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Showing posts with label Druckfarben. Show all posts
Showing posts with label Druckfarben. Show all posts

Interview with Peter Murray - Bassist for Druckfarben


Always giving you more, something cool, something different... I give you a chance to know Peter Murray - Bassist for Druckfarben. I thank him and Anne for getting this together, thank you.
Jeremy [Howlin' Wolf]

Howlin' Wolf: Please tell us who are you, what part do you have within "Druckfarben" and how did you come to be in the group "Druckfarben"?

Peter Murray: I’m Peter Murray, bass player for Druckfarben. I also sing some backup vocals with the band. Our drummer Troy was an old friend of mine---we had played in a band together in the early 90s. He called me one day and asked me if I wanted to be in a prog band with him. I’ve always been a progressive rock fan, and I knew everyone in the band were amazing musicians, so I had to say yes!

Howlin' Wolf: Tell us something you will take away from your release "Second Sound" and how this may differ from previous releases?

Peter Murray: The main thing for me is that this record *sounds* better than our first record. I think it’s much more enjoyable to listen to. It also “feels” better, mostly because we recorded more of it together in the studio. We want to go more and more in that direction. At least speaking for myself, I want to make records more like they were made in the 70s---rely less on technology, and more on the chemistry that we have as musicians playing together.

Howlin' Wolf: Do you feel you connect with any song from "Second Sound" on a personal level, when you hear it you say "that is about me"?

Peter Murray: I was not involved in writing the lyrics. Ed and Phil both wrote lyrics, and they wrote them from their perspective. It’s a little disappointing, but I don’t think they wrote any of the songs about me. ;)

Howlin' Wolf: Share a story that happened on stage, how as a group do you handle the situation?

Peter Murray: We seem to play a lot of outdoor shows in the middle of rain storms. It’s frustrating when we’re not playing very often, and we rehearse a lot for a show, get everything ready, and then we end up waiting backstage in a trailer for the rain to stop. I especially remember one gig at the Canadian National Exhibition. We set everything up and did soundcheck, and then is started to rain really hard. It stopped eventually but we probably only played for 20 minutes. In situations like that, there’s not much you can do. So I guess we handled it well!

Howlin' Wolf: Do you find that places like "You-tube" helps get groups message out, since places like MTV don't actually share music anymore?

Peter Murray: The internet is definitely the main way that music is spread now, and our band would definitely be nowhere without it. We are fortunate to have sold a very decent amount of CDs and DVDs in Europe and other places around the world where we have never performed. This is only because people there have been able to hear our music and see our videos on the internet.


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Peter started playing bass at age 15, after seeing a band perform “Supper’s Ready” by Genesis at his sister’s high school. Within a couple of years he was gigging in clubs. Throughout the 90s he was the bassist for Surrender Dorothy, touring in Europe seven times and releasing a major label album on Universal Records in 1997. Countless sideman stints followed, placing Peter on stages around the world with such artists as Ron Sexsmith, Damhnait Doyle, Honeymoon Suite, Jian Ghomeshi, Sass Jordan, Suzie McNeil, Rita Chiarelli, Mad Violet, Jerome Godboo and many others. Studio work included sessions and albums with such artists as the Cash Brothers, Ghandarvas, Lights, Dayna Manning, Mia Sheard and David Celia. Peter has performed on stage with Carmine Appice, SeymourDuncan, Stevie Salas, Jeff Healey, Alain Caron, Jeff Martin (The Tea Party),Bobby Economou (Jaco Pastorius, Blood Sweat & Tears), Andy Kim, Richard Bell (Janis Joplin, The Band, Bob Dylan) and many others. Along the way Peter has kept busy with musical endeavors outside of clubs and studios. His book Essential Bass Technique (published by Hal Leonard Corp.) was endorsed by Billy Sheehan, Michael Manring, Alain Caron, Tom Hamilton (Aerosmith) and others, and was given an A+ review in Bass Player magazine. For four years he wrote a regular bass column for Canadian Musician, and feature articles for Bass Player. He also taught bass, and produced several albums (Wooden Stars, Morgan Finlay, Snailhouse, Pamela Brennan).In 2007, Peter released his debut CD as a singer-songwriter, Ants and Angels. The album was met with widespread critical acclaim and charting positions on several triple-A radio stations in the US. Peter performed his music in Korea, Ireland, Japan, the US and Canada.

Interview with Ed Bernard - Guitarist/Violinist for Druckfarben


Always giving you more, something cool, something different... I give you a chance to know Ed Bernard - Guitarist/Violinist for Druckfarben. I thank him and Anne for getting this together, thank you.
Jeremy [Howlin' Wolf]

Howlin' Wolf: Please tell us who are you,  what part do you have within "Druckfarben"

Ed Bernard: I'm Ed Bernard and I play guitar, violin, mandolin, sometimes sing, and I'm also the band's producer.

Howlin' Wolf: How did you come to be in the group "Druckfarben"?

Ed Bernard: An early version of Druckfarben existed way back in the mid/late 80s with myself and drummer Troy Feener. This current version started in 2008 after the majority of us played an evening of Yes music. After a couple rehearsals I sent an email around asking who'd be interested in playing original music. Will, Phil and Troy were interested and Troy suggested Peter on bass. We did our first rehearsal in March of 2008.

Howlin' Wolf: Tell us something you will take away from your release "Second Sound" and how this may differ from your previous release?

Ed Bernard: Second Sound is in some respects a continuation of our first record but we'd played many live shows by the time we recorded it so we had a greater sense of our style and abilities. Second Sound has a much better vibe and the songs are more focused, even if they are more adventurous. I like the combination of actual songs with complex playing and I think we achieved this on Second Sound.

Howlin' Wolf: Do you feel you connect with any song from "Second Sound" on a personal level, when you hear it you say "that is about me"?

Ed Bernard: Liberated Dream is the song I connect with most from a lyrical perspective. I kept the lyrics fairly abstract but if someone spends the time I think they'll get a sense of what I mean. It's a very tricky song to play correctly and it rocks too.

Howlin' Wolf: Share a story that happened on stage, how as a group do you handle the situation?

Ed Bernard: A couple years back when we were still playing a lot of cover tunes we played a show at a Polish cultural centre. We were playing "Court of the Crimson King" by King Crimson. We got a little lost somehow and when it came time for Peter to sing the next verse, he sang "the gardner..." then waited for us. We were stumbling along still so Peter sang again :"the gardner..." and again... We finally got it together and finished the song but we were all cracking up and so was the audience. Later in the show I spontaneously blurted out "the gardner" and we all cracked up again.

Howlin' Wolf: Do you find that places like "You-tube" helps get groups message out, since places like MTV don't actually share music anymore?

Ed Bernard: Youtube is a great resource for bands. The internet in general has made it possible for bands to get exposure across the globe. Before this it was a very expensive and nearly impossible thing for 99 percent of bands to achieve.

Technology has made it possible for anyone to make an album. The Internet has made it possible for anyone to get their art to a wider audience. People are always complaining about people downloading their music, and the end of the music industry etc. While I agree there are challenges, it's still infinitely better than under the record company system. Under the old system, Druckfarben would most likely have not been considered marketable or profitable enough to be "allowed" to make an album. As far as MTV goes, I just find it strange that they don't support music, but I guess that's the economic reality of their situation. At least Druckfarben didn't have to spend 300,000 dollars to make a video and give it to MTV for free.

 
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Guitarist Ed Bernard is an in-demand Toronto multi-instrumentalist and composer. A normal workday for him might involve laying down tracks of blistering rock guitar, Dixieland banjo or delta blues resophonic guitar,multi-tracking a string quartet or arranging a full-blown orchestral score. At age 14, Ed was featured performing solo guitar on the popular TV show,The New Music. Within a few years, he was busy touring across North America with several acts including Shania Twin, with whom he appeared on the Jenny Jones show. Eventually tiring of the road, Ed started his own studio, ED ID Productions. Ed has produced numerous independent artists, and composed and performed on television and radio spots for a wide variety of clients including Kraft, Hydroxycut, Dodge Ram, Jeep and Tostitos. He has been avaluable resource to such notable producers as Matthew Gerrard and Richard Evans. Ed played guitar, violin, dobro, banjo, mandolin and ukulele on the soundtracks for 40 episodes of the Gemini Award-winning animated series Glenn Martin D.D.S. and also sang and played guitar on episodes of The Wumblers. He recently scored the music for a documentary about the Group of Seven and is proud to have produced and played on all of the four Druckfarben recordings.

Interview with William Hare - Keyboards/Vocals for Druckfarben


Always giving you more, something cool, something different... I give you a chance to know William Hare - Keyboards for Druckfarben. I thank him and Anne for getting this together, thank you.
Jeremy [Howlin' Wolf]

Howlin' Wolf: Please tell us who are you,  what part do you have within "Druckfarben"
 
William Hare: I am William Hare and I play keyboards with Druckfarben as well as contributing to the composition of our music.  I’ve been with the band since its inception (as all of us have) in 2008.  Troy Feener and Ed Bernard had known each other since high school and Ed invited me to participate in a performance of “Close to the Edge” and “The Yes Album” in September of 2007 (a presentation of Classic Albums Live).  Phil Naro was on lead vocals that night.  Really, it was that performance that led to the creation of Druckfarben soon after.

Howlin' Wolf: Tell us something you will take away from your release "Second Sound" and how this may differ from previous releases?

William Hare: Personally, I feel a need to continue to contribute more and more to the song writing with each new album.  I contributed more on this album than on the last and hope to do so  for the next album.   I also feel that we need to continue to record as a band.  The first album was mainly done with each of us providing our parts in isolation – None of us really played together at the same time.  The second album moved away from that towards more “live off the floor” performances and I think the album was better for that.  We need to continue down that path.

Howlin' Wolf: Do you feel you connect with any song from "Second Sound" on a personal level, when you hear it you say "that is about me"?

William Hare: Not exactly.  I feel a close connection to “Long Walk Down” and the first movement of the “Second Sound” suite since those were pieces I had brought to the album that I was very pleased were embraced by the band.  They aren’t really about me but they came from me so I definitely feel that connection.

Howlin' Wolf: Share a story that happened on stage, how as a group do you handle the situation?

William Hare: Hmmmm.  The only thing that comes to mind involves me personally and is with Peter and Troy on stage.  We were performing the first movement of “Tarkus” (this was back when we played covers) and I was playing the opening ostinato on the piano.  When I went to play the Hammond B3, I realized that it had shut down on me.  I kept the ostinato going, Troy and Peter kept playing it over and over while I fiddled with the Hammond trying to get it going.  Finally I dialed up an organ sound on one of my other keyboards and we were able to get the song going.  Stopping the song and starting over is never a good idea – Always best to plow ahead.

Howlin' Wolf: Do you find that places like "You-tube" helps get groups message out, since places like MTV don't actually share music anymore?

William Hare: You-Tube is definitely a great way for bands develop a presence – Internationally, really.  The internet in general has been great for a band like ours since we haven’t been able to tour so far.  You-Tube at least gives our fans in Europe a chance to see what we do on stage.  Definitely a positive thing.
 

Druckfarben | http://www.druckfarben.ca/

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William Hare (Keyboards, vocals): Will Hare started his classical training at age eight. From a young age, he had a strong affinity for Bach and Rachmaninoff, and minimalists like Phillip Glass. As he developed into a career musician, he performed with various original artists in genres ranging from country to adult contemporary, classic rock to dance. These included country artist Crystal Shawanda and Canadian chart-toppers from the 70s, Abraham's Children.

Will met Ed Bernard while working with opera singer Angelica Decastro. Since2005, Will has been busy on the tribute circuit, covering the likes of Billy Joel, Elton John, Roy Orbison, Beach Boys, Tina Turner, Santana, Rod Stewart, Eurythmics and many others. He has also been a top-call keyboardist with Classic Albums Live, recreating over 20 legendary albums. Will has been teaching piano for the past 12 years.

 

Interview with Troy Feener - Drummer for Druckfarben


Always giving you more, something cool, something different... I give you a chance to know Troy Feener - Drummer for Druckfarben. I thank him and Anne for getting this together, thank you.
Jeremy [Howlin' Wolf]

Howlin' Wolf: Please tell us who are you, what part do you have within "Druckfarben" and how did you come to be in the group "Druckfarben"?

Troy Feener: Troy here, I am the lead drumming for Druckfarben. In 2007 I was given the opportunity to put together a group to recreate Yes's Close to the Edge and The Yes Album with Phil. I told him my first call for guitar would be Ed. I asked Peter but he was unavailable and Ed brought in Will.

When the show was over we all wanted to continue playing together but it took a few years until we put out our first CD.
 

Howlin' Wolf: Tell us something you will take away from your release "Second Sound" and how this may differ from previous releases?

Troy Feener: I enjoyed making Second Sound much more than the first DC because I was not playing alone to stem tracks. We had more of a band vibe even though Ed was still the principal writer. Will contributed some ideas and everyone seemed to be in good spirits.

Howlin' Wolf: Do you feel you connect with any song from "Second Sound" on a personal level, when you hear it you say "that is about me"?

Troy Feener: Not really, I have not contributed to the lyric writing and I think that the lyrics represent more of Ed's world view than my own.
 

Howlin' Wolf: Share a story that happened on stage, how as a group do you handle the situation?
 
Troy Feener: We played a gig once where a friend of ours came out and tried to clap along very loudly. At first we were getting upset but eventually all we could do was laugh. The same thing happens when people try to dance to our music, sometimes it can be more entertaining than the band. 

Howlin' Wolf: Do you find that places like "You-tube" helps get groups message out, since places like MTV don't actually share music anymore?

Troy Feener: Ya, the Internet works for bands like Druckfarben and non mainstream bands. I would like to believe that the Progressive Rock community knows that in order for indie bands to continue making records that they need real support. Druckerfarben would love to tour Europe but it has not become financially feasible yet.

Druckfarben | http://www.druckfarben.ca/

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Troy Feener (Drums, percussion) - Troy Feener was born to play the drums as his estranged father had been a professional drummer until he was 12 years old. After he had the opportunity to use his fathers kit he began lessons and searched out other musicians of similar ability. He attended music college and worked in music stores on the side. A few years later he found himself in a few different bands with Ed and hired Ed in the first gig he aquired as a band leader in an ethiopean restaurant. When their final ensemble dissolved Troy left for the road playing in a top 40 band 6 nights a week all across Canada. The musical education from that time away translated into an gig with Red Rider and Big Faith and Troy continued his touring for several more years with time in Honeymoon Suite, Rik Emmett, Jeff Healey, David Usher,Tom Cochrane and many others. In 2005 He began to play with Classic Albums Live recreating classic recordings from the 60's and 70's. It was here that the foundation for Druckfarben would be laid and as they say the rest is history!

Canadian Prog Rockers "Druckfarben" to release Second Sound CD

 
Toronto, Canada (February 24, 2014) – Canadian progressive rock band Druckfarben will release their sophomore album, Second Sound, worldwide on March 22. The record will be available in CD form from their website (druckfarben.ca) and CD Baby, and digitally from iTunes and Bandcamp.

Second Sound features bold new colours in such songs as “An Answer Dreaming”, “In Disbelief” and “Liberated Dream”, and concludes with the 19-minute “Second Sound” suite. “This is a natural progression from our first album,” says guitarist Ed Bernard, “but also introduces musical elements that might be surprising to those who know our music so far.”

Bernard leads the group, which was formed in 2008 along with bassist Peter Murray (Surrender Dorothy, Ron Sexsmith), keyboardist William Hare (Crystal Shawanda, Angelica DiCastro, Abraham's Children), drummer Troy Feener (Full Nine, Tom Cochrane) and singer Phil Naro (Talas, Peter Criss, DDrive). In German, Druckfarben means “coloured ink used for printing on textiles or other media.” In the mid-80s, teenaged Ed and Troy had no idea what the word meant when they discovered it stencilled on mysterious black barrels in their rehearsal studio. But many years later it resurfaced as the name of Canada’s great new prog export.

All five members of Druckfarben grew up with a shared love of classic progressive rock music, such as Yes, Genesis, Gentle Giant, Rush, King Crimson and Kansas. They played their first show on March 1, 2008 in Port Credit, Ontario. Their self-titled debut was released in October 2011, followed by a live DVD (Artifact) in 2013. They quickly built up an international following, including supporters such as Kim Mitchell, Nick D’Virgilio (Spock’s Beard), and Maurizio Guarini of Italy's Goblin, as well as producers Terry Brown (Rush) and David Bendeth (Bruce Hornsby, Paramore).

The band is eager to perform the exciting new material from Second Sound live throughout 2014 and beyond.

For news and updates, follow:
Official site: www.druckfarben.ca
Facebook: www.facebook.com/druckfarben
Twitter: @druckfarben