FINAL GIRL explores the slasher flicks of the '70s and '80s...and all the other horror movies I feel like talking about, too. This is life on the EDGE, so beware yon spoilers!
Showing posts with label stew. Show all posts
Showing posts with label stew. Show all posts

Jul 23, 2007

Film Club: Behind the Mask: The Rise of Leslie Vernon

In the world of Behind the Mask, Michael Myers, Jason Voorhees, and Freddy Krueger are all very real psycho killers, and Leslie Vernon (Nathan Baesel) is a man who aspires to be just like them. Leslie invites aspiring young documentarian Taylor (Angela Goethals) and her crew into his world as he plans his night of terror. As Taylor shoots her film, we learn how these cuckoo nutsos get the job done, from choosing the victims to booby-trapping houses. Ah, the days of reality TV.

Any horror fan worth his or her salt will most likely get a kick out of Leslie Vernon, as the first hour, in which we follow Leslie around in his daily activities, is full of homages and in-jokes from the genre. Hey! There's Kane Hodder walking into the Elm Street house! Chuckle! There's Taylor standing in front of the Rabbit in Red Lounge! That's Robert Englund channeling Dr. Loomis! Aw, lookit l'il Zelda Rubinstein! She's so damn cute I want to put her on a keychain.

Leslie breaks down all the slasher tropes for us as he maps out his plan of attack: he chooses a virgin to be the "survivor girl" (why the fuck they kept calling her the "survivor girl" and not the "final girl" is kind of beyond me), he knows when the horny teens will head to the bedroom, he nails windows shut, he rigs the weapons the fin--err, survivor girl might use against him so they'll break...he even goes so far as to commit a wacky microfiche-swapping scheme that draws the final--dammit! survivor girl into his mythology. She reacts as he thought she would, getting all spooked and panicked. Had she looked closely at the article, though, mayhaps she would have sniffed out the ruse.

Once Leslie's big night arrives, Behind the Mask switches from a documentary style to a more linear style; the film becomes a stereotypical slasher flick and we get to watch as Leslie's plans come to fruition. People react exactly as he anticipated they would, and all of his booby-traps trap the boobys.

Well, kids, I just don't know. I can't really say I was all that taken with this film...though I know I'm definitely in the minority on that call, so take my opinion as just that. As an homage/tribute to the slasher film, I think Leslie Vernon absolutely works- but having the audience wink wink and nudge nudge along with you doesn't make your film any more substantial than an in-joke. There's absolutely the potential in this material to make a real statement about our modern reality TV/consumer culture beyond the nods to horror; we're living in an age where people really do want to be just like Freddy Krueger, where there's no mystique to celebrity anymore, where the line between reality and fiction has blurred, and where folks collect serial killer trading cards.

Behind the Mask
doesn't dig that deep, however. Leslie Vernon is just an average doofus- and I don't mean in that "Omigod Jeffrey Dahmer lived right down the hall from me and how could I not know but now that I think about it he was always kinda weird" way...I mean in a "this character is really irritating and the actor is sort of overacting and channeling Jim Carrey Lite and he's getting on my nerves" way. While Leslie is very much making plans to slaughter innocent teens, the film crew never seems to be particularly torn up about it (and don't even get me started on Taylor and Leslie's tearful goodbye). Even when the blood begins to flow, Taylor and her crew only seem to be a little torn up about it. Again- the idea of the role and culpability of the journalist and the media in the information age might make for a meaty cinematic stew, but Behind the Mask is little more than a broth.

And you know, that's fine. Movies can be there purely for entertainment's sake...even in that regard, however, I wasn't overly thrilled with Behind the Mask. The documentary portion went on far too long, in my opinion, and the last 20 minutes was a nice pick-up in pace, but it certainly wasn't scary. If you want a film that manages to be simultaneously of and about the horror/slasher genre, watch Scream. If you want a film that's a disturbing black comedy about journalists trailing a serial killer, a film that does have a little more substance, watch Man Bites Dog. If you want to wow your friends with your horror hipness, though, look no further than Behind the Mask.

Thanks to the Film Club Coolies for participating, no matter on which side of the fence their opinions may lie...

Wi' me:
The Horror Blog

Ag'in' me:
Eternal Sunshine of the Logical Mind
7 Dollar Popcorn
Askewed Views

May 9, 2006

Ghost Week Day 2: The Invisible Ghost

"Apple pie? My, that vill be a treat."

The 1941 Bela Lugosi flick The Invisible Ghost had a ton of hype to live up to before today's viewing. I'm talking about all the hype created solely in my head when I read the following on the back of the DVD box:

Bela Lugosi is an otherwise normal man who goes insane when he thinks about his late wife.

I mean, to me, that sounds like an awesome movie- so awesome, in fact, that I was fully prepared to be let down by the actual product. Nothing ever lives up to the hype...ever...except...The Invisible Ghost.

We meet Mr Kessler (Bela Lugosi) as he's sitting down to a little dinner with the Mrs. He asks about her day, he promises that they'll go on a long walk after they've eaten, it's all so sweet and lovely...except for the fact that Mr Kessler is alone at the table. He's talking to an empty chair! Wha-a-a-a-a? Soon his daughter Virginia (Polly Ann Young) comes home from a date with her boyfriend Ralph (John McGuire). Ralph spots Virginia's dad talking to thin air and assumes, as we the audience do, that Mr Kessler is plain old cuckoo nutso. Virginia explains it all to Ralph: he's only sorta crazy. You see, her mother was cheating on her father- with his best friend! They ran off together several years ago, breaking daddy's heart. Dad is convinced that someday mom will return home, and he spends every wedding anniversary like this, "talking" to mom. Ralph says sure, baby, that's cool.

Cecile the maid, however, is not easily convinced that all is well and quips to Evans, the butler: "I think this is a crazy house! And what about all those murders?"

Excuse me? "All those murders"? Yes, apparently a large number of people have been murdered IN the Kessler house and the police are stymied. Funny thing, that.

Later that evening, the gardener steals some food and brings it to a secret basement underneath his gardening shed. Don't think him a simple thief, though...he's bringing the food...to...Mrs...Kessler! That's right, she's alive and holed up in the secret basement of the gardening shed. She's pretty dazed, quite nappy haired, and has no idea where she is, but she's alive nonetheless. The gardener gives her her dinner, promising that as soon as she's well, he'll take her home to her husband and daughter. We learn from Mrs Kessler's quiet ramblings that she was in a car accident soon after she and her boyfriend left for a new life together; apparently the boyfriend died, but Mrs Kessler lived...the gardener found her on the side of the road and brought her back to his shed!

Folks, if you're anything like me, at this point you're thinking "Why didn't you take her to a doctor, or at least let her family know she's alive and in your fucking shed, o gardener?" Because The Invisible Ghost is an awesome movie, the gardener's wife asks him that very question, to which he replies: "It would break his heart to see her like this. Besides, maybe she has something to do with those murders." Hmm. Makes sense.

And now we get to the goods...the meat in this nonsensical stew, if you will. Mrs Kessler gets a little late-night wanderlust and makes her way out of the shed. She shuffles through the yard and plants herself outside of Mr Kessler's window. He's reading a book by the fire, yet he's drawn to the window for some reason...he looks down at his wife looking back up at him...they stare at each other for a while, and then...Mr Kessler goes INSANE! How can you tell? It's easy! The camera, in a close-up on his face, goes all blurry. When it re-focuses, there's dramatic lighting! He also holds his hand in an insane fashion, like so:

That's right, we don't need no James Brolin in The Amityville Horror-style histrionics here...the madness is conveyed in the lighting, the hand, and Bela Lugosi's furrowed brow. So what's Mr Kessler's first order of business as a crazy dude? Why, verrrrry slowly sneaking into the mouthy maid's room and then killing her, that's what...and so we have what I believe is the very first death by bathrobe on the silver screen.

Eyyaaaagggh! The body is discovered the next morning. Because there's a tiny amount of circumstantial evidence incriminating him, Virginia's boyfriend Ralph is PUT TO DEATH for the murder. These unfortunate circumstances allow the introduction of Ralph's twin brother Paul, who intends to stay with the Kesslers and solve the murders on his own.

There's soon another body to add to the list as Mr and Mrs Kessler once again lock eyes through the window late at night...we fade to crazy face! and Mr Kessler wanders off in search of a victim. This time, the gardener gets the ol' bathrobe treatment, as witnessed in a fantastic silhouetted sequence.

The "Is that my wife? I'm going crazy- I must kill!" routine is played out a few more times, and eventually the murders build to...a painting of Mrs Kessler being slashed! Who would do such a horrible thing? As Paul says, it's "unquestionably the work of a MADMAN!"- never mind the umpteen murders that have taken place in that very house...it's the wanton destruction of a painting that really gets everyone's goat!

A thread from Mr Kessler's bathrobe is found embedded in the torn painting- ha ha! The jig is up, Mr K! No, wait- somehow his bathrobe ended up in the butler's room! No one knows how it got there, but it doesn't matter...in fact, in this town they've sent people to the electric chair for far, far less. Because the painting incident was such a heinous act, clearly perpetrated by a raving lunatic, Paul demands that a "sanity test" be given to the butler in the hope of proving his guilt or innocence. The police agree and a doctor is called in:

COP: All we wanna know is if this fella's crazy.

DOCTOR: Well, that's very easy to determine.

"Very easy", eh? How so? Well, in a time-tested method, the doctor begins to ask questions like "Do you think I'm insane?" to the poor, confused butler.

Meanwhile, with the gardener dead, Mrs Kessler is damn hungry. She shuffles into the kitchen and starts chowing down. She's soon discovered by the police, who bring her before Mr Kessler...who fades to crazy right there in front of everyone! He begins choking a cop...Mrs Kessler inexplicably drops dead, and the spell is broken. Mr Kessler is once again sane...but guilty of a slew of murders he had no idea he'd committed. Isn't it ironic? Don't you think? Mr Kessler thinks so. "Who, me?"

I can't tell you how awesome this movie was. From the frank explanations of the non-sensical plot points to the creeping Lugosi, The Invisible Ghost rocked! Surprisingly, director Joseph H. Lewis utilized some very creative camera angles and lighting to make this a step above your ordinary schlock picture. Also surprising was the treatment of Evans, the African-American butler. For a picture made in the early 1940s, the character was treated seriously and with respect by the filmmaker as well as the other characters in the film; he wasn't a "pappy" stereotype, there simply for comic relief.

All the fat has been trimmed from The Invisible Ghost, and it clocks in at a quick 65 minutes. That's just fine by me, since it's all insane cuckoo crazy nutso action, baby!