Saturday, August 12, 2023

Buckingham Nicks - Alabama 1975 ~ The Morgan Auditorium: Tuscaloosa, Alabama, USA ,January 29, 1975 & xx-xx-1974 (FM)

Buckingham Nicks
Alabama 1975 - (2018 Iconography – ICON067)
The Morgan Auditorium
Tuscaloosa, Alabama, USA
January 29, 1975 & xx-xx-1974
FM & Soundboard Recordings

Flac & MP3 320kbps
Front Cover Only

01 Lola (My Love)
02 Chat
03 Monday Morning (Early Version)
04 I Don't Want to Know
05 Never Going Back Again (Early Instrumental Version)
06 Races Are Run
07 Rhiannon (Early Version)
08 Long Distance Winner
09 Django/Sorcerer
10 You Won't Forget Me
11 Blue Letter
12 Heartbreaker (Circles in Time)
13 Don't Let Me Down Again
14 Frozen Love
15 Crystal (Early Version)
16 Lola (My Love)
17 Races Are Run
18 Rhiannon (Early Version)
19 Django
20 Sorcerer

Tracks 01-15 Recorded January 29, 1975
Tracks 16-20 Recorded Circa 1974


Lindsey Buckingham – vocals, guitars, bass guitar, percussion
Stevie Nicks – vocals

Tom Moncrieff bass
Gary "Hoppy" Hodges drums, percussion

So while doing a little quick research on if this show had been officially released yet or not I found out something that I found really weird. There has actually been no official re-release of any Buckingham Nicks material since the initial release of their album. The Deluxe Expanded Edition by Rino Records is actually Unofficial. In the most recent interviews with Lindsey Buckingham about the material he stated he and Stevie Nicks have had conversations about needing to do something official about the material. He also states that is as far as the discussions have gotten. With the current state of Stevie and Lindsey's relationship they may never come together for this purpose. It would be nice for the fans if they could at least have a producer they trust come in and go through the tapes. The 2 former partners could then come in separately to approve or disapprove of the mixes and packaging. Lindsey seems sincere in wanting to do something with the material, with all sympathies to Stevie who says that the relationship was abusive, she may never want to and rightly so.

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Jefferson Airplane - Up Against The Wall... ~ San Francisco, California xx-xx-1970 (SBD)

Jefferson Airplane
Up Against The Wall... (1970 Trade Mark Of Quality ~ TMQ 71011)
Wally Heider Studios, San Francisco, California April 2, 1970
The Family Dog, San Francisco, California, February 4, 1970
TV Broadcast Recordings
Vinyl Rip

Flac & MP3 320kbps
Cover Art Included

Rosebud's Pick

Lineage: Rega P3 Turntable > Audio-Technica AT150MLX Cartridge > Pro-Ject Tube Box SE Phono Preamp (12AX7 Genalex Gold Lion tubes) > Focusrite Scarlett 2i2 Audio Interface > Click Repair > Cubase 4 LE (Editing) > Unknown Flac Encoder > Flac 24bit/96khz

Ripped by jpstooges September 2013


Side A

A1 - We Can Be Together  
A2 - Volunteers  
A3 - Eskimo Blue Day  
A4 - Mexico  
A5 - Somebody To Love  

Side B

B1 - Wooden Ships  
B2 - Plastic Fantastic Lover  
B3 - Emergency  
B4 - Ballad Of You & Me & Pooneil  

All Tracks but A3 & B4 Recorded At Wally Heider Studios, San Francisco, California April 2, 1970
Tracks A3, & B4 Recorded At The Family Dog, San Francisco, California, February 4, 1970


Grace Slick – vocals, keyboards
Marty Balin – vocals, rhythm guitar
Jorma Kaukonen – lead guitar, vocals
Paul Kantner – rhythm guitar, vocals
Jack Casady – bass
Joey Covington – drums, percussion

This is a compilation of 2 separate TV appearances by The Jefferson Airplane. The main body of this recording is from the April 1970 performance from Wally Heider Studios. Just two songs "Eskimo Blue Day" and "Ballad Of You & Me & Pooneil" are from the February 1970 performance at The Family Dog. The Airplane would last roughly 2 more years before becoming The Jefferson Starship. The last two shows of the 1972 tour held at Winterland in San Francisco would be the end of Airplane live shows until 1989. Out of the ashes of The Airplane of course came The Jefferson Starship, but also the band Hot Tuna so some great music was till to be made by all.

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The Kinks - The Palladium: New York City, N.Y. U.S.A. December 31, 1980 (FM)

The Kinks
The Palladium
New York City, N.Y. U.S.A.
December 31, 1980
FM Broadcast Recording

Flac & MP3 320kbps
Cover Art Included

Source: Nice Crispy 1st Generation FM Broadcast Tape
Lineage: CD-r(x) > E.A.C. > Wave to 16-bit > T.L.H. > Flac

 

Disc 1 44:47
01 Radio Announcer Introduction :54
02 You Really Got Me 1:22
03 The Hard Way 2:48
04 Where Have All The Good Times Gone (includes I'm So Tired) 3:50
05 Catch Me Now, I'm Fallin' 4:34
06 Bird Dog (Everly Brothers) 3:00
07 New York City Blues 2:28
08 Lola 5:48
09 Dead End Street 2:20
10 Till The End Of The Day 2:58
11 Low Budget 6:20
12 Band Introductions 1:32
13 Imagination's Real 3:45
14 Nothing More To Lose (Dave Davies Vocal) 3:08
 

Disc 2: 51:39
15 I'm Not Like Everybody Else / Come On Now 5:46
16 You Really Got Me 6:15
17 Give The People What They Want 5:00
18 A Gallon Of Gas 6:17
19 Celluloid Heroes 8:25
20 All Day And All Night 5:55
21 Announcer / Stop Your Sobbin' / David Watts / Pressure 4:23
22 Radio Announcer Encore Break :49
23 Superman 6:11
24 Announcer Closing Comments 2:37

Ray Davies – vocals, guitar, keyboards, harmonica
Dave Davies – lead guitar, vocals
Jim Rodford (R.I.P.) – bass, backing vocals
Mick Avory – drums, percussion
Ian Gibbons (R.I.P.) – keyboards, piano, backing vocals

Jim Rodford died January 20, 2018 from complications due to a fall, he was 76
Ian Gibbons died August 1, 2019 from bladder cancer, he was 67

"You Really Got Me" and "All Day And All Night" are 2 songs that straddle both worlds of Heavy Metal and Punk Rock influence. Iggy Pop and members of Van Halen say The Kinks had a big influence on their song writing. A big sounding guitar riff and a simple memorable sing along chorus. The Kinks did something a lot of British bands didn't, they stayed very obviously British. Ray Davies never tried to lose his accent when singing or conversing. This truth to self is one thing that endeared The Kinks to the UK & American Punk scenes. You could tell a UK Punk band from an American Punk band even after they started copying each other's styles, the UK accent was always there.

I went to see a local Michigan Punk band called Bachus with a friend because he heard they were great. They were not great, they were barely good. They did however open with a decent rendition of The Kinks' "Give The People What They Want". It was their only cover, they should have played more, they faded pretty quick.

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The Who - Philadelphia: 1973 Broadcast Recording ~ Philadelphia Spectrum: Philadelphia, Pennsylvania, USA December 4th 1973 (FM)

The Who
Philadelphia: 1973 Broadcast Recording - (Leftfield Media – LFM2CD634)
Philadelphia Spectrum
Philadelphia, Pennsylvania, USA
December 4th 1973
FM Broadcast Recording

Flac & MP3 320kbps
Cover Art Included

CD One

01 - I Can't Explain 03:27
02 - Summertime Blues 04:03
03 - My Wife 07:17
04 - My Generation 08:19
05 - I Am The Sea 01:43
06 - The Real Me 05:51
07 - The Punk And The Godfather 06:07
08 - I'm One 03:03
09 - 5:15 06:33
10 - Sea And The Sand 08:10
11 - Drowned 09:07

CD Two

01 - Bell Boy 05:28
02 - Doctor Jimmy 08:32
03 - Won't Get Fooled Again 09:02
04 - Pinball Wizard 02:52
05 - See Me, Feel Me 05:52
06 - Naked Eye 12:29

Roger Daltrey – lead vocals, harmonica
Pete Townshend – lead and rhythm guitars, backing and lead vocals
John Entwistle (R.I.P.) – bass, backing and lead vocals
Keith Moon (R.I.P.) – drums, occasional vocals

Keith Moon died September 7, 1978 from an overdose of a prescription drug to stop drinking
John Entwistle died June 27, 2002 from a heart attack caused by cocaine and existing heart disease

I love The Who Live! It took them a while to actually get a decent representation of their live power on a studio album. The critics all agree that Who's Next was that album. I agree with them on this point. Still, my favorite Who album is Live At Leeds. Basically it was the second Who release I owned. It was on 8-track tape...so yes I am old (lol). I was also given a little before that the American release Magic Bus The Who On Tour. A compilation of early Who tracks that were from singles or EPs. The early recordings sounded real thin to me but Live At Leeds blew me away. The power reminded me of bands like Vanilla Fudge, The Jeff Beck Group and Led Zeppelin.

I can't remember when it was but not too long ago Pete Townshend made a statement that The Who had invented Heavy Metal with Live At Leeds. It was some what controversial with some Metal Heads and critics. Now me I believe a little more like this: The Who was definitely an influence on Heavy Metal and on Punk Rock. The tones and performance on Live At Leeds were just as instrumental as the more accepted Metal influences. The MC5, Blue Cheer, Black Sabbath, Led Zeppelin, Deep Purple, Vanilla Fudge and The Jeff Beck Group with Rod Stewart are all accepted as Proto-Metal Hard Rock Bands. The thing I found interesting is how many US Punk Rockers I met that loved The Who and hated almost every one else. Anyway this is another version of a very well known Who show, but it sounds real good!

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