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Walter Gross & k-the-i??? Reunite for First Youth:Kill Release Since 2012, A Hunter's Moon with 50 "Individually Hand-made" Cassettes for Harvest Moon (self-released)

Berlin -based multi-instrumentalist, producer, and Baltimore transplant Walter Gross has been steadily rolling out extremely limited edition, thought-provoking cassette releases all year; starting with Black Box Tapes -issued VESTIGE this past March, then, its SUPER BASIC companion piece two months later, and now, Youth:Kill 's A Hunter's Moon EP unleashed today, on the Harvest Moon . Walter Gross also recently assembled "FBR SummerSchool GuestMix 3" for FilthyBroke Recordings' Summer School 2017 series. Youth:Kill consists of Gross along with Big Dada/Fake Four Inc -affiliated emcee Emmanuel "Kiki" Ceac AKA k-the-i??? A 2008 Dusted Magazine review once fittingly described Youth:Kill as "the Underground Hip-Hop version of Black Dice ." A Hunter's Moon is their sixth overall release and first since a self-released 2012 split EP with sole , titled sole/Youth:Kill split . Not entirely unlike its 2017 predecessors, A Hunter...

Walter Gross - VESTIGE Cassette: The Witzard Album Review & WG Selects His Current Favorite Music, Books & Films, Etc. Playlist (Black Box Tapes/Alpha Pup Records)

Vestige by Walter Gross " Walter Gross is truly a one of a kind artist, iconoclast and a master of many mediums. He is mainly known for his experimental audio soundscapes, which inhabit a space between Dustbowl Folk re-appropriations, walls of noise, sludgy Trap , Rap, and Prog-Rock . It's easy to throw a bunch of catchphrases together and make a bio seem compelling, but Walter truly walks these lines with grace and originality. Beyond being a music-maker, he is a film director and visual artist. His videos are obsessive collages and unlike so many who utilizes "found art," he brings these pieces to life and creates stunning and unique pieces with them," Black Box Tapes label head and Socially Conscious rapper-producer Tim "sole" Holland wrote within a recent BIO on Walter Gross' Bandcamp . Gross is a Baltimore transplant now living in Berlin , who has been making his own unique slightly Hip-Hop -leaning music and frantic video collages si...

NEW ICONS OF A VILE FAITH: A Tastefully "Aggressive" Conversation with Echo Beds' Vocalist, Tape Loop & Bass Player Keith Curts (The Witzard Interview)

Denver-bred genre-defying Echo Beds are the inagural signees to politically-charged emcee and former Anticon founder Tim "sole" Holland's latest label venture, Black Box Tapes. I would likely describe Echo Beds' rather long-winded "overdriventapehissnoisewalllandscapemetaldrumpummelpain- facevolumetherapy" sound of something strangely evocative of what an imagined missing link between late 80's-1990's Industrial Rock forefathers Nine Inch Nails and their critically-acclaimed modern day counterparts, Noise/Aggro-Rap group Death Grips; an obtuse indefinable sound, better yet, self-described by vocalist/bass player Keith Curts and beat-maker Tom Nelson as "a caterwaul of contact-mic'd oil drums, broken cymbals, battered basses, unrecognizable tape loops, and dilapidated voices with the expressed intention of volume as therapy and put it through the grinder of self-practiced D.I.Y. ethos;" with all that said, I'm proud to finally be a...

NEW ICONS OF A VILE FAITH: Genre-defying Denver Band, Echo Beds Bridge The Gap Between Nine Inch Nails & Death Grips with "SEEK SAFE HAVEN" (sole's Black Box Tapes)

NEW ICONS OF A VILE FAITH by Echo Beds Denver -bred genre-defying Echo Beds are the latest signees to politically-charged emcee and former Anticon founder Tim "sole" Holland 's latest label venture, Black Box Tapes . I would likely describe Echo Beds' rather long-winded "overdriventapehissnoisewall- landscapemetaldrumpummelpainfacevolumetherapy" sound of something strangely evocative of what an imagined missing link between late 80's-1990's Industrial Rock forefathers Nine Inch Nails and their critically-acclaimed modern day counterparts, Noise/Aggro-Rap group Death Grips ; an obtuse indefinable sound, better yet, self-described by vocalist/bass player Keith Curts and beat-maker Tom Nelson as "a caterwaul of contact-mic'd oil drums, broken cymbals, battered basses, unrecognizable tape loops, and dilapidated voices with the expressed intention of volume as therapy and put it through the grinder of self-practiced D.I.Y. ethos." ...