Jaws Blu-ray delivers stunning video and audio in this exceptional Blu-ray release
When a seaside community finds itself under attack by a great white shark, three men embark on a quest to kill it before it strikes again.
For more about Jaws and the Jaws Blu-ray release, see Jaws Blu-ray Review published by Jeffrey Kauffman on August 1, 2012 where this Blu-ray release scored 4.5 out of 5.
Were there "event" summer blockbuster movies before Jaws debuted on what was then a staggering number of
screens in late June of 1975? Probably, though you'd be hard pressed to find another film which so seemingly
instantaneously captured the public's imagination and raked in so much lucre, not to mention a perhaps unexpected bevy
of critical acclaim. Jaws's production had been so famously troubled that even co-star Richard Dreyfuss was by his
own admission thinking he had signed on to one of the all time disasters in cinema history. Of course, Dreyfuss had
instead hitched his star to one of the most epochal films of its era, and perhaps of all time. It's almost impossible to
conceive it now, but Steven Spielberg was hardly a blip on the Hollywood map when he ultimately landed the directorial
gig (after at least a couple of others either passed or didn't pass muster with producers Richard Zanuck and David Brown),
but Jaws indelibly established Spielberg as one of the cinema masters of his generation. The film is brisk, brilliantly
structured (with a sharp screenplay co-written by original novelist Peter Benchley and Carl Gottlieb), and what was initially
thought to be a huge detriment turned out to be one of the film's most salient successes: the special effects crew just
couldn't get a realistic looking shark to work properly, and so Spielberg had to invent other ways of suggesting menace.
What ensued was a brilliant model of alluding to terror rather than depicting it outright, and Spielberg's "workaround"
gives Jaws a lot of its visceral sense of horror. As any psychiatrist worth his or her salt will tell you, your
imagination can conjure fears far more "real" than anything mere reality can present to your actual eyes.
Is there anyone who actually hasn't seen Jaws? It seems inconceivable, though I've been personally surprised
before by comments from readers who have never seen everything from Casablanca to Gone With the
Wind to Ben-Hur or even that staple of Easter television broadcasts, The Ten Commandments. So
for those uninitiated in the story of the little village of Amity, here goes. Jaws relates the story of Amity's
new police chief Martin Brody (Roy Scheider), who has his idyllic summer "working vacation" spoiled when a badly
mutilated corpse washed up on Amity's picturesque beach. We've already seen some clues as to what happened to
this hapless young woman, and soon Amity's medical examiner is chiming in that she was killed by a shark. The
machinations of Amity's business savvy and somewhat desperate Mayor Vaughan (Murray Hamilton in a fantastic
supporting performance) keeps Brody's desire to close all of Amity's beaches at bay, until another tragedy strikes.
Even then Mayor Vaughan isn't especially well disposed to shutting down Amity's main source of revenue, but soon
Brody, a salty seaman named Quint (Robert Shaw) and a young marine biologist named Matt Hooper (Richard Dreyfuss)
set out in Quint's aging boat Orca to track down and kill the shark. What they encounter is a beast far larger
and more vicious than they would have ever thought possible, a creature seemingly intent on exacting revenge. The
final third or so of the film is a knock down, drag out fight between the shark and the three men on the boat, with
rather evocative echoes of Herman Melville's Moby Dick pinging around the boat deck.
Jaws is a film of incredibly impressive set pieces, including the terrifying first sequence alluded to above.
Spielberg simply had an inerrant intuition for how to frame scenes in this film, and his wandering tracking shots of
swimmers taken from below in the water immediately establish a sense of dread in the viewer that the director revisits
time and again throughout the picture. It must be admitted, however, that Spielberg and his team weren't completely
able to cover up the kind of patent silliness of their fake shark. While a great deal of the film works beautifully, there
are at least a couple of moments where the verisimilitude of the great beast leaves a little bit to be desired, including
an admittedly terrifying sequence late in the film dealing with Quint (those who have seen the film will know what this
refers to).
The film has become at least as famous for John Williams' two note ascending half step motif as it has perhaps for
anything actually seen in the film. Rarely have image and music been so seamlessly interwoven, and Williams' score
was one of three Academy Awards the film took home that year (the other two were for Verna Fields' brilliant editing
and the film's evocative sound done by a quartet of craftsmen). A lot of once iconic films seem to lose at least a little of
their luster as the years progress, but Jaws if anything has only grown in stature in the more than 35 years
(wow!) since its initial release. It's a rare situation of things coming together near perfectly even as most everyone
involved in the film is convinced things are falling apart.
Jaws is presented on Blu-ray courtesy of Universal Films with an AVC encoded 1080p transfer in 2.36:1. There is
more often than not a coterie of Universal dislikers (some would say Universal bashers) who are eager to get out their
virtual scissors to cut any Universal catalog release's transfer to
shreds, but they should take this one small statement into
account:
The entire restoration process was conducted in conjunction with Steven Spielberg and Amblin Entertainment's
post-production team to ensure the integrity of Spielberg's original vision remained intact.
Furthermore, Mr. Spielberg himself is well in evidence on the restoration featurette included as a supplement on this
Blu-ray speaking without reservation about how good the Blu-ray looks. So, to these Universal nay-sayers, I ask that
you please take your
complaints to Mr. Spielberg should you recite the usual (and increasingly meaningless) mantra of "too much DNR" and the
like, as he in my estimation is better equipped than any of us to know how he wants
his film to look. In my hardly ever humble opinion, this is certainly one of the finest high definition presentations of a
Universal catalog
release we've seen during this centenary year, which many readers of course will say is damning with faint praise.
According to
the
documentation provided with the release as well as the restoration featurette, as much of the original negative that
could he harvested was for this transfer, utilizing a wet gate scan that sought to remove as many scratches as possible
at that stage of the restoration process. Color timing has been painstakingly balanced throughout the film and contrast
has also been dramatically improved. The image is crisp and beautifully detailed. So what about grain and noise
reduction, the single most consistent complaints Universal catalog releases are saddled with: as the screencaps clearly
show, there is natural fine grain in this transfer. Has it been mitigated somehow? I frankly don't know, but Universal's
track record would suggest it may have been, since that tends to be their modus operandi. Does that
somehow negate the fact that this transfer bears the approval of Steven Spielberg? I personally don't think so.
As much attention as image quality typically gets on major Blu-ray releases, for some reason people tend to give the audio
quality short shrift a lot of the time. Maybe it's my background as a musician and composer that gets my hackles up about
this, but I personally was actually more concerned about the repurposed lossless DTS-HD Master Audio 7.1 track
that adorns this new Blu-ray release of Jaws than I was about any suggested "usual" problems with a Universal
catalog release's video. Jaws was released originally with a thrillingly effective mono track (which to Universal's
credit is also provided on this Blu-ray courtesy of a DTS 2.0 mix), and I worried about how "tarting up" the original mix
would potentially distract from the audio presentation. I needn't have worried. This is very smart repurposing, and if
anything tends to be on the cautious side, which is how I personally prefer these repurposed surround mixes. There are
certainly wonderful moments of immersion, especially in some of the panicked crowd scenes, but perhaps even more
tellingly, in some relatively quieter moments when individual ambient environmental sounds are smartly placed around the
sound field. Fidelity is superb and John Williams' towering score sounds magnificent. There's also a new clarity and
precision to some of the foley effects (as Spielberg himself points out in the restoration featurette, you can now clearly hear
the "dinosaur roar" as the shark meets its fate toward the end of the film).
The Shark is Still Working: The Impact and Legacy of Jaws (SD; 1:41:21). This is listed as an
"all new" feature length documentary, but Jaws fans will know it actually comes from 2007. This is a fantastic
overview not just about the film and its technical challenges, but how the film influenced scores of subsequent
filmmakers.
Jaws: The Restoration (HD; 8:28) is an in-depth look at the efforts made to restore Jaws,
featuring several Universal executives and technicians, as well as Steven Spielberg.
The Making of Jaws (SD; 2:02:48) is another really in-depth (vintage) piece that looks at the nuts
and bolts
(and animatronic hydraulics) of putting the film together. Spielberg, Peter Benchley and a host of others involved in the
production are interviewed.
From the Set (SD; 8:56) is a vintage (1974) making of featurette with a very young Steven
Spielberg.
Jaws continues to be a near perfect film experience now several decades after its release. Terrifying, disturbing and
against considerable odds, often very funny, this film put Spielberg firmly on the map and continues to be one of his
defining achievements. There's virtually no element out of place in this brilliantly structured film. Performances and
direction are spot on and the technical achievements are for the most part stellar. This Blu-ray is simply stunning in all
categories. A top notch restoration and transfer supervised and approved by Spielberg himself are augmented by a bevy of
fantastic supplements (though it would have been great to have had a Spielberg commentary on this release). Highly
recommended.
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