Charley poses as a hillbilly in his pursuit of a country girl.Charley poses as a hillbilly in his pursuit of a country girl.Charley poses as a hillbilly in his pursuit of a country girl.
Chet Brandenburg
- Townsman
- (uncredited)
Sammy Brooks
- Hunter
- (uncredited)
Russell Custer
- Townsman
- (uncredited)
Eddie Dunn
- Mountain Man
- (uncredited)
William Gillespie
- Violin Player
- (uncredited)
Helen Gilmore
- Townswoman
- (uncredited)
Pete Gordon
- Woman in wagon
- (uncredited)
Charlie Hall
- Mountain Man
- (uncredited)
Edna Hall
- Townswoman
- (uncredited)
Sheila Hayward
- Young woman at dance
- (uncredited)
Danny Hoy
- Young man at dance
- (uncredited)
Ham Kinsey
- Townsman
- (uncredited)
Sam Lufkin
- Mountain Man
- (uncredited)
Charles McAvoy
- Townsman
- (uncredited)
Nelson McDowell
- Square Dance Caller
- (uncredited)
Storyline
Did you know
- TriviaFinal film of Helen Gilmore.
- Quotes
Opening Subtitle: Thar's b'ars up thar in them thar mountains - - An' fightin' down thar in them thar valleys...
- ConnectionsReferenced in The Real Macaw (1998)
Featured review
City boy Charley Chase is smitten with Thelma Todd, who he thinks is a country girl. Edgar Kennedy, in his typical role of the period, Kennedy the Cop, tries to help him out. But what kind of help can anyone get from the bumbling Edgar? This was a Charley Chase vehicle meant to show Charley as a full service entertainer. He had been known as a silent, slapstick comedian, but it was really the way that Chase controlled his body that made him funny. Here, he gets to sing, dance, play musical instruments, deliver snappy dialogue and act as the leading man. He is terrific. Thelma Todd is lovely and charming as his sassy leading lady and Edgar Kennedy is always helpful in these early Hal Roach talkies.
"Clap Hands, Here Comes Charley", a pop song from the 1920s is used as the opening theme music. The rest of the background music is canned Vitaphone scoring. This is the same music Roach used for his late silent with synchronized music and sound effects films. It is bland and unobtrusive. The music which LeRoy Shield wrote in the coming months for subsequent comedies is much richer and memorable.
"Clap Hands, Here Comes Charley", a pop song from the 1920s is used as the opening theme music. The rest of the background music is canned Vitaphone scoring. This is the same music Roach used for his late silent with synchronized music and sound effects films. It is bland and unobtrusive. The music which LeRoy Shield wrote in the coming months for subsequent comedies is much richer and memorable.
Helpful•40
Details
- Runtime21 minutes
- Color
- Aspect ratio
- 1.20 : 1
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