Showing posts with label Christmas. Show all posts
Showing posts with label Christmas. Show all posts

12.25.2021

Lunar Cycle - Christmas 2021


Since I don’t have as much time to write longer reviews than I used to, I figured I would just post shorter reviews for horror/cult films that I feel deserve your attention.



Directed By: Michael Dougherty


Starring: Adam Scott, Toni Collette, Allison Tolman, David Koechner, Emjay Anthony, Stefania LaVie Owen, Conchata Ferrell, Luke Hawker, Krista Stadler


Genre: Fantasy/Horror/Comedy


Running Time: 98 Minutes


SCORE - 3 Howls Outta 4 (7 out of 10)



Plot: A boy who has a bad Christmas accidentally summons a festive demon to his family home.



Review:

2015’s KRAMPUS, Michael Dougherty’s follow up to 2007’s TRICK ‘R TREAT, has gained a cult following and even a Director’s Cut in 2021. I have enjoyed KRAMPUS since I watched it in theaters with a small crowd, knowing it would be an annual viewing experience for some due to its visual creativity and a kind-of-relatable story about dysfunctional families over the Christmas holiday. 


When KRAMPUS is really strong, it’s really strong. The visual presentation is top notch. The winter and snowy vibe is wonderful, as well as the portrayals of the beastly Krampus and his minions. The elves, teddy bears, angels and gingerbread men look like something out of a nightmare, creating a lot of tense and suspenseful moments through the sound design until they appear to cause havoc for the characters. The film is also well paced, edited and looks polished - creating a holiday horror-comedy that showcases the devastating results of when people don’t believe in the Christmas spirit.


The actors are also great, which is not surprising when you have Toni Collette, Adam Scott and David Koechner in your principal cast. They all portray so many emotional beats throughout, from disgust and indifference to spending time with family on Christmas to bonding together to stop Krampus from destroying their dysfunctional family. Emjay Anthony is really the only likable character in the film as main protagonist Max, handling the material well in his young age. And while her character was probably the most unlikable of them all, Conchata Ferrell is a hoot as Aunt Dorothy. She had the best dialogue and had some bad ass moments towards the end. 


The story itself is pretty straightforward, with young Max ripping up a letter to Santa and denouncing Christmas due to his hateful and dysfunctional family. This leads to the arrival of Krampus, who punishes those who hate Christmas in violent ways. It plays out well, with some nice surprises here and there, as well as an interesting twist ending that I didn’t see coming when I first watched it.


The only reason I don’t love this film like some others do is really the unlikable characters. It’s hard to root for any of the human characters here [maybe besides Max] when they’re all hateful people. I get that’s the point of the film, because Krampus wouldn’t be around if it wasn’t for that. But you should want to root for some people in a movie to survive a terrible situation, whether they put themselves in it or not. Some characters do get better towards the end, but others either do dumb things or remain frustratingly annoying that I just want Krampus to be done with these people. Even dysfunctional people and families can still be fun and entertaining to watch. A lot of these characters weren’t or not given enough time to become so.


Overall, KRAMPUS is a good time if you’re a Christmas horror fan. Despite a lot of unlikable characters who are more frustrating to watch than fun, there’s a lot of good stuff going on in this movie. The anti-Santa premise is simple to follow, with cool twists and surprises elevating the story. The creature designs are stuff of nightmares due to a nice balance of practical effects and CGI, especially the cool looking and beastly title character. The acting is very solid, which one would expect with a cast like Toni Collette, Adam Scott and David Koechner fighting each other before coming together to take out common threats. And the wintry and holiday setting feels just right, especially if you’ve celebrated with dysfunctional family members during Christmastime. It’s nice to see that KRAMPUS is gaining a nice cult status that is pretty well deserved for this time of year.






Directed By: Chris Peckover


Starring: Olivia DeJorge, Levi Miller, Ed Oxenbould, Aleks Mikic, Dacre Montgomery, Patrick Warburton, Virginia Madsen


Genre: Thriller/Horror


Running Time: 89 Minutes


SCORE - 3 Howls Outta 4 (8 out of 10)



Plot: On a quiet suburban street tucked within a ‘safe neighborhood’, a babysitter must defend a twelve-year-old boy from strangers breaking into the house, only to discover that this is far from a normal home invasion.



Review:

2016’s BETTER WATCH OUT is a Christmas movie that you’ll end up believing it’s one thing by its marketing, but ends up doing a 180 with a major twist that makes you re-evaluate what you had watched earlier in the film. It’s also a film that’s tough to review because of the twist, as it would spoil the entire film for those who haven’t watched it. 


What I can say about the narrative is that it’s well done, if not a bit mean-spirited which might turn certain demographics off. Topics of toxic masculinity and homophobia are at play, taking the story into disturbing avenues that may make some uncomfortable. But while this is dramatized, the situation at play here could possibly happen in some way, shape or form - making it creepy that we may not know the darkness certain people in our lives hold within. Is the storytelling perfect? No. But I do find it effective quite a bit.


The film looks polished and director Chris Peckover maintains a nice pace while effectively changing the tone once the film takes a turn and never lets up from it. The film isn’t the goriest, but the violence can be pretty brutal at times. Peckover also brings some nice tension and creepiness to the film when you wouldn’t really expect it.


The actors are all good, especially Olivia DeJorge and Levi Miller. Both bring their A-game here, fleshing out their characters with all the emotional beats they have to play within their scary situation. Dacre Montgomery portrays a jerk in an early role before his Stranger Things fame. We also get decent cameos from Virginia Madsen and Patrick Warburton, who don’t get to do much but are a nice presence regardless.


Overall, BETTER WATCH OUT is a film you’re better off going in blindly if you have never seen it before. You think the film is going one way, but it ends up going in a much different and darker direction that may turn off some people due to its mean-spiritedness at times. And while the film does have some logic holes at times, it’s still a well crafted narrative that will get a reaction out of you one way or another. The film looks great and director Chris Peckover creates some nice tension and creepiness. The actors, especially Olivia DeJorge and Levi Miller are solid in their respective roles as they’re given a lot to play with. Virginia Madsen and Patrick Warburton are a nice presence in the film, even if they are glorified cameos. BETTER WATCH OUT is not a film I would watch every Christmas, but it’s definitely one that deserves your attention if you need a Christmas horror fix.





Directed By:
Todd Nunes

Starring: Jessica Cameron, Ashley Mary Nunes, Melynda Kiring, Natalie Montera, Lilo Velasco, Jason Ray Schumacher

Genre: Horror/Slasher

Running Time: 80 Minutes

SCORE - 2 Howls Outta 4 (6 out of 10)



Plot: A deranged masked Santa-Slayer comes to town for some yuletide-terror. He leaves behind a bloody trail of mutilated bodies as he hunts his way to the front steps of the town’s most feared and notorious home.



Review:

2015’s independent slasher film ALL THROUGH THE HOUSE is a film I have heard about for a while now, but finally sat down to check it out this holiday season. I’ve heard podcasts praising this film. I’ve had friends who hated the hell out of this movie and warned me against watching. After seeing it for myself, I was kind of in the middle with ALL THROUGH THE HOUSE. It had a lot of great qualities going for it, but the film definitely has flaws that one can’t overlook.


Let’s get the negative stuff out of the way: the screenplay itself. Here’s a film that starts out pretty roughly, only getting better as it nears the end of the runtime. While I liked the second half of this movie, I thought the first half wasn’t all that interesting. While some elements of the main story are introduced in the first half, there’s too much of a focus on anything but. We get random characters reciting similar lines before they’re about to have sex, only to get murdered by the evil Santa before there’s even time to care about them. I get slashers need a body count, but good slashers usually space the random dead characters apart from the more important elements of the narrative to maintain a nice flow. The first half pretty much kills a majority of its cast, letting the second half feel like the real movie that was promised to the audience. I like my slashers with sex and violence, but without sacrificing the plot. You could have used the first half to build up the main characters more leading to the finale, interspersing these random murder scenes in between as sort of interludes.


I also thought a lot of the acting wasn’t all that great. Besides Ashley Mary Nunes and Melynda Kiring, I thought everyone else was fair to not good. I blame that more on the script than anything else, as a lot of these characters didn’t have much interesting material to work with. A lot of those characters in the first half were interchangeable to me due to not letting the actors get to do more. I know slashers aren’t about the acting, but it helps to flesh out some personality to make even the littlest characters stand out from the others.


Other than that, I thought the film was fine. The main driving narrative, while influenced by other slasher films, is at least interesting to keep one watching until the reveal of the twist. While the mystery ends pretty predictably, it was still well told enough to keep me from shutting off the movie. I also liked the characters attached to the main story. While not given the most depth, the three main female friends are likable. And Mrs. Garrett is a great character, who right from the start is shown to be a bit mentally disturbed. Her character arc is probably my favorite because she gets crazier as the film goes, especially when the twist is revealed. I wish more of the film had focused on the main plot right from the start, rather than throwing in random characters just to up the kill count.


Speaking of the kills, they’re probably the saving grace of ALL THROUGH THE HOUSE. Considering the low budget, all the murder sequences and gore are excellently done. We get a lot of stabbings through multiple body parts, multiple violence with hedge clippers and a lot of penis mutilation [which works within the context of the story]. There’s also an unintentionally hilarious scene where the killer pushes someone in a wheelchair off of a cliff. Whoever was in charge of the gore effects did an awesome job, because it’s obvious that’s where most of the money went [besides all the Christmas decorations].


And while I had major issues with the pacing and flow of the movie, especially in the first half, I thought the overall direction by Todd Nunes was alright. He managed to create some nice tension and atmosphere during the last half of the film, shooting the killing and stalking scenes quite well. I also like that Nunes went all out in highlighting that this is a Christmas movie through the use of lights and decorations in every scene, which is more than what some other Christmas films do to capture the spirit of the holiday. The focus could have been stronger and the editing could have been tighter, but overall Nunes did a nice job in bringing his story to life.


Overall, ALL THROUGH THE HOUSE is an okay slasher that I can see being a yearly Christmas watch for some. The gore is excellent and is really the standout of the movie. The slasher movie influences are obvious to see throughout the film’s runtime, making the film predictable yet entertaining to spot all the references. The acting isn’t top notch, but the main actors do a well enough job to be invested in their arcs. And while the first half of the film wasn’t great [saved only by the awesome gore effects], I thought the last half was much stronger and flowed quite well leading to an interesting finale. Not a lump of coal, but definitely not the greatest Christmas gift ever. Worth a look if you need a killer Santa fix that’s CHRISTMAS EVIL or SILENT NIGHT, DEADLY NIGHT.




12.23.2016

Midnight Confessions Ep. 108: "Murder, incest, abortion and obscene phone calls...Merry Christmas!"


What better way to spread holiday cheer than with two Christmas classicks: SILENT NIGHT, BLOODY NIGHT (1972) and BLACK CHRISTMAS (1974). Happy Holidays from the MC crew!




 




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12.22.2016

The Midnight Confessions Movie Show #16: "The 2016 Christmas Special!"


Join Moronic Mark and yours truly as we talk over another clusterfuck of Christmas crap! Happy Holidays!






Hey, did you know we have a podcast? Because of course we do. Be sure to check out the Midnight Confessions Podcast...

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12.18.2016

"We Wish You a Turtles Christmas" (1994) [A ShitMas Post For Shit Movie Fest]





Another year, another ShitMas celebration here at Shit Movie Fest. I haven’t been the most festive person around this time of year for the past few years. I haven’t watched any Christmas movies that are meant to bring the joy and spirit of the holiday in my heart. I haven’t listened to Christmas music that will make me feel jolly. I’ve been watching holiday horror films that show us the dark side of Christmas to match the blackness of my heart. Bah humbug.

Speaking of “bah humbug”, I decided to torture myself this Christmas by watching the infamous “We Wish You a Turtle Christmas” special from 1994. Just when I thought the worst thing about Christmas was watching Alpha-5 and Zordon kidnap children to decorate the Command Center for the Mighty Morphin’ Power Rangers, I stand corrected after watching this shell-shocking Christmas special. Cheap looking costumes, terrible Christmas interpretations, and terrible direction and narrative - Santa is taking a giant dump on my Merry Christmas.

We Wish You a Turtle Christmas” begins with the Ninja Turtles singing about who they are and the ninja things they do. Or at least I think they’re singing since the giant Turtle mouths are either moving way too much to be in sync, or not moving at all. I guess the Ninja Turtles must have learned telekinesis since the last time I watched any of their adventures. Then after a minute of thrilling credits involving white lettering in front of a black screen, we’re treated to our first musical number.


The Turtles decide to welcome us with a rendition of “Deck the Halls”, reggae style. Right away, I start having suicidal thoughts. Even before the song, the Turtles are speaking with stereotypical New York accents. Joe Pesci and Robert DeNiro are offended by this portrayal of New Yorkers. Then the song starts and Leonardo is suddenly Jamaican! Bob Marley is rolling in his grave now. Speaking of the song, Leo wants to “deck the halls with pepperoni”.

What the fuck does that even mean??

During the song, Donatello asks Leo where his present is. Leo responds by not telling him. The Christmas Spirit, ladies and gentlemen! Leo ends the song by choking himself with his Christmas lights, which would have been my Christmas gift if Leo had actually succeeded in the act. Then again, it’s ShitMas.

After the first song ends, Raphael claims that their Christmas shopping is over. Thank God. That means this special is ov—- oh crap, they didn’t get Splinter a present. Eighteen more minutes of this, oh joy! The Turtles claim that stores close at 5pm, so they better hurry up and get Splinter something.

When in the actual fuck do any stores close at 5pm on Christmas Eve?? My brain hurts…

So to the tune of “Over the River and Through the Woods”, we get a “wonderful” rendition with the Turtles singing “Up Through the Sewers and to the Streets” with the Turtles’ mouths not moving at all. They’re Professor Xing my ass and I don’t like it. It leads right into another song that begins with street kids playing music on random objects. Then over and over and over and over and over and over again, the Turtles sing that they “Gotta Get a Gift for Splinter”.


You know, maybe if they started singing less and actually started shopping, I would be in less pain right now.

Anyway, Leo suggests a few gift ideas for Splinter:

  • A bowling ball.

  • Some ice skates.

  • Sweater and neck tie.

  • Go kart.

  • Earmuffs.

And my favorite bit - a set of golf clubs, to which Donatello claims Splinter isn’t athletic enough for those.

WHAT!!??

He’s a Ninja master and he’s NOT athletic enough??? FUCK YOU, DONNIE.

The Turtles finally make it to the surface, claiming there are only 2 hours left for shopping. Are you serious? How long did all that sewer travel and singing take? I can’t even. And when do the Turtles just start walking in the streets in broad daylight without people freaking out? Out of nowhere, Michelangelo decides that it’s time for some opera singing. I will say that this is honestly the best part of this terrible special, since the song and the singing is actually quite nice.



But you know what happens when something good happens in this special? The rest of the Turtles shit all over it. Mikey’s brothers hate the song and his singing! Yeah, because their terrible crap was better. Mikey is me and the rest of them are this current generation who believe that “Panda” song is quality musicianship. And I don’t know… maybe if they hate Mikey’s singing so much, they could just walk away from the song and actually do some shopping! Just a thought, I guess. 

The Turtles claim they only have an hour left to shop, which makes me question whether these Ninja Turtles actually understand how time works since the song was only 3 minutes. Anyway, we have a terrible montage of the Turtles buying Splinter gifts. This leads us to another song called “Wrap Rap”. 



Get it? This pun is so hilarious, it must have been written by a current writer for Saturday Night Live. Leo raps about wrapping gifts for like 2 minutes, which is 5 minutes longer than this song had any right being. Started from the sewers and now we here, yo. The Turtles wish each other good night, giving me hope that they’ll never wake back up.

Unfortunately, Christmas arrives and some furry creature greets them as the Turtles exchange presents. This creature does look and sound kind of familiar….


Oh my God, what have they done to Splinter?? He looks like a wet possum!


Splinter decides to sing about the “12 Days of Christmas”, and I start wishing I had 12 different weapons to end my life. What did they give this poor rat, by the way?

12 April O’ Neill autographs. (Because he’ll get a penny each for each one on eBay)

11 pairs of sneakers (Every rat needs a pair of Jordans)

10 yellow Yo-Yos (Is… Is that racist?)

9 narrow neck ties (Is Splinter going to a fancy dinner soon? WTF?)

8 chopsticks (Okay, that’s definitely racist)

7 silk kimonos (For when Splinter entertains a lady friend)

6 frisbees (I thought he wasn’t athletic?)

5 video games (I wish I was playing video games right now instead of writing about this)

4 manhole covers (Now that’s just fucking stupid)

3 skateboards (I love it when people buy things for themselves when buying for others)

2 comic books (Well they are expensive these days)

1 pizza with pepperoni (I hate this damn special)

I love that at one point, Splinter forgets the lyrics and just moves the show along. Even he’s sick of this Christmas special. Leo even comments about the song being the longest ever. Now it’s being self-aware. Too late to impress me with your meta ways, Turtle Christmas.

And why are there like 5 kids in the sewers with Splinter and the Turtles on Christmas Day anyway? Oh God, they watched “Alpha’s Magical Christmas” and decided kidnapping children was a Christmas tradition! NAMBLA had destroyed this commercial holiday for 90s children everywhere!

Splinter thanks the Turtles for the gifts, but reminds them that the holiday is about sharing and being with those you love. So Splinter pretty much negated the entire premise of this special, as well as reminding me that I don’t love myself for watching this piece of crap. They then sing “We Wish You a Turtle Christmas”, but I’m too busy drinking myself to a stupor to care by this point.


Look if you’ve seen “We Wish You a Turtle Christmas”, you know how terrible it is. It won’t bring you Christmas cheer. It’s a waste of 23 minutes. Terrible songs. Insulting New York stereotypes. The costumes are awful. It’s one of the worst Christmas specials ever. For those who hate those Michael Bay produced films, watching this will change your mind on those movies. Even the Shredder avoided appearing in this, which should tell you something right there. Avoid like the plague and burn this alongside your Yuletide log. ShitMas at its finest. Or worst, depending on how you look at it.

12.16.2016

Midnight Confessions Ep. 107 - "Santa's back in town...and he's pissed"


Tis the season for murder and mayhem. In this yule tide episode we take a look at the original SILENT NIGHT, DEADLY NIGHT (1984) and the remake/reboot/homage/wtf-ever, SILENT NIGHT (2012). It's about to get jolly up in this bitch.




 




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12.23.2015

The Midnight Confessions Movie Show #14: "The 2015 Christmas Craptacular!"


Join the Midnight Confessions Crew as we talk over a clusterfuck of Christmas crap! Happy Holidays! 






Hey, did you know we have a podcast? Because of course we do. Be sure to check out the Midnight Confessions Podcast...

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Reverend Phantom's blog:
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9.14.2015

[Indie Horror Spotlight] Dismembering Christmas (2015)

DIRECTED BY
Austin Bosley

STARRING
Baker Chase Powell - Mark Turner
Leah Wiseman - Emma
Nina Kova - Sam
Austin Bosley - Travis
Danielle Doetsch - Katie
Marla Van Lanen - Joan
Johnathon Krautkramer - Justin
Scott Seagren - Frank Fuller


Genre - Horror/Slasher

Running Time - 74 Minutes


PLOT
A group of college kids decide to spend Christmas and New Year's away from their families, shacking up at a lake house in the middle of a snowy nowhere. As these friends party and reveal things about each other, the feel good mood is thwarted by a couple of locals who warn these kids about a killer on the loose from years past. As the day goes on and the kids don't really listen to the warnings, the group begins to go missing one-by-one due to a masked killer who decides to celebrate the holidays with blood.


REVIEW

It's been a while since I've done an Indie Horror Spotlight review, but fortunately it's for the latest film from my friends at Slasher Studios. The last time I discussed Kevin Sommerfield and Steve Goltz was for their first feature-length film, DON'T GO TO THE REUNION, from 2013. For a first effort, DON'T GO TO THE REUNION was a good [yet flawed] film that showed potential for a much better one down the line. When I read their multiple social media posts about their next feature, DISMEMBERING CHRISTMAS, I was looking forward to seeing it.

As a fan of holiday slasher films, like SILENT NIGHT, DEADLY NIGHT and BLACK CHRISTMAS, I was excited that Slasher Studios were going to make one of their own. Both Sommerfield and Goltz, who write the screenplays for their films, are massive fans of the slasher sub-genre, giving me hope that they would deliver with a memorable holiday horror flick. And while DISMEMBERING CHRISTMAS isn't a perfect holiday horror film, it's a definite step-up from DON'T GO TO THE REUNION. As a matter of fact, DISMEMBERING CHRISTMAS is a ton of fun and worthy of a Christmas watch every year.

As you can tell from the plot, DISMEMBERING CHRISTMAS is a pretty standard slasher film. It doesn't change the wheel or attempt to create a new twist on the sub-genre. Instead, the film gives viewers what they would expect from a movie like this - inventive kills, a strong Final Girl hanging out with expendable characters, a masked killer, and a cool Winter atmosphere that heightens the season and the desolate setting. The atmosphere alone makes DISMEMBERING CHRISTMAS a better film than DON'T GO TO THE REUNION, as the snowy location captures the cold, bleak mood that creates a lot of tension as the characters are in the middle of nowhere against a crazed killer. Even the characters are more fleshed out here than in the previous film, giving the audience a clue as to who these kids are and their relationships [good and bad] with each other, adding to the suspense and tension in the second half of the film. None of the characters will be the next Laurie Strode or Nancy Thompson, but you have a clue as to what their roles are - all archetypes played well within the context of the story. I especially enjoyed the fact that I didn't expect certain characters to live and/or die, making me wonder who would end up surviving by the film's end. We need more slashers that try to be a bit unpredictable within a predictable premise.


On the technical side of things, I thought the visual presentation throughout was absolutely fantastic, considering the budget. Austin Bosley's direction was really great. Instead of using jump scares, Bosley relied on building tension to create some much needed dread. I loved certain angles in the film that showed the killer hiding in certain areas, while an unsuspecting character is totally clueless as to what is going on. The final act of the film, with the sweeping camera work as characters hide behind objects while the killer looks for them, is just simply beautiful. Bosley, who also plays a character in the film, definitely has an eye for the camera and I think Slasher Studios ought to keep the guy around for future projects. And the cinematography was just picture perfect. DISMEMBERING CHRISTMAS is a great looking indie flick.

The gore scenes are also pretty cool. We get the usual slashing of throats and stabbing of body parts. But that snowman scene with the sharp candy cane through the gut and mouth is just a clever kill. And I love a good beheading scene while a character rides down a sled into barbed wire. And the lasso sequence - it just has to be seen to be appreciated. I'll never look at Christmas wreaths the same way again. Pretty inventive stuff.

The acting is decent-to-good here. The standouts for me were Nina Kova as Sam and Leah Wiseman as Emma. Sam played the Final Girl very well. I also enjoyed her lovesick jealousy for Johnathon Krautkramer's Justin, who was pretty good as well. As for Wiseman, I thought she had the most to play with. She was witty, funny, sassy, and just fun to watch onscreen. I would like to see more of her work. I thought she had chemistry with everyone she interacted with.

Any issues? The sound levels were a bit uneven at times. The exterior shots sounded a bit more hollow than the interior shots, due to different ambient levels. The soundtrack, which is cool by the way, also overshadowed some of the dialogue at time.

I also felt that some of the actors were kind of flat. Thankfully, they weren't really in the film long to really ruin things. They weren't bad per se, but just not as good compared to some of the others with beefier roles.

I also felt the film could actually be a bit longer. The last few minutes, while interesting, felt a bit rushed and could have been fleshed out more for better impact. I felt the scenes with the killer could have been extended a bit. When you actually want a film to be longer than it is, you know you got something good.

THE FINAL HOWL

The latest film from Slasher Studios, DISMEMBERING CHRISTMAS, is a real good time with a lot of Christmas atmosphere, great direction and cinematography, and inventive kills I haven't seen in any other film. While certain aspects of the story could have been expanded and some technical issues could have been fixed, DISMEMBERING CHRISTMAS is still a fun film that reminded me why I enjoy holiday horror so much. The future looks bright for Slasher Studios and I'm looking forward to seeing what they accomplish next.



SCORE
3.5 Howls Outta 4



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