn't the gross-out flick I was expecting, but actually a very cerebral horror film. And Dieter Laser definitely plays the best villain of the year, not to mention having the coolest name ever.

3. Survival of the Dead
I championed this flick like nobody's business, and I stand by that. As a lifelong Romero fan, I found this to be the maestro's greatest zombie flick since Dawn of the Dead. And I fully realize I'm of the minority opinion.

2. I Spit on Your Grave
Another pleasant surprise, although nothing about this movie could really be described as pleasant. In the end, I found it much better than the original, even if it was surprisingly even more brutal.

1. Black Swan
Another psychological thriller, but one that has Oscar written all over it, especially in the case of the always-excellent (when she's not being directed by George Lucas) Natalie Portman. I just had the pleasure of seeing it, and can honestly say it was my favorite horror film of 2010. Expect a review of this amazing film a little later this week...

There you have it, Vault dwellers. So, what do you think of my choices? What would yours be? Let me know!

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