9T Antiope Paris, France
Electronic/Abstract/Experimental duo band from Iran, based in Paris.
Members: "Nima Aghiani" & "Sara Bigdeli Shamloo".
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supported by 15 fans who also own “An End On Itself”
“Do you still dream in water?” she asks. He nods—“only when it rains inside.” Their words drift, slow like signal loss,, soft clicks between heartbeats. A drone hums overhead, its shadow stroking their faces. “Are we free now?” she whispers. He laughs, small, broken. “We’re just less afraid.” They share one headphone, listening to the city’s pulse— loops of breath, echoes of what could’ve been “Hold me,” she says. “I am,” he answers, “in the static.”
go to albumsupported by 14 fans who also own “An End On Itself”
A slowly evolving tone world you can get lost in.
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Everywhere, an empty bliss
by The Caretaker
supported by 11 fans who also own “An End On Itself”
A fantastic compilation/extras album, I love a lot of these tracks, they sound really good, love this. 11/10
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Cruel Optimism
by Lawrence English
Ominous but never overwrought, English's moody protest music is executed finely here with a cabal of luminaries.
go to albumExperimental wizard Harz uses microsampling to create seven haunting, drone-y compositions that wrap themselves around you.
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Figures of Speech
by Oval Angle
On his debut for Moon Glyph, Dutch artist Geran Knol creates plucky, playful instrumentals out of bright tones and minimalist melodies.
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A Trail of Laughters
by Siavash Amini
supported by 11 fans who also own “An End On Itself”
I have loved Siavish Amini for a few years now and this album takes his art into utterly unpredictable and beautiful directions. Also if Rutger Zuydervelt (Machinefabriek) likes it then that's the only stamp of approval necessary. I have a sincere question for Mr Amini which is not intended to insult anyone's faith or deepen our stupid-enough divisions but if I were to ask an Iranian mullah "How can instrumental music possibly be an affront to Allah ?" how would he reply ?
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