Quick filters:
Ruth gleaning Stock Photos and Images
RMMPN70K–'Ruth gleaning in the Fields of Boaz', c1900. Artist: Unknown.
RMC8N543–Bible Stories- Illustration Of Ruth Taking Home The Barley That She Has Gleaned To Share It With Her Mother In Law Naomi
RMPKCW6A–'Ruth Gleaning', 1919. Artist: Lucien Pissarro.
RMG39HMB–RUTH GLEANING
RMRK69MC–Engraving of the widow Ruth gleaning in the fields of Boaz. From The Self-Interpeting Bible, perhaps the 1843 edition.
RMA2YAG8–Ruth Gleaning
RM2A2W1JB–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RM2H2FJ39–Scenes from the Story of Ruth, stained glass window by Robert Bayne, of Heaton Butler & Bayne, 1862, Sculthorpe, Norfolk, England, Ruth gleaning
RMPRN1PR–Ruth Gleaning, sculpture.
RM2GE6MX1–RUTH GLEANING. Ruth ii. 7. And she said, I pray you, let me glean and gather after the reapers among the sheaves: so she came, and hath continued even from the morning until now, that she tarried a little in the house. From the book ' The Old Testament : three hundred and ninety-six compositions illustrating the Old Testament ' Part II by J. James Tissot Published by M. de Brunoff in Paris, London and New York in 1904
RMERG2D3–Ruth takes leftover crops from a field owned by Boaz, who will later become her husband. Caption reads: Ruth gleaning. Ruth,
RMTA95BD–Marble Statue of Ruth Gleaning, American Wing, MET, NYC, USA
RMERG1X0–Ruth takes leftover crops from a field owned by Boaz, who will later become her husband. Caption reads: Ruth gleaning. Ruth,
RMJ3YPXT–Scenes from the Story of Ruth, stained glass window by Robert Bayne of Heaton Butler & Bayne, 1862, Sculthorpe Church, Norfolk, England UK. Gleaning
RMD9690T–Ruth, Moabite widow, gleaning amongst the corn, and attracts the attention of Boaz who marries her. Thus she becomes great-grandmother of King David. Ruth 2:10. Copperplate engraving c1804.
RMW7CN0M–'Ruth Gleaning in the Field of Boaz', c1804. Artist: Unknown
RME78T5F–Work in the Delaware Art Museum, Wilmington, Delaware. 'Ruth Gleaning' by Randolph Rogers c. 1850.
RM2RAKAK6–Ruth gleaning 1886; France by Alexandre Cabanel
RM2M52469–Engraving of Boaz encouraging Ruth to glean in his fields, circa 1880
RMR5CDYX–A historiated initial 'I'(n) of Ruth gleaning. Bible (the 'Big' or 'Great Bible'), with the Gospel of Nicodemus and the Interpretation of Hebrew names. England, S. E. (London?); 1st quarter of the 15th century. Source: Royal 1 E. IX, f.62v. Language: Latin.
RMC8N4P9–Bible Stories- Illustration Of Ruth Working In Boaz Barley Fields
RM2CF5551–Charles Engelhard Court in The American Art Wing, The Metropolitan Museum of Art, NYC, USA
RMC100X8–Wood Engraving Of Boaz and Ruth Meeting in a Cornfield by Gustave Dore Book of Ruth 2:22-23
RM2WE8DB2–Ruth collects Aren, Lucien Pissarro, 1896 print Ruth collects the remaining ears on the field of Boaz. print maker: Englandprinter: Hammersmith paper Ruth gleaning
RMAHCMYA–Ruth And Naomi
RM2A2W1JC–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RM2Y4MKDX–Ruth and Boaz Meeting in the Cornfield painting by Charles Gleyre in The 1902 Edition of The Child's Bible Printed Cassell and Company Limited
RMPRN1PY–Ruth Gleaning, sculpture.
RM2WJAKEG–Illustration of Ruth Meeting Boaz in Corn Field Book of Ruth (Ruth XI.10) Old Testament Illustrated Family Bible
RMG39NCP–RUTH AND NAOMI
RM2Y151JP–Boaz (landowner) and Ruth (poor widow) depicted by Wailes and Strang, St Michael's church, Shap, Westmorland and Furness, Cumbria, UK
RF2B959MJ–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2T7AWYM–Illustration of Ruth Meeting Boaz in Corn Field Book of Ruth (Ruth XI.10) Old Testament the Self-Interpreting Family Bible
RMTXGXFX–Ruth, Moabite widow, gleaning amongst the alien corn and attracts the attention of Boaz who marries her Thus she becomes great-grandmother of King David. Ruth 2:10. c1804 Copperplate engraving
RM2Y4MKEW–The Visit of Boaz to the Harvest Field from Painting by A.Bida in The 1902 Edition of The Child's Bible Printed Cassell and Company Limited
RMP3WKDT–BIBLIA DE SAN LUIS DE FRANCIA- 1226/34-RUTH SEGANDO EN LOS CAMPOS DE BOOZ-MINIATURA GOTICA. Location: CATEDRAL-BIBLIOTECA, TOLEDO, SPAIN.
RM2ANEEFH–Journeys through Bookland : a new and original plan for reading applied to the world's best literature for children . Ruth 147 Boaz said unto Rutli, Ilearest thou not, mydauf^hter? Go not to glean in another field, neithergo from hence, hut ahide here fast hy my maidens.Let thine eyes be on the field that they do reap, andgo thou after them: have I not charged the youngmen that they shall not touch thee? and when thou. RUTH GLEANING art athirst, go unto the vessels, and drink of thatwhich the young men have drawn. Then she fell on her face and bowed herself tothe ground, and said unto him, Why
RMWX0BE3–'Then said Boaz to Ruth, go not to glean in another field', 1840. Biblical scene, from Ruth 2: 8: 'Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:'. The landowner Boaz deliberately leaves grain for the widow Ruth, who gleans (collects leftover crops from farmers' fields after they have been harvested), to provide for herself and her mother-in-law, Naomi, who was also a widow. Engraving after a painting of 1790 by Francis Wheatley.
RMR58P8A–Ruth gleaning. Great Bible (St. Jerome version). England (London?), 1405-1415. (Detail) Opening of the Book of Ruth: initial 'I' shows Ruth gleaning, three other people scything and collecting the crop, with Boaz and his servant watching. Image taken from Great Bible (St. Jerome version). Originally published/produced in England (London?), 1405-1415. . Source: Royal 1 E. IX, f.62v. Language: Latin.
RFT5XW6K–Two men are talking to woman who working in farm, another woman cutting sheaves in background, vintage line drawing or engraving illustration
RM2CF555H–Charles Engelhard Court in The American Art Wing, The Metropolitan Museum of Art, NYC, USA
RMDRDR1E–Israel - Bible scene reconstruction - The Field of Boaz
RM2WBWNT6–Photo production of (presumably) a print by Ruth reading Aren on the field of Boaz, c. 1850 - c. 1870 photograph Part of album with photos of sights and landscapes in England and of art. England paper. photographic support albumen print Ruth gleaning
RM2A2W1MN–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MA–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPPJ30P–Nicolas Poussin (1594-1665). French painter. The Four Seasons. Summer or Ruth and Boaz. 1660-1664. Louvre Museum. Paris. France.
RM2AX9DDJ–Bible symbols; designed and arranged to stimulate a greater interest in the study of the Bible by both young and old . A TRUE STORY OF LOVE ANDFAITH. p.GE (Story) 56-57 Ruth Gleaning in the Fields 58 DAVID AND GOLIATH. (Story) 59-60 David Tells Goliath God will Fight for Him 61 David Kills the Giant 62 Absalom Hong by His Hair in a Tree 63 THE PRODIGAL SON. (Half-tone engraving) 64 Solomons Greatness 65 Solomons Wisdom 66 Elijah Fed by the Ravens 67 PASSAGES FROM THE PSALMS. The First Psalm 68 Mans Rule Over the Creatures 69 The 23d Psalm—The Lord is My Shepherd 70,71,72 Stubbornness 73 How^
RM2WRGTX6–"Ruth", by A. Johnston, from the exhibition of the British Institution, 1864. Engraving of a painting. 'The colouring of this picture is extremely vivid and effective; moreover, the beauty of the "subject" is of a highly attractive kind...In regard to this "Ruth" some might ask for a more Oriental physiognomy (according to modern notions), while others might prefer this more familiar type. Who shall tell us what facial character prevailed in the "country of Moab"?...The appropriateness of the expression of this figure must be judged of still more arbitra
RM2CF555E–Charles Engelhard Court in The American Art Wing, The Metropolitan Museum of Art, NYC, USA
RMTB501C–Charles Engelhard Court in The American Art Wing, The Metropolitan Museum of Art, NYC, USA
RM2WFM3KG–Boaz meets Ruth at the harvest of barley, Hans Holbein (II), 1538 print Boaz inspects the harvest of barley on his country and meets Ruth who runs after the mowers to read Aren. In the margin above the image is the text Ruth II. paper Ruth gleaning
RM2A2W1N5–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RMH1WM7M–Metropolitan Museum of Art, NYC, USA
RF2B959M7–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AKB8BX–The pathway of life ; Intended to lead the young and the old into paths of happiness, and to prepare them for a holy companionship with him whose kingdom is as boundless as his love . - and busiest week of yourlife and find golden opportunities, which, gathered, might at least make a wholesheaf for the Lords garner. It is the stray opportunities and the stray privilegeswhich, taken up and bound together and beaten out, will at last fill you withabounding joy. There are a tew moments left w^orth the gleaning, Now^ Ruth, to the field !May each one have a measure full and running over ! O 3ou gle
RM2WEKRBE–Ruth collects Aren on the field of Boaz, Joseph Mulder, after Gerard Hoet (I), 1720 - 1728 print Ruth picks up the Aren on the field of Boaz, who leaves the mowers behind. Sitting under a canopy with his dogs, Boaz watches. At the bottom of the margin a reference to the Bible text and the title in Hebrew, English, German, Latin, French and Dutch. paper engraving / etching Ruth gleaning
RM2A2W1JG–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MX–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2WCWCGX–Ruth collects Aren on the field of Boaz, Joseph Mulder, after Gerard Hoet (I), 1720 - 1728 print Ruth picks up the Aren on the field of Boaz, who leaves the mowers behind. Sitting under a canopy with his dogs, Boaz watches. At the bottom of the margin a reference to the Bible text and the title in Hebrew, English, German, Latin, French and Dutch. Amsterdam paper engraving / etching Ruth gleaning
RM2A2W1JE–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MG–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2WE6RWB–Naomi with her daughters -in -law Orpa and Ruth and Ruth reads Aren on the land of Boaz, Jacob Folkema, 1791 print Two Biblical performances from Ruth 1 and 2. Naomi with its daughters -in -law Orpa and Ruth, and Ruth reads Aren on the land of Boaz. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 45. publisher: Amsterdampublisher: Dordrecht paper etching Naomi on her way to Bethlehem with her daughters-in-law, Orpah and Ruth. Ruth gleaning
RM2A2W1JH–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RM2HJ2YJ1–Ruth Gleaning 1850; carved 1855 or 1856 Randolph Rogers American In 1848, Rogers settled permanently in Italy, where he became a prominent member of the Roman art community. 'Ruth Gleaning,' his first large-scale biblical subject, depicts the moment in the Old Testament book of Ruth (2:1–13) when the Moabite woman kneels to glean grain in the field of her future husband, Boaz. Rogers drew inspiration for the pose from sculptures by his Florentine teacher Lorenzo Bartolini as well as from Greek and Roman prototypes, notably the 'Kneeling Venus' at the Vatican. While Ruth’s idealized facial feat
RM2WFM6EG–Bible children's prints, 1869 - 1908 print Leaf with 4 performances of stories from the Old Testament. Ruth, Noömi and ORPA in a landscape, Ruth in the field of Boaz (Aren reading), the Ark of the covenant is brought to Jerusalem and Saul tries to kill David. A Bible text under each image. Numbered at the top right: No. 7. Amsterdam paper letterpress printing Old Testament. Naomi on her way to Bethlehem with her daughters-in-law, Orpah and Ruth. Ruth gleaning. the Ark of the Covenant is brought to Jerusalem (2 Samuel 6). Saul casts his spear at David when the latter is playing his harp before
RM2G43HJ3–Photo production of (probably) a print of Ruth who reads Uren on the field of Boaz; Ruth Gleaning. Part of album with pictures of sights and landscapes in England and of art.
RF2B959M5–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1MY–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959M8–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1N6–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MN–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1JA–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MH–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1JD–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MP–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1JF–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MB–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1K7–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MD–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1KM–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959ME–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1MG–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MK–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1JJ–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959MW–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2W1M1–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945
RF2B959M6–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2PAAD–Randolph John Rogers, American, 1825-1892, Ruth Gleaning, sculpted 1850-1853, carved between 1853 and 1883, marble, Overall: 46 × 26 × 26 inches (116.8 × 66 × 66 cm
RF2B959M2–Ruth Gleaning, Randolph Rogers (American, 1825-1892), 1860, marble on plum marble pedestal, 35-1/2 x 20 x 20 in., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.