Showing posts sorted by relevance for query sneetches. Sort by date Show all posts
Showing posts sorted by relevance for query sneetches. Sort by date Show all posts

Wednesday, May 3, 2017

The Sneetches - Form of Play: A Retrospective (2017, Omnivore) - A brief overview

Where do you start with a band that had one foot in the '80s, and the other in the succeeding decade that gracefully managed to deflect the superficial trappings of either period?  Well, as bassist Alec Palao eloquently describes in From of Play's liner notes, you start by not selling truckloads of records, and ditto for packing droves into nightclubs to see your act.  Meet The Sneetches, a bygone San Francisco treat that never indulged in the flavor-of-the-moment whims of their mid-80s to nineties tenure, be it new wave, neo-psychodelic, grunge or otherwise.  In fact, no amount of peer pressure (if any existed at all) swayed the Sneetches to be anything other than ...themselves.  

Settling on a four-person roster by 1988 (one that was coincidentally half Yank/half Brit) the band's modus operandi was never quite spelled out, rather revealed slowly and intermitently over the course of four full lengths and easily thrice as many short form singles and EPs.  Highly prolific, the Sneetches discography is somewhat intimidating, and although an attempt at distilling the highlights of their career was attempted via 1991's 1985-1991 compilation on Alias Records, Omnivore's summation of their trajectory encompasses the tail end of their run as well on Form of Play, albeit not chronologically.  Still, a "trail mix" cross-section of their work isn't a bad way to present the Sneetches, as they fell shy of releasing a universally hailed album, or for that matter much in the way of signature songs.  And what of those songs you might ask? 

Over the course of their decade lifespan, the Sneetches frequently inhabited a power pop place, with their intuition being equally persuaded by both sides of the pond.  Frontman Mike Levy and six string-wielder Matt Carges piloted their airship through primo, hooky terrain on "...And I'm Thinking," the Merseybeat inflected "Julianna Why," and a devastatingly bittersweet single from 1987, "Only For a Moment."  A more streamlined muse is at play on "Empty Sea" and "What's In Your Mind," loosely slotting into a mode at home with latter era Let's Active, and even Game Theory.  Some appealing anomalies materialize as well, namely the punky Buzzcocks-cum-Replacements thrust of "Looking for Something," and the strummy, pastoral folk of "Let Us Go." 

Form of Play may not be my dream roster of Sneetches songs, but first-person perspective aside it's a representative assemblage of what made these Bay-era popmeisters tick.  The few previously unreleased sections are predominantly culled from live performances, but a concluding acoustic demo of "How Does It Feel" channeling Big Star says volumes about where the Sneetches were emanating from.

Form of Play can be derived on CD or digitally direct from Omnivore, and the usual digital peddlers iTunes and Amazon.  Feel free to check out some archived Sneetches entries on these very pages.

Wednesday, May 10, 2017

The Sneetches - Lights Out! With the Sneetches (1988/91, Kaleidoscope /Creation)

Last week when I talked up the new Sneetches anthology, Form of Play, I praised it for presenting a cross section of their entire career.  Well, almost anyway.  It didn't hit me at the time, but that compilation largely overlooked (if not flat out ignored) the band's first proper album, Lights Out! With...  As if it wasn't already obvious, here's that entire platter in question.  The only song that crosses over with Form of Play, is the lilting "Only For a Moment," appearing on Lights Out! in a slightly different incarnation.  How any Sneetches career spanning disk could omit a sublime ballad like "54 Hours" or the Brit Invasion marinated "I Need Someone" is...a mystery.  Any Sneetches record is an embarrassment of riches, and this one's no exception.

01. I Need Someone
02. In My Car
03. Loreli
04. 54 HOurs
05. I Don't Expect Her for You (Look at That Girl)
06. Home Again
07. No One Knows
08. Only for a Moment

Hear

Friday, July 24, 2009

The Sneetches - Think Again ep (1993, Bus Stop) & Starfucker ep (1995, Bus Stop)

For a blog with an emphasis on indie and power pop, I'd say I'm overdue for a feature on The Sneetches. For a brief overview, Trouser Press, perfectly encapsulates the essence of the band:
Led by singer/guitarist Matt Carges and singer/bassist/guitarist Mike Levy, San Francisco's Sneetches were one of the most tasteful, consistently tuneful pop bands on the American scene. Echoes of the Zombies, Left Banke and Easybeats (they've covered songs by all three) abound; simple, uncluttered arrangements let their like-minded originals' substantial charms shine through.

If you're going to make comparisons, especially of the Merseybeat variety, you can bet The Byrds were just as important inspirational antecedents as the aforementioned, and nowhere is this more evident than on a trio of singles cut for the Bus Stop label, cut around 1990. The Think Again ep (a mini compilation thereof) boasts six solid numbers, kicking off with "...And I'm Thinking," an entirely retro-fitted nod to Roger McGuinn. An equally potent dose of the same magic spills over to a resplendent rendering of The Zombies "She Does Everything for Me." Yet another cover is included here, that of Buffalo Springfield's (Neil Young) "Flying on the Ground."

1994 gave rise to the Sneetches fourth and final proper full-length, Blow Out the Sun. The Starfucker ep (a heck of a lot less raunchy than it's namesake would imply) is comprised of seven outtakes (really demos) from the Blow Out sessions. The British Invasion vibes, as indelible as they are, have to compete with an equal awareness of the dB's, Alex Chilton, and the like. As far as leftovers go, some of these songs were definitely LP worthy. Blow Out the Sun is worth seeking out by the way, as is 1985-1991, a handly distillation of early album tracks and outtakes.
 
Think Again ep
01. ...and i'm thinking
02. i think it's alright
03. julianna why
04. she does everything for me
05. flying on the ground
06. a good thing
 
Starfucker ep
01. Watch Me Burn
02. Caroline Goodbye
03. The Fool For You
04. Get Along With Me
05. This Time
06. They Keep Me Running
07. The Dog in You
 
Think AgainHear
Starfucker: Hear

Wednesday, October 3, 2012

The Sneetches - Sunnyside Down 7" (1993, Elefant)

It's a pity The Sneetches didn't turn enough heads during their tenure from the late '80s to the mid-90s, and doubly unfortunate they're not revered by many in hindsight.  An abject shame in my book, especially when they handed out such deftly crafted power pop beauts as "...and I'm Thinking," which could go head-to-head with crème de la crème Posies and Velvet Crush any day.  The suave, chilled-out "Try and Make It All Work," (which I believe is exclusive to this single) oozes shades of the Zombies, and the Guess Who's "Undun."  Why this 45 is dubbed Sunnyside Down, and doesn't include a song of the same name is beyond me, but I digress.  I wish I had more time to extoll on the Sneetches, but if it's more info you seek may I point you to Wikipedia and Trouser Press.  Better yet, you can get a few more earfuls on these very pages, including 1988's Sometimes That's All We Have LP and two subsequent eps

A. ...and I'm thinking
B. Try and Make It All Work

Hear

Friday, July 31, 2009

The Sneetches - Sometimes That's All We Have (1988, Alias)

Fulfilling a request here in response to my Sneetches post from last week for their Starfucker and Think Again eps. For a sophomore album, Sometimes That's All We Have is remarkably accomplished, filled to the brim with deftly crafted, classicist pop, informed by the likes of John Lennon and Leonard Cohen. The album is extremely tough to come by on CD. This rip was taken from my vinyl copy.

01. Unusual Sounds
02. Don't Turn Back
03. In a Perfect Place
04. Empty Sea
05. Sometimes That's All We Have
06. Run in the Sun
07. Mrs. Markle
08. Nowhere at All
09. Take My Hand
10. Another Shitty Day
11. You're Gonna Need Her
12. It's Looking Like Me

Hear

Sunday, March 15, 2009

V/A - The View From Here: The San Francisco Compilation (1987, Medical)

Here's a nice warts and all compilation focusing on a scene we hear surprisingly little about today, as it was when this was released 22 years ago. Like most towns, San Francisco doesn't have an identifiable "sound," and that's what makes The View From Here all the more interesting. Camper Van Beethoven are clearly the most recognizable figureheads here (then and now), already established when they contributed their cover of Country Joe and The Fish's "Happiness Is a Porpoise Mouth." The only other act here that went onto enjoy any sort of national notoriety is the Sneetches, whose "I Need Someone" is a fine slice of Merseybeat fare. Pray for Rain's rhythmically sentient post-punk is clearly a cut above the rest, as well as the slightly more menacing Child Support, not to mention the rollicking, psych-imbued McGuires. Now, listen for yourselves and find your own favorite.

01. Pray For Rain - 2 Steps Forward
02. The Naked Into - Dark Comes Down
03. Vox Humana - Concept Day
04. Camper Van Beethoven - Happiness Is a Porpoise Mouth

05. The Ophelias - Palindrome
06. Standing Naked - Soul
07. Tooth & Nail - Stuck in a Nightmare
08. Kelley Gabriel & Clocks of Paradise - Sandra
09. Hold My Head, It Hurts - Carnival Ride 
10. The Sneetches - I Need Someone
11. The McGuires - Garbage Man
12. Spot 1019 - Taste the Feel
13. Child Support - Classified Information
14. Blue Movie - Dog Song

Hear

Wednesday, February 25, 2009

Engine No. 9 (pre-Fudge) 7" (1991, Bus Stop); V/A -Peppermint Stick Parade (1995, Bus Stop)

As promised, here's another installment in the Fudge legacy series. Turns out that prior to getting all woozy in Fudge, the band's nuclei of frontmen Tony Ammendolia & David Jones had their antecedents in a group called Engine No. 9, who's recorded output involved a mere 7" single. Gee, thanks a lot guys. If you would have been a little more generous I wouldn't be lamenting the fact there were no more songs cut from the same flabbergasting fabric that bore "Sleep," and "Waterfall," two modest, but deeply affecting mid-fi downer pop classics for the ages.
 
While I've scanned the sleeve for the single to your right (that Pier Platters tag ain't getting peeled off for nothin'), both tracks also appeared on Bus Stop Record's Peppermint Stick Parade compilation, which I've posted in it's entirety (that means the whole thing). Since you've been gracious enough to come for Engine no. 9, stay for jangle-pop keepers by the equally impressive Bag-O-Shells and St. Christopher. And if that weren't enough, there's also some vintage Velvet Crush action going on here too, and believe it or not, the pre-VC Springfields (Rick Menck) and a solo cut from the Crush's other prime mover, Paul Chastain. Should you crave more of the Menck/Chastain axis, proceed to this pertinent post from last year.
 
01-The Stupid Cupids - Big Blue Bus
02-Bag-O-Shells - Almost Home
03-Honeybunch - Warts and All
04-The Mayfields - Deeper Than the Ocean
05-Engine No. 9 - Waterfall
06-St. Christopher - Even the Sky Seems Blue
07-The Springfields - Sunflower
08-The Sneetches - Flying on the Ground
09-Bag-O-Shells - Whatever Happened to My Life?
10-Engine No. 9 - Sleep
11-Honeybunch - Hey Blue Sky!
12-The Mayfields - Feels Like Yesterday
13-St. Christopher - Our Secret
14-The Caroline Know - Orphaned Too
15-Paulie Chastain - Raining All Day
16-Velvet Crush - Circling the Sun