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The Critical Mr J.
18 Pins
·
2y
By
Marshall Julius
Marshall Julius (@MarshallJulius) / X
Only those violently opposed to laughter and happiness should avoid #HuntForTheWilderpeople.
Marshall Julius (@MarshallJulius) / X
X-Men: Apocalypse is simultaneously too much and not enough. Overblown & overlong yet underwhelming in every respect.
Marshall Julius (@MarshallJulius) / X
Methadone for fans, Star Trek Beyond is better than no new Trek, but weaker than most old Trek. A diminishing return.
Marshall Julius (@MarshallJulius) / X
Giddily non-linear, concerned with language, communication, co-operation and the nature of existence, #Arrival is a thought-provoking trip!
Marshall Julius (@MarshallJulius) / X
Bold, cerebral sci fi that asks challenging questions and offers no easy answers, #Arrival is this generation's 2001.
Marshall Julius (@MarshallJulius) / X
Tonight I'm going old school with a beer-fuelled screening of Jean-Claude Van Damme's Kickboxer: Vengeance 💪💥 🍺🍕
Marshall Julius (@MarshallJulius) / X
Magnificent? No way. Routine but watchable? That's more like it. The Mildly Satisfactory Seven. #TheMagnificentSeven
Marshall Julius (@MarshallJulius) / X
Meryl Streep hits high comedic notes in Florence Foster Jenkins, the sweet true story of a tone-deaf songbird.
Marshall Julius (@MarshallJulius) / X
X-Men: Apocalypse isn't unwatchable so much as utterly unexceptional. Forgettable. Almost entirely devoid of wow.
Marshall Julius (@MarshallJulius) / X
Very amused by The Nice Guys. It's wry, winky, fighty & boozy, booby, irresponsible & nobody learns anything. Aces!
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Marshall Julius (@MarshallJulius) / X
Spirited & funny with a likeable crew, a bit too Scooby Doo maybe, but way better than GB2, Ghostbusters is a win!
Marshall Julius (@MarshallJulius) / X
Marshall at the Movies ain't 'fraid of no Ghostbusters reboot: http://hearthis.at/961784/
Marshall Julius (@MarshallJulius) / X
Departing now for #Arrival, in Cinemas November, a cerebral sci fi tale of otherworldly visitation from a colossal Chocolate Orange segment.
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The Critical Mr J.